In my own family this happened, for Arthur was my nephew. And a remote

Alpine valley was the place. It didn't seem to me in the least suitable

for such occurrences, except that it was Catholic, and the "Church," I

understand--at least, scholars who ought to know have told me so--has

subtle Pagan origins incorporated unwittingly in its observations of

certain Saints' Days, as well as in certain ceremonials. All this

kind of thing is Dutch to me, a form of poetry or superstition, for

I am interested chiefly in the buying and selling of exchange, with

an office in New York City, just off Wall Street, and only come to

Europe now occasionally for a holiday. I like to see the dear old musty

cities, and go to the Opera, and take a motor run through Shakespeare's

country or round the Lakes, get in touch again with London and Paris

at the Ritz Hotels--and then back again to the greatest city on earth,

where for years now I've been making a good thing out of it. Repton

and Cambridge, long since forgotten, had their uses. They were all

right enough at the time. But I'm now "on the make," with a good fat

partnership, and have left all that truck behind me.

My half-brother, however--he was my senior and got the cream of the

family wholesale chemical works--has stuck to the trade in the Old

Country, and is making probably as much as I am. He approved my taking

the chance that offered, and is only sore now because his son, Arthur,

is on the stupid side. He agreed that finance suited my temperament far

better than drugs and chemicals, though he warned me that all American

finance was speculative and therefore dangerous. "Arthur is getting

on," he said in his last letter, "and will some day take the director's

place you would be in now had you cared to stay. But he's a plodder,

rather." That meant, I knew, that Arthur was a fool. Business, at any

rate, was not suited to his temperament. Five years ago, when I came

home with a month's holiday to be used in working up connections in

English banking circles, I saw the boy. He was fifteen years of age at

the time, a delicate youth, with an artist's dreams in his big blue

eyes, if my memory goes for anything, but with a tangle of yellow hair

and features of classical beauty that would have made half the young

girls of my New York set in love with him, and a choice of heiresses at

his disposal when he wanted them.

I have a clear recollection of my nephew then. He struck me as

having grit and character, but as being wrongly placed. He had his

grandfather's tastes. He ought to have been, like him, a great scholar,

a poet, an editor of marvellous old writings in new editions. I

couldn't get much out of the boy, except that he "liked the chemical

business fairly," and meant to please his father by "knowing it

thoroughly" so as to qualify later for his directorship. But I have

never forgotten the evening when I caught him in the hall, staring up

at his grandfather's picture, with a kind of light about his face, and

the big blue eyes all rapt and tender (almost as if he had been crying)

and replying, when I asked him what was up: "_That_ was worth living

for. He brought Beauty back into the world!"

"Yes," I said, "I guess that's right enough. He did. But there was no

money in it to speak of."

The boy looked at me and smiled. He twigged somehow or other that deep

down in me, somewhere below the money-making instinct, a poet, but a

dumb poet, lay in hiding. "You know what I mean," he said. "It's in you

too."

The picture was a copy--my father had it made--of the presentation

portrait given to Baliol, and "the grandfather" was celebrated in his

day for the translations he made of Anacreon and Sappho, of Homer, too,

if I remember rightly, as well as for a number of classical studies

and essays that he wrote. A lot of stuff like that he did, and made a

name at it too. His _Lives of the Gods_ went into six editions. They

said--the big critics of his day--that he was "a poet who wrote no

poetry, yet lived it passionately in the spirit of old-world, classical

Beauty," and I know he was a wonderful fellow in his way and made the

dons and schoolmasters all sit up. We're proud of him all right. After

twenty-five years of successful "exchange" in New York City, I confess

I am unable to appreciate all that, feeling more in touch with the

commercial and financial spirit of the age, progress, development and

the rest. But, still, I'm not ashamed of the classical old boy, who

seems to have been a good deal of a Pagan, judging by the records we

have kept. However, Arthur peering up at that picture in the dusk, his

eyes half moist with emotion, and his voice gone positively shaky, is a

thing I never have forgotten. He stimulated my curiosity uncommonly. It

stirred something deep down in me that I hardly cared to acknowledge on

Wall Street--something burning.

