MY FATHER, BY JULIAN BURROUGHS

The earliest recollection that I have of Father was of one spring day

when he was chasing and stoning the cat, our pet cat, who had caught

a bluebird. I remember the fierce look in the cat's eyes, and her nose

flattened over the back of blue, her nervously twitching tail, and the

speed and strength with which Father pursued her, and the language he

used, language that impressed me, at least, if not the cat, and which

discredited the cat and her ancestry as well. As I remember it we

rescued the bluebird, and there the picture fades. Just how Father

himself looked then I do not know; doubtless, childlike, I accepted him

as a matter of course, along with all the other interesting things in

this world in which I was finding myself. Again I remember riding on

his shoulder in the downstairs hall, as he skipped about with me, and of

being face to face, on equal terms, with the hall lamp, and of telling

Father that when I grew up I was going to be a king, and of Father

telling me at once that they hung kings on a sour-apple tree. It was

always a sour-apple tree, never a sweet one, used for hangings. So I

was glad to relinquish the idea of being a king and to become instead

a "finder-out of things." How Father did laugh at that! He had been

telling me something of his readings in astronomy and the sciences, just

at that time coming into their own, and I was so impressed and fired

with emulation that I, too, declared for wanting to be "a finder-out of

things," and Father would repeat it and laugh heartily. It is a joy

to think of him as he was then, virile in body, full fleshed, active,

leading in walking and skating and swimming--what a flood of memories!

What an interest he took in all the things I did, and how often a most

active part. One day in May I had gone out with our one shot of shad

net, and was to try an experiment. I had told Father that I would row a

ways up the river and throw out the net and then row on up to the mouth

of Black Creek and fish for perch, and when the tide turned would row

out and take up the net, which would catch the flood slack not far

above. What he thought I do not know, for he went to Dick Martin, an

experienced shad fisherman, and told him what I was going to do. Dick

hastened to tell him, in alarm, that what I intended was impossible,

that there was a row of old stakes out from the black barn just below

the mouth of Black Creek and that my net would get fast on these and I

would lose it, and perhaps come to harm besides. So Father walked the

two miles, hurrying up along the steep and rocky shore, and found me

just coming out from the creek. He told me what Dick had said and

got into the boat and we rowed out to the net, which was acting very

queerly.

"You're fast now, boy, it's just as Dick said," he exclaimed as I rowed

as hard as I could for the long line of buoys. Never can I forget the

hour of alarm and distress, for me, that followed. The tide turned and

the loitering flood gave way to the sweeping ebb, the dark water from

the creek came rushing down on us, the buoys swirled and twisted in the

running water and began to disappear one by one. We quickly got hold

of the end and I picked up as much as I could; then Father got hold and

tried to pull the net loose. He pulled and pulled until he literally

pulled the stern of the skiff under water.

"You'll have to cut the net, it is the only way," he said finally,

red-faced and panting, so we did cut the net, leaving a middle section

there on the old stake in the bottom of the river. There is no denying

that it was thoughtful of him to come, and that he had my safety and

welfare at heart. Though I was always cautious and wise to the way of

the river, something might have happened and my bones might be there

beside the old stake--and what a lot I would have missed!--or as Father

once so aptly expressed it: "I'm not afraid to die, but I enjoy so much

living!"

He was always cautioning me, and worrying about me when I was out on

the river, especially at night, and yet he took chances that I would not

take. In the early days here at Riverby there was no railroad on this

side of the Hudson, and to get a train one must cross the river. In

summer one hung out a white flag from West Park dock and Bilyou would

row over for you, but when there was ice in the river one must walk or

stay home. In zero weather it was only a matter of a long walk over the

ice, often facing a blast of below-zero wind, but when the March thaws

had begun one took one's life very lightly to venture on the ice. The

thawing water cut away the ice from underneath, leaving no mark on the

surface, weakening it in spots, and if one went through, the tide swept

him under the ice, where the water was at least cold enough to chill one

and make death easy. On such a day Father crossed the river on a crack,

for, strange to say, one of the big cracks that always come in the ice

had pushed or folded down, and not up, and the water had frozen over,

making a streak of triple-thick ice, and on this streak he crossed the

Hudson, the ice so far gone from the sun, so honeycombed and rotten,

that he could stick his cane through on either side of his crack!

