CHAPTER X

In the dreary drawing-room, amid the tattered copies of the _Graphic_

and _Illustrated London News_, he encountered the inevitable idle

woman. They engaged in conversation; and he repeated the phrases that

belong inevitably to such occasions.

"How horrible all this is," he said to himself; "this is worse than

peeping and botanizing on a mother's grave."

He desired supreme grief, and grief fled from his lure; and rhymes

and images thronged his brain; and the poem that oftenest rose in his

mind, seemingly complete in cadence and idea, was so cruel, that

Lily, looking out of heaven, seemed to beg him to refrain. But though

he erased the lines on the paper, he could not erase them on his

brain, and baffled, he pondered over the phenomena of the antagonism

of desired aspirations and intellectual instincts. He desired a poem

full of the divine grace of grief; a poem beautiful, tender and pure,

fresh and wild as a dove crossing in the dawn from wood to wood. He

desired the picturesqueness of a young man's grief for a dead girl,

an Adonais going forth into the glittering morning, and weeping for

his love that has passed out of the sun into the shadow. This is what

he wrote:

A UNE POETRENAIRE.

We are alone! listen, a little while,

And hear the reason why your weary smile

And lute-toned speaking is so very sweet

To me, and how my love is more complete

Than any love of any lover. They

Have only been attracted by the gray

Delicious softness of your eyes, your slim

And delicate form, or some such whimpering whim,

The simple pretexts of all lovers;--I

For other reasons. Listen whilst I try

And say. I joy to see the sunset slope

Beyond the weak hours' hopeless horoscope,

Leaving the heavens a melancholy calm,

Of quiet colour chaunted like a psalm,

In mildly modulated phrases; thus

Your life shall fade like a voluptuous

Vision beyond the sight, and you shall die

Like some soft evening's sad serenity ...

I would possess your dying hours; indeed

My love is worthy of the gift, I plead

For them.

Although I never loved as yet,

Methinks that I might love you; I would get

From out the knowledge that the time was brief,

That tenderness whose pity grows to grief,

My dream of love, and yea, it would have charms

Beyond all other passions, for the arms

Of death are stretchéd you-ward, and he claims

You as his bride. Maybe my soul misnames

Its passion; love perhaps it is not, yet

To see you fading like a violet,

Or some sweet thought away, would be a strange

And costly pleasure, far beyond the range

Of common man's emotion. Listen, I

Will choose a country spot where fields of rye

And wheat extend in waving yellow plains,

Broken with wooded hills and leafy lanes,

To pass our honeymoon; a cottage where

The porch and windows are festooned with fair

Green wreaths of eglantine, and look upon

A shady garden where we'll walk alone

In the autumn sunny evenings; each will see

Our walks grow shorter, till at length to thee

The garden's length is far, and thou wilt rest

From time to time, leaning upon my breast

Thy languid lily face. Then later still,

Unto the sofa by the window-sill

Thy wasted body I shall carry, so

That thou mays't drink the last left lingering glow

Of even, when the air is filled with scent

Of blossoms; and my spirits shall be rent

The while with many griefs. Like some blue day

That grows more lovely as it fades away,

Gaining that calm serenity and height

Of colour wanted, as the solemn night

Steals forward thou shalt sweetly fall asleep

For ever and for ever; I shall weep

A day and night large tears upon thy face,

Laying thee then beneath a rose-red place

Where I may muse and dedicate and dream

Volumes of poesy of thee; and deem

It happiness to know that thou art far

From any base desires as that fair star

Set in the evening magnitude of heaven.

Death takes but little, yea, thy death has given

Me that deep peace and immaculate possession

Which man may never find in earthly passion.

The composition of the poem induced a period of literary passion,

during which he composed much various matter, even part of his great

poem, which he would have completed had he not been struck by an idea

for a novel, and so imperiously, that he wrote the book straight from

end to end. It was sent to a London publisher, and it raised some

tumult of criticism, none of which reached the author. When it

appeared he was far away, living in Arab tents, seeking pleasure at

other sources. For suddenly, when the strain of the composition of

his book was relaxed, civilization had grown hateful to him; a

picture by Fromantin, and that painter's book, _Un été dans le

Sahara_, quickened the desire of primitive life; he sped away, and

for nearly two years lived on the last verge of civilization,

sometimes passing beyond it with the Bedouins into the interior, on

slave-trading or rapacious expeditions. The frequentation of these

simple people calmed the fever of ennui, which had been consuming

him. Nature leads us to the remedy that the development of reason

inflicts on the animal--man. And for more than a year Mike thought he

had solved the problem of life; now he lived in peace--passion had

ebbed almost out of hearing, and in the plain satisfaction of his

instincts he found happiness.

