He arrived late at night by the yellow diligence, stiff and cramped

after the toilsome ascent of three slow hours. The village, a single

mass of shadow, was already asleep. Only in front of the little hotel

was there noise and light and bustle--for a moment. The horses, with

tired, slouching gait, crossed the road and disappeared into the stable

of their own accord, their harness trailing in the dust; and the

lumbering diligence stood for the night where they had dragged it--the

body of a great yellow-sided beetle with broken legs.

In spite of his physical weariness the schoolmaster, revelling in the

first hours of his ten-guinea holiday, felt exhilarated. For the high

Alpine valley was marvellously still; stars twinkled over the torn

ridges of the Dent du Midi where spectral snows gleamed against rocks

that looked like solid ink; and the keen air smelt of pine forests,

dew-soaked pastures, and freshly sawn wood. He took it all in with a

kind of bewildered delight for a few minutes, while the other three

passengers gave directions about their luggage and went to their rooms.

Then he turned and walked over the coarse matting into the glare of the

hall, only just able to resist stopping to examine the big mountain map

that hung upon the wall by the door.

And, with a sudden disagreeable shock, he came down from the ideal to

the actual. For at the inn--the only inn--there was no vacant room.

Even the available sofas were occupied....

How stupid he had been not to write! Yet it had been impossible, he

remembered, for he had come to the decision suddenly that morning in

Geneva, enticed by the brilliance of the weather after a week of rain.

They talked endlessly, this gold-braided porter and the hard-faced old

woman--her face was hard, he noticed--gesticulating all the time, and

pointing all about the village with suggestions that he ill understood,

for his French was limited and their _patois_ was fearful.

"_There!_"--he might find a room, "or _there_! But we are, _hélas_

full--more full than we care about. To-morrow, perhaps--if So-and-So

give up their rooms----!" And then, with much shrugging of shoulders,

the hard-faced old woman stared at the gold-braided porter, and the

porter stared sleepily at the schoolmaster.

At length, however, by some process of hope he did not himself

understand, and following directions given by the old woman that were

utterly unintelligible, he went out into the street and walked towards

a dark group of houses she had pointed out to him. He only knew that

he meant to thunder at a door and ask for a room. He was too weary to

think out details. The porter half made to go with him, but turned back

at the last moment to speak with the old woman. The houses sketched

themselves dimly in the general blackness. The air was cold. The whole

valley was filled with the rush and thunder of falling water. He was

thinking vaguely that the dawn could not be very far away, and that

he might even spend the night wandering in the woods, when there was

a sharp noise behind him and he turned to see a figure hurrying after

him. It was the porter--running.

And in the little hall of the inn there began again a confused

three-cornered conversation, with frequent muttered colloquy and

whispered asides in _patois_ between the woman and the porter--the net

result of which was that, "If Monsieur did not object--there _was_ a

room, after all, on the first floor--only it was in a sense 'engaged.'

That is to say----"

But the schoolmaster took the room without inquiring too closely into

the puzzle that had somehow provided it so suddenly. The ethics of

hotel-keeping had nothing to do with him. If the woman offered him

quarters it was not for him to argue with her whether the said quarters

were legitimately hers to offer.

But the porter, evidently a little thrilled, accompanied the guest up

to the room and supplied in a mixture of French and English details

omitted by the landlady--and Minturn, the schoolmaster, soon shared

the thrill with him, and found himself in the atmosphere of a possible

tragedy.

All who know the peculiar excitement that belongs to high mountain

valleys where dangerous climbing is a chief feature of the attractions,

will understand a certain faint element of high alarm that goes with

the picture. One looks up at the desolate, soaring ridges and thinks

involuntarily of the men who find their pleasure for days and nights

together scaling perilous summits among the clouds, and conquering

inch by inch the icy peaks that for ever shake their dark terror in

the sky. The atmosphere of adventure, spiced with the possible horror

of a very grim order of tragedy, is inseparable from any imaginative

contemplation of the scene; and the idea Minturn gleaned from the

half-frightened porter lost nothing by his ignorance of the language.

