CHAPTER I.

"The idea of publishing cheap one-volume novels is a good one, and we

wish the series every success."--_Saturday Review._

VIZETELLY'S ONE-VOLUME NOVELS.

BY ENGLISH AND FOREIGN AUTHORS OF REPUTE.

_In Crown 8vo, good readable type, and attractive binding, print 6s.

each._

_FOURTH EDITION._

THE IRONMASTER;

OR, LOVE AND PRIDE.

BY GEORGES OHNET.

TRANSLATED WITHOUT ABRIDGMENT FROM THE 146TH FRENCH EDITION.

The above work, which may be regarded as the greatest literary success

in any language of recent times, has already yielded its author a profit

of upwards of £12,000.

An edition of "The Ironmaster," in large crown 8vo, beautifully printed

on toned paper, and illustrated with 42 full-page engravings by French

artists, separate from the text, is also published, in handsome binding

and with gilt edges, price 7s. 6d.

NUMA ROUMESTAN;

OR, JOY ABROAD AND GRIEF AT HOME.

BY ALPHONSE DAUDET.

TRANSLATED BY MRS. J. G. LAYARD.

"'Numa Roumestan' is a masterpiece; it is really a perfect work; it

has no fault, no weakness. It is a compact and harmonious

whole."--MR. HENRY JAMES.

"'Numa Roumestan' is a triumph for the art of literary

seduction."--_Spectator._

"The interest of the story is sustained from first to last. It has a

charm of its own which will be felt long after its final page has

been attained."--_Morning Post._

COUNTESS SARAH.

BY GEORGES OHNET, AUTHOR OF "THE IRONMASTER."

TRANSLATED FROM THE 118TH FRENCH EDITION.

"The book contains some very powerful situations and first-rate

character-studies."--_Whitehall Review._

"The translation, which forms one of Vizetelly's capital series of

one-volume novels, is a vigorous and obviously faithful one, and to

an interesting plot must be added a number of strongly marked and

cleverly drawn characters."--_Society._

_THIRD EDITION._

A MUMMER'S WIFE.

BY GEORGE MOORE, AUTHOR OF "A MODERN LOVER."

"'A Mummer's Wife' is a striking book, clever, unpleasant,

realistic.... The woman's character is a very powerful study, and

the strolling player, if less original, is not less completely

presented.... No one who wishes to examine the subject of realism in

fiction with regard to English novels can afford to neglect 'A

Mummer's Wife.'"--_Athenæum._

"'A Mummer's Wife,' in virtue of its vividness of presentation and

real literary skill, may be regarded as in some degree a

representative example of the work of a literary school that has of

late years attracted to itself a good deal of the notoriety which is

a very useful substitute for fame."--_Spectator._

"Mr. Moore shows unquestionable power in telling Kate Lennox's

story, and the sketch of her second husband--big, frankly sensual,

yet good-natured--is probably as good as anything of the kind could

be."--_Academy._

"'A Mummer's Wife' holds at present a unique position among English

novels. It is a conspicuous success of its kind."--_Graphic._

THE CORSARS;

OR, LOVE AND LUCRE.

BY JOHN HILL, AUTHOR OF "THE WATERS OF MARAH," "SALLY," &c.

"It is indubitable that Mr. Hill has produced a strong and lively

novel, full of story, character, situations, murder, gold-mines,

excursions, and alarms. The book will give great pleasure to the

'proud male,' as M. Zola says, and is so rich in promise that we

hope to receive some day from Mr. Hill a romance which will win

every vote."--_Saturday Review._

"The story is well worked out, and the characters have each and all

a distinct backbone. The strong point of the novel is

humour."--_Life._

MR. BUTLER'S WARD.

BY F. MABEL ROBINSON.

"A charming book, poetically conceived and worked out with

tenderness and insight."--_Athenæum._

"'Mr. Butler's Ward' is a well-planned and well-executed novel. It

is worked out with much insight and considerable incidental

humour."--_Academy._

"'Mr. Butler's Ward' is of exceptional merit and interest as a first

novel. The style is excellent throughout."--_Graphic._

PRINCE SERGE PANINE.

BY GEORGES OHNET, AUTHOR OF "THE IRONMASTER."

TRANSLATED FROM THE 110TH FRENCH EDITION.

This is the work that made M. Ohnet's reputation, and was crowned by the

French Academy.

BETWEEN MIDNIGHT AND DAWN.

BY INA L. CASSILIS, AUTHOR OF "SOCIETY'S QUEEN," "STRANGELY WOOED:

STRANGELY WON," &c.,

THE FORKED TONGUE.

BY R. LANGSTAFF DE HAVILLAND, AUTHOR OF "ENSLAVED."