With the wild chieftains, their lances at rest, watching from behind

a sandhill, he sometimes thought that the joy he experienced was akin

to that which he had known in Sussex, when his days were spent in

hunting and shooting; now, as then, he found relief by surrendering

himself to the hygienics of the air and earth. But his second return

to animal nature had been more violent and radical; and it pleased

him to think that he could desire nothing but the Arabs with whom he

lived, and whose friendship he had won. But _qui a bu boira_, and

below consciousness dead appetites were awakening, and would soon be

astir.

The tribe had wandered to an encampment in the vicinity of Morocco;

and one day a missionary and his wife came with a harmonium and

tracts. The scene was so evocative of the civilization from which

Mike had fled, that he at once was drawn by a power he could not

explain towards them. He told the woman that he had adopted Arab

life; explaining that the barbaric soul of some ancestor lived in

him, and that he was happy with these primitive people. He too was a

missionary, and had come to warn and to save them from Christianity

and all its corollaries--silk hats, piano playing, newspapers, and

patent medicines. The English woman argued with him plaintively; the

husband pressed a bundle of tracts upon him; and this very English

couple hoped he would come and see them when he returned to town.

Mike thanked them, insisting, however, that he would never leave his

beloved desert, or desert his friends. Next day, however, he forgot

to fall on his knees at noon, and outside the encampment stood

looking in the direction whither the missionaries had gone. A strange

sadness seemed to have fallen upon him; he cared no more for plans

for slave-trading in the interior, or plunder in the desert. The

scent of the white woman's skin and hair was in his nostrils; the

nostalgia of the pavement had found him, and he knew he must leave

the desert. One morning he was missed in the Sahara, and a fortnight

after he was seen in the Strand, rushing towards Lubini's.

"My dear fellow," he said, catching hold of a friend's arm, "I've

been living with the Arabs for the last two years. Fancy, not to have

seen a 'tart' or drunk a bottle of champagne for two years! Come and

dine with me. We'll go on afterwards to the Troc'."

Mike looked round as if to assure himself that he was back again

dining at Lubi's. It was the same little white-painted gallery,

filled with courtesans, music-hall singers, drunken lords, and

sarcastic journalists. He noticed, however, that he hardly knew a

single face, and was unacquainted with the amours of any of the

women. He inquired for his friends. Muchross was not expected to

live, Laura was underground, and her sister was in America. Joining

in the general hilarity, he learnt that as the singer declined the

prize-fighter was going up in popular estimation. A young and drunken

lord offered to introduce him "to a very warm member."

He felt sure, however, that the Royal would stir in him the old

enthusiasms, and his heart beat when he saw in a box Kitty Carew,

looking exactly the same as the day he had left her; but she insisted

on taking credit for recognizing him--so changed was he. He felt

somewhat provincial, and no woman noticed him, and it was clear that

Kitty was no longer interested in him. The conversation languished,

he did not understand the allusions, and he was surprised and a

little alarmed, indeed, to find that he did not even desire their

attention.

A few weeks afterwards he received an invitation to a ball. It was

from a woman of title, the address was good, and he resolved to go.

It was to one of the Queen Anne houses with which Chelsea abounds,

and as he drove towards it he noted the little windows aflame with

light and colour in the blue summer night. On the carved cramped

staircases women struck him as being more than usually interesting,

and the distinguished air of the company moved him with pleasurable

sensations. A thick creamy odour of white flowers gratified the

nostrils; the slender backs of the girls, the shoulder-blades

squeezed together by the stays, were full of delicate lines and

tints. Mike saw a tall blonde girl, slight as a reed, so blonde that

she was almost an albino, her figure in green gauze swaying. He saw a

girl so brown that he thought of palms and cocoa-nuts; she passed him

smiling, all her girlish soul awake in the enchantment of the dance.

He said--

"No, I don't want to be introduced; she'd only bore me; I know

exactly all she would say."

