prepared by his people. The medicine for it is arranged for thus. A house
is built at least several hundred yards from the village. There will be
present no one but the doctor, who eats and sleeps there while he is
arranging with the spirits and deciding on the medicine. After two days he
tells the people that he has finished it, that his preparations are ready,
and that they must assemble at his house. He tells them to bring with them
a certain shaped spear with prongs. Men have already gathered in the
village, to the number of several hundred, waiting for the war. The doctor
chooses from among them some man whom he sends to the forest to get a
certain ingredient, a red amomum pod. (It contains the "Guinea grains," or
Malaguetta pepper, which taste like cardamom seeds, which a century ago
were so highly valued in Europe that only the rich could buy them.) Then
the doctor and the man, leaving the crowd, go together to the forest with
knife and machete and basket. They may have to go several miles in order
to find a tree called "unyongo-muaele." The doctor holds the chewed amomum
seeds in his mouth, and blows them out against the tree, saying,
"Pha-a-a! The gun shots! Let them not touch me!" The assistant holds the
basket while the doctor climbs the tree and rubs off pieces of loose bark
which are caught in the basket as they fall. They then go on into the
forest to find another tree named "kota." There he blows the chewed seeds
in the same way saying the same,--"Pha-a-a! Thou tree! Let not the bullets
hit me!" And the assistant, with basket standing below, catches the bark
scraped down as the doctor climbs this tree.
They return to the village and enter the doctor's house. No women or
children may enter the house or be present at the ceremonies. The men
bring into the house a very big iron pot, and the doctor says, "This is
what is to contain all the ingredients of the medicine." Then the doctor,
with two other men, takes that spear by night, leaving all the other men
to occupy themselves with songs of war, while the townspeople are asleep;
they go to the grave of some man who has recently died. They dig open the
grave, and force off the lid of the coffin. The doctor thrusts the spear
down into the coffin into the head of the corpse. He twirls the spear
about in the skull, so as to get a firm grip on it with the prongs of the
spear. He changes his voice, and speaking in a hoarse guttural manner
says, "Thou corpse! Do not let any one hear what I say! And do not thou
injure me for doing this to you!" When the spear is well thrust into the
skull, he stoops into the grave, and with a machete cuts off the head. He
goes away carrying the head on the spear-point. While doing all this, he
wears not the slightest particle of clothing. They go back to the village
to the doctor's house; and there they catch a cock, and in the presence of
the crowd the doctor twists (not cuts) off its head. The blood of the cock
is caught in a large fresh leaf. He takes the fowl to the big pot, and
lets some of its blood drip into it. The head of the corpse is also put
into the pot, with water, and all the other ingredients, including the
spear. The bullets of the doctor's gun are also to go into the pot, which
is then set over a fire.
After the water has boiled the doctor takes a furry skin of a bush-cat,
and all the hundreds of men stand on one side in a line. He dips the skin
into the pot, and shakes it over them. As he thus sprinkles them, he lays
on them a prohibition, thus: "All ye! this month, go ye not near your
wives!" All that month is spent by them practising war songs and dances.
Then the doctor takes the blood that was collected on the leaf, and mixes
it with powdered red-wood. This mixture is tied up with the human head in
a flying-squirrel's skin. He hangs this bundle up in the house over the
place where he sits. The body of the fowl next day is torn in pieces, not
cut with a knife, and placed in a small earthen pot with njabi oil (the
oil of a large pulpy forest fruit), and ngândâ (gourd) seeds. An entire
fresh plantain bunch is cut, and successive squads of the men peel each
man his small piece with his finger-nails. These also they shred with
their nails, part into the pot, and part on a plantain leaf, as the pot is
small, and all the pieces will be added as the contents of the pot are
gradually reduced. The doctor himself lifts the pot from the fire, and
first eats of the mess, and then gives each of the men, with his hand, a
small share.
When all have finished eating, he opens the bundle that had been tied in
the squirrel skin, and with the fibrous inner bark of a tree,
kimbwa-mbenje (from which formerly was made the native bark-cloth),
sponges the red rotten stuff on their breasts, saying, "Let no bullet come
here!" Then, led by the doctor, they march in procession to the town.
There he tells the people of the town to try to shoot him, explaining that
he does not wish any one to be in doubt of the efficacy of the charm. As
he leads the procession, he holds the bundle in his hand, shouting, "Budu!
hah! hah! Budu! hah! hah!" The "hah" is uttered with a bold aspiration.
This is to embolden his followers. ("Budu! hah!" does not mean anything;
it is only a yell.) The people are terrified, though he is still shouting
to them to fire at him. He is safe; for he leads the procession to where
is stationed a confederate, who does fire at him point blank from a gun
from which the bullets have been removed. It is a triumph for him! The
crowd see that not only he does not fall dead, but he is not even wounded!
The charm has turned aside the bullets!
The townspeople are then invited to join the procession. They stand up
with the doctor and his crowd, and dance the war-dance. When the dancing
is ended, he takes the bundle and anoints all the townspeople, even the
women and children. And the men go to their war, sure of victory. But the
doctor himself does not go; he remains safely behind, saying that it is
necessary for him to watch the bundle in his house. Defeat in the war is
easily explained by saying that some one in the crowd had spoiled the
charm by not obeying some item in the ritual.
_For Trading._ One method is described to me by a Batanga native who had
seen it used by a certain man of his tribe. This man obtained the head of
a dead person who had been noted for his intelligence. This he kept hidden
in his house, lying in a white basin. To assure himself that it should be
seen by no one else, he built a small hut in the behu (kitchen-garden),
detached from his dwelling, and into which none but himself and wife
should enter. There he kept the head in its basin. When he had occasion to
go to a white man's trading-house to ask for goods or any other favor, he
first poured water into this basin, mixed it with the decomposed brain
that had oozed from the skull, and washed his cheeks in this dirty water.
He also took some brain-matter, mixed it with palm-oil, and rubbed it over
his hands. Then, on his going to the trading-house, when the white man
shakes hands with him and looks on his face, he will be pleased and
generously disposed, and will grant any request made.
My informant told me that when he was a lad he assisted his father in
using another method. His father was intimate with white men, trading
extensively with them in ivory. To increase his credit, he set out to make
a new fetich. He called the son to accompany him to the forest, and handed
him a basket to carry. They searched among the trees until they found two
growing near together, but bent in such a way toward each other that their
trunks crossed in contact, and were rubbed smooth by abrasion; and when
violently rubbing, in a storm, gave out a creaking sound. In that
mysterious sound inhered the fetich power. He chose the trees, not for any
value in their kind, but because of their singular juxtaposition and their
weird sounds. He gathered bark from these trees, and the son carried the
basketful back to their village. The father fixed the time of arrival and
point of entrance so that they should not be seen as they came to their
house. He then went out to the behu (kitchen-garden) and plucked four ripe
plantains (mehole); and gathered leaves of a certain tree, by name "boka."
An earthen pot containing water and pieces of the twin-tree bark was set
over the fire, and into the pot were finely sliced the mehole and the boka
leaves. To these were added a certain kind of fish, by name "hume," a
bottle of palm-oil, gourd seeds, and ground-nuts. All these were
thoroughly boiled together. When they were sufficiently boiled, he lifted
off the pot from the fire, not by his hands, but by clasping its hot sides
with his feet, as he sat on a low stool, and placed it on the ground.
Sitting by it, he held his face over it, with a cloth thrown over his
head, thus inhaling the steam. He remained in this steam bath for about an
hour.
At food time he cut two pieces of leaves from plantains, spread them on
the ground and sat on them, and ate the mess that was in the pot. While
eating, he uttered into the pot adjurations, _e. g._, "Let no one, not
even a Mabeya tribesman, hinder me from the white man's good-will! When I
go some day to make my request to the white man, let him grant it!" When
he had finished eating, he told his son to carry the pot into an inner
room and deposit it in a large box, which the father opened for that
purpose. The pot was not washed; it still contained the remains of the
pottage. He told his son to reveal to no one what they had done.
That very day he heard that his trade friend in the adjacent inferior
Mabeya tribe had obtained an ivory tusk for him. He at once started out
alone to meet his friend on the way, so as to be sure that it would not be
carried to some one else; but not as on other ordinary journeys. He was to
look neither to the right nor to the left (as if watchful of possibly
ambushed enemies), nor to look back, even if called by name; but with eye
straightforward, to walk steadily to the goal. Before starting, he had
rubbed some of the pottage mess on his hand and tongue. On reaching the
Mabeya village, his friend did not hesitate or haggle about the price, but
promptly told him to take the tusk. Before selling it to the white trader,
he scraped some ivory flakes from the outside of the tusk, put them into a
decanter with two bottles of rum (before foreign liquor was known, native
plantain beer was used) and pieces of the twin-tree bark. When
subsequently he had occasion to go to the trading-house, he first drank a
little from this decanter.
Another Bwanga-bwa-Ibâmâ, or trade medicine, is concocted as follows: A
man who decides to make one for himself does not allow any one but his
wife to know what he is about to do. He gathers from the forest leaves of
a tree, by name "kota," the skin of a flying-squirrel (ngunye), from some
dead person the nail from the fourth or little finger (of either hand),
and the tip of the tongue, some drops of his wife's menses, a solution of
red-wood powder, and the long tail-feathers of a forest bird, by name
"kilinga." He then provides himself with an antelope's horn. Having burned
the squirrel skin, he puts its ashes into the horn, mixed with the
above-named articles, including the feather, whose end is allowed to stick
out. Then, with the gum of the okume, or African mahogany tree, he closes
the mouth of the horn, as with a cork, to prevent the liquid contents from
escaping. This horn he suspends by a string from his neck or shoulder
whenever he takes it with him on a journey. He uses it in his trade
dealings with both whites and blacks. Before beginning a bargain or asking
a white trader or another person for gifts of goods, he secretly pulls out
the feather through the soft gum, and rubs a little of the liquid on the
end of his nose. When this fetich is not in use, it is hidden in his
bedroom or other private part of his house. But no one, not even his own
family, is allowed to know where it is kept.
Among the Mpongwe tribes of the equator in West Africa there are trade
medicines that involve actual murder. One of these is called "Okundu."
Like modern spiritualism, it seeks to employ a human medium to communicate
with the dead; but it is unlike spiritualism in that the medium must
actually be killed before he can go on his errand.
In the case of a man who seeks to become wealthy in trade and goes to a
magic doctor for that purpose, the doctor tells him of the different kinds
of medicine, and some of the most important things required for each. The
seeker may choose what he is able and willing to do. For Okundu medicine
it is required that the seeker shall name some one or more of his
relatives who he is willing should die, and that their spirits be sent to
influence white traders or other persons of wealth, and make them
favorably disposed toward the seeker, so that they may employ him in
positions of honor and profit. If the seeker hesitate to do the actual
murder, the doctor, by his black art, is to kill the person nominated and
send him on his errand. If the fear should occur to the seeker that
perhaps the murdered relative, instead of devoting himself in the
spirit-world to the trade interests of his murderer, should attempt to
avenge himself, the subject is dismissed by the doctor's assurance that
either the spirit shall not know that the death of its body was premature,
or that he will overrule it for the desired purpose.
I know, personally, a Mpongwe man still living in Gabun who is believed to
have done this Okundu. He is of prominent family, and had held lucrative
service with white traders. His fortunes began to wane; he fell into debt,
and white men began to doubt him and hesitated to entrust him. Though
wearing the dress of a civilized gentleman, he is a heathen at heart. He
had a little slave boy. The child suddenly and mysteriously disappeared.
Those who asked questions received evasive and contradictory answers. A
very reliable native told me that it was known that this man had been
communicating with an Okundu doctor, and many believed that the child had
been put to death. But no one dared to say anything openly, and there was
not sufficient proof on which to lay an information before the French
governor, only a mile distant.
Another Mpongwe trade medicine is Mbumbu (which means "rainbow"). Old
tradition said that the rainbow was caused by a forest vine which a great
snake had changed to the form of the sun-colored arc. The seeker of wealth
is aided by the doctor to obtain a piece of this rainbow, which he keeps
in secret, and can carry hidden with him. By it he is able at any time to
kill any one of his relatives whom he may choose (of course unknown to
them) and send their spirits off to induce foreign traders to give him a
store of goods (the children's pot of gold at the rainbow's end?).