_VIZETELLY'S ONE-VOLUME NOVELS._

IX.

THE THREATENING EYE.

BY E. F. KNIGHT,

AUTHOR OF "THE CRUISE OF THE FALCON."

... "When Fortune means to men most good,

She looks upon them with a threatening eye."

KING JOHN, Act III., Scene IV.

[Illustration]

LONDON:

_VIZETELLY & CO., 42 CATHERINE ST., STRAND._

1885.

Perth:

S. COWAN AND CO., STRATHMORE PRINTING WORKS.

CONTENTS.

CHAPTER PAGE

I. THE EDUCATION OF MARY GRIMM 9

II. ON THE ROAD TO RUIN 17

III. THE SECRET SOCIETY 27

IV. THE FIRST DAY OF LIBERTY 40

V. IN THE TEMPLE 51

VI. FROM SCYLLA TO CHARYBDIS 62

VII. THE TENTH PLAGUE OF EGYPT 74

VIII. LIGHT LOVER 89

IX. KILLING NO MURDER 102

X. A LOVE THAT DOES NOT RUN SMOOTHLY 115

XI. A WRECK 128

XII. IN GREAT PERPLEXITY 137

XIII. A SCIENTIFIC MURDER 144

XIV. SUSAN BRINGS MARY TO AN OLD LOVER 157

XV. IN THE LAND OF PHANTOMS 166

XVI. SUSAN GOES TO CHURCH 179

XVII. A DARKENED MIND 188

XVIII. AMONG THE GREEN LEAVES 200

XIX. CATHERINE KING VISITS MARY IN THE COUNTRY 211

XX. CATHERINE'S DISCOVERY 221

XXI. CONDEMNED TO DEATH 228

XXII. AN EVENTFUL DAY 238

XXIII. THE TAKING AWAY OF THE SHADOW 248

XXIV. DESPAIR 259

XXV. THE FIRST WARNING 268

XXVI. SHATTERED IDOLS 278

XXVII. THE SECOND WARNING 288

XXVIII. AGAIN THE SHADOW 299

XXIX. THE THIRD WARNING 307

XXX. THE LAST OF SUSAN RILEY 317

XXXI. PEACE 325

THE THREATENING EYE.

CHAPTER I.

THE EDUCATION OF MARY GRIMM.

A street in Brixton--one of those dreary streets of what the house-agent

calls eligible eight-roomed residences, in which all the houses are as

like each other as so many peas out of one pod: each two-storied; each

looking out on the street through six windows; each with its little

flight of stone steps leading up to the front door; each with its garden

just six yards square; each with its severe respectability of

expression. For houses, like men, have their expressions which reflect

the characters of their inmates. There is the prim Puritanical house;

the dissipated villa with its neglected gate; the ostentatious _nouveau

riche_ mansion, turning up its nose at its neighbours; the well-kept

pretty cottage, looking contented with itself and all the world,

containing as it does the newly-married couple; the cynical abode of

crusty old bachelorhood surrounded by whims and fads; and so on, each

from palace to slum with a face the meaning of which he who knows how

may read.

Now the houses of this Brixton Street were of the respectable-genteel

class of houses, not over-wealthy, but very respectable; possibly come

down in the world some of them, but all essentially genteel.

Married clerks in banks and merchants' offices, with small salaries and

large families, formed the bulk of the occupants of these dwellings.

Besides these there were generally one or two retired military men in

the street; they also with encumbrances, wives and families, that were

rather slip-shod, whereas the military men themselves preserved a

certain amount of fashion in their attire. These gallant officers and

their belongings were wont, however, to encamp for a while only as it

were in the street. They never stayed long, but would vanish

unostentatiously without fuss of any kind, leaving behind painful

regrets in the memories of sundry rate-collectors and tradesmen. These

nomadic warriors alone of all that street's inhabitants were not quite

respectable, though distinctly genteel.

It was, in short, a dull Brixton street such as our London suburbs have

hundreds of, leading from nowhere in particular to nowhere at all, for

it terminated at its further end in a wilderness of "eligible building

land," a desert of mud and broken crockery that was only awaiting the

advent of the speculative builder to become yet one more excrescence of

this swollen metropolis.

Of all the respectable houses of this highly respectable street none

were more respectable than No. 22. No grocer hesitated before he

permitted Mrs. Grimm to run up a three months' account at his shop; for

was not Mr. Grimm known to be a man of substance? He was a lawyer in the

city, a solicitor in fair but not clean practice: a Perpetual

Commissioner of Oaths too, it was whispered, and to the outside world

such a title could not but imply more than respectability, it even

savoured of dignity. Again he was wont to come punctually home to his

dinner every evening at seven; he had been five years at No. 22, and had

always paid his way; and finally, what established his credit more than

all else, he was known to own no less than three houses in the street,

bringing him in some thirty pounds a year each.