Another time he was crossing in early April with his dog, and when in

the middle of the river, which is a full half mile wide at Riverby, busy

with his thoughts, he suddenly saw his dog running for the shore, which

apparently was moving away rapidly toward New York! But the shores were

standing eternally still; the ice it was that moved, and was moving up

with the flood tide, moving just the width of a big canal that the ice

harvesters had cut above. When the tide turned, about an hour later, all

the ice went out of the river.

When first Father saw some smokeless powder he was surprised at its

appearance, and would not believe it was powder, until he threw some on

the hot stove. I used it in our old shotgun and he was much alarmed,

yet he told me that in his hunt for Thomas's Lake, of which he speaks

in "Wake Robin," he loaded his little muzzle-loading gun with an entire

handful of powder and then, for he felt it would burst, he held it at

arm's length over his head to fire. This he did time after time, in his

attempt to signal to his companions. The little gun survived the ordeal

and hangs now in the gun room. With it is the little cane gun, a small

shotgun that looked exactly like a cane, but which was quite effective

for small birds, and which he used when making collections of birds

about Washington. Strangely enough for those days, it was against the

law to shoot birds, and mounted guards enforced this law. Father would

tell with glee how he would shoot a bird he wanted for his collection,

and in a moment the guard would come rushing up, asking who fired the

shot, and Father would tell him it was just over the rise of ground, or

behind those trees, or something, and off would hurry the guard while

Father picked up his bird and reloaded his cane. It seems queer to us

now--to think of John Burroughs as shooting and mounting song birds,

making collections to be set up on a tree behind glass, but he did, for

in those days they were quite the proper thing, cases of them, fitting

enough for museums, often being seen in private homes. I can remember

taking lessons in taxidermy from Father, and of skinning and mounting

wildfowl, and today there are a loon and a prairie chicken here in the

house at Riverby that he mounted in those early years. The collections

of birds he made are scattered far and wide or were destroyed long ago.

All of them were shot with the little muzzle-loading cane gun or with a

little muzzle-loading fowling piece: those were the days of the ramrod

and wasps' or hornets' nests gathered and used for wadding, and the

superstition, which Father often expressed, that if you spilled or

dropped a shot in loading, it was your game shot, the one that would

have killed and without which the shot would miss. I can see the

fascinating-looking black powder now, scintillating as Father poured it

from the palm of his short brown hand into the muzzle of the gun.

There was one quality which Father possessed to a marked degree and

which I always envied him, a thing small in itself, yet which enabled

him to accomplish what he did in literature, and that was the ability to

lay aside the business or cares of life, as one would hang up one's hat,

absolutely and completely, and turn to his writing. The world will think

of him as a poet naturalist, as a gentle sage and philosopher, when he

was in truth a literary craftsman, and one who could never give but a

portion of his time and effort to his life's work until he was sixty

years of age. I first remember him as a bank examiner. I remember his

going away for trips to examine banks, of his packing his valise and

putting on a white or "boiled" shirt, the gold cuff buttons, his combing

his beard, the wonder and mystery of it all. Then he became a "mugwump"

and the new party gave his bank-examining to someone else; and, as he

expressed it, "I had to stir my stumps," and he took up the raising of

fine grapes.

Just as his boyhood had the cow for its centre of interest, mine had the

Delaware grape. And Father made a success of his vineyards. I can see

him now summer pruning, he on one side of the row, I on the other,

"pulling down" as we called the summer pruning, or he was stamping lids

or tying up bundles of baskets. Many of the lids had sawdust on them

which had to be blown or brushed off before they could be stamped.

Father acquired the habit of blowing, and he got so used to it that he

would blow anyway, whether or not the lid needed it; if it did not he

would blow straight ahead and I would laugh at him for it, and he would

raise his eyebrows and half smile, meaning, that it was something he

could indulge himself in. He once wrote of his grandson:

"I had the rare good fortune to be born in the country upon a farm

and to share in the duties and responsibilities of farm life. My poor

grandson John is not so lucky in this respect and he has not had to pick

up potatoes and stone and gather apples and husk corn and hoe corn and

spread and rake hay and drive the cows and hunt up the sheep in the

mountain and spread manure and weed the garden and clean the cow

stables, and so on, and go two miles through snow-choked fields

and woods to school in winter and have few books to read and see no

illustrated papers or magazines. John has the movies by night and his

bicycle by day and a graded school to attend and a hundred aids and

spurs where I had none. My fate was better than John's and I can

but hope he has advantages that I did not have that may offset the

advantages I had."

