THE CITY FRINGE.

It is my constant habit to take little runs into the outskirts of our

city, and when doing so I often stare with all my eyes as I note what

has taken place in a limited number of years. Districts hardly more than

a mile or so from the centre of the city, which in my boyhood were

fields and meadows, are now laid out into streets and covered with

houses and shops. Indeed, I sometimes feel very aged when I look upon

places where as a boy I went fishing for small fry, and now find the

river that afforded me such juvenile sport is, owing to the enhanced

value of laud, compressed into the dimensions of a fair-sized gutter,

with houses and small factories closely packed on its margin covering

every foot of ground.

I go in another direction, and scarcely farther than the distance just

named, and I come to a spot where once stood the fine large park (Aston)

which I remember was enclosed by a brick wall on every side. Scarcely a

trace of this extensive old wall can I now see, and the site of the old

park, or nearly the whole of it, is now covered with streets and

buildings. Aston Hall, the grand old Elizabethan house built by the

Holtes in the time of Charles I., still stands in a state of good

preservation, and is fortunately now the property of the city, together

with some forty acres of surrounding land, which is, as is well known,

used as a public recreation ground.

To speak a little more in detail, I am not the only person living who

remembers "Pudding Brook" and "Vaughton's Hole." The name of "Padding

Brook" was, in my boyish days, given to a swampy area of fields now

covered by Gooch Street and surrounding thoroughfares. Pudding Brook

proper was, however, a little muddy stream that flowed or oozed along

the district named and finally emptied itself into the old moat not far

from St. Martin's Church. Vaughton's Hole, to my juvenile mind, was

represented by a deep pool in the River Rea, where something direful

took place, in which a Mr. Vaughton was tragically concerned. The real

facts are--at least, so I read--that there was a clay pit, sixty feet

deep of water, situated near the Rea, and in this pit at least one man

was drowned. The place was named after an old local family named

Vaughton, who owned considerable property in the neighbourhood of the

present Gooch Street.

Where Gooch Street now crosses the Rea, I remember there was a

footbridge, and beyond that the river was a pretty, purling, sylvan

stream, with bushes and rushes growing on its green banks. A field walk

past an old farm house led on to Moseley Hall, which was looked upon as

being quite away in the country. As for Moseley itself, it was a pretty

little village in those days. The old village green, the rustic country

inns (of which the "Fighting Cocks" was the chief), and some low-roofed,

old-fashioned houses, backed by the parish church tower, made up a

picture which still remains in my mind's eye. The railway tunnel which

is now looked upon as only a long bridge, was then regarded as something

large in its way, and, perhaps, slightly dangerous, almost justifying a

little something strong to sustain courage when travelling through it.

Beyond Moseley Church was a pretty road to Moseley Wake Green, in which

were, if I remember rightly, one or two timbered houses and some

old-fashioned residences, surrounded by high trees. Many of these have

now disappeared. In another direction from the church was a country road

running to Sparkbrook, and near which were an important house and lands

belonging to the wealthy Misses Anderton, whose possessions have been

heard of in more recent days.

I now often visit Moseley, and change, but not decay, in all around I

see. The prevailing colour of the old village green is now red brick,

and the modern colour does not agree so well with my vision as the more

rustic tones of a bygone day; whilst the noise and bustle of tram cars,

the swarms of suburban residents that emerge from the railway station

(especially at certain times in the day), are fast wiping out the

peaceful, pretty Moseley of my youthful days.

These new old villages often present some curious anachronisms. A grey

old church, partly buried by a hoary fat churchyard, is surrounded by

the most modern of shops and stores; and a primitive little bow-windowed

cottage, with a few flower pots in the window, has, perchance, a glaring

gin shop next door. This is more or less the case at Moseley, and it is

pretty much the same at Handsworth.

I remember when old Handsworth Church stood surrounded by fields, and

now it is built up to with villas on nearly every side, and has a

neighbouring liquor vault instead of the old-fashioned inn such as often

keeps old parish churches in countenance and affords a place of refuge

and refreshment for rustic churchwardens, bell-ringers, parish clerks,

and the like.