_For Sickness._ Among the Mpongwe and adjacent tribes there are three
kinds of spirits invoked, according to the character of the disease. These
are Nkinda, Ombwiri, and Olâgâ.
It is clear that these, as explained in a previous chapter, are names of
spirits, but the same names (as in the case of other fetich mixtures) are
given to the medicines in whose preparation they are invoked. But my
informants differed in their opinions whether these names indicate
different kinds of spirits, or only a difference in the functions or works
done by them. One very intelligent and prominent native at first seemed
uncertain, but subsequently said that "Nkinda" indicated the spirits of
the common dead; "Ombwiri" the spirits of distinguished dead, kings, and
other prominent men; and "Olâgâ," a higher class, who had been admitted to
an "angelic" position in the spirit-world. All, however, asserted that all
these are spirits of former human beings. Which kind shall be invoked
depends on the doctor's diagnosis of the disease.
[Illustration: NATIVES TRADING IN PLANTAINS AND BAMBOO BUILDING
MATERIALS.--GABUN.]
Take the case of some one who has been sick with an obscure disease that
has not yielded to ordinary medication: the doctor begins his
incantations with drum and dance and song. This is sometimes kept up all
night, and in minor cases the patient is required to join in these
ceremonies. But in the more mystic Nkinda, Ombwiri, and Olâgâ the sick
person sits still, being required to do so as a part of the diagnosis. For
if after a while the patient shall begin to nod his head violently, it is
a sign that a spirit of some one of these three classes has taken
possession of him. The doctor then takes him to a secret place in the
forest, and asks the spirit what kind it is, and what the nature of the
disease. The reply, though made by the patient, is not supposed to be his,
but the spirit's who is using his mouth. Really the sick, dazed,
submissive patient does not know what he is saying. After this diagnosis
the doctor goes to seek plants suitable for the disease. By chance the
patient may recover. If he does not, the doctor asserts that the spirit
had misinformed him, and the ceremony must be performed again.
One of the physical signs indicating that Olâgâ, rather than Nkinda or
Ombwiri, is the medicine to be used, is vomiting. Hemorrhages from the
lungs would be included in the Olâgâ diagnosis.
"Among the Mashonas of South Africa a 'medicine' used is a small antelope
horn called 'egona,' in which was a mixture of ground-nut oil and a
medicinal bark known as 'unchanya.' The concoction is taken out on the end
of a stick termed 'mutira,' and administered to the patient by dropping it
into his ear. The doctor stated that it was a sure cure for headache.
"Another horn, four inches long, called 'mulimate,' was for the purpose of
cupping and bleeding, and is used in this wise: An incision is made with a
knife into the body, the large end of the horn is placed over the wound;
then a vacuum is formed by the doctor's sucking the air out through an
opening at the little end. The small hole is closed with wax, and the horn
is left until it has become filled with clotted blood. This is the process
of curing rheumatism and other maladies, which are supposed by the
Mashonas to be literally drawn out with the blood. Bleeding is practised
extensively; and I have seen natives bled from arms, legs, body, and head
until they were so exhausted that weeks were required for their recovery.
"Another important instrument was a brush made of a zebra's tail, among
the hairs of which were tied many small roots and herbs possessing various
medicinal properties. One of the remedies was known as 'gwandere,' and,
taken internally, was a sure cure for worms, so the doctor stated. The
brush was called 'muskwa,' this being the name of any animal's tail. The
doctor demonstrated its use by operating upon a man in my presence. He
placed some powdered herbs in a bowl of water, then dipped the brush in,
and sprinkled the patient. Next, he performed several magic evolutions
with the brush around the patient's body, at the same time repeating, 'May
the sickness leave this person!' and so forth. The doctor told me that
after this operation the patient was certain of recovery, unless some
witch or spirit intervened to prevent it or to cause his death."[66]
_For Loving._ Love philtres are common, even among the civilized and
professedly Christian portion of the community. Philtres are both male and
female. If a woman says to herself, "My husband does not love me; I will
make him love me!" or if any woman desires to make any man love her, she
prepares a medicine for that purpose. This charm is called "Iyele." The
process is as follows: First, she scrapes from the sole of her foot some
skin, and lays it carefully aside. Next, when she has occasion to go to
the public latrine at the seaside or on the edge of the forest, she washes
her genitals in a small bowl of water, which she secretly carries to her
house. Then, with a knife, she scrapes a little skin and mucous from the
end of her tongue. These three ingredients she mixes in a bottle of water,
which is to be used in her cooking.
The most attractive native mode of cooking fish and meat is in jomba
("bundle"). The flesh is cut into pieces and laid in layers with salt,
pepper, some crushed oily nut, and a little water. These all are tied up
tightly in several thicknesses of fresh green plantain leaves, and the
bundle is set on a bed of hot coals. The water in the bundle is converted
into steam before the thick fleshy leaves are charred through. The steam,
unable to escape, permeates the fibres of the meat, thoroughly cooking it
without boiling or burning.
When the above-mentioned woman cooks for the man, her husband, or any
other for whom she is making the philtre, the water she uses in the jomba
is taken from that prepared bottle. This jomba she sets before him, and he
eats of it (unaware, of course, of her intention, or of the special mode
of preparation). It is fully believed that the desired effect is
immediate; that, as soon as he has finished eating, all the thoughts of
his heart will be turned toward this woman, and that he will be ready to
comply with any wish of hers. No objection to her, or to what she says,
coming from any other person in the village, male or female, will be
regarded by him.
I know a certain Gabun woman who boasted of her power, by the
above-described means, to cause a certain white man whom she loved (but
who was not her husband) to do anything at all that she bade him.
Also a small portion from that bottle may be poured (secretly) into the
glass of liquor that is to be drunk by a favored guest. This is practised
alike on visitors, white or black.
The process of making a love charm by a man is more elaborate. The
ingredients are more numerous and require more time in their collection.
Having fixed his desire on some woman, he decides in his heart, "I am
going to marry such and such a woman in such and such a village!" But he
keeps his intention entirely secret. He proceeds to make the male charm
called "Ebâbi." (I do not know the origin of this word; it looks as if it
belonged to the adjective "bobâbu" = soft, which is a derivative of the
verb "bâbâkâ," to yield, to consent, to soften.) The first ingredient is
coconut oil, which is poured into a flask made of a small gourd or
calabash. Then, going to the forest, he gathers leaves of the bongâm tree.
Another day he will go again to the forest, and find leaves of the bokadi
tree. Then he plucks some hairs from his arm-pits, and puts them and the
bruised leaves, with some of his own urine, into the flask. This flask he
then suspends from his kitchen roof above the itaka frame or hanging-shelf
that in almost all kitchens is placed above the fire-hearth. It remains
there in the smoke for ten days. Then taking it down, he inserts into it,
tip downward, a long tail-feather of a large bird called "koka." He is
ready then for his experiment. Any day that he chooses to go to seek the
woman, he first draws out the feather, with whatever of the mixture clings
to it, and wipes it on his hands. His hands he then rubs over his face
rapidly and vigorously, saying, "So will I do to that woman!" He must
immediately then start on his journey. This act of anointing his hands and
face must have been his very last act before starting. And there are
several prohibitions. He must have thought beforehand of all things needed
to be done or handled, for after the anointing he must not touch any other
thing. In taking the gourd-flask from above the hanging-shelf he must not
touch the shelf. He must not rub or scratch his head. He must not handle a
broom. He must not shake hands with any one on the path to the woman's
village. All these prohibitions are in order that the anointed mixture may
not be rubbed off, or its effect counteracted by contact with anything
else. When he reaches the woman's village, he goes directly to her, and
clasping her on the shoulder, he rubs his hands downward on her arm,
saying, "You! you woman! I love you!" Instantly the medicine is operative,
and she is willing to go with him.
If it is only a love affair, she goes secretly. If he offers her marriage,
there is first the amicable settlement by the council that is then held by
the woman's family as to the amount of the dowry to be paid for her.
Presents having been given to her by him, the woman goes with the man
without further objection. On reaching his house, he points out to her the
gourd-flask hanging in the kitchen, and tells her, "Let that thing alone."
But he does not inform her what it is; nor does she know or suspect that
it is anything more than an ordinary fetich. Nor does any one else know;
for no one had been allowed to see him perform any part of the several
processes of the ritual in compounding the charm.
_For Fishing._ The prescription for making the fetich for success in
fishing is as follows: Go in the morning early, while the rest of the
villagers are asleep, to an adjacent marsh or pond. (Almost all African
villages are built on or near the bank of some stream or lake.) Find a
place where pond-lilies are growing. Wade into the pond, bend low in the
water, and pluck three lily-pads. There are water-spiders, called
"mbwa-ja-miba" (dogs of the water), generally running over the surface of
the water at such places; catch four of them. Gather also leaves of
another water-plant called "ngâma." All these articles leave in the
village in a safe place. When other fishers come in from the sea, go to
the beach to meet them; and if they have among their catch a certain fish
called "hume," having three spines, beg or buy it. This you are to dry
over the fire. Watch the daily fishing until some one has killed a shark;
obtain its heart, which also is to be dried. Take also a plate full of
gourd seeds (ngândâ) and some ground-nuts (mbenda); also five "fingers" of
unripe plantains cut from the living bunch on the stalk, and a tumblerful
of palm-oil. All these above-named ingredients are to be mixed in one pot
(which must be earthen) and are to be cooked in it. While the mess is
boiling, sit by, face over the pot, in the steam rising from it, and speak
into the pot, "Let me catch fish every day! every day!" No people are to
be present, or to see any of these proceedings. Take the pot off the fire,
not with your hands, but by your feet, and set it on the ground. Take all
your fish-hooks, and hold them in the steam arising from the pot. Take a
banana leaf that is perfect and not torn by wind, and laying it on the
ground, spread out the hooks on it. Then eat the stewed mess, not with a
real spoon, but with a leaf twisted as a spoon. In eating, the inedible
portions, such as fish-bones, skins, rind, and so forth, are not to be
ejected from the mouth on the ground, but must be removed by the fingers
and carefully laid on the banana leaf. Having finished eating, call one of
the village dogs, as if it was to be given liberty to eat the remains of
the mess. As the dog begins to eat, strike it sharply, and as the animal
runs away howling, say, "So! may I strike fish!" Then kick the pot over.
Take the refuse of food from the banana leaf, and the hooks, and lay them
at the foot of the plantain stalk from which the five "fingers" were cut.
Leave the pot lying as it was until night. Then, unseen, take it out into
the village street, and violently dash it to pieces on the ground, saying,
"So! may I kill fish!" It is expected that the villagers shall not hear
the sound of the breaking of the vessel; for it must be done only when
they are believed to be asleep. When the bunch of plantains from which
those fingers were taken ripens, and is finally cut down for food by
others, you are forbidden to eat not only of it, but of the fruit of any
of its shoots that in regular succession, year after year (according to
the manner of bananas and plantains), take the place of the predecessor
stalk. You may never eat of their fruit.
_For Planting._ Planting is done almost entirely by women. If a woman says
to herself, "I want to have plenty of food! I will make medicine for it!"
she proceeds to gather the necessary ingredients. She takes her ukwala
(machete), pavo (knife), short hoe (like a trowel), and elinga (basket),
and goes to the forest. She must go very early in the morning, and alone.
She gathers a leaf called "tube," another called "injenji," the bark
of a tree called "bohamba," the bark also of elâmbâ, and leaves of bokuda.