In this case I know that time and distance lend enchantment, for of the

hard work in the vineyards Father did very little--the cultivating with

a horse on days so hot that the horse was covered with lather and the

dust rose in a cloud over one's perspiration-soaked clothes, the days

following the spray cart with the lime and blue vitriol flying in one's

face and running down one's legs, the tying in March and early April

until one's fingers were raw and one's neck ached from reaching up--of

all these and other tasks he knew nothing. Often he said of himself that

he was lazy; and, though what he accomplished in his life stands like

a monument in one sense of the word, he was lazy. Routine work, a daily

grind at tasks for which he had no liking, would have shortened his days

and perhaps even embittered him. Yet with what eagerness he went at

his writing! For sixty years and over he found his greatest joy in his

craft--as he once wrote me, "There is no joy like it, when sap runs

there is no fun like writing." As he said of his books in a preface to

a new edition, "Very little real 'work' has gone into them." One day out

at La Jolla, California, up on the hillside overlooking the blue Pacific

there was a gathering in one of the biological laboratories and the

school children came trooping in. Father was asked to talk to them and

among other things he asked them if a bee got honey from the flowers.

"No," he said, "the bee gets nectar from the flower, a thin sweetish

liquid which the bee, by processes in its own body, turns into honey."

I have always suspected that Father liked to think of himself as a

bee, out in the sunshine and warmth, in the fields and woods, among

the flowers, gathering delightful impressions of it all which with his

handicraft he could preserve in an imperishable form that others might

also enjoy. And does a bee really work? Is it not doing exactly what it

enjoys or wants to do? Does it have to make any conscious effort to fare

forth among the flowers? Does it have to keep on doing what it dislikes

to do long after it is tired out? So whether the life of John Burroughs

was one long life of happiness and lazy play, or whether it was one of

hard work, depends, like so many other things, on the point of view. I

like to think of his long and happy life as one in which he turned all

work to play, and in so doing he accomplished mightily.

Often Father tried to account for himself, how he happened to break

away from the life of his family and early environment so absolutely and

completely and become, not a weak, easy-going, though picturesque farmer

in the farther Catskills, but a man of letters, a unique and picturesque

literary craftsman. "I had it in my blood, I guess," he once said. With

it he had what most of us have, the love of the woods and fields and the

hunting and fishing. Trout fishing, the most delightful of all, had for

him a perennial charm, and bee-hunting, too, and camping out, exploring

new streams and woods. All this was fostered and developed by his farm

life and early associations, and then when he became vault keeper in the

Treasury Department in Washington he was shut up away from it all with

nothing to do but look at the steel doors. Almost without being able

to do otherwise he began to live over again the delightful days he had

spent afield by writing of them. He was like an exile dreaming of his

native land. Nature has a trick of casting a spell over those who spend

their days with her so that when the day is gone only the memories

of the delights of it remain and these become ever more beautiful and

highly coloured with time. To the homesick young man, shut up in the

vault in Washington, the scenes of his native hills took on a beauty and

charm they never could have done had he remained there among those very

hills where his eyes and senses could drink their fill every hour. It

seems to me like a lucky chance that his ambition to write, already

manifest and firmly fixed, took the course it did, writing about Nature.

"I must have been a sport," he says of himself--a born word worshipper,

a man fired with unquenchable literary ambition, a lover of the best of

the world's books, born of parents who knew not the meaning even of the

words. I doubt very much that any of his immediate family, that is of

his own generation, read a line in any of his books. His sister told him

not to write, that "it was bad for the head"--how different he was from

them all is shown in an incident Mother once related, and which can be

told only with a word of explanation. During the war he and Mother

had gone "out home," as he always spoke of visiting the parents on the

homestead, and during dinner Grandfather exclaimed: "I'd like to see Abe

Lincoln hung higher than Haman and I'd like to have hold of the rope!"

Father sat speechless with pain and amazement, then silently pushing

back his plate he rose and silently walked from the room. Then

Grandmother "went for" Grandfather. But Grandfather did not realize

what he was saying, and he would have been one of the very last to have

harmed Lincoln, or any one else for that matter. The incident shows how

different those passionate, intense, and bitter-feeling times were from

ours, and how the spread of the magazines and the illustrated papers has

broadened and mellowed the feelings of the people.