This Englishwoman, the real occupant of the room, had insisted on going

without a guide. She had left just before daybreak two days before--the

porter had seen her start--and ... she had not returned! The route was

difficult and dangerous, yet not impossible for a skilled climber, even

a solitary one. And the Englishwoman was an experienced mountaineer.

Also, she was self-willed, careless of advice, bored by warnings,

self-confident to a degree. Queer, moreover; for she kept entirely

to herself, and sometimes remained in her room with locked doors,

admitting no one, for days together: a "crank," evidently, of the first

water.

This much Minturn gathered clearly enough from the porter's talk while

his luggage was brought in and the room set to rights; further, too,

that the search party had gone out and _might_, of course, return at

any moment. In which case---- Thus the room was empty, yet still hers.

"If Monsieur did not object--if the risk he ran of having to turn out

suddenly in the night----" It was the loquacious porter who furnished

the details that made the transaction questionable; and Minturn

dismissed the loquacious porter as soon as possible, and prepared to

get into the hastily arranged bed and snatch all the hours of sleep he

could before he was turned out.

At first, it must be admitted, he felt uncomfortable--distinctly

uncomfortable. He was in some one else's room. He had really no right

to be there. It was in the nature of an unwarrantable intrusion; and

while he unpacked he kept looking over his shoulder as though some one

were watching him from the corners. Any moment, it seemed, he would

hear a step in the passage, a knock would come at the door, the door

would open, and there he would see this vigorous Englishwoman looking

him up and down with anger. Worse still--he would hear her voice asking

him what he was doing in her room--her bedroom. Of course, he had an

adequate explanation, but still----!

Then, reflecting that he was already half undressed, the humour of it

flashed for a second across his mind, and he laughed--_quietly_. And at

once, after that laughter, under his breath, came the sudden sense of

tragedy he had felt before. Perhaps, even while he smiled, her body lay

broken and cold upon those awful heights, the wind of snow playing over

her hair, her glazed eyes staring sightless up to the stars.... It

made him shudder. The sense of this woman whom he had never seen, whose

name even he did not know, became extraordinarily real. Almost he could

imagine that she was somewhere in the room with him, hidden, observing

all he did.

He opened the door softly to put his boots outside, and when he closed

it again he turned the key. Then he finished unpacking and distributed

his few things about the room. It was soon done; for, in the first

place, he had only a small Gladstone and a knapsack, and secondly, the

only place where he could spread his clothes was the sofa. There was no

chest of drawers, and the cupboard, an unusually large and solid one,

was locked. The Englishwoman's things had evidently been hastily put

away in it. The only sign of her recent presence was a bunch of faded

_Alpenrosen_ standing in a glass jar upon the washhand stand. This, and

a certain faint perfume, were all that remained. In spite, however, of

these very slight evidences, the whole room was pervaded with a curious

sense of occupancy that he found exceedingly distasteful. One moment

the atmosphere seemed subtly charged with a "just left" feeling; the

next it was a queer awareness of "still here" that made him turn cold

and look hurriedly behind him.

Altogether, the room inspired him with a singular aversion, and the

strength of this aversion seemed the only excuse for his tossing the

faded flowers out of the window, and then hanging his mackintosh upon

the cupboard door in such a way as to screen it as much as possible

from view. For the sight of that big, ugly cupboard, filled with the

clothing of a woman who might then be beyond any further need of

covering--thus his imagination insisted on picturing it--touched in him

a startled sense of the Incongruous that did not stop there, but crept

through his mind gradually till it merged somehow into a sense of a

rather grotesque horror. At any rate, the sight of that cupboard was

offensive, and he covered it almost instinctively. Then, turning out

the electric light, he got into bed.

But the instant the room was dark he realised that it was more than he

could stand; for, with the blackness, there came a sudden rush of cold

that he found it hard to explain. And the odd thing was that, when he

lit the candle beside his bed, he noticed that his hand trembled.