Hiding them in a safe place, she goes back to her village to get her
earthen pot. Returning with it to the forest, she makes a fire, not with
coals from the village, but with new, clean fire made by the two
fire-sticks. These, used by natives before steel and flint were
introduced, require often an hour's twirling before friction develops
sufficient heat to cause a spark. The sparks are caught on thoroughly
dried plantain fibre. Then she builds her fire. She goes to some spring or
stream for water to put in the pot with the leaves and barks, and sets it
on the fire. All this while she is not to be seen by other people. When
the water has boiled, she sets the pot in the middle of the acre of ground
which she intends to clear for her garden until its contents cool. In the
meanwhile she goes to some creek and gets "chalk" (a white clay is found
in places in the beds of streams). She washes it clean of mud and rubs it
on her breast. Then she takes the pot, and empties its decoction by
sprinkling it, with a bunch of leaves, over the ground, saying, "My
forefathers! now in the land of spirits, give me food! Let me have food
more abundantly than all other people!" Then she again sets the pot in the
middle of the proposed plantation. She takes from it the tube leaves
and puts them into four little cornucopias (ehongo), which she rolls from
another large leaf of the elende tree. She sets these in the four corners
of the garden. Whenever she comes on any other day to work in the garden,
she pulls a succulent plant, squeezes its juice into the ehongo; and this
juice she drops into her eye. To be efficient, this medicine has a
prohibition connected with it, viz., that during the days of her menses
she shall not go to the garden.
When her plants have grown, and she has eaten of them, she must break the
pot. Having done so, she makes a large fire at an end of the garden, and
burns the pieces of earthenware so that they shall be utterly calcined. It
is not required that she shall stay by the fire awaiting that result. She
may, if she wishes, in the meanwhile go back to her village. She takes the
ashes of the pot, mixes them with chalk in a jomba (bundle) of leaves,
which she ties to a tree of her garden in a hidden spot where people will
not see it.
Another strict prohibition is required of her by the medicine, _viz._,
that she is not to steal from another woman's garden. If she break this
law, her own garden will not produce. The jomba is kept for years, or as
long as she plants at that place, and the chalk mixture is rubbed on her
breast at each planting season. From time to time also, as the leaves of
the jomba decay or break away, she puts fresh ones about it, to prevent
the wetting of its contents by raid or its injury in any other way.
CHAPTER XIII
THE FETICH--SUPERSTITION IN CUSTOMS
The observances of fetich worship fade off into the customs and habits of
life by gradations, so that in some of the superstitious beliefs, while
there may be no formal handling of a fetich amulet containing a spirit,
nor actual prayer or sacrifice, nevertheless spiritism is in the thought,
and more or less consciously held.
In our civilization there are thousands of professedly Christian people
who are superstitious in such things as fear of Friday, No. 13, spilled
salt, etc. In my childhood, at Easton, Pa., I was sent on an errand to a
German farmhouse. The kind-hearted Frau was weeding her strawberry bed in
the spring garden-making, and was throwing over the fence into the public
road superfluous runners. I asked permission to pick them up to plant in
my own little garden. She kindly assented, and I thanked her for them,
whereupon she exclaimed, "Ach! nein! nein! Das ist no goot! You say, 'Dank
you'; now it no can grow any more!" I was too young to inquire into the
philosophy of the matter. Surely she would not forbid gratitude. I think
the gist of what she thought my error was, that I had thanked her for what
she considered a worthless thing and had thrown away. I do not think she
would have objected to thanks for anything she valued sufficiently to
offer as a gift.
The difference between my old Pennsylvania-Dutch lady and my "Number 13"
acquaintances, and my African Negro friend is that to the former, while
they are somewhat influenced by their superstition, it is not their God.
To the latter it is the practical and logical application of his religion.
Theirs is a pitiable weakness; his a trusted belief.
It would be impossible to enumerate all the thousands of practices
dominated by the superstitious beliefs of the Bantu,--practices which
sometimes erect themselves into customs and finally obtain almost the
force of law. Many of these are prevalent all over Africa; others are
local.
RULES OF PREGNANCY.
Everywhere are rules of pregnancy which bind both the woman and her
husband. During pregnancy neither of them is permitted to eat the flesh of
any animal which was itself pregnant at the time of its slaughter. Even of
the flesh of a non-pregnant animal there are certain parts--the heart,
liver, and entrails--which may not be eaten by them. It is claimed that to
eat of such food at such a time would make a great deal of trouble for the
unborn infant. During his wife's pregnancy a man may not cut the throat of
any animal nor assist in the butchering of it. A carpenter whose wife is
pregnant must not drive a nail. To do so would close the womb and cause a
difficult labor. He may do all other work belonging to carpentering, but
he must have an assistant to drive the nails.
In my early years on Corisco Island, and while I was expecting to become a
father, I was one day superintending the butchering of a sheep. It was not
necessary that I should actually use the knife; that was done by the cook;
but I stood by to see that the work was done in a cleanly manner, and that
in the flaying the skin should be rolled constantly away, so that the hair
should not touch the flesh. In the dissection I assisted, so that the
flesh should not be defiled by a carelessly wounded entrail. My servant
was amazed, and said my child would be injured. He was still more shocked
when Mrs. Nassau herself came to urge haste and to secure the liver for
dinner.
Among the station employees on Corisco in 1864 was an ex-slave, a recent
convert, whose freedom had been purchased by one of the missionaries. The
native non-Christian freemen begrudged him his position as a mission
employee; for his wages were now his own, and could no longer be claimed
by his former master. Some of his fellow-servants, freemen, put off on
him, as much as they could, the more menial tasks. It was incumbent,
therefore, on the missionaries to see that he was not oppressed by his
fellows. Clearing of the graveyard was a task no one liked to have
assigned to him; and it was often thrown on poor Evosa. One day a newly
arrived missionary, the Rev. George Paull, the noblest of my associates
these forty years, who just then knew little of the language or of native
thought or custom, ordered Evosa to take his hoe and clean the cemetery
path. Evosa bluntly said, "Mba haye!" (I won't). "You won't! You refuse to
obey me?" "Mba haye!" "Then I dismiss you." Evosa went away, much cast
down. Some of his fellow-Christians came to me saying they were sorry for
him, and asked me to interfere. "But," I said, "he should obey; the work
is not hard." "Oh! but he can't do it!" "Why not?" "Because his wife is
pregnant." Immediately I understood. Evosa may not have believed in the
superstition, but for all that, if he did the work and subsequently there
should be anything untoward in his wife's confinement, her relatives would
exact a heavy fine of him. We had not required our converts to disregard
these prohibitions, if only they did not actually engage in any act of
fetich worship. I was careful to say nothing to the natives that would
undermine my missionary brother's authority; but privately I intimated to
Mr. Paull that I thought that if he had been fully aware of the state of
the case, he would not have dismissed the man. He was just, and reversed
the dismissal. Evosa was pardoned also for the bluntness of his refusal;
it was a part of his slavish ignorance. In conclusion, I warned him that
he should have explained to Mr. Paull the ground of his refusal, and
should have asked for other work. He had not supposed that the white man
did not know; and the asking of excuse is a part of politeness that has to
be taught. Almost every new missionary makes unwise or unjust orders and
decisions before he learns on what superstitious grounds he is treading.
Not all are willing to be rectified as was my noble brother Paull.
In the burial of a first-born infant the lid of the coffin is not only not
allowed to be nailed down, but it must not entirely cover the corpse; a
space must be left open (generally above the child's head); the
superstition being that if the coffin be closed, the mother will bear no
more children.
OMENS ON JOURNEYS.
Almost every traveller in Africa, in publishing his story, has much to say
about the difficulties in getting his caravan of porters started on their
daily journey. His detailed account of slowness, disobedience, and
desertions is as monotonous to the reader as they were distressing to
himself. Did he but know it, the fault was often largely his own. The man
of haste and exactitude, that has grown up on railroad time-tables,
demands the impossible of aborigines who never have needed to learn the
value of time. Anglo-Saxon, Teutonic, and even Latin diligence expects too
much of the happy-go-lucky African. The traveller fumes, and frets, and
works himself into a fever. He would gain more in the end if he would
_festina lente_. He would save himself many a quarrel or case of
discipline (for which he earns the reputation of being a hard master; and
for which, further on in the journey, he may be shot by one of his
outraged servants) if he only knew that superstition had met his servant,
as the angel "with his sword drawn" met Balaam's ass, "in a narrow place";
and that servant could no more have dared to go on in the way than could
that wise ass who knew and saw what his angry master did not know.
Mr. R. E. Dennett, for many years a resident in Loango among the Bavili
people, and author of "Seven Years among the Fjort," recognizes this in "A
Few Signs and Omens," contributed recently to a Liverpool weekly journal,
"West Africa." What he says of the Fyât (Fiot) tribes is largely true of
all the other West African tribes. "They have a number of things to take
into consideration, when setting out upon a journey, which may account
for many of those otherwise inexplicable delays which so annoy the white
man at times when anxious to start 'one time' for some place or other.
"The first thing a white man should do is to see that the Negro's fetiches
are all in order; then, when on the way, he must manage things so that the
first person the caravan shall meet shall be a woman; for that is a good
sign, while to meet a man means that something evil is going to happen.
Then, to meet the bird Kna that is all black is a bad sign; while the Kna
that has its wings tipped with white is a good sign.
"The rat Benda running across your path from left to right is good; from
right to left fairly good; should it appear from the left and run ahead in
the direction you are going, 'Oh! that is very good!' but should it run
towards you, well, then the best thing for you to do is to go back; for
you are sure to meet with bad luck!
"See that your men start with their left foot first, and that they are
'high-steppers'; for if their left foot meet with an obstacle, and is not
badly hurt, it is not a bad sign; but if their right foot knocks against
anything, you must go back to town.
"See that you do not meet that nasty brown bird called Mvia, that is
always crying out, 'Via, via'; for that means 'witch-palaver,' and strikes
consternation into your people. Nobody likes to be reminded of his sins or
witch deeds, and be condemned to be burnt in the fire; and that is what
'via' means.
"Then there is that moderately large bird with wings tipped with white
called 'Nxeci,' also reminding one of 'witch-palaver,' and continuously
crying out, 'Ke-e-e,' or 'No.' You had far better not start.
"Take care also to shoot the cukoo o Nkuku before it crosses your path;
for if you allow it to pass, you had better return; it is a bad omen.
"Then, concerning owls: see that your camp at night is not disturbed by
the cry of the Kulu (spirit of the departed), that warns you that one of
you is going to die; or that of the Xi-futu-nkubu, which means that you
may expect some evil shortly. On the other hand, let the Mampaulo-paulo
hoot as much as it likes; for that is a good sign.
"Then look out that the snake Nduma does not cross your path; for that is
a sign of death, or else of warning to you that you should return and see
to the fetich obligations the iron bracelet Ngofu reminds you of. Examine
your men, and ask those who wear the bracelet the following questions:
Have you eaten the flesh of anything (save birds) on the same day that it
was killed? Have you pointed your knife at any one? Did you know your wife
on the Day of Rest (Nsâna, Sunday)? Have you looked upon a woman during a
certain period of the month? Have you eaten those long 'chilli' peppers
instead of confining yourself to the smaller kinds?
"You must send those who have not the bracelet, together with those who
have not been true to ngofu, back to town, to set this 'palaver' right.
Take great care of your fowls, and see that you have no ill-regulated cock
to crow between 6 P. M. and 3 A. M., as that means that there is a palaver
in town to which your men are called, so that it may be settled at once.
"Then, there is that large bird Knakna, whose cry warns your men that
there is something wrong with the fetich Mabili ('the east wind,' on the
gateway at the east entrance to each town), and this knowledge will hang
as a dead weight on all their energies until they have just run back to
town to see what the matter may be.
"Get your men to sleep early, lest they should see the 'falling stars';
for it means that one of their princes is about to die, and that is
disquieting. Then don't let it thunder out of season; for that portends
the death of an important prince.
"And if you determine to go out fishing, and meet the rat Benda (as above
noted), go or not, as the signs command you. If you meet the bird Mbixi
that sings 'luelo-elo-elo,' go on your way rejoicing; or when the little
bird Nxexi, true to nature, sings 'xixexi,' all is well; but when it
sings, 'tietie,' go back, for you will catch nothing.