The household of No. 22 consisted of this gentleman, his daughter, who

was sixteen years old at the period this story opens, and his second

wife.

One maid-servant "did" for the family with the assistance of the

daughter. Mrs. Grimm did not condescend to work, but she _superintended_

energetically. Thus it will be seen that though Mr. Grimm was fairly

well off he did not waste his means in ostentation, and kept up his

establishment on an economical footing.

One of our most distinguished novelists started life as a gambler. He

was remarkably successful at play, and was rapidly amassing a fortune;

but one day, we are told, he happened to perceive the reflection of his

face in a mirror, when he was so horrified at the haggard appearance it

presented, that he incontinently threw up his destructive pursuit for

that of literature, in which he became even more successful than at the

green table.

Even as wise as this great author was Mr. Grimm. At the commencement of

his career he too had been a gambler, a dabbler on the stock

exchange--with clients' money sometimes; but perceiving that the fierce

anxiety was turning his hair grey, he forswore gambling: not for

literature though, but for quiet safe swindling. Swindling doesn't age

one like play, and so far as results to oneself are concerned, is the

most innocent vice of the two. A thief is as often as not a dear amiable

fat jovial fellow, with the lightest of consciences. Is your gambler

ever anything but the reverse?

Mr. Grimm was not a lovable man. He was that perhaps lowest of all

creatures that crawl the earth--a pettifogging attorney, capable of any

meanness, any dishonesty, any cruel robbery of orphan and widow, and

just sharp enough to know where to draw the line between _moral_ crime

and _legal_ crime. He had, it is true, on two occasions run rather close

risks of being scratched off the rolls, and had received many a

well-earned rebuke from judge in open Court or Master in Chambers; but

this "gentleman by Act of Parliament," knew what he was about, and so

far had not overreached himself to ruin as do so many of his class,

when long impunity has made them careless in their knavery.

Mr. Grimm's first wife was a foolish weak woman of the pale eyes, pale

hair, and washed-out complexion type.

She had been sold to the attorney by her father. The poor creature

herself, too feeble of will to offer resistance, was led submissively to

the altar.

The father, one of those retired officers of the selfish, disreputable,

hard-up, red-nosed class, being well entangled in Mr. Grimm's toils, had

handed over his daughter to him in discharge of an old debt connected

with bill-discounting.

The attractions of the said daughter consisted of an absolute reversion

that would some day fall into her possession.

To recite the main points of the transaction, in consideration of the

tearing up of the captain's bit of paper, the marriage settlement, which

referred solely to the reversion, was drawn up in a way satisfactory to

Mr. Grimm, and the aforesaid virgin was duly conveyed to the aforesaid

Mr. Grimm, according to the forms which are sanctioned by the Church and

the Law.

One daughter, Mary, was the sole child of this marriage.

The unfortunate mother, after a two years' not very agreeable experience

of married life, died off, in the quiet uncomplaining manner which had

characterised her life, before anyone even realised that she was

seriously ill.

From very early youth the life of poor little Mary was rendered

miserable. It seemed that her father was incapable of any touch of

parental affection; such characters are rare, but his character was a

rare one for its unredeemable meanness.

He looked on his child as a nuisance--an expensive interloper in his

house that the law obliged him to clothe and feed. He did feed

her--badly, and clothed her somewhat better, for the sake of

appearances, having a regard for his respectability.

He was cruel as well as mean. When he went down to the city he would

lock up his infant child, keeping her a pallid prisoner within doors,

all through the long summer day.

But meanness as well as cruelty prompted this treatment. He would not go

to the expense of engaging a nurse for his daughter, and the little

maid-of-all-work, as she said herself, had "quite enough to do without

lugging that child out for an airing." Again it would not at all do for

the child of respectable Mr. Grimm to be seen by the neighbours playing

about the streets by herself like any little street arab--the street

arabs whom she so soon learned to envy; for though starved, cold, beaten

by drunken parents, they were free, free to romp about the gutters with

other children, having luckily parents who had no respectability to keep

up.

I do not know how Mary learned to read and write: in after years she

could not say herself; but, at any rate, before she was seven, her

father found that he could make his daughter useful. Her small hands,

far whiter and thinner, alas! than they should have been, were employed

all day in copying deeds and legal documents for him, in the round hand

of a solicitor's clerk.

In the bright summer afternoons, while other children played, her little

brown head was bowed over the dismal folios of chicanery.

When Mary was about ten years old a stepmother was introduced into the

establishment. Why Grimm married her, what pecuniary or other inducement

was present on this occasion, I do not know.

But now it came to pass that he--the mean, cowardly, foxy, little man

with the red hair and the shifty eyes--met his match. The second Mrs.