Studying these, he thought vaguely of dancing a quadrille, and was

glad when the lady said she never danced. With a view to astonish

her, he said--

"Since I became a student of Schopenhauer I have given up waltzing.

Now I never indulge in anything but a square."

For a few moments his joke amused him, and he regretted that John

Norton, who would understand its humour, was not there to laugh at

it. Having eaten supper he chose the deepest chair among the

clustered furniture of the drawing-room, and watched in spleenic

interest a woman of thirty flirting with a young man.

The panelled skirt stretched stiffly over the knees, the legs were

crossed, one drawn slightly back. The young man sat awkwardly on the

edge of the sofa nursing his silk foot. She looked at him over her

fan, inclining her blonde head in assent from time to time. The young

man was delicate--a red blonde. The wall, laden with heavy shelves,

was covered with an embossed paper of a deep gold hue. A piece of

silk, worked with rich flowers, concealed the volumes in a light

bookcase. A lamp, set on a tall brass rod, stood behind the lady,

flooding her hair with yellow light, and its silk shade was nearly

the same tint as the lady's hair. The costly furniture, the lady and

her lover, the one in black and white, the other in creamy lace, the

panelled skirt extended over her knees, filled the room like a

picture--an enticing but somewhat vulgar picture of modern refinement

and taste. Mike watched them curiously.

"Five years ago," he thought, "I was young like he is; my soul

thrilled as his is thrilling now."

Then, seeing a woman whom he knew pass the door on her way to the

ball-room, he asked her to come and sit with him. He did so

remembering the tentative steps they had taken in flirtation three

years ago. So by way of transition, he said--

"The last time we met we spoke of the higher education of women, and

you said that nothing sharpened the wits like promiscuous flirtation.

Enchanting that was, and it made poor Mrs.--Mrs.--I really can't

remember--a lady with earnest eyes--look so embarrassed."

"I don't believe I ever said such a thing; anyhow, if I did, I've

entirely changed my views."

"What a pity! but--perhaps you have finished your education?"

"Yes, that's it; and now I must go up-stairs. I am engaged for this

dance."

"Clearly I'm out of it," thought Mike. "Not only do people see me

with new eyes, but I see them with eyes that I cannot realize as

mine."

The drawing-room was empty; all had gone up-stairs to dance, so,

finding himself alone, he went to a mirror to note the changes. At

first he seemed the same Mike Fletcher; but by degrees he recognized,

or thought he recognized, certain remote and subtle differences. He

thought that the tenderness which used to reside in his eyes was

evanescent or gone. This tenderness had always been to him a subject

of surprise, and he had never been able to satisfactorily explain its

existence, knowing as he knew how all tenderness was in contradiction

to his true character; at least, as he understood himself. This

tenderness was now replaced by a lurking evil look, and he remembered

that he had noted such evil look in certain old libertines. Certain

lines about the face had grown harder, the hollow freckled cheeks

seemed to have sunk a little, and the pump-handle chin seemed to be

defining itself, even to caricature. There was still a certain air of

_bravoure_, of truculence, which attracted, and might still charm. He

turned from the mirror, went up-stairs, and danced three or four

times. He remained until the last, and followed by an increasing

despair he muttered, as he got into a hansom--

"If this is civilization I'd better go back to the Arabs."

The solitude of his rooms chilled him in the roots of his mind; he

looked around like a hunted animal. He threw himself into an

arm-chair. Like a pure fire ennui burned in his heart.

"Oh, for rest! I'm weary of life. Oh, to slip back into the

unconscious, whence we came, and pass for ever from the fitful

buzzing of the midges. To feel that sharp, cruel, implacable

externality of things melt, vanish, and dissolve!

"The utter stupidity of life! There never was anything so stupid; I

mean the whole thing--our ideas of right and wrong, love and duty,

etc. Great Scott! what folly. The strange part of it all is man's

inability to understand the folly of living. When I said to that

woman to-night that I believed that the only evil is to bring

children into the world, she said, 'But then the world would come to

an end.' I said, 'Do you not think it would be a good thing if it

did?' Her look of astonishment proved how unsuspicious she is of the

truth. The ordinary run of mortals do not see into the heart of

things, nor do we, except in terribly lucid moments; then, seeing

life truly, seeing it in its monstrous deformity, we cry out like

children in the night.

