I.

I had opened my boxes and bags, and had closed them again after a

customs officer's pretence at looking at the things which were inside.

I wanted now to go back to my carriage, but was told that I had to

pass through an adjoining room. Heaven does not know why; much less

does anybody else. In that room, out of which a glass door led to the

platform, I had to wait. Not many minutes, I was assured; but their

quality made up for the quantity. They were hateful minutes. There I

was, pasted (if I may say so) to that glass door and looking at that

unreachable goal, my carriage, which was standing just in front of me.

Outside a few travellers, favoured for some unknown reason, either by

the officials or by fate, were walking leisurely up and down, and I

noticed amongst them a very smart officer with a tall lady. He was

revolving around her with courtesies that reminded me singularly

of a cock's compliments to a hen. He had a most wonderful uniform

which fitted him to perfection. He had also a moustache, oh, what a

moustache! It gave me an idea of how his horse must be curried. And he

wore a single eye-glass, which obliged him to make the most charming

grimaces. He was holding his sword by the hilt, except at such moments

when he let it drag along the ground, in order to produce a graceful

clinking which I could hear through my accursed glass door.

At last we were relieved and set free. I hurried to my carriage to find

that the porter whom I had entrusted with my bags and valises had set

them down so as to mark all the seats. I would be alone.

"Are all the seats in this section occupied?" asked a rather rattling

voice behind me.

My Austrian Love The History of the Adventures of an English Composer in Vienna. Written in the Trenches by Himself · 第 22 / 55 题