Old Handsworth--how well I remember it--also Soho, and the remains of

the old mint, associated with the honoured names of Boulton and Watt.

Then there was that long straight stretch of road from the old pike at

the top of Soho Hill, along which were some large and important

residences, occupied by business men of Birmingham, who doubtless

regarded this Handsworth and Soho district as being quite out in the

country. The stretch of road to which I have just referred is now one

long street, or soon will be, reaching from the once Soho toll-gate to

the New Inns, and farther on, indeed, to the park wall of Sandwell.

Sandwell Park--ah, yes, I have a pretty distinct recollection of what

that was, also the Hall, in my boyhood days. The park, or portions of

it, still shews some signs of its past picturesque glories; at any rate,

it is not built over after the manner of Aston. The Hall, however,

scarcely now conveys an idea of the place it once was. I remember its

interior when it was the residence of its noble owner and his family,

and I recall the splendidly furnished rooms, the riding school, and the

gardens. I remember, too, that the Lord Dartmouth of the time of which I

speak was, like Mr. Gladstone, an amateur woodman. He used to like to go

about with axe and saw, and do a little tree felling and branch lopping

to please his fancy, and exercise his limbs and muscles. Sandwell Park,

as most people know, has now been deserted for many years by its titled

owner, and Sandwell Park Colliery, Limited, reigns in its stead.

But recollections of the past are making me "talky," and, I fear,

tedious. I could scribble and chatter about bygone Birmingham from now

till about the end of the century, which, however, as I write, is not

very far off. But, my gentle reader, you shall be spared. Most people

know that Birmingham is swallowing up its immediate suburbs, and the

process of deglutition is still going on. The city has had its rise, and

will have its decline some day probably, but not while people want pins,

pens, electro-plate, guns, dear and cheap jewellery, and while

Birmingham can make these things better or sell them cheaper than other

folks.

As for the centre of the city, I have already made some references to

the transformations that have recently taken place. A few words may,

however, be said about our modern street and shop architecture. In the

important new thoroughfare, Corporation Street--the outcome of Mr.

Chamberlain's great improvement scheme--there is a curious series of

shops and public buildings. Some are of one style, some of another, and

many of no style at all. The architecture in this thoroughfare

certainly presents plenty of variety--more variety perhaps than beauty.

There are the new Assize Courts--the foundation-stone of which was laid

by the Queen in 1887; they are built of brick and terra-cotta, redundant

with detailed ornament, some of it perhaps of a too florid character.

Near to our local Palace of Justice is the County Court, which is severe

in its simplicity, quasi-classic in style, and decidedly plain in

design. There are shops that have a certain suggestion and imitation of

old-fashioned quaintness, and there are other buildings that have a

tinge of the Scotch baronial hall style of architecture. Then there is

the coffee-house Gothic, the pie-shop Perpendicular, the commercial

Classic, the fender and fire-grate Transitional, the milk and cream

Decorated, and various hybrid architectural styles.

The buildings in this street have, as I have said, the charm of

diversity, and that, I suppose, is something to the good. Regent Street,

London, is a fine thoroughfare, but it will probably be admitted that

it is anything but unmonotonous in appearance or lovely to look upon

from an architectural point of view. The buildings in our grand new

street may not be beyond criticism, but there are no long lines of

buildings of the same heavy dull pattern from end to end. This arises

from the fact that the land has not been let in big patches to

capitalists or builders who might have erected a series of shops of one

uniform pattern, but has been leased to tradesmen and others who have

taken a few yards of land, on which they have built premises suited to

their requirements, and in accordance with their aim, tastes, or the

bent and ability of their architects. Hence the variety, charming or

otherwise according to the taste and eye of the spectator. Anyway, we

have in Birmingham a fine broad street which will, perhaps, compare

favourably with any thoroughfare in any other British city, with the

exception of Princes Street, Edinburgh. In the way of splendid streets

the Scotch capital must be allowed to take the plum.

A Tale of One City: the New Birmingham Papers Reprinted from the "Midland Counties Herald" · 第 25 / 55 题