This, of course, was too much. His imagination was taking liberties

and must be called to heel. Yet the way he called it to order was

significant, and its very deliberateness betrayed a mind that has

already admitted fear. And fear, once in, is difficult to dislodge.

He lay there upon his elbow in bed and carefully took note of all the

objects in the room--with the intention, as it were, of taking an

inventory of everything his senses perceived, then drawing a line,

adding them up finally, and saying with decision, "That's all the room

contains! I've counted every single thing. There is nothing more.

_Now_--I may sleep in peace!"

And it was during this absurd process of enumerating the furniture of

the room that the dreadful sense of distressing lassitude came over him

that made it difficult even to finish counting. It came swiftly, yet

with an amazing kind of violence that overwhelmed him softly and easily

with a sensation of enervating weariness hard to describe. And its

first effect was to banish fear. He no longer possessed enough energy

to feel really afraid or nervous. The cold remained, but the alarm

vanished. And into every corner of his usually vigorous personality

crept the insidious poison of a _muscular_ fatigue--at first--that in a

few seconds, it seemed, translated itself into _spiritual_ inertia. A

sudden consciousness of the foolishness, the crass futility, of life,

of effort, of fighting--of all that makes life worth living, shot into

every fibre of his being, and left him utterly weak. A spirit of black

pessimism that was not even vigorous enough to assert itself, invaded

the secret chambers of his heart....

Every picture that presented itself to his mind came dressed in

grey shadows: those bored and sweating horses toiling up the ascent

to--nothing! that hard-faced landlady taking so much trouble to let her

desire for gain conquer her sense of morality--for a few francs! That

gold-braided porter, so talkative, fussy, energetic, and so anxious

to tell all he knew! What was the use of them all? And for himself,

what in the world was the good of all the labour and drudgery he went

through in that preparatory school where he was junior master? What

could it lead to? Wherein lay the value of so much uncertain toil, when

the ultimate secrets of life were hidden and no one knew the final

goal? How foolish was effort, discipline, work! How vain was pleasure!

How trivial the noblest life!...

With a fearful jump that nearly upset the candle Minturn pulled himself

together. Such vicious thoughts were usually so remote from his normal

character that the sudden vile invasion produced a swift reaction. Yet,

only for a moment. Instantly, again, the black depression descended

upon him like a wave. His work--it could lead to nothing but the

dreary labour of a small headmastership after all--seemed as vain

and foolish as his holiday in the Alps. What an idiot he had been,

to be sure, to come out with a knapsack merely to work himself into

a state of exhaustion climbing over toilsome mountains that led to

nowhere--resulted in nothing. A dreariness of the grave possessed him.

Life was a ghastly fraud! Religion childish humbug! Everything was

merely a trap--a trap of death; a coloured toy that Nature used as

a decoy! But a decoy for what? For nothing! There was no meaning in

anything. The only _real_ thing was--DEATH. And the happiest people

were those who found it soonest.

_Then why wait for it to come?_

He sprang out of bed, thoroughly frightened. This was horrible. Surely

mere physical fatigue could not produce a world so black, an outlook so

dismal, a cowardice that struck with such sudden hopelessness at the

very roots of life? For, normally, he was cheerful and strong, full

of the tides of healthy living; and this appalling lassitude swept

the very basis of his personality into Nothingness and the desire for

death. It was like the development of a Secondary Personality. He had

read, of course, how certain persons who suffered shocks developed

thereafter entirely different characteristics, memory, tastes, and

so forth. It had all rather frightened him. Though scientific men

vouched for it, it was hardly to be believed. Yet here was a similar

thing taking place in his own consciousness. He was, beyond question,

experiencing all the mental variations of--_some one else_! It was

un-moral. It was awful. It was--well, after all, at the same time, it

was uncommonly interesting.

And this interest he began to feel was the first sign of his returning

normal Self. For to feel interest is to live, and to love life.

He sprang into the middle of the room--then switched on the electric

light. And the first thing that struck his eye was--the big cupboard.

"Hallo! There's that--beastly cupboard!" he exclaimed to himself,

involuntarily, yet aloud. It held all the clothes, the swinging

skirts and coats and summer blouses of the dead woman. For he knew

now--somehow or other--that she _was_ dead....