Father often spoke of his joy when the _Atlantic_ accepted his first

article, the one on "Expression" which was attributed to Emerson--he

felt a new world had opened up for him, new worlds to explore and

conquer with unlimited possibilities. His ambition to write got a

tremendous incentive. At that time he was teaching school at a small

town near Newburgh and when Saturday came he wanted to go into the

parlour for his day's work. That was the time of the supremacy of the

parlour, the darkened room held sacred for special occasions, funerals,

and Sunday company and such, and Mother had no notion of its order

being disturbed and its sanctity profaned by such a frivolous thing as

writing--she locked the door. I think Father took it as an insult,

not to himself, but to his calling, a deadly insult to his god of

literature, and in what to me was a fine and noble and justifiable

frenzy he smashed and kicked the door into "smithereens." I applaud; I'm

glad he did it; he proved himself worthy of his chosen god. Mother no

doubt cried. Poor demolished door--a small and material sacrifice indeed

for the great god of letters!

Those years were hard ones in many ways for Father, the years in the

late '50's when he was teaching school and trying many things, trying

to find himself and make a living and appease the material ambitions of

Mother. One summer he spent on the old homestead and grew onions; the

seed he used was poor, few came up, and a summer of hard work, for both

him and Mother, came to nothing. For a time he studied medicine in the

office of Doctor Hull near Ashokan, and there, sitting in the little

office at a spot now just on the edge of the water of what is now the

great Ashokan Reservoir, he wrote his poem, "Waiting." One cannot but

marvel at the prophecy of it, the vision of the discouraged boy of

twenty-five every line of which has had such a fulfilment. He tried

several ventures, blindly groping, hoping for success which never came

to any of them. One of his ventures was a share in a patent buckle

from which he was to get rich, but from which he got losses and

discouragement--in fact, he had borrowed money to go into it and on his

non-payment he was arrested and brought up the river on a night boat.

Waking when the boat stopped at Newburgh and finding his guard was

asleep, he got up and dressed and went ashore. His arrest was not legal

anyway, and soon the matter was settled. He continued to teach, and

finally, in the early years of the war, drifted to Washington. A friend

of his wanted him to come, saying there were many opportunities and also

holding out the inducement that he could meet Walt Whitman. Finally

he got a position in the Treasury Department and from Hugh McCulloch,

Secretary of the Treasury, in his "Men and Measures of Half a Century,"

we get a picture of the young John Burroughs seeking a job, a picture

that Father said was not accurate, but which at least shows how he

impressed a man used to seeing many job-seekers:

One day a young man called at my office and said to me that he

understood that the force of the bureau was to be increased, and that

he should be glad to be employed. I asked him if he had any

recommendations. "I have not," he replied; "I must be my own." I

looked at his sturdy form and intelligent face, which impressed me so

favourably that I sent his name to the Secretary, and the next day he

was at work as a twelve-hundred-dollar clerk. I was not mistaken. He was

an excellent clerk, competent, faithful, willing.

And Father has said that of the hundred dollars a month he received, he

and Mother saved just half. And the real cost of living then was as high

as it is now; the actual cost of food and clothing and the manner of

living have changed. Father's first book: "Notes on Walt Whitman, Poet

and Person," published in 1867, now long out of print, a small brown

volume with gilt lettering, was brought out in those Washington

days. The book was not a success and though Father took a loss on its

publication, he did not have to deduct it from his income tax. Of

all that life there in Washington he has spoken so much in his books,

"Winter Sunshine," "Indoor Studies," "Whitman, a Study," and so on that

I will leave it and return to the vineyard here on the banks of the

Hudson.

It was in 1872 that Father and Mother came here and bought about a

nine-acre place, sloping from the road down to the water, living for a

time, nearly a year, in a small house up by the road, during which time

they were building the stone house, the building of which Father has

described in "Roof-Tree." He had wanted a stone house, and here was

plenty of stone, "wild stone" as a native called them, to be picked up,

weathered and soft in colouring, only a short haul and a few touches

with the hammer or peen needed to make them into building stone. He

has often spoken of Mother's first visit to her new home, just as the

foundation was nicely started, and of her grief and disappointment when

she saw the size of the building. The foundation of a house, open to the

sky, gives no idea of the size of the finished building, and it was in

vain that Father tried to explain this. "I showed her the plans," he

often said, "so many feet this way and so many that, such a size to this

room and such a size to that, but it was no use, she cried and took on

at a great rate." Father was bank receiver then, getting three thousand

a year, and on that he was building this big, three-story stone house.

He took great pleasure in it--he loved to tell of the Irish mason who

went off on a drunk just when he was working on the stone chimney.

Disgusted at the delay Father went up, and with hammer and trowel went

at the chimney himself, and the sobering mason could see him from Hyde

Park, across the river. When he was sober enough to come back and go on

with his work he carefully inspected what Father had done and exclaimed,

"and you are a hondy mon, ye are."