"Then why do we go to Death with terror-stricken faces and reluctant

feet? We should go to Death in perfect confidence, like a bride to

her husband, and with eager and smiling eyes. But he who seeks Death

goes with wild eyes--upbraiding Life for having deceived him; as if

Life ever did anything else! He goes to Death as a last refuge. None

go to Death in deep calm and resignation, as a child goes to the kind

and thoughtful nurse in whose arms he will find beautiful rest.

"It was in this very room I spoke to Lady Helen for the last time.

She understood very well indeed the utter worthlessness of life. How

beautiful was her death! That white still face, with darkness

stealing from the closed lids, a film of light shadow, symbol of

deeper shadow. The unseen but easily imagined hand grasping the

pistol, the unseen but imagined red stain upon the soft texture of

the chemise! I might have loved her. She saw into the heart of

things, and like a reasonable being, which she was, resolved to rid

herself of the burden. We discussed the whole question in the next

room; and I remember I was surprised to find that she was in no wise

deceived by the casual fallacy of the fools who say that the good

times compensate for the bad. Ah! how little they understand!

Pleasure! what is it but the correlative of pain? Nothing short of

man's incomparable stupidity could enable him to distinguish between

success and failure.

"But now I remember she did not die for any profound belief in the

worthlessness of life, but merely on account of a vulgar love affair.

That letter was quite conclusive. It was written from the Alexandra

Hotel. It was a letter breaking it off (strange that any one should

care to break off with Lady Helen!); she stopped to see him, in the

hope of bringing about a reconciliation. Quite a Bank Holiday sort of

incident! She did not deny life; but only that particular form in

which life had come to her. Under such circumstances suicide is

unjustifiable.

"There! I'm breaking into what John Norton would call my

irrepressible levity. But there is little gladness in me. Ennui hunts

me like a hound, loosing me for a time, but finding the scent again

it follows--I struggle--escape--but the hour will come when I shall

escape no more. If Lily had not died, if I had married her, I might

have lived. In truth, I'm not alive, I'm really dead, for I live

without hope, without belief, without desire. Ridiculous as a wife

and children are when you look at them from the philosophical side,

they are necessary if man is to live; if man dispenses with the

family, he must embrace the cloister; John has done that; but now I

know that man may not live without wife, without child, without God!"

* * * * * *

Next day, after breakfast, he lay in his arm-chair, thinking of the

few hours that lay between him and the fall of night. He sought to

tempt his jaded appetite with many assorted dissipations, but he

turned from all in disgust, and gambling became his sole distraction.

Every evening about eleven he was seen in Piccadilly, going towards

Arlington Street, and every morning about four the street-sweepers

saw him returning home along the Strand. Then, afraid to go to bed,

he sometimes took pen and paper and attempted to write some lines of

his long-projected poem. But he found that all he had to say he had

said in the sketch which he found among his papers. The idea did not

seem to him to want any further amplification, and he sat wondering

if he could ever have written three or four thousand lines on the

subject.

The casual eye and ear still recognized no difference in him. There

were days when he was as good-looking as ever, and much of the old

fascination remained: but to one who knew him well, as Harding did,

there was no doubt that his life had passed its meridian. The day was

no longer at poise, but was quietly sinking; and though the skies

were full of light, the buoyancy and blitheness that the hours bear

in their ascension were missing; lassitude and moodiness were aboard.

More than ever did he seek women, urged by a nervous erethism which

he could not explain or control. Married women and young girls came

to him from drawing-rooms, actresses from theatres, shop-girls from

the streets, and though seemingly all were as unimportant and

accidental as the cigarettes he smoked, each was a drop in the ocean

of the immense ennui accumulating in his soul. The months passed,

disappearing in a sheer and measureless void, leaving no faintest

reflection or even memory, and his life flowed in unbroken weariness

and despair. There was no taste in him for anything; he had eaten of

the fruit of knowledge, and with the evil rind in his teeth, wandered

an exile beyond the garden. Dark and desolate beyond speech was his

world; dark and empty of all save the eyes of the hound Ennui; and by

day and night it watched him, fixing him with dull and unrelenting

eyes. Sometimes these acute strainings of his consciousness lasted

only between entering his chambers late at night and going to bed;

and fearful of the sleepless hours, every sensation exaggerated by

the effect of the insomnia, he sat in dreadful commune with the

spectre of his life, waiting for the apparition to leave him.