And the next time I saw him was in the summer of 1910, when I came

to Europe for a two months' look around--my wife at Newport with the

children--and hearing that he was in Switzerland, learning a bit of

French to help him in the business, I made a point of dropping in upon

him just to see how he was shaping generally and what new kinks his

mind had taken on. There was something in Arthur I never could quite

forget. Whenever his face came into my mind I began to think. A kind of

longing came over me--a desire for Beauty, I guess, it was. It made me

dream.

I found him at an English tutor's--a lively old dog, with a fondness

for the cheap native wines, and a financial interest in the tourist

development of the village. The boys learnt French in the mornings,

possibly, but for the rest of the day were free to amuse themselves

exactly as they pleased and without a trace of supervision--provided

the parents footed the bills without demur.

This suited everybody all round; and as long as the boys came home with

an accent and a vocabulary, all was well. For myself, having learned

in New York to attend strictly to my own business--exchange between

different countries with a profit--I did not deem it necessary to

exchange letters and opinions with my brother--with no chance of profit

anywhere. But I got to know Arthur, and had a queer experience of my

own into the bargain. Oh, there was profit in it for me. I'm drawing

big dividends to this day on the investment.

I put up at the best hotel in the village, a one-horse show, differing

from the other inns only in the prices charged for a lot of cheap

decoration in the dining-room, and went up to surprise my nephew with

a call the first thing after dinner. The tutor's house stood some way

back from the narrow street, among fields where there were more flowers

than grass, and backed by a forest of fine old timber that stretched

up several thousand feet to the snow. The snow at least was visible,

peeping out far overhead just where the dark line of forest stopped;

but in reality, I suppose, that was an effect of foreshortening,

and whole valleys and pastures intervened between the trees and the

snow-fields. The sunset, long since out of the valley, still shone

on those white ridges, where the peaks stuck up like the teeth of a

gigantic saw. I guess it meant five or six hours' good climbing to get

up to them--and nothing to do when you got there. Switzerland, anyway,

seemed a poor country, with its little bit of watch-making, sour wines,

and every square yard hanging upstairs at an angle of 60 degrees used

for hay. Picture postcards, chocolate and cheap tourists kept it going

apparently, but I dare say it was all right enough to learn French

in--and cheap as Hoboken to live in!

Arthur was out; I just left a card and wrote on it that I would be very

pleased if he cared to step down to take luncheon with me at my hotel

next day. Having nothing better to do, I strolled homewards by way of

the forest.

Now what came over me in that bit of dark pine forest is more than I

can quite explain, but I think it must have been due to the height--the

village was 4,000 feet above sea-level--and the effect of the rarefied

air upon my circulation. The nearest thing to it in my experience is

rye whisky, the queer touch of wildness, of self-confidence, a kind

of whooping rapture and the reckless sensation of being a tin god of

sorts that comes from a lot of alcohol--a memory, please understand,

of years before, when I thought it a grand thing to own the earth and

paint the old town red. I seemed to walk on air, and there was a smell

about those trees that made me suddenly--well, that took my mind clean

out of its accustomed rut. It was just too lovely and wonderful for me

to describe it. I had got well into the forest and lost my way a bit.

The smell of an old-world garden wasn't in it. It smelt to me as if

some one had just that minute turned out the earth all fresh and new.

There was moss and tannin, a hint of burning, something between smoke

and incense, say, and a fine clean odour of pitch-pine bark when the

sun gets on it after rain--and a flavour of the sea thrown in for luck.

That was the first I noticed, for I had never smelt anything half so

good since my camping days on the coast of Maine. And I stood still to

enjoy it. I threw away my cigar for fear of mixing things and spoiling

it. "If that could be bottled," I said to myself, "it'd sell for two

dollars a pint in every city in the Union!"

And it was just then, while standing and breathing it in, that I got

the queer feeling of some one watching me. I kept quite still. Some one

was moving near me. The sweat went trickling down my back. A kind of

childhood thrill got hold of me.