"Then there is the wild dog Mbulu; well, that must not cross your path at
starting. You laugh? Well, so did Nyambi, the brother of my headman,
Bayona; and what happened? Nyambi had come down from the interior with his
master; and after a short stay was ordered back to his trading post, his
master saying that he would follow him shortly. A friend handed him a son
of his for him to educate, and to attend upon him; in fact, to be his
'boy.' Everything being ready, he set out from Loango; and the first thing
they met on the road was the wild dog. Now Nyambi was a plucky Bantu and
took no notice of this warning, but continued on his way. On reaching the
forest country in Mayomba, the boy entrusted to him ran away. Nyambi, true
to his trust, came after him back to his town, to see that the boy was
once more placed in the care of his father, and so to avoid any further
complications. Then he once more started on his way, and, nearing the
forest country again, was bitten severely on the foot by a snake. He tied
a rag around his leg just under the knee, and another just above his
ankle, and squeezed as much blood as he could from the wound itself. Then
he hobbled into the nearest town, and waited there for assistance from his
family, to whom he had at once despatched a messenger. They sent men and
women to bring him back to Loango, where he arrived in a very weak
condition, and with a fearful sore on his foot,--an awful warning to all
those who will not take the omens sent to them in earnest! What! you still
laugh? Well, there is no hope for you; you are too persistent, and have
not read the story of the rabbit and the antelope, and of the trap laid
for the former.[67] And if you keep on laughing at these superstitions of
the natives, don't blame any one if they call you a 'rabbit,' and refuse
to follow you in your wanderings through their land. Most haste is very
often worst speed in Africa; and the white man who ignores all but
physical difficulties does well to stay his impatient hand when about to
strike his most provoking and apparently dilatory black carrier, who is
beset by endless moral obstacles retarding his progress as no physical
difficulties can."
When I was beginning my pioneering of the Ogowe River in
September-November, 1874, I had with me one Christian coast native. I
completed my canoe's crew with four heathen Galwa, placed myself under the
patronage of the Akele chief Kasa, resided in his village, and bought from
him a site, Belambila, for my mission station, about a mile distant from
him. Daily I went with my crew in the canoe to work at the building of a
temporary house on the Belambila premises. One day a water-snake crossed
the canoe's bow, and I struck at it. The Christian looked serious, and the
four heathen laid down their paddles. It was sufficiently disastrous that
the snake had crossed our path; I had made matters worse by attempting to
injure it. They said, "You should not have done that." "Why?" "Because
somewhere and sometime it will follow us and will bite us. Let us go back
to Kasa's." I refused, and insisted on our proceeding with the day's work.
I might better have yielded to their request. It was as if I were under an
Ancient Mariner's curse. My snake was as bad as his albatross. My men
either could not or would not. Everything went wrong. They worked without
heart and under dread. What they built that day was done with so many
mistakes that I had to tear it down. I did not fully appreciate at that
time, but I do not now think that they were intentionally disobedient or
recalcitrant. Just as well compel a crew of ignorant sailors to start
their voyage on a Friday. The fear of ominous birds and other animals is
over all Africa. In Garenganze, according to Arnot, "many have a
superstitious dread of the horned night-owl. Its cry is considered an evil
omen, which can only be counteracted effectually by possessing a whistle
made out of the windpipe of the same kind of bird.
[Illustration: TRAVELING BY CANOE.--OGOWE RIVER.]
"Jackals, wild dogs, also are very much disliked. The weird cry of one of
these animals will arouse the people of a whole village, who will rush out
and call upon the spirit-possessed animal to be quiet and leave them, or
to come into the village, and they will feed and satisfy it.
"When travelling, they are careful to notice the direction this animal may
take. Should its cry come from the direction in which they are going, they
will not venture a step farther until certain divinations have been
performed that they may learn the nature of the calamity about to befall
them."[68]
The chameleon is an object of dread to all natives wherever I have lived.
I have never met, even among the most civilized, any man or woman who
would touch one. For friendship, or to make a sale, they would bring it to
me at the end of a long stick, in my various efforts at zoölogical and
other collections.
The millepedes they also dread. I handle them with impunity, and my little
daughter, on the Ogowe, in 1888 did so too, under my example. But her
young Negro companions soon made her afraid. True, the adult millepede
ejects a dark liquid which stained my hands and which natives said was
poisonous if taken internally. (That I never tested.)
A native friend, one of my Batanga female church-members, a sincere
Christian, of bright mind but limited education, told me recently (1902)
of her belief in the chameleon as a bad omen. She was visiting relatives a
dozen miles north. Word was sent her to return, as another relative, a
woman in my Bongaheli village, was dangerously ill. Her host told her to
go, and advised her to gather on the way a certain fern, parasitic on
trees, that is used medicinally in the disease of which the woman was
sick. My friend started on her day's journey, came to the tree, and was
about to pluck the ferns when she observed a chameleon clasping the tree;
it stood still and looked at her. She instantly left the tree, abandoned
the ferns, went back to tell her host that a chameleon was in possession
of them and had stared at her, and that it was useless to gather the
medicine, for she was sure their relative was dead. And she resumed her
journey, coming back to Bongaheli in order to attend the mourning. It was
true; the relative was dead, and the mourning had begun. Her belief was
not shaken when I reminded her that that chameleon was only doing just
what all chameleons do when they are not walking, and when confronted by
any one. They all clasp the branch on which they happen to be, and stare
at their supposed pursuer, if unable to escape.
LEOPARD FIENDS.
Formerly a strange superstition said that on him who should kill a leopard
there would come an evil disease, curable only by ruinously expensive
ceremonies of three weeks' duration, under the direction of the Ukuku
(Spirit) Society. So the natives allowed the greatest ravages, until their
sheep, goats, and dogs were swept away; and were aroused to self-defence
only when a human being became the victim of the daring beast. The carcass
of a leopard, or even the bones of one long dead, were not to be touched.
While I was living at Benita, about 1869, the losses by leopards became so
great that, in desperation, some of the braver young men, under my
encouragement, determined that the depredator should be caught. (Nothing
was just then said about what should be done with it when caught.) A trap
was built in one of the villages, and baited with a live goat. Soon a
leopard was entrapped. What to do with it was then the question. Some
favored leaving it alone till they could ask permission of Ukuku to kill
it, even if they had to pay heavily for the permission. Others, who had
heard me laugh at their superstition, proposed that I should be asked to
shoot it. They came at night; I willingly and promptly went with my
Winchester repeating rifle, which could easily be thrust into the chinks
between the logs of which the trap was built. When the animal was shot,
came the question, Who should remove it? None would touch it. Among my
employees were two young men of another tribe with whom that superstition
did not exist. With their aid I lifted the carcass upon a wheelbarrow, and
took it to a place where I could comfortably skin it. Some objected to my
retaining the skin. They wanted the whole animal put out of sight. But the
majority agreed that the skin should be my compensation for my rifle's
service. Then a deputation carefully followed me out on the prairie, to
see that the spot where the skinning was to be done was not near any of
their frequented paths. After the flaying was complete, what was best to
do with the carcass? The majority objected to its being buried, fearing to
tread over its grave. So I sent the two young men in a canoe, to sink the
carcass out in the river's mouth toward the sea. Even then there were
those who for two weeks afterward would eat no fish caught in the river.
With this fear of the leopard was united a superstition similar to that of
the "wehr-wolf" of Germany, _viz._, a belief in the power of human
metamorphosis into a leopard. The natives had learned, from foreigners who
were ignorant of the fact that there are no tigers in Africa, to call this
leopard fiend a "man-tiger." They got their fears still more mixed by a
belief in a third superstition, _viz._, that sometimes the dead returned
to life and committed depredations. This belief was not simply that
disembodied spirits (mekuku) returned, but that the entire person, soul
and body (ilina na nyolo), rose temporarily from the grave, with a few
changes (among the rest, that the feet were webbed). Such a being, as
mentioned in a previous chapter, was called "Uvengwa." At one time, while
I was at Benito, intense excitement prevailed in the community: doors and
shutters were violently rattled at night; marks of leopard's claws
scratched doorposts; their tracks lay on every path; women and children in
lonely places saw their flitting forms, in the dark were knocked down by
their spring, or heard their growl in the thickets. It was difficult to
decide, in hearing these reports, whether it was a real leopard, a leopard
fiend, or only an uvengwa. To native fear, they were practically the same.
I felt certain that the uvengwa was a thief disguised in a leopard skin.
Under such disguise murders were sometimes committed. By bending my thumb
and fingers into a semi-closed fist, I could make an impression in the
sand that exactly resembled a leopard's track; and this confirmed my
conclusions as to the real cause of the phenomenon.
The pioneer of the Gabun Mission, Rev. Dr. J. L. Wilson, in 1842, found
the wehr-wolf superstition prevalent among all the tribes of Southern
Guinea. The leopard "is invested with more terror than it otherwise would
have, by a superstitious apprehension on the part of the natives, that
wicked men frequently metamorphose themselves into leopards and commit all
sorts of depredations, without the liability or possibility of being
killed. The real leopard is emboldened by impunity, and often becomes a
terrible scourge to the village he infests. I have known large villages to
be abandoned by their inhabitants, because they were afraid to attack
these animals on account of their supposed supernatural powers."
At Gabun, about 1865, there still remained a jungle on one side of the
public road that constituted the one street of the town of Libreville, as
it followed the curve of the bay for three miles. There were frequent
alarms and occasional murders along lonely parts of that road. The natives
believed that the leopard fiend was a beast; the French commandant
believed it was a human being. He had the jungle cut away. Since then, no
mangled bodies have been found there.
Among the Garenganze people, in 1884, Mr. Arnot often chid them "for their
want of bravery in not hunting down the many wild animals that prey around
their towns, carrying off the sick people, and frequently attacking and
seizing solitary strangers. They excused themselves by explaining that
these wild animals are really 'men of other tribes,' turned, by the magic
power they possess, into the form of lions, panthers, or leopards, who
prowl about to take vengeance on those against whom they are embittered.
In defending this absurd theory, one man said it was not possible for a
Luba and a Lamba man to go out into the country together without one
stealing a march on his neighbor, getting out of sight, and returning
again in the form of a lion or leopard, and devouring his travelling
companion. Such things, they say, are of daily occurrence amongst them;
and this foolish superstition leads them not only to tolerate the wild
animals about, but almost to hold them sacred."
This particular superstition still exists extensively. As late as 1898, it
is stated of the Barotse of Southeast Africa: "They believe that at times
both living and dead persons can change themselves into animals, either to
execute some vengeance or to procure something that they wish for: thus a
man will change himself into a hyena or a lion in order to steal a sheep,
and make a good meal off it; into a serpent, to avenge himself on some
enemy. At other times, if they see a serpent, it is one of the 'Matotela'
or slave tribe, which has thus transformed himself to take some vengeance
on the Barotse."[69]
LUCK.
There exists a custom, even among the civilized, for the seller of an
article to hold back a small portion after his price has been paid. When I
first met with this custom, I was indignant at what seemed like stealing;
and yet it was so open, and without any attempt at concealment, that I was
amazed. One who brought for sale a bunch of plantains twisted off and took
away one of its "fingers." Another who had just been paid for a peck of
sweet potatoes deliberately picks off one tuber. Another who brought a
gazelle for sale would not complete the bargain till I had consented that
he might remove the gall-bladder and a portion of the liver. I learned
that all these were for "luck": in order that the garden whence came that
plantain bunch or potato should be blessed with abundance; and the
hunter, that he might be successful in his next hunt. The gazelle is
credited with being a very artful animal, the cunning being located
especially in the liver.
One might ask why, if those pieces are so needed for luck, the owner did
not take them before selling, and while they were still his own and under
his entire control. I do not know their exact thought; but the statement
was that the chances of good luck were greater if the pieces of plantain,
potato, meat, etc. were abstracted after the article had actually passed
out of the seller's possession.
On the Ogowe, at Lake Azyingo, in 1874, I was present at the cutting up of
a female hippopotamus which a hunter had killed the night before. By favor
of the native Ajumba chief, Anege, I was allowed to see the ceremonies.
They were many; of most of them I did not understand the significance; and
the people were loath to tell me, lest I should in some way counteract
them. Even my presence was objected to by the mother of the hunter (he,
however, was willing).