At that moment, through the open windows, rushed the sound of falling

water, bringing with it a vivid realisation of the desolate, snow-swept

heights. He saw her--positively _saw_ her!--lying where she had fallen,

the frost upon her cheeks, the snow-dust eddying about her hair and

eyes, her broken limbs pushing against the lumps of ice. For a moment

the sense of spiritual lassitude--of the emptiness of life--vanished

before this picture of broken effort--of a small human force battling

pluckily, yet in vain, against the impersonal and pitiless Potencies of

Inanimate Nature--and he found himself again, his normal self. Then,

instantly, returned again that terrible sense of cold, nothingness,

emptiness....

And he found himself standing opposite the big cupboard where her

clothes were. He wanted to see those clothes--things she had used and

worn. Quite close he stood, almost touching it. The next second he had

touched it. His knuckles struck upon the wood.

Why he knocked is hard to say. It was an instinctive movement probably.

Something in his deepest self dictated it--ordered it. He knocked at

the door. And the dull sound upon the wood into the stillness of that

room brought--horror. Why it should have done so he found it as hard

to explain to himself as why he should have felt impelled to knock.

The fact remains that when he heard the faint reverberation inside the

cupboard, it brought with it so vivid a realisation of the woman's

presence that he stood there shivering upon the floor with a dreadful

sense of anticipation: he almost expected to hear an answering knock

from within--the rustling of the hanging skirts perhaps--or, worse

still, to see the locked door slowly open towards him.

And from that moment, he declares that in some way or other he must

have partially lost control of himself, or at least of his better

judgment; for he became possessed by such an overmastering desire

to tear open that cupboard door and see the clothes within, that he

tried every key in the room in the vain effort to unlock it, and then,

finally, before he quite realised what he was doing--rang the bell!

But, having rung the bell for no obvious or intelligent reason at

two o'clock in the morning, he then stood waiting in the middle of

the floor for the servant to come, conscious for the first time that

something outside his ordinary self had pushed him towards the act. It

was almost like an internal voice that directed him ... and thus, when

at last steps came down the passage and he faced the cross and sleepy

chambermaid, amazed at being summoned at such an hour, he found no

difficulty in the matter of what he should say. For the same power that

insisted he should open the cupboard door also impelled him to utter

words over which he apparently had no control.

"It's not _you_ I rang for!" he said with decision and impatience, "I

want a man. Wake the porter and send him up to me at once--hurry! I

tell you, hurry----!"

And when the girl had gone, frightened at his earnestness, Minturn

realised that the words surprised himself as much as they surprised

her. Until they were out of his mouth he had not known what exactly

he was saying. But now he understood that some force foreign to his

own personality was using his mind and organs. The black depression

that had possessed him a few moments before was also part of it. The

powerful mood of this vanished woman had somehow momentarily taken

possession of him--communicated, possibly, by the atmosphere of things

in the room still belonging to her. But even now, when the porter,

without coat or collar, stood beside him in the room, he did not

understand _why_ he insisted, with a positive fury admitting no denial,

that the key of that cupboard must be found and the door instantly

opened.

The scene was a curious one. After some perplexed whispering with

the chambermaid at the end of the passage, the porter managed to find

and produce the key in question. Neither he nor the girl knew clearly

what this excited Englishman was up to, or why he was so passionately

intent upon opening the cupboard at two o'clock in the morning. They

watched him with an air of wondering what was going to happen next.

But something of his curious earnestness, even of his late fear,

communicated itself to them, and the sound of the key grating in the

lock made them both jump.

They held their breath as the creaking door swung slowly open. All

heard the clatter of that other key as it fell against the wooden

floor--within. The cupboard had been locked _from the inside_. But it

was the scared housemaid, from her position in the corridor, who first

saw--and with a wild scream fell crashing against the bannisters.

The porter made no attempt to save her. The schoolmaster and himself

made a simultaneous rush towards the door, now wide open. They, too,

had seen.