It was very dark. I was not afraid exactly, but I was a stranger in

these parts and knew nothing about the habits of the mountain peasants.

There might be tough customers lurking around after dark on the chance

of striking some guy of a tourist with money in his pockets. Yet,

somehow, that wasn't the kind of feeling that came to me at all, for,

though I had a pocket Browning at my hip, the notion of getting at it

did not even occur to me. The sensation was new--a kind of lifting,

exciting sensation that made my heart swell out with exhilaration.

There was happiness in it. A cloud that _weighed_ seemed to roll off my

mind, same as that light-hearted mood when the office door is locked

and I'm off on a two months' holiday--with gaiety and irresponsibility

at the back of it. It was invigorating. I felt youth sweep over me.

I stood there, wondering what on earth was coming on me, and half

expecting that any moment some one would come out of the darkness and

show himself; and as I held my breath and made no movement at all the

queer sensation grew stronger. I believe I even resisted a temptation

to kick up my heels and dance, to let out a flying shout as a man

with liquor in him does. Instead of this, however, I just kept dead

still. The wood was black as ink all round me, too black to see the

tree-trunks separately, except far below where the village lights came

up twinkling between them, and the only way I kept the path was by the

soft feel of the pine-needles that were thicker than a Brussels carpet.

But nothing happened, and no one stirred. The idea that I was being

watched remained, only there was no sound anywhere except the roar of

falling water that filled the entire valley. Yet some one was very

close to me in the darkness.

I can't say how long I might have stood there, but I guess it was the

best part of ten minutes, and I remember it struck me that I had run

up against a pocket of extra-rarefied air that had a lot of oxygen in

it--oxygen or something similar--and that was the cause of my elation.

The idea was nonsense, I have no doubt; but for the moment it half

explained the thing to me. I realised it was all _natural_ enough, at

any rate--and so moved on. It took a longish time to reach the edge

of the wood, and a footpath led me--oh, it was quite a walk, I tell

you--into the village street again. I was both glad and sorry to get

there. I kept myself busy thinking the whole thing over again. What

caught me all of a heap was that million-dollar sense of beauty, youth,

and happiness. Never in my born days had I felt anything to touch it.

And it hadn't cost a cent!

Well, I was sitting there enjoying my smoke and trying to puzzle it

all out, and the hall was pretty full of people smoking and talking

and reading papers, and so forth, when all of a sudden I looked up and

caught my breath with such a jerk that I actually bit my tongue. There

was grandfather in front of my chair! I looked into his eyes. I saw him

as clear and solid as the porter standing behind his desk across the

lounge, and it gave me a touch of cold all down the back that I needn't

forget unless I want to. He was looking into my face, and he had a cap

in his hand, and he was speaking to me. It was my grandfather's picture

come to life, only much thinner and younger and a kind of light in his

eyes like fire.

"I beg your pardon, but you _are_--Uncle Jim, aren't you?"

And then, with another jump of my nerves, I understood.

"You, Arthur! Well, I'm jiggered. So it is. Take a chair, boy. I'm

right glad you found me. Shake! Sit down." And I shook his hand and

pushed a chair up for him. I was never so surprised in my life. The

last time I set eyes on him he was a boy. Now he was a young man, and

the very image of his ancestor.

He sat down, fingering his cap. He wouldn't have a drink and he

wouldn't smoke. "All right," I said, "let's talk then. I've lots to

tell you and I've lots to hear. How are you, boy?"

He didn't answer at first. He eyed me up and down. He hesitated. He was

as handsome as a young Greek god.

"I say, Uncle Jim," he began presently, "it _was_ you--just now--in the

wood--wasn't it?" It made me start, that question put so quietly.

"I _have_ just come through that wood up there," I answered, pointing

in the direction as well as I could remember, "if that's what you mean.

But why? _You_ weren't there, were you?" It gave me a queer sort of

feeling to hear him say it. What in the name of heaven did he mean?

He sat back in his chair with a sigh of relief.