After the animal had been decapitated, and its quarters and bowels
removed, the hunter, naked, stepped into the hollow of the ribs, and
kneeling in the bloody pool contained in that hollow, bathed his entire
body with that mixture of blood and excreta, at the same time praying the
life-spirit of the hippo that it would bear him no ill-will for having
killed it, and thus cut it off from future maternity; and not to incense
other hippopotami that they should attack his canoe in revenge. (Hippos
are amphibians, but are generally killed in the water.) He kept choice
parts of the flesh to incorporate into his luck fetich.
Mr. Arnot mentions the same custom in Garenganze: "One morning I shot a
hyena in my yard. The chief sent up one of his executioners to cut off its
nose and the tip of its tail, and to extract a little bit of brain from
the skull. The man informed me that these parts are very serviceable to
elephant hunters, as securing for them the cunning, tact, and power to
become invisible, which the hyena is supposed to possess. I suppose that
the brain would represent the cunning, the nose the tact, and the tip of
the tail the vanishing quality." The stomach of the hyena is valued by the
Ovimbundu (of Southwest Africa) as a cure for apoplexy.
TWINS.
Mr. Arnot states that in Garenganze "cases of infanticide are very rare.
Twins, strange to say, are not only allowed to live, but the people
delight in them." Though they are not regarded as monstrosities deserving
death, as among the Calabar people on the West Coast, it is nevertheless
considered necessary that certain preservative ceremonies should be
performed on the infants and their parents.
Mr. Swan, an associate of Mr. Arnot, describes a ceremony he was
unexpectedly made to share in while on a visit to the native king Msidi:
"My attention was drawn to a crowd of folk, mostly women, who approached,
singing and ringing a kind of bell. They formed in lines opposite to us.
In front of the rest were a man and woman, each holding a child not more
than a few days old. I learned that the little ones were twins, the man
and woman holding them being the happy parents, who had come to present
their offspring to the king. They wore nothing but a few leaves about
their loins,--a hint to Msidi, I suppose, that they would like some cloth.
"After chanting a little, an elderly woman came forward, with a dish in
her left hand and an antelope's tail in her right. When she reached Msidi,
I was astonished at her dipping the tail in the dish and dashing the
liquid over his face. Msidi's wife had a like dose. But my surprise
increased when she came to us and gave us a share. What was in the dish I
cannot say, but it struck me as possessing a very disagreeable odor. This
discourteous creature was the Ocimbanda (fetich doctor). She did not cease
her dousing work till she had favored all sitting around. The king then
went into the house, and his wife came out with some cloth, which she
tied around the mother's waist; and then a piece of cloth was given to the
husband. The friends had brought some native beer; and when Msidi came
out, he went to one of the pots, filled his mouth, spouting the beer in
his wife's face; she did the same to him, after which the spouting became
general.... They told me it was their custom to act thus when twins are
born."
In the Benga tribe, thirty-five years ago, I observed that if one of a
pair of twins died, a wooden image was substituted for it on the bed or in
the cradle-box, alongside of the living child. I strongly suspected
Animism in the custom; but some Christians explained that the image was
only a toy, so that the living babe should not miss the presence of an
object resembling its mate.
Names of twins are always the same, in the same cognate tribes. In Benga
they are always Ivaha (a wish) and Ayenwe (unseen). These names are
given irrespective of sex. But not every man or woman whom one may meet
with these names is necessarily a twin. They may have inherited the name
from ancestors who were twins.
All over Africa the birth of twins is a notable event, but noted for very
different reasons in different parts of the country. In Calabar they are
dreaded as an evil omen, and until recently were immediately put to death,
and the mother driven from the village to live alone in the forest as a
punishment for having brought this evil on her people.
In other parts, as in the Gabun country, where they are welcomed, it is
nevertheless considered necessary to have special ceremonies performed for
the safety of their lives, or, if they die, to prevent further evil.
In the Egba tribes of the Yoruba country they become objects of worship.
As in other parts of Africa where twins are preserved, they are given twin
names; which, of course, differ in different languages. Among the Egbas
the first-born is Taiwo, _i. e._, "the first to taste the world," and the
other Kehende, _i. e._, "the one who comes last."[70] About eight days
after their birth, or as soon as the parents have the money for the
sacrificial feast, they invite all relatives on both sides, neighbors and
friends together. Various kinds of food are prepared, consisting chiefly
of beans and yams. A little of each kind of food is set apart with some
palm-oil thrown upon it, and the small native plates or basins containing
it are set before the children in their cradle. They are then invoked to
protect their mother from sickness, to pity their parents and remain with
them, to watch over them at all times. I quote in this connection the
following from a West African newspaper:
"After the ceremony an elderly man or woman who has been a twin is called
upon to split the kola nuts, in order to find out whether the children
will live or die. This is their way of asking the god or goddess to answer
their requests (and it is singular that this throwing of kolas may be done
repeatedly until the reply is favorable to the inquirer). Thus: if a kola
nut is split into four parts in throwing it down, they say, "You Idol,
please foretell if the children will live long or die." If all the four
pieces of the kola fall flat on their backs, or all flat with their faces
to the ground, or if two of them fall with their faces downward and the
other two upward, then in each of those cases the reply is favorable, and
it means they will live long and not die. But if three pieces of the kola
should turn their faces to the ground and only one fall flat on its back,
or if the three pieces should turn their faces upward and only one
downward, the reply is unfavorable, and it means that the children will
die before long. In such cases they continue throwing the kola nut
indefinitely until they obtain their wish; or, in rare cases of total
failure, the subject of inquiry is reserved till a future time, when they
hope the idol may speak more favorably. Thus, twin children are worshipped
every month.
"In some cases, where the parents have the means, an invitation goes round
to as many twins as they can get to partake of the sacrificial feasts. Of
course, the people enjoy themselves at the feast.
"The twins have everything in common; they eat the same kind of food and
wear the same dress. If one of them should die, the mother is bound to
make a wooden image to represent the dead child. This kind of image is
generally about a foot in length, and is made of Ire wood, which is
flexible and durable. It is carved in such a manner as to represent the
human anatomy."
These images, substitute for a dead twin, are used very extensively among
all the tribes of Africa. Various reasons are given for their use: that
the surviving twin shall not be lonely; that the departed one may be sure
it is not forgotten; and other reasons. The images are retained as family
fetiches, to ward off evil from the mother.
"If both children should die, the mother must have two wooden images, and
regard them as her living children; she worships them every morning by
splitting kola nuts and throwing down a few drops of palm-oil before them.
Of course, the occasional feasts follow in their due course, and as
oftentimes as she may happen to see them in her dreams.
"If they should live, and both are males, they make engagements and marry
at the same time. If one is male, and the other is female, their dowry
must be given the same day; the parents believe that if things done for
them are not alike or do not go together, one will soon die."[71]
CUSTOMS OF SPEECH.
Superstition mingles in customs of speech. There is the custom of Kombo,
existing to-day. Something about the act of sneezing is considered
uncanny. A phrase or a cabalistic word, intended as an adjuration or a
protestation in the nature of a prayer for protection or blessing, is very
commonly ejaculated by one who sneezes and sometimes when one stumbles.
(In the old despotic days of native kings, in the Benito region, if a
king, on first emerging from his house in the morning, should happen to
stumble, he would order the nearest person in sight to be killed.) That
word is uttered by an adult for himself, by a parent or other relative
for an infant child. It may be an archaism whose meaning has been
forgotten. Generally the Kombo is an epigrammatic phrase invented by the
individual himself, and to be used only by him.
Sometimes, instead of a phrase, the single word "Kombo!" as representing
the custom, is uttered.
Some forty years ago the ejaculation, before the invariable "Mbolo"
salutation was uttered, that was used by visitors to the Mpongwe king on
the south side of the Gabun estuary, was, "What evil law has God made?"
The response was, "Death!" Little as the heathen natives liked to talk of
death, their use of that word to their king was in the nature of a good
wish that he might escape the universal law. And the "Mbolo!" (gray hairs)
that followed was a wish that he might live to have gray hairs.
His son, an educated man and a nominal Romanist, is now saluted quite as
formally, but the ejaculation has been changed to a more respectful and
Christian recognition of God.
OATHS.
Blasphemy of the Divine name, so fearfully common in professedly Christian
countries, is almost unknown to the African heathen. Though the native
name for God, Anyambe, is improperly used in names of persons (which is
not intended for disrespect), it is not often actually blasphemed. An
equivalent blasphemy, is occasionally practised in the misuse of the name
of their great and sacred spirit-society. In the Benga tribe "Saba?" and
"Sabali?" used interrogatively, mean only "True?" "Is that so?"; but, used
positively, they are of the nature of an oath, especially when the
society's name (Ukuk) was added: "Saba n' Ukuku" (True! by Ukuk!).
On the Ogowe River, in the Galwa tribe, the name of that society was
Isyoga, more commonly spoken of as Yasi. In the initiation into it the
neophytes were taught a long and very solemn adjuration, that could be
uttered only among the initiated, as an oath; but they were allowed
commonly to use simply its title "Yasi," the utterance of that one word
being accompanied by a downward sweep of the right hand over the left arm
from shoulder to hand. It was not permitted to women to speak this word.
In no tribes with which I have lived was this "By-the-Spirit" oath used so
much as among the Galwa of the Ogowe. It became monotonously frequent, in
and out of season, in all conversations and on the slightest assertion or
the simplest excitement.
I became very tired of "Yasi! Yasi! Yasi!" and that sweep of the right
hand, for the doing of which the canoe paddle or a tool was laid down.
And, by the way, the more of a liar a man was, the more frequent and
vociferous was he in his persistent use of "By Yasi!"
TOTEM WORSHIP.
Totem worship is found in Africa, though nothing at all to the extent to
which it existed among the Indian tribes of the United States, and
especially Alaska.
In Southern Africa it exists among the Bechuanas (who, however, are not
pure Bantu); not in the form of carving and setting up poles in their
villages, but in the respect which different clans give to certain
animals, _e. g._, one clan being known as "buffalo-men," another as
"lion-men," a third as "crocodile-men," and so forth. To each clan its
totem animal is sacred, and they will not eat of its flesh. In some parts
this sanctity is regarded as so great that actual prayer and sacrifice are
made to it. But in most of the Bantu tribes this totem idea does not exist
as a worship. Indeed, the animal (or part of an animal) is not sacred to
an entire clan, but only to individuals, for whom it is chosen on some
special occasion; and its use is prohibited only to that individual. Only
in the sense that it may not be used for common purposes is it "sacred" or
"holy" to him.
TABOO.
"Taboo" is a Polynesian term, and indicates that which man must not touch
because it belongs to a deity. The god's land must not be trodden, the
animal dedicated to the god must not be eaten, the chief who represents
the god must not be lightly treated or spoken of. These are examples of
taboo where the inviolable object or person belongs to a good god, and
where the taboo corresponds exactly with the rule of holiness. But
instances are still more numerous, among savages, of taboo attaching to an
object because it is connected with a malignant power. The savage is
surrounded on every side by such prohibitions; there is danger at every
step that he may touch on what is forbidden to him, and draw down on
himself unforeseen penalties.[72]
This idea exists very largely in the Gabun and Loango coasts: as described
in a previous chapter, the custom is there called "orunda"; _e. g._, such
and such an animal (or part of an animal) is "orunda," or taboo, to such
and such a person.
The Portuguese Roman Catholic missionaries to the Kingdom of Kongo, more
than two hundred and fifty years ago, found this custom "of interdicting
to every person at their birth some one article of food, which they were
not through life, upon any consideration, to put into their mouths. This
practice was regarded [by those Roman Catholic priests] as specially
heathenish, and was unconditionally" forbidden.
Explanation may here be found why a church which two hundred years ago had
baptized members by the hundreds of thousands, with large churches, fine
cathedrals, schools, colleges, and political backing, and no other form of
Christianity to compete with it, shows in Kongo to-day no results in the
matters of civilization, education, morality, or pure religion. Its
baptism was only an outward one, the heathen native gladly accepting it as
a powerful charm. For each and all his heathen fetiches the priest simply
substituted a Roman Catholic relic. The ignorant African, while he learned
to bow to the Virgin, kept on worshipping also fetich. The Virgin was only
just another fetich. The Roman Catholic priests were to him only another
set of powerful fetich doctors. They commanded that, instead of the
orunda, "the parents should enjoin their children to observe some
particular devotion, such as to repeat many times a day the rosary or the
crown, in honor of the Virgin; to fast on Saturdays; to eat no flesh on
Wednesdays; and such other things as are used among Christians."