"And to think," he cried, turning his face to the wall, "that it is

this _ego_ that gives existence to it all!"

One of the most terrible of these assaults of consciousness came upon

him on the winter immediately on his return from London. He had gone

to London to see Miss Dudley, whom he had not seen since his return

from Africa--therefore for more than two years. Only to her had he

written from the desert; his last letters, however, had remained

unanswered, and for some time misgivings had been astir in his heart.

And it was with the view of ridding himself of these that he had been

to London. The familiar air of the house seemed to him altered, the

servant was a new one; she did not know the name, and after some

inquiries, she informed him that the lady had died some six months

past. All that was human in him had expressed itself in this

affection; among women Lily Young and Miss Dudley had alone touched

his heart; there were friends scattered through his life whom he had

worshipped; but his friendships had nearly all been, though intense,

ephemeral and circumstantial; nor had he thought constantly and

deeply of any but these two women. So long as either lived, there was

a haven of quiet happiness and natural peace in which his shattered

spirit might rock at rest; but now he was alone.

Others he saw with homes and family ties; all seemed to have hopes

and love to look to but he--"I alone am alone! The whole world is in

love with me, and I'm utterly alone." Alone as a wreck upon a desert

ocean, terrible in its calm as in its tempest. Broken was the helm

and sailless was the mast, and he must drift till borne upon some

ship-wrecking reef! Had fate designed him to float over every rock?

must he wait till the years let through the waters of disease, and he

foundered obscurely in the immense loneliness he had so elaborately

prepared?

Wisdom! dost thou turn in the end, and devour thyself? dost thou

vomit folly? or is folly born of thee?

Overhead was cloud of storm, the ocean heaved, quick lightnings

flashed; but no waves gathered, and in heavy sulk a sense of doom lay

upon him. Wealth and health and talent were his; he had all, and in

all he found he had nothing;--yes, one thing was his for

evermore,--Ennui.

Thoughts and visions rose into consciousness like monsters coming

through a gulf of dim sea-water; all delusion had fallen, and he saw

the truth in all its fearsome deformity. On awakening, the implacable

externality of things pressed upon his sight until he felt he knew

what the mad feel, and then it seemed impossible to begin another

day. With long rides, with physical fatigue, he strove to keep at bay

the despair-fiend which now had not left him hardly for weeks. For

long weeks the disease continued, almost without an intermission; he

felt sure that death was the only solution, and he considered the

means for encompassing the end with a calm that startled him.

Nor was it until the spring months that he found any subjects that

might take him out of his melancholy, and darken the too acute

consciousness of the truth of things which was forcing him on to

madness or suicide. One day it was suggested that he should stand for

Parliament. He eagerly seized the idea, and his brain thronged

immediately with visions of political successes, of the parliamentary

triumphs he would achieve. Bah! he was an actor at heart, and

required the contagion of the multitude, and again he looked out upon

life with visionary eyes. Harsh hours fell behind him, gay hours

awaited him, held hands to him.

Men wander far from the parent plot of earth; but a strange fatality

leads them back, they know not how. None had desired to separate from

all associations of early life more than Mike, and he was at once

glad and sorry to find that the door through which he was to enter

Parliament was Cashel. He would have liked better to represent an

English town or county, but he could taste in Cashel a triumph which

he could nowhere else in the world. To return triumphant to his

native village is the secret of every wanderer's desire, for there he

can claim not only their applause but their gratitude.

The politics he would have to adopt made him wince, for he knew the

platitudes they entailed; and in preference he thought of the

paradoxes with which he would stupefy the House, the daring and

originality he would show in introducing subjects that, till then, no

one had dared to touch upon. With the politics of his party he had

little intention of concerning himself, for his projects were to make

for himself a reputation as an orator, and having confirmed it to

seek another constituency at the close of the present Parliament.

Such intention lay dormant in the background of his mind, but he had

not seen many Irish Nationalists before he was effervescing with

rhetoric suitable for the need of the election, and he was sometimes

puzzled to determine whether he was false or true.

Driving through Dublin from the steamer, he met Frank Escott. They

shouted simultaneously to their carmen to stop.