"Oh, that's all right then," he said, "if it _was_ you. Did you see,"

he asked suddenly; "did you see--anything?"

"Not a thing," I told him honestly. "It was far too dark." I laughed.

I fancied I twigged his meaning. But I was not the sort of uncle to

come prying on him. Life must be dull enough, I remembered, in this

mountain village.

But he didn't understand my laugh. He didn't mean what I meant.

And there came a pause between us. I discovered that we were talking

different lingoes. I leaned over towards him.

"Look here, Arthur," I said in a lower voice, "what is it, and what do

you mean? I'm all right, you know, and you needn't be afraid of telling

me. What d'you mean by--did I see anything?"

We looked each other squarely in the eye. He saw he could trust me, and

I saw--well, a whole lot of things, perhaps, but I felt chiefly that he

liked me and would tell me things later, all in his own good time. I

liked him all the better for that too.

"I only meant," he answered slowly, "whether you really

_saw_--anything?"

"No," I said straight, "I didn't see a thing, but, by the gods, I

_felt_ something."

He started. I started too. An astonishing big look came swimming over

his fair, handsome face. His eyes seemed all lit up. He looked as if

he'd just made a cool million in wheat or cotton.

"I knew--you were that sort," he whispered. "Though I hardly remembered

what you looked like."

"Then what on earth was it?" I asked.

His reply staggered me a bit. "It was just that," he said--"the Earth!"

And then, just when things were getting interesting and promising a

dividend, he shut up like a clam. He wouldn't say another word. He

asked after my family and business, my health, what kind of crossing

I'd had, and all the rest of the common stock. It fairly bowled me

over. And I couldn't change him either.

I suppose in America we get pretty free and easy, and don't quite

understand reserve. But this young man of half my age kept me in my

place as easily as I might have kept a nervous customer quiet in my

own office. He just refused to take me on. He was polite and cool and

distant as you please, and when I got pressing sometimes he simply

pretended he didn't understand. I could no more get him back again to

the subject of the wood than a customer could have gotten me to tell

him about the prospects of exchange being cheap or dear--when I didn't

know myself but wouldn't let him see I didn't know. He was charming, he

was delightful, enthusiastic and even affectionate; downright glad to

see me, too, and to chin with me--but I couldn't draw him worth a cent.

And in the end I gave up trying.

And the moment I gave up trying he let down a little--but only a very

little.

"You'll stay here some time, Uncle Jim, won't you?"

"That's my idea," I said, "if I can see you, and you can show me round

some."

He laughed with pleasure. "Oh, rather. I've got lots of time. After

three in the afternoon I'm free till--any time you like. There's a lot

to see," he added.

"Come along to-morrow then," I said. "If you can't take lunch, perhaps

you can come just afterwards. You'll find me waiting for you--right

here."

"I'll come at three," he replied, and we said good-night.

2

He turned up sharp at three, and I liked his punctuality. I saw him

come swinging down the dusty road; tall, deep-chested, his broad

shoulders a trifle high, and his head set proudly. He looked like a

young chap in training, a thoroughbred, every inch of him. At the same

time there was a touch of something a little too refined and delicate

for a man, I thought. That was the poetic, scholarly vein in him, I

guess--grandfather cropping out. This time he wore no cap. His thick

light hair, not brushed back like the London shop-boys, but parted on

the side, yet untidy for all that, suited him exactly and gave him a

touch of wildness.

"Well," he asked, "what would you like to do, Uncle Jim? I'm at your

service, and I've got the whole afternoon till supper at seven-thirty."

I told him I'd like to go through that wood. "All right," he said,

"come along. I'll show you." He gave me one quick glance, but said no

more. "I'd like to see if I feel anything this time," I explained.

"We'll locate the very spot, maybe." He nodded.

"You know where I mean, don't you?" I asked, "because you saw me

there?" He just said yes, and then we started.

It was hot, and air was scarce. I remember that we went uphill,

and that I realised there was considerable difference in our ages.