A similar substitution was made in the case of a superstition of the Kongo
country which exists universally among all African tribes to-day, _viz._,
"to bind a cord of some kind around the body of every new-born infant, to
which were fastened the bones and teeth of certain kinds of wild animals."
In place of this, the Roman Catholic records enjoin "that all mothers
should make the cords with which they bound their infants, of palm-leaves
that had been consecrated on Palm Sunday, and, moreover, guard them well
with other such relics as we are accustomed to use at the time of
baptism."
Thus the heathen, in becoming a baptized "Christian," left behind him only
the name of his fetich ceremonies. Some new and professedly more powerful
ones were given him, which were called by Christian names, but which very
much resembled what he had been using all his life. His "conversion"
caused no jar to his old beliefs, nor change in its practice, except that
the new fetich was worshipped in a cathedral and before a bedizened altar.
BAPTISM.
Forty years ago, on Corisco Island, I found the remains of a custom which
resembled baptism.[73] Before that time it was very prevalent in other
parts of the Gabun country, whose people probably had derived it, like
their circumcision, from East Africa and from Jewish traditions. As
described at that time, "a public crier announces the birth, and claims
for the child a name and place among the living. Some one else, in a
distant part of the village, acknowledges the fact, and promises, on the
part of the people, that the new-born babe shall be received into the
community, and have all the rights and immunities pertaining to the rest
of the people. The population then assemble in the street, and the
new-born babe is brought out and exposed to public view. A basin of water
is provided, and the headman of the village or family sprinkles water upon
it, giving it a name, and invoking a blessing upon it, such as, that it
may have health, grow up to manhood or womanhood, have a numerous progeny,
possess much riches, etc."[74] The circumcision of the child is performed
some years later.
SPITTING.
The same Benga word, "tuwaka," to spit, is one of the two words which mean
also "to bless." In pronouncing a blessing there is a violent expulsion of
breath, the hand or head of the one blessed being held so near the face of
the one blessing that sometimes in the act spittle is actually expelled
upon him.
This blessing superstition exists among the Barotse of South Africa (whose
dialect is remarkably like the Benga). "Relatives take leave of each other
with elaborate ceremony. They spit upon each other's faces and heads, or,
rather, pretend to do so, for they do not actually emit saliva. They also
pick up blades of grass, spit upon them, and stick them about the beloved
head. They also spit on the hands: all this is done to warn off evil
spirits. Spittle also acts as a kind of taboo. When they do not want a
thing touched, they spit on straws, and stick them all about the
object."[75]
NOTICE OF CHILDREN.
Recently (1903), in passing through a street of Libreville, I saw several
women sitting on the clay floor of the wide veranda of a house. In their
arms or playing on the ground were a number of children. I was attracted
by their gambols, and stopped on my way, and having saluted the mothers, I
began to notice the children. The women knew me by sight, but I was a
stranger to most of them. I thought they would be pleased by attention to
their children. There were seven of them; and I exclaimed, "Oh! so many
children!" And I began counting them, "One, two, three, four--" But I was
interrupted by a chorus from the mothers, of "No! no! no! Stop! That is
not good! The spirits will hear you telling how many there are, and they
will come and take some away!" They were quite vexed at me. But I could
not understand why, if spirits can see, they would not know the number
without hearing my count. Perhaps my enthusiastic counting brought the
number more obviously to the attention of the surrounding spirits.
CHAPTER XIV
FETICH--ITS RELATION TO THE FUTURE LIFE--CEREMONIES AT DEATHS AND FUNERALS
When a heathen Negro is sick, the first thing done, just as in civilized
lands, is to call the "doctor," who is to find out what is the particular
kind of spirit that, by invading the patient's body, has caused the
sickness.
This diagnosis is not made by an examination and comparison of the
physical and mental symptoms, but by drum, dance, frenzied song, mirror,
fumes of drugs, consultation of relics, and conversation with the spirit
itself. Next, as also in civilized lands, must be decided the ceremony
particular to that spirit, and the vegetable and mineral substances
supposed to be either pleasing or offensive to it. If all those cannot be
obtained, the patient must die; the assumption probably being that some
unknown person is antagonizing the "doctor" with arts of sorcery.
Fearing this, all the family relatives and friends come, having been
informed by a messenger of the state of the case. They speak to and try to
comfort the sick, as would be done in civilization. But to believers in
fetich their coming means more than that. They have come from distant
places as soon as the news had spread that their relative was seriously
ill, without waiting for summons. Their coming is, indeed, a necessary
mark of respect for the sick; but it may happen, too, in case of the sick
man's dying, that it would be a proof for them of their innocence if a
charge should come up of witchcraft as the cause of death. The neglect to
make this prompt visit of condolence would be resented by the sick should
he recover, or, in case of his death, in the days when witchcraft arts
were more common, would have been held as a proof that the absentee had
purposely absented himself, under a sense of guilt.
In the sick man's village there already has been a slight wailing the
while that he is dying. Before life is extinct, and while yet the sick may
still be conscious though speechless, a low wail of mourning is raised by
the female relatives who have gathered in the room.
These visitors have sat quietly in the sick-room while the patient was
still conscious. To a foreigner that quiet is very strange in its
oppressive silence and in the stolidity of faces (at other times
expressive), whose very reason for being present is supposed to be the
expression of sympathy. Only a few assist in the making of food or
medicine for the patient, even when the medicines are not fetich. All the
others are spectators, smoking, lounging, dozing, or, if conversing,
speaking in a low tone. At the first report that death has actually come,
the women break into a louder wail.
But about a quarter of an hour is spent by some of the old members of the
family, testing to see whether life is really extinct. When that fact is
fully certified to the crowd in the street, the wailing breaks forth
unrestrainedly from men, women, and children. The moment that death is
declared, grief is demonstrated in screams, shrieks, yells, pitiful
supplication, and extravagant praise by the entire village.
Shortly after this first frantic outburst quiet is ordered, and the
arrangements for burial begin. The body is bathed and the limbs are
straightened. The stomach is squeezed so as to make the contents emerge
from the mouth in order that decomposition may be delayed and the body
kept as long as possible. The time will vary according to the necessity of
the case and the social position of the dead. Usually the corpse is
retained only one day; but in case of a prominent person as many as five
days, and in case of kings in some tribes, _e. g._, of Loango, the rotting
corpse, rolled in many pieces of matting, is retained for weeks.
When the washing and vomiting have been done, the corpse is dressed in its
finest clothing. The bed-frame is often enlarged so that many of the
chief mourners may be able to sit on it.
The body is generally taken from the bed and laid on a piece of matting on
the floor. The chief female mourner is given the post of honor, to sit
nearest to the dead, holding the head in her lap.
During the time until the burial the women keep bending the joints of the
corpse to prevent the body becoming stiff. The day before the burial (but
if in haste, on the very day of the death) the coffin is made. During the
making the mourning which had been resumed is again bidden to cease, in
order that the spirit may be pleased with the wooden house that is being
constructed for it. For the same reason the wailing is again intermitted
while the grave is being dug. Those who are digging it must not be called
off or interrupted in any way. When begun, the job must be continued to
completion.
After the grave is completed, when they leave it and go to arrange the
coffin, they must put into the excavation some article, _e. g._, a stick
of wood, as a notice to any other wandering spirit not to occupy that
grave.
When all these preparations are complete, the corpse is laid in the
coffin, and some goods of the deceased, such as pieces of cloth and other
clothing, are stuffed into it for his use in the other world. If the
deceased was addicted to smoking, a pipe and tobacco are laid in the
coffin, or if accustomed to spirituous drink, some liquor is often placed
there, either native palm-wine or foreign rum.
Recently, while the Rev. F. S. Myongo, a native clergyman, was visiting on
Corisco Island, he saw a mother put into a coffin a bundle of salt for her
daughter to eat in the future world.
If the deceased was a rich man, the people of his mother's side do not
allow him to be buried without their first being given a part of his
property by the people of the father's side.
If there be a suspicion that he has been killed by witchcraft, and yet not
enough proof to warrant a public charge and investigation, the relatives
take amomum seeds (cardamom), chew them, and put them into the mouth of
the dead, as a sign that the spirit shall itself execute vengeance on the
murderer, and that the survivors will take no further steps. It is a
_nolle prosequi_ of a judicial case.
All being ready, the lid of the coffin is nailed down, except in the case
of a first-born only child, as has been stated.
In former days, before coffins were used, the bamboo tatta of the
bed-frame, the pandanus leaf mat, palm-fibre mosquito-net, and other
bedding were all rolled about the corpse as it lay, and were buried with
it.
While the corpse is being arranged in the coffin, the women have resumed
their wailing. The coffin is lifted by strong men and hurriedly taken to
the grave, the locality of which varies in different tribes,--sometimes in
the adjacent forest, sometimes in the kitchen-garden of plantains
immediately in the rear of the village houses, sometimes under the clay
floor of the dwelling-house. With the men who are carrying the coffin may
go some women as witnesses.
Formerly also slaves carried boxes of the dead man's goods, cloth,
hardware, crockery, and so forth, to be laid by the body, which in those
days was not interred, but was left on the top of the ground covered with
branches and leaves.
In carrying the coffin to the grave it must not be taken through the
village street but by the rear of the houses, lest the village be
"defiled." As a result of such "defilement," all sorts of difficulties
will arise, such as poor crops from the gardens and short supplies of
fish.
The coffin is laid with the face of the dead looking eastward. During the
interment people must not be moving about from place to place, but must
remain at whatever spot they were when the coffin passed, until the burial
is completed.
The digging of the grave, the carrying of the coffin, and the closing of
the grave are all done only by men. When these have finished the work of
burial, they are in great fear, and are to run rapidly to their village,
or to the nearest body of water, river or lake or sea. If in their running
one should trip and fall, it is a sign that he will soon die. They plunge
into the water as a means of "purification" from possible defilement. The
object of this purification is not simply to cleanse the body, but to
remove the presence or contact of the spirit of the dead man or of any
other spirit of possible evil influence, lest they should have ill-luck in
their fishing, hunting, and other work.
During the time of these burial and other ceremonies the women have
refrained from their mourning.
Women who have babes must not go along the route that was taken in the
carrying of the coffin, lest their children shall become sick.
When all parties have returned from the grave, the wailing is resumed.
They all mark their faces with ashes, and then begins the regular official
kwedi (mourning). During the continuance of this, pregnant women and
mothers with young children are not allowed to come near lest evil happen
to them. To prevent any possibility of the just-departed spirit injuring
any children of the village, leaves of a common weed, kâlâkâhi, are laid
on their heads.
The day after the funeral a decoction is made of the bark of a well-known
tree, bolondo. With it the doctor sprinkles the people, their houses,
their utensils and weapons, and the two entrances to the village. During
the ceremony the people are shouting an ejaculatory prayer, "Goods!
Possessions! Wealth! Do not allow confusions to come to us!" this is
distinctly a petition that the spirit should bring to them goods or help
them to obtain wealth; "Let us have food!" and many other similar cries
for good things. What remains in the vessel of the decoction of bolondo
bark after the general sprinkling is carried to the ends of the village
street, and emptied there, as a prevention against the entry of evil
spirits.
Also there is made a mixture of scrapings of bolondo, powdered red-wood,
and chalk. This is rubbed on the cheeks of the people to keep off the evil
spirits. It is rubbed also, for that same purpose, on the walls of
houses.
The cutlass (machete) and native hoe that was used in the digging of the
grave are washed with the bolondo decoction after having been left exposed
to rain over night.
Then one of the houses of the village is chosen as the ndabo ya kwedi
(house of mourning). The mourners are to sit only in that house. If they
should eat in any other house, the spirit of the dead would come and eat
with them and would make them sick. During the days of kwedi the men go in
the mornings to fish; while they are away at the work, the weeping is
intermitted lest in some way it spoil the fishing.