Grimm was a big woman with a purple face, a loud voice, and an almost

Papuan mop of faded-straw coloured hair, a woman who ever overawed the

solicitor. In this couple the offensive qualities of the two sexes were

reversed. She was the more masculine of the two. The little man's

readiest weapon was the feminine needle of nagging; hers the male

bludgeon of blustering brutality.

Mrs. Grimm number two, without delay, conceived a violent dislike for

her husband's little girl.

It was on this second marriage that the highly respectable family moved

to No. 22 in the genteel street in Brixton.

And now the child's position was a more unhappy one than ever; and her

inner life became one of hate, a terrible hate--and children can hate

even more bitterly than their elders--against her father and

step-mother, a hate ever aggravated by the abominable treatment she

received at the hands of both.

Hers indeed was a miserable childhood, made up of blows, imprisonment,

hard work, no play, no sunshine, no companion, and worse than all,

taunts and insults that made her writhe--hasty words of that description

which rankle deeply in an infant's heart, and are remembered through

life in some cases: a fact some parents do not seem to realize.

So it was that all childishness was being driven out of the child and

all womanliness out of the woman.

Before her father's second marriage she had sometimes made friends of

the maids-of-all-work of the house, but now this was no longer to be.

The stepmother not approving of such association was ever on the watch

for it, and on any signs of intimacy between the daughter and the drudge

declaring themselves, the latter was immediately packed off and some

stern and quite unsympathetic person substituted.

The little girl toiled on at the law-copying and the domestic work,

silent, moody, with a stern expression gathering on her face that made

it look so old for her age. She became--who would not?--a liar and a

hater. But she was brave, she could hate, she could not fear; she gave

up crying before she was twelve years old.

Her only pleasure, her sole consolation after the blows and insults, was

to lie awake at night and brood revenge. Child-like, she would build

castles in the air, complicated little stories of which she herself was

the central figure; but not the castles in the air of other children,

dreams of fairy-land and happy adventure. No; the plot of all her

fancies was revenge, punishment of her father and stepmother.

These were her day-dreams too when she sat mechanically copying the

deeds--dreams always of hatred, of torturing her torturers; and at times

she would smile, oh! so strange a smile for a child! when some more

ingeniously terrible mode of repaying that debt of ill would occur to

her infant mind.

HATE, suppressed but intense HATE! such was the education of Mary Grimm;

so things went on until the period at which this story opens, when Mary

was sixteen.

She looked a few years older than her age. In spite of her unwholesome

training she was beautiful. She was tall and graceful. Her small head

was well-set on her shoulders. Her features were regular--too regular

perhaps if anything.

When she went out on an errand, wrapped in her faded shawl, walking

fast, looking neither to the right nor to the left, meeting with cold

and impassive glance, the stare of the passing stranger, how many men,

and women too, would turn and look after the girl, struck by her pale

quiet face.

It was a face that haunted one. There was something in it that puzzled,

something mysterious in the expression that one could not explain at

first, something inconsistent.

Inconsistent--that was it. For in the first place her brown hair was out

in a fringe over her forehead. The vulgar boldness of that objectionable

fashion, though it could not make her ugly, was singularly inappropriate

to that Grecian face and head.

But that was not all: even had her hair been tied up, as it should have

been, in the classic knot, the something inconsistent would still have

been present. It lay in the strange difference of expression between the

eyes and mouth. Looking into her eyes, those large violet long-lashed

eyes that are perhaps the most beautiful of all, one could read in them

delightful possibilities of love, womanly tenderness, the desire for

sympathy, indeed the look that attracts man to woman.

But looking from the eyes to the mouth a chill would come over the

observer, a disappointment, a feeling as if a barrier were set up

between him and her, an obstacle that kept off love and sympathy.

For that mouth, beautiful in its moulding, was yet so firm, so hard, not

a sad mouth in any way, but stern, almost cruel.

It was on the mouth that the demon of strong hate, which the father had

conjured up to his daughter, had placed his mark.

The woman, the angel in her, looked out of those pathetic eyes.

One could easily foretell that hers would be a life of suffering--the

suffering of the strong, of fierce conflict between good and evil.

The signs of battle were already on that young face. Would the tender

eyes come to look cold and hard, and the mouth wax firmer and wickeder,

or would the good angel win the day? would the eyes become tenderer

still, and the mouth soften to lines of sweetness and womanly kindness?

As with women from the beginning, so with her--the victory depended upon

the MAN; upon whether when he came he threw his strong alliance with the

powers of good or evil.

So far it was an equal battle. Mary at sixteen wanted but little to make

of her either a devil as only woman can be, or an angel as only woman

can be--which would she become?

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