There were no clothes, skirts or blouses on the pegs, but, all by

itself, from an iron hook in the centre, they saw the body of the

Englishwoman hanging by the neck, the head bent horribly forwards, the

tongue protruding. Jarred by the movement of unlocking, the body swung

slowly round to face them.... Pinned upon the inside of the door was a

hotel envelope with the following words pencilled in straggling writing:

"Tired--unhappy--hopelessly depressed.... I cannot face life any

longer.... All is black. I must put an end to it.... I meant to do it

on the mountains, but was afraid. I slipped back to my room unobserved.

This way is easiest and best...."

VIII

CAIN'S ATONEMENT

So many thousands to-day have deliberately put Self aside, and are

ready to yield their lives for an ideal, that it is not surprising a

few of them should have registered experiences of a novel order. For

to step aside from Self is to enter a larger world, to be open to new

impressions. If Powers of Good exist in the universe at all, they can

hardly be inactive at the present time....

The case of two men, who may be called Jones and Smith, occurs to the

mind in this connection. Whether a veil actually was lifted for a

moment, or whether the tension of long and terrible months resulted in

an exaltation of emotion, the experience claims significance. Smith,

to whom the experience came, holds the firm belief that it was real.

Jones, though it involved him too, remained unaware.

It is a somewhat personal story, their peculiar relationship dating

from early youth: a kind of unwilling antipathy was born between them,

yet an antipathy that had no touch of hate or even of dislike. It was

rather in the nature of an instinctive rivalry. Some tie operated that

flung them ever into the same arena with strange persistence, and ever

as opponents. An inevitable fate delighted to throw them together in a

sense that made them rivals; small as well as large affairs betrayed

this malicious tendency of the gods. It showed itself in earliest

days, at school, at Cambridge, in travel, even in house-parties

and the lighter social intercourse. Though distant cousins, their

families were not intimate, and there was no obvious reason why their

paths should fall so persistently together. Yet their paths did so,

crossing and recrossing in the way described. Sooner or later, in

all his undertakings, Smith would note the shadow of Jones darkening

the ground in front of him; and later, when called to the Bar in his

chosen profession, he found most frequently that the learned counsel

in opposition to him was the owner of this shadow, Jones. In another

matter, too, they became rivals, for the same girl, oddly enough,

attracted both, and though she accepted neither offer of marriage

(during Smith's lifetime!), the attitude between them was that of

unwilling rivals. For they were friends as well.

Jones, it appears, was hardly aware that any rivalry existed; he did

not think of Smith as an opponent, and as an adversary, never. He did

notice, however, the constantly recurring meetings, for more than once

he commented on them with good-humoured amusement. Smith, on the other

hand, was conscious of a depth and strength in the tie that certainly

intrigued him; being of a thoughtful, introspective nature, he was

keenly sensible of the strange competition in their lives, and sought

in various ways for its explanation, though without success. The desire

to find out was very strong in him. And this was natural enough, owing

to the singular fact that in all their battles he was the one to lose.

Invariably Jones got the best of every conflict. Smith always paid;

sometimes he paid with interest.

Occasionally, too, he seemed forced to injure himself while

contributing to his cousin's success. It was very curious. He reflected

much upon it; he wondered what the origin of their tie and rivalry

might be, but especially why it was that he invariably lost, and why

he was so often obliged to help his rival to the point even of his own

detriment. Tempted to bitterness sometimes, he did not yield to it,

however; the relationship remained frank and pleasant; if anything, it

deepened.

He remembered once, for instance, giving his cousin a chance

introduction which yet led, a little later, to the third party offering

certain evidence which lost him an important case--Jones, of course,

winning it. The third party, too, angry at being dragged into the case,

turned hostile to him, thwarting various subsequent projects. In no

other way could Jones have procured this particular evidence; he did

not know of its existence even. That chance introduction did it all.

There was nothing the least dishonourable on the part of Jones--it

was just the chance of the dice. The dice were always loaded against

Smith--and there were other instances of similar kind.

Day and Night Stories · 第 10 / 17 段