The bedstead in the house of mourning must be constantly occupied, even
during the daytime, by some persons sitting there, lest the spirit come to
take any vacant space; and the house itself must not, by day or night, be
without some occupant. The near relatives, when one has occasion to go out
of that house, must not go unaccompanied, lest the spirit follow them and
attempt to resume earthly companionship and thus injure them.
If it was a great man who has died, an occasional dance is held during the
prescribed mourning time to please his spirit, which is supposed to be
walking around and observing what is done.
The kwedi formerly lasted a month, or, for a prominent person, a month and
a half.
People who while they were living were supposed to have witch power are
believed to be able to rise in an altered form from their graves. To
prevent one who is thus suspected from making trouble, survivors open the
grave, cut off the head, and throw it into the sea,--or in the interior,
where there is no great body of water, it is burned; then a decoction of
the bolondo bark is put into the grave. (The bolondo is a poison; even a
little of it may be fatal.)
When affairs are going wrong in the villages, and the people do not know
the cause, offerings of food and drink are taken to the grave to cause the
spirit to cease disturbing them, and prayers are made to it that it may
the rather bless them.
If the deceased was a very important person, the kwedi is interrupted on
the fifth day, for the selection of his successor as chief or king. This
ceremony is called "ampenda" (glories). The successor is placed on the
vacant seat or "throne"; and songs are sung in his praise. But first, a
herald is sent to the forest, or wherever the burial was made, to call the
dead to come and dispute his right to the throne, if he be not really
dead. The herald stands and calls on the dead by name, "Such an one!" This
he does slowly once, twice, thrice, until five times. He returns, and
reports to the waiting assembly, "He is really dead. I called five times,
and he did not answer." Then, this herald, standing in the street before
all the people, praises the dead for all his good deeds, and blames for
some of his bad ones. He turns to the chosen successor sitting on the
throne, and asks pardon for the candor he is about to exercise: "To-morrow
I will bow to you and take off my hat, but to-day I will tell the whole
truth about you." Turning to the crowd, he says, "The man who is gone was
good, and he has given us this new man. We hope that he too will be good.
You all help me now to tell him his bad points." Then, addressing the new
chief, he specifies, "You have a bad habit of so and so." And the crowd
responds affirmatively, "Bad! cease it!" After this, when the herald has
ended his own list of rebukes, any one else may call him aside and tell
him of any other evil of which he knows, and ask him to direct the new
king to reform it. This ceremony was particularly observed by the
Mpongwe-speaking tribes of the Gabun country. In the presence of the
domination by foreign governments, but little of it now exists there or in
any other tribes to the north.
In the improvised songs and ejaculations of the kwedi period the goodness
and greatness of the dead are recounted. The praise is fulsome,
exaggerated, and often preposterously untrue. Some declare their
hopelessness of ever again seeing any joy. Supplications are shrieked by
others for the departed to come back and reanimate the dead body. By most
the wailing is a song in moans. Men tear their garments; women dishevel
their hair; all take off their ornaments, and disfigure their faces with
ashes or clay. The female relatives reduce their clothing to a minimum of
decency. In all tribes formerly, and in some interior tribes still, the
wives are made naked, and compelled to remain so for months, especially if
they were known not to have been as submissive as is expected in the
slavery of savage African marriage.
During my early days in the Ogowe, about 1876, a native Akele chief, Kasa,
who had been my patron at my first residence in the Ogowe, Belambila, died
after I had removed to my second station, Kângwe. I made a ceremonious
visit of respect and condolence about a month after his death, for Kasa,
though a heathen and often cruel, to me had been true and helpful. His
family appreciated the compliment of my visit. I looked around the room,
and missed his wives. I did not know that they had been divested of all
clothing. I asked for them. A man hastened to go out and call them. I
wondered somewhat at the delay in their coming. I was afterward told that
though they were accustomed to the disgrace of nakedness before native
eyes, they did not wish to meet mine, for I had always treated them
respectfully. A half-dozen of them sidled into the room, each carrying in
their hands, as their only protection, a plate, and quickly huddled
together in a corner of the room. I as quickly dismissed them, telling
them I had not known of the rule under which they were living.
In the Batanga interior, among the Bulu-Fang tribe, where women at all
times wear scarcely any clothing, most widows are still required to go
perfectly naked, sometimes for a whole year.
All this wailing and mourning, while sincere on the part of some, is by
most simply a yielding to the contagion of sympathy. By some it is a mere
formality, and with many even a pretence.
In the older days, before Christianity had obtained any influence, or
before foreign governments had exercised power to force away barbarous
rites and compel civilized ones, when almost every death was regarded as
due to the exercise of black art, and was always followed by a witchcraft
investigation and by the putting to death of from one to ten so-called
"witches" and "wizards" (in the case of kings, fifty to one hundred), no
one, except the doctor and his secret councillors, knew on whom suspicion
for the death might fall, and all were quick to be demonstrative in their
grief, whether real or feigned, as a means of warding off the dreaded
accusation against themselves.
Though those witchcraft executions have ceased wherever foreign power
exists, the wailing is still as demonstrative, either as a sign of real
grief or as a mere custom; and the mourning after burial continued for
weeks (or even months) is an enormous evil. Wives and husbands abandoning
their duties to their own villages; children either slighted at their own
homes or idly helping to swell the confusion at the town of mourning; men
neglecting their fishing, and women neglecting their gardens,--all these
visitors are an expensive draft on the hospitality and resources of the
town of kwedi, or on their other relatives who may happen to be living
near. Inevitably there is not enough food for all, and they stanch their
hunger by immoderate drinking of foreign alcoholic liquors.
After the first paroxysms of grief, in a few days the mourning is reduced
to a perfunctory wail by the women for a short time each morning and
evening. The remainder of the day is spent in idle talk, which always runs
into quarrels; and the nights in dances, which generally end in dissolute
revelry. A month of mourning lays up a list of assignations and intrigues
that result in trials for adultery and broken marriage relations.
The feelings in the hearts of the mourners are very mixed. The outcry of
affection, pleading with the dead to return to life, is sincere, the
survivor desiring the return to life to be complete; but almost
simultaneous with that cry comes a fear that the dead may indeed return,
not as the accustomed embodied spirit, helpful and companionable, but as a
disembodied spirit, invisible, estranged, perhaps inimical, and
surrounded by an atmosphere of dread imparted by the unknown and the
unseen. The many then ask, not that the departed may return, but that, if
it be hovering near, it will go away entirely.
Few were those who during the life of the departed had not on occasions
had some quarrel with him, or had done him some injustice or other wrong,
and their thought is, "His spirit will come back to avenge itself!" So
guns are fired to frighten away the spirit, and to cause it to go off to
the far world of spirits, and not take up a residence in or near the town
to haunt and injure the living.
Nevertheless, the kwedi is kept up, if for nothing else than to satisfy
the self-complacence of the dead. It is believed that the dead, sometimes
dissatisfied with the extent or character of the mourning ceremony, have
returned and inflicted some sickness on the village, for the removal of
which other ceremonies have to be performed.
Thus far acts which are dictated by natural feelings, good and otherwise,
have been dealt with; but there are a multitude of other ceremonies,
varied in different tribes and never the same in any one tribe, which are
performed under the direct influence of religious duty as well as
superstitious fear. What has been thus far described is especially true of
the Mpongwe, Benga, and Batanga tribes of western Equatorial Africa,
typical for most Bantu tribes of the continent. The following quotations
afford a comparison of the burial customs of savages in other regions with
those I have observed:
Lumholtz,[76] describing the burial customs of Australia, writes: "The
natives in the neighborhood of Portland Bay, in the southwestern part of
South Australia, cremate their dead by placing the corpse in a hollow tree
and setting fire to it.... The natives of Australia have this peculiarity,
in common with the savages of other countries, that they never utter the
names of the dead, lest their spirits should hear the voices of the living
and thus discover their whereabouts. There seems to be a widespread belief
in the soul's existence independently of matter. On this point Fraser
relates that the Kulie tribe (Victoria) believes that every man and animal
has a muriep (ghost or spirit) which can pass into other bodies. A
person's muriep may in his lifetime leave his body and visit other people
in his dreams. After death the muriep is supposed to appear again, to
visit the grave of its former possessor, to communicate with living
persons in their dreams, to eat remnants of food lying near the camp, and
to warm itself by the night fires. A similar belief has been observed
among the blacks of Lower Guinea. On my travels I, too, found a widespread
fear of the spirits of the dead, to which the imagination of the natives
attributed all sorts of remarkable qualities. The greater the man was on
earth, the more his departed spirit is feared.... An old warrior who has
been a strong man and therefore much respected by his tribe, is, after his
death, put on a platform made with forked sticks, cross-pieces, and a
sheet or two of bark; he is hoisted up amidst a pandemonium of noise,
howling, and wailing, besides much cutting with tomahawks, and banging of
heads with nolla-nollas. He is laid on his back with his knees up, like
the females, and the grass is cleared away from under and around. The
place is now for a long time carefully avoided, till he is quite
shrivelled, whereupon his bones are taken away and put in a tree.
"The common man is buried like a woman, only that logs are put over him,
and his bones are not removed. Young children are put bodily into the
trees.
"The fact that the natives bestow any care on the bodies of the dead is
doubtless owing to the fear of the spirits of the departed. In some places
I have seen the legs drawn and tied fast to the bodies, in order to hinder
the spirits of the dead, as it were, from getting out to frighten the
living. Women and children, whose spirits are not feared, receive less
attention and care after death.
"In several tribes it is customary to bury the body where the person was
born. I know of a case where a dying man was transported fifty miles in
order to be buried in the place of his nativity. It has even happened
that the natives have begun digging outside a white man's kitchen door,
because they wanted to bury an old man born there. In Central Queensland I
saw many burial-places on hills. Such are also said to be found in New
South Wales and in Victoria. These burial grounds have been in use for
centuries, and are considered sacred.
"In South Australia and in Victoria the head is not buried with the body,
for the skull is preserved and used as a drinking-cup. It is a common
custom to place the dead between pieces of bark and grass on a scaffold,
where they remain till they are decayed, and then the bones are buried in
the ground.
"In the northern part of Queensland I have heard people say that the
natives have a custom of placing themselves under these scaffolds to let
the fat drop on them, and that they believe that this puts them in
possession of the strength of the dead man.
"A kind of mummy dried by the aid of fire and smoke, is also found in
Australia; male children are most frequently prepared in this manner. The
corpse is then packed into a bundle, which is carried for some time by the
mother. She has it with her constantly, and at night sleeps with it at her
side. After about six months, when nothing but the bones remain, she
buries it in the earth. Full-grown men are also sometimes carried in this
manner, particularly the bodies of great warriors."
W. H. Brown, in "On the South African Frontier," describes a burial in
Mashona-land: "When a member of the community dies, he or she, as the case
may be, is usually buried under a shelf of rock in a reclining position,
with arms folded and legs doubled up. In some districts, where heaps of
rocks are scarce, I have seen graves made in large ant-heaps. As a rule, a
small canopy or thatched roof is built over the grave, and under this it
is common to see placed, as an offering, a pot of beer and a plate of
sadza. The beer evaporates, and the ants eat the sadza; but, to the
Mashona mind, the disappearance is due to supernatural causes. At the
burial the near relatives of the deceased cry aloud. I was camping one
night near a village where a child died. The obsequies took place next
morning between dawn and sunrise. The mother cried loudly while the
ceremony was proceeding, but her wailing ceased soon after the funeral,
and there was no more noise made over it. I went into the village about
two hours later, and saw some men, women, and children quietly sitting
around the hut in which the death had taken place, and looking very
solemn. The child was about two weeks old, and the cause of death was
attributed by the Mashonas to the fact that the mother had not given beer
to her grandfather when he wanted it at his death.
"If a woman's husband dies, and she afterwards procures another, the new
man takes up his abode in the hut of the dead one, becomes owner of his
assegais and battle-axes, and assumes his name. Whether or not the second
husband is supposed to enter into possession of the spirit of the
deceased, I could not discover. Some Mashonas have told me that they
believe that the spirits of their departed relatives enter the bodies of
animals, particularly those of lions.