"Home to London. I've just come from Cashel. I went to try to effect

some sort of reconciliation with Mount Rorke; but--and you, where are

you going?"

"I'm going to Cashel. I'm going to contest the town in the Parnellite

interest."

Each pair of eyes was riveted on the other. For both men thought of

the evening when Mike had received the letter notifying that Lady

Seeley had left him five thousand a year, and Frank had read in

the evening paper that Lady Mount Rorke had given birth to a son.

Frank was, as usual, voluble and communicative. He dilated on the

painfulness of the salutations of the people he had met on the

way going from the station to Mount Rorke; and, instead of walking

straight in, as in old times, he had to ask the servant to take

his name.

"Burton, the old servant who had known me since I was a boy, seemed

terribly cut up, and he was evidently very reluctant to speak the

message. 'I'm very sorry, Mr. Frank,' he said, 'but his lordship says

he is too unwell to see any one to-day, sir; he is very sorry, but if

you would write' ... If I would write! think of it, I who was once

his heir, and used the place as if it were mine! Poor old Burton

was quite overcome. He tried to ask me to come into the dining-room

and have some lunch. If I go there again I shall be asked into the

servants' hall. And at that moment the nurse came, wheeling the baby

in the perambulator through the hall, going out for an airing. I

tried not to look, but couldn't restrain my eyes, and the nurse

stopped and said, 'Now then, dear, give your hand to the gentleman,

and tell him your name.' The little thing looked up, its blue eyes

staring out of its sallow face, and it held out the little putty-like

hand. Poor old Burton turned aside, he couldn't stand it any longer,

and walked into the dining-room."

"And how did you get away?" asked Mike, who saw his friend's

misfortune in the light of an exquisite chapter in a novel. "How sad

the old place must have seemed to you!"

"You are thinking how you could put it in a book--how brutal you

are!"

"I assure you you are wrong. I can't help trying to realize your

sensations, but that doesn't prevent me from being very sorry for

you, and I'm sure I shall be very pleased to help you. Do you want

any money? Don't be shy about saying yes. I haven't forgotten how you

helped me."

"I really don't like to ask you, you've been very good as it is.

However, if you could spare me a tenner?"

"Of course I can. Let's send these jarvies away, and come into my

hotel, and I'll write you a cheque."

The sum Frank asked for revealed to Mike exactly the depth to which

he had sunk since they had last met. Small as it was, however, it

seemed to have had considerable effect in reviving Frank's spirits,

and he proceeded quite cheerfully into the tale of his misfortune.

Now it seemed to strike him too in quite a literary light, and he

made philosophic comments on its various aspects, as he might on the

hero of a book which he was engaged on or contemplated writing.

"No," he said, "you were quite wrong in supposing that I waited to

look back on the old places. I got out of the park through a wood so

as to avoid the gate-keeper. In moments of great despair we don't

lapse into pensive contemplation." ... He stopped to pull at the

cigar Mike had given him, and when he had got it well alight, he

said, "It was really most dramatic, it would make a splendid scene in

a play; you might make him murder the baby."

Half an hour after Mike bade his friend good-bye, glad to be rid of

him.

"He's going back to that beastly wife who lives in some dirty

lodging. How lucky I was, after all, not to marry."

Then, remembering the newspaper, and the use it might be to him when

in Parliament, he rushed after Frank. When the _Pilgrim_ was

mentioned Frank's face changed expression, and he seemed stirred with

deeper grief than when he related the story of his disinheritance. He

had no further connection with the paper. Thigh had worked him out of

it.

"I never really despaired," he said, "until I lost my paper. Thigh

has asked me to send him paragraphs, but of course I'm not going to

do that."

"Why not?"

"Well, hang it, after being the editor of a paper, you aren't going

to send in paragraphs on approval. It isn't good enough. When I go

back to London I shall try to get a sub-editorship."

Mike pressed another tenner upon him, and returning to the

smoking-room, and throwing himself into an arm-chair, he lapsed into

dreams of the bands and the banners that awaited him. When animal

spirits were ebullient in him, he regarded his election in the light

of a vulgar practical joke; when the philosophic mood was upon him he

turned from all thought of it as from the smell of a dirty kitchen

coming through a grating.

Mike Fletcher: A Novel · 第 10 / 11 章