The southwest bedroom on the third floor Father was to have for his

room, his study, where he could write. This room he panelled to the

ceiling with native woods: maple, oak, beech, birch, tulip, and others,

and I like to think of his happy anticipation, his dreams of the happy

hours he would spend in this room, and of the writing he would do. But

he did no writing here, for a few years later he built the bark-covered

study down on the edge of the bank, then a few years later yet he built

Slabsides, two miles over the low mountain. It was there, especially in

the study, that he did the bulk of all his literary work.

Mother was a materialist; she never rated literary efforts very high;

she often seemed to think that Father should do the work of the hired

man and then do his writing nights and holidays. She could see no sense

in taking the best hours of the day for "scribbling," and it was only in

the later years when Father had a steady income from his writings that

her point of view softened. She was what they called in those days a

"good housekeeper" and she kept it so well that Father had to move out

for his working hours, first to the study, then two miles away. When it

came to housework, Mother possessed the quality called inevitableness

to an extraordinary degree. She had a way of fastening a cloth about

her head, a sort of forerunner of the boudoir cap of to-day, a means of

protecting her hair from any imaginary dust, and this became a symbol,

a battle flag of the goddess of housecleaning. Father was ordered out of

the library, where he did his writing, and his thread was rudely broken;

it was a day when sap did not run. For a high-strung, temperamental

being, hasty and quick tempered, I think he showed wonderful patience, a

patience that does him great credit. And yet in many ways Mother was

an invaluable helpmate, she was a balance wheel that kept their world

moving steadily, and I am sure saved Father from many mistakes and

extravagances.

It was only years afterward, when he began to ship grapes, that Father

named his place "Riverby." He had been reading a book of adventure

to me, Stevenson's "Black Arrow," and in it there was a place named

"Shoreby," or "by-the-shore." This suggested the name of "Riverby," or

"by-the-river," to Father for his place. So it was adopted and became

the trademark, "Riverby Vineyards," an oval stamp with a bunch of grapes

in the middle and the address below. It became the name of the place,

the name of one of Father's books, and was stamped on the lid of every

crate or basket of grapes.

Father was an absolutely honest man, honest not only in packing a crate

of grapes, but honest as to his own weaknesses and shortcomings. I can

never forget how he admired an exclamation attributed to General Lee at

Gettysburg. Pickett had made his famous charge and his veterans had come

back, a few of them, defeated, and Lee said to them, "It's all my

fault, boys!" "That is the true spirit of greatness," Father said,

thoughtfully. And when the _Titanic_ went down in mid-ocean with such a

loss of life, and the order was for the women and children first to the

lifeboats, men to keep back, Father said: "That took real grit. I hope

I'll never have to face such a crisis."

At another time the boys were stealing his grapes, the first Delawares,

not yet ripe enough, and then scattering the bunches they could not eat

along the road. Father wrapped himself in a waterproof and at dark sat

down under one of the vines to wait. Strange to say, he went to sleep,

and stranger still one of the boys did come, and came to the very vine

under which Father was sleeping. He was instantly awake and, watching

his chance, jumped up and grabbed the boy. There was a swift scrimmage,

the boy breaking away and fleeing. As he went over the stone wall Father

clinched him and they went over together, taking the top of the wall

over on them. Father being hampered by his coat, the boy was able to

break away and fled up the hill toward the road where he had left his

bicycle. He was unable to get away on it, however, and ran away into the

night, leaving his bicycle as hostage. In the morning when I came down I

found Father like a boy with a new toy. "Come out in the wash-house and

see my prisoner," he laughed, and could hardly contain himself for the

fun of it all. I came, and there stood the bicycle, and Father danced

a war dance about it. Later the boy came and owned up and insisted on

paying something, but in all kindliness Father would not of course take

any of the boy's hard-earned money. He simply explained the situation to

him and I am sure the boy never came back, as he might have done if he

had not been treated generously. At another time some boys from across

the river were caught red-handed stealing grapes. After scaring them for

a time, Father gave them some grapes and sent them home. He was always

cautioning us about cutting grapes, to cut only such as we would be

willing to eat ourselves not to mislead or cheat the purchaser. One

of his first letters, written thirty years ago, is mainly about the

vineyards--it is written on paper made to imitate birch bark, and

written in a swift, up and down hand that is almost as easily read as

the best printing:

Onteora Club, July 25, 1891.

My Boyhood · 第 12 / 69 题