"At the end of the lunar month during which a death has taken place, the
surviving partner, man or woman, kills a goat, and its meat is cooked, as
well as quantities of other food, and a large amount of Kaffir beer is
brewed. The people gather from the neighboring kraals, and an all-night
feast and dance ensue.
"Monthly 'dead-relative dances,' which are called 'machae' are very
common; and if no one has been accommodating enough to die during the
month, the feast and dance may be held in honor of some one who departed
years before."
A similar dance is held in the Gabun region of West Africa, partly as a
consolatory amusement for the living, near the close of whatever
prescribed time of mourning. It is called "Ukukwe" (for the spirit), as if
for the gratification of the hovering spirit of the dead; but in many
places in that region this dance has lost all reference to or for the
dead, or even any connection with a time of mourning, and has become
simply a common amusement.
In the Bihe country of Southwest Africa,[77] "death is surrounded by many
strange and absurd superstitions. It is considered essential that a man
should die in his own country, if not in his own town. On the way to
Bailundu, shortly after leaving Bihe territory, I met some men running at
great speed, carrying a sick man tied to a pole, in order that he might
die in his own country. I tried to stop them; but they were running, as
fast as their burden would allow them, down a steep rocky hill. By the
sick man's convulsive movements I could see that he was in great pain,
perhaps in his death throes; hence the great haste. If a Bailundu man dies
in Bihe, the Bihe people have to pay the Bailundu heavily for the shameful
conduct of the Bihe demons in killing a stranger; and _vice versa_.
"When a man dies at home, his body is placed on a rude table, and his
friends meet for days round the corpse, drinking, eating, shouting, and
singing, until the body begins actually to fall to pieces. Then the body
is tied in a fagot of poles and carried on men's shoulders up and down
some open space, followed by doctors and drummers. The doctors demand of
the dead man the cause of his death, whether by poison or witchcraft; and
if by the latter, who was the witch? Most of the deaths I have known of in
Negro-land were from pulmonary diseases, but all were set down to
witchcraft. The jerking of the bier to and fro, causing the men bearing it
to stumble hither and thither, is taken as the dead man's answer; thus, as
in the case of spirit-rapping at home, the reply is spelled out. The
result of this enquiry is implicitly believed in; and, if the case demands
it, the witch is drowned."
Among the Barotse of South Africa[78] "funerals take place at night, and
generally immediately after death, while the body is still warm. If the
person, when alive, possessed the skin of an animal, they wrap the body in
it, and also in a plain mat, and then bury it near the hut. But death
inspires them with a mortal terror, and thus the hut of the dead man is
nearly always abandoned. Anything that has been used for the burial, such
as the wood on which the corpse was carried, is left near the grave. It is
the fashion to display great external signs of grief, howls and cries of
lamentation and the like. Formerly the graves of chiefs were distinguished
by elephant tusks turned toward the east. All cattle belonging to the
deceased are killed; and any animal of which he was particularly fond,
such as the cow whose milk he drank, is killed first. They bury in the
kraal itself those who died in the kraal; but whenever it is possible, the
dying are taken out and laid in the fields or forest. There are two
reasons for this: first, they think that away from other people is a
better chance of the invalid making a recovery; and, secondly, wherever
the person dies he must be buried; therefore, if possible, far from their
habitations. When a man dies, visits of condolence are paid to the
relatives, the visitors bringing a calf or a head of cattle as a mark of
sympathy, which is killed and eaten as a kind of consolation. The night
after the funeral is passed in tears and cries. A few days later, the
doctor comes and makes an incision on the forehead of each of the
survivors, and fills it with medicine, in order to ward off contagion and
the effect of the sorcery which caused the death. They place on their
tombs some souvenir of the profession or vocation of the defunct; for
example,--if he had been a hunter, horns or skins; if a chairmaker, a
chair; and so on. Over the grave a sacred tree is planted. The tree is a
kind of laurel called 'morata.'... A man will kill himself on the tomb of
his chief; he thinks, as he passes near by, that he hears the dead man
call him and bid him bring him water. These natives believe in
transmigration of the soul into animals; thus, the hippopotamus is
believed to shelter the spirit of a chief. Nevertheless, they do not
appear very clear that the soul cannot be in two places at once; else, if
a chief has become a hippopotamus in the Zambesi, why should one slay
one's self to bring water to his tomb?"
Perhaps Declè was not aware of a widespread belief in a dual soul,
consisting of a "spirit," that, as far as known, lives forever in the
world of spirits, and a "shadow" that for an uncertain length of time
hovers around the mortal remains. Some, as already mentioned in a previous
chapter, also name a third entity, the "life,"--that which, being "eaten"
by sorcerers, causes the living being to sicken, and which the sorcerer,
if detected, can be compelled to return to its owner. Miss Kingsley
thought also she had discovered a belief in a fourth entity, the
"dream-soul." But this, though doubtless believed in as that which
sometimes leaves the sleeping body and goes on distant wanderings, is the
same as the "spirit," during whose temporary absence the body continues
its breathing and other physical motions, in virtue of the presence of its
second and third soul-entities.
The funeral practices of all the tribes, with very few exceptions, over
all Africa, however much they may and do vary, contain all of them, as
shown by the preceding quotations, a decided belief in, and fear of, the
intelligent and probably inimical activity of the spirits of their dead.
They include also the custom of the burial with the dead man of more or
less of his property, together with the destruction of such things as
cannot be conveniently placed in the grave,--clothing, crockery, utensils,
wives, slaves, trees of fruitage, etc.
Even among the civilized and enlightened, while of course there would be
no excessive destruction of property, nor murder of widow or slave, an
extravagant amount of wearing apparel is stuffed into the coffin (which is
sometimes made large for that purpose) as a sign of the importance of the
dead, and of the sacrifice the love and grief of the living are willing to
make.
The residence of the transmigrated spirit is probably not a permanent one.
The Wa-nya-mwesi of East Africa "believe in transmigration both during
life and after it. Thus, according to them, a sorcerer can transform
himself into a wild animal to injure his enemies; but in such cases the
change is not permanent, and the soul does not remain in its new
habitation."[79]
Leaving out of view the immense difference, caused by the absence of
Christianity, in the moral life of native Africa, as compared with that of
the United States, there is no one thing that more painfully strikes me,
in the low civilization of the former, than their customs for the dead. It
would occupy too much space to recount at length all the reasons the
natives give for their sometimes apparently heartless ceremonies. The true
explanation lies in their belief in witchcraft and their fear of spirits.
From the testimony of travellers, burial customs are much the same all
over Africa. What I have written is my personal knowledge of what prevails
on the West Coast, in the equatorial regions, and especially in the
portion lying along the course of the Ogowe River,--a river that was first
brought to public notice through the writings of Paul Du Chaillu, the
journeys of a British trader, Mr. R. B. N. Walker, and subsequently by the
thorough explorations of Count P. S. De Brazza.
There are in Africa social distinctions of rich and poor, higher and lower
classes, just as there are, and always will be, all the world over, the
claims of communism to the contrary notwithstanding. These distinctions
follow their subjects to the grave,--just as, in our own civilization, one
is laid in the sculptured cemetery and another in the Potter's Field.
The African burial-grounds are mostly in the forest, in the low-lying
lands and tangled thickets along the sea-beach, or the banks of rivers.
Hills and elevated building-sites are reserved for villages and
plantations. If a traveller, in journeying along the main river of the
country, observes long reaches of uncleared thickets, he will probably be
correct in suspecting that these are burial-grounds. His native crew will
be slow to inform him of the fact or to converse on the subject, unless to
object to an order to go ashore there.
Some of the interior tribes bury all their dead under the clay floors of
their houses. The living are thus actually treading and cooking their food
over the graves of their relatives.
This mode of burial is reserved as a distinction, in the case of some
coast tribes, for a very few of their honored chiefs, or for a specially
loved relative.
Over or near the graves of the rich are built little huts, where are laid
the common articles used by them in their life,--pieces of crockery,
knives, sometimes a table, mirrors, and other goods obtained in foreign
trade. Once, in ascending the Ogowe, I observed, tied to the branches of a
large tree extending over the stream from the top of the bank, a wooden
trade-chest, five pitchers and mugs, and several fathoms of calico prints.
I was informed that the grave of a lately deceased chief was near, that
these articles were signs of his wealth, and were intended as offerings to
spirits to induce them to draw to the villages of his people the trade of
passing merchant vessels.
A noticeable fact about these gifts to the spirits is that, however great
a thief a man may be, he will not steal from a grave. The coveted mirror
will lie there and waste in the rain, and the valuable garment will flap
itself to rags in the wind, but human hands will not touch them. Sometimes
the temptation to steal is removed by the donor fracturing the article
before it is laid on the grave.
Actual interment is generally given to all who in life were regarded as at
all worthy of respect. Native implements for excavating being few and
small, the making of a grave is quite a task; it is often, therefore, made
no deeper than is actually sufficient for covering the corpse. This,
according to the greatness of the dead or the wealth of the family, is
variously encased. Sometimes it is placed in a coffin made of the ends of
an old canoe; or, more shapely, of boards cut from the canoe's bottom and
sides; or, even so expensively as to use two trade-boxes, making one long
one by knocking out an end from each and telescoping them.
Sometimes the corpse is cast out on the surface of the ground, and perhaps
a pile of stones or brushwood gathered over it. Sometimes it lies
uncovered. Sometimes they are cast into the river.
Many years ago, I was ascending the Ogowe River in my boat, painfully
toiling against the current. I had unwisely refused the wish of my crew to
stop for our mid-day meal at a desirable ulako (camping-ground), as the
hour was too early; and I determined to go on, and stop at some other
place. But I regretted presently; for, instead of finding forest and high
camping-ground, we came to a long stretch of papyrus swamp; and, after
that, to low jungle. We pulled on for another mile, the sun growing
hotter, along the unsheltered bank, and we growing faint with hunger as
the hour verged to noon. Becoming desperate, I directed the crew to stop
at the very first spot that was solid enough for foothold, intending to
eat our dry rice without fire. Presently we came to a clump of oil-palms.
Their existence showed solid ground, and I seized the rudder and ran the
boat ashore. The crew objected, hungry though they were, that "it was not
a good place"; but they did not mention why. I jumped ashore, however, and
ordered them to follow, and gather sticks for fire. As they were rather
slow in so doing, and I overheard murmuring that "firewood is not gotten
from palm trees" (which is true), I set them an example by starting off on
a search myself.
I had not gone far before I found a pile of brushwood, and, rejoicing at
my success, I called out to the crew to come and carry it. While they were
coming, I stooped down and laid hold of an eligible stick. But an odor
startled me; and the other sticks that I had dislocated falling apart,
there was revealed a human foot and shin, which, from the ornaments still
remaining about the ankle, I suppose was a woman's. My attendants fled;
and I re-embarked in the boat, sufficiently unconscious of hunger to await
a late meal that was not cooked until we reached a comfortable village a
short distance beyond. My crew then explained their slowness to obey me at
that clump of palm trees, by saying that they knew it looked like a
burying-place.
A less respectful mode of burial (if, indeed, the term be not a misnomer)
is applied to the poor, to the friendless aged who have wearied out the
patience of relatives by a long sickness, and to those whose bodies are
offensive by a leprous or otherwise ulcerous condition. Immediately that
life seems extinct (and sometimes even before) the wasted frame is tied up
in the mat on which it is lying, and, slung from a pole on the shoulders
of two men, is flung out on the surface of the ground in the forest, to
become the prey of wild beasts and the scavenger "driver" (Termes
bellicosa) ants.
Of one tribe in the upper course of the Ogowe, I was told, who, in their
intense fear of ghosts, and their dread of the possible evil influence of
the spirits of their own dead relatives, sometimes adopt a horrible plan
for preventing their return. With a very material idea of a spirit, they
seek to disable it by beating the corpse until every bone is broken. The
mangled mass is hung in a bag at the foot of a tree in the forest. Thus
mutilated, the spirit is supposed to be unable to return to the village,
to entice into its fellowship of death any of the survivors.