CHAPTER VIII

EDITH'S FLORENTINE MOSAIC

HOTEL NEW YORK, FLORENCE, ITALY.

October 10, 19--.

TO SIGNOR RAFAEL VALLA,

_My dear Sir:_--Can you leave your tops for a few moments and read a

letter from your American friends, the Spragues?

Although we have been in Florence for more than a month, we have not

yet forgotten our visit in Venice and our journey to Verona. We sat by

the right-hand window in the train, as you told us to do; but I looked

often across the way to see what could take place on the opposite

side. Once I saw some storks that had flown down from Strassburg and

were standing on their long legs in the marshes.

But our side of the train was truly the more pleasant one. There were

grape-vines and mulberry trees and wheat-fields; and also cypress

trees, which you did not mention, but which we were glad to see. Then

there were big fields of watermelons ripening in the sun, and women

gathering them in baskets which they carried on their heads across

the fields.

In Verona we went to see the play in the colosseum by moonlight. I

have never seen such a performance in our stadium at Harvard, and you

have a right to be proud of the great colosseum.

There were four hundred performers on the stage at one time, and the

play ended at "the twenty-three hours" with a gunpowder explosion that

destroyed the fort,--the play fort, I mean.

And we looked at the tombs of the Scaligers, although I don't know any

good reason for doing so; and then we came through the most beautiful

country to Florence.

Men and women, dressed in gayest colors, were reaping with sickles in

the wheat-fields. The grain was truly "golden grain," and there was

never a foot of ground anywhere, whether the grain was standing or had

fallen, without a flaming scarlet poppy. And every hill was green with

trees and crowned with a castle or a tower.

We rode through miles and miles of vineyards, all arranged in

pictures, for our benefit, as it seemed. The vines hung in festoons

from long rows of mulberry trees. The trees were planted in rows that

crossed one another, forming hollow squares, and the square spaces

were filled with the scarlet poppies and the golden grain.

The trees grew so regularly, and the vines hung so gracefully--a

single vine running from tree to tree--that we could not take our eyes

from the lovely sight; and we have promised ourselves to see the

gathering of the grapes, on our way from Florence to Rome.

At the toll-gate we found that we could not enter Florence until after

our automobile and all our luggage had been examined. The officers

seemed to fear that we were trying to smuggle something to eat, either

fruit or vegetables, into the city.

It was in the midst of a thunder-storm; and not until the official was

convinced that we were quite wet, and wished to enter in order to find

shelter, and that we were truly a foreign lady and her daughter, on a

sight-seeing tour, did he let us pass through the gates and enter the

city.

And now, after our month's visit, I have a Florentine mosaic to take

to America with my Venetian necklace.

The golden background of my mosaic is another sunset; one which we saw

from the Shepherd's Tower, with the sky a rosy-pink, the River Arno

taking its slow course through the city and reflecting the rosy light,

and the surrounding hills all deep blue and amethyst.

The most precious stone of my mosaic is the glorious statue of David,

on the heights of San Miniato. Perhaps, if Michael Angelo could have

known, four hundred years ago, that I was going to have one minute of

such very great happiness as when I first saw his work, he would have

been very glad.

What a splendid fashion the Italians have of placing beautiful statues

out of doors where everyone may see and admire them often! In America

we crowd them all together in museums and charge an admission fee, so

that one sees them but seldom, if at all.

There are many stones in my mosaic. Florence is well called the "City

of Flowers." One sees flower-girls everywhere, and little Bianca, with

the tanned face and the big black eyes, who comes to our door every

morning with the sweetest and freshest of roses, is one of my friends.

Every Friday we have been to the market-place to see the peasants, who

come in from the surrounding hillsides with loads of peaches, figs,

grapes, pumpkins, watermelons, squashes,--all kinds of beautiful

fruits and vegetables.

But I like best the boys who carry trays of plaster images which have

been made in their little villages up among the mountains, and which

they bring here just as they sometimes take them to America.

We saw also the straw market, and the women braiding the straw and

making hats. You shall see the one which Mother bought for me, and

which I wear every day.

And this brings me to the reason for writing you this letter. We are

going to leave the music of the churches, the pictures, the

sculptures, the peasants and the market-place, and go into the country

to see the harvests.

I shall miss hearing the constant ringing of the church bells, and

seeing the squads of soldiers marching to the sound of military music.

And perhaps I shall never again sleep in a room with barred windows

overlooking the blue waters of an Italian river, and look through

those same bars into the faces of sweet nuns and shaven monks as they

pass on the sidewalk outside.

But we can have the automobile only a few days longer, and it is our

great wish that you join us in Florence and take the trip with us to

Rome.

Then if you will but stay with us for a few weeks in Rome, we shall

not get lost again because of being unable to speak Italian. Mother

says that you will be tongue and eyes for us.

Your American friend,

EDITH SPRAGUE.

Rafael in Italy · 第 8 / 17 章