We crossed some fields first--smothered in flowers so thick that I

wondered how much grass the cows got out of it!--and then came to a

sprinkling of fine young larches that looked as soft as velvet. There

was no path, just a wild mountain side. I had very little breath on

the steep zigzags, but Arthur talked easily--and talked mighty well,

too: the light and shade, the colouring, and the effect of all this

wilderness of lonely beauty on the mind. He kept all this suppressed

at home in business. It was safety valves. I twigged _that_. It was

the artist in him talking. He seemed to think there was nothing in the

world but Beauty--with a big B all the time. And the odd thing was he

took for granted that I felt the same. It was cute of him to flatter

me that way. "Daulis and the lone Cephissian vale," I heard; and a few

moments later--with a sort of reverence in his voice like worship--he

called out a great singing name: "_Astarte!_"

"Day is her face, and midnight is her hair,

And morning hours are but the golden stair

By which she climbs to Night."

It was here first that a queer change began to grow upon me too.

"Steady on, boy! I've forgotten all my classics ages ago," I cried.

He turned and gazed down on me, his big eyes glowing, and not a sign of

perspiration on his skin.

"That's nothing," he exclaimed in his musical, deep voice. "You know

it, or you'd never have felt things in this wood last night; and you

wouldn't have wanted to come out with me _now_!"

"How?" I gasped. "How's that?"

"You've come," he continued quietly, "to the only valley in

this artificial country that has atmosphere. This valley is

_alive_--especially this end of it. There's superstition here, thank

God! Even the peasants know things."

I stared at him. "See here, Arthur," I objected. "I'm not a Cath. And I

don't know a thing--at least it's all dead in me and forgotten--about

poetry or classics or your gods and pan--pantheism--in spite of

grandfather----"

His face turned like a dream face.

"Hush!" he said quickly. "Don't mention _him_. There's a bit of him in

you as well as in me, and it was here, you know, he wrote----"

I didn't hear the rest of what he said. A creep came over me. I

remembered that this ancestor of ours lived for years in the isolation

of some Swiss forest where he claimed--he used that setting for his

writing--he had found the exiled gods, their ghosts, their beauty,

their eternal essences--or something astonishing of that sort. I had

clean forgotten it till this moment. It all rushed back upon me, a

memory of my boyhood.

And, as I say, a creep came over me--something as near to awe as

ever could be. The sunshine on that field of yellow daisies and blue

forget-me-nots turned pale. That warm valley wind had a touch of snow

in it. And, ashamed and frightened of my baby mood, I looked at Arthur,

meaning to choke him off with all this rubbish--and then saw something

in his eyes that scared me stiff.

I admit it. What's the use? There was an expression on his fine big

face that made my blood go curdled. I got cold feet right there. It

mastered me. In him, behind him, near him--blest if I know which,

_through_ him probably--came an enormous thing that turned me

insignificant. It downed me utterly.

It was over in a second, the flash of a wing. I recovered instantly. No

mere boy should come these muzzy tricks on me, scholar or no scholar.

For the change in me was on the increase, and I shrank.

"See here, Arthur," I said plainly once again, "I don't know what your

game is, but--there's something queer up here I don't quite get at. I'm

only a business man, with classics and poetry all gone dry in me twenty

years ago and more----"

He looked at me so strangely that I stopped, confused.

"But, Uncle Jim," he said as quietly as though we talked tobacco

brands, "you needn't be alarmed. It's natural you should feel the

place. You and I belong to it. We've both got _him_ in us. You're just

as proud of him as I am, only in a different way." And then he added,

with a touch of disappointment: "I thought you'd like it. You weren't

afraid last night. You felt the beauty _then_."

Flattery is a darned subtle thing at any time. To see him standing

over me in that superior way and talking down at my poor business

mind--well, it just came over me that I was laying my cards on the

table a bit too early. After so many years of city life----!

Anyway, I pulled myself together. "I was only kidding you, boy," I

laughed. "I feel this beauty just as much as you do. Only, I guess,

you're more accustomed to it than I am. Come on now," I added with

energy, getting upon my feet, "let's push on and see the wood. I want

to find that place again."

He pulled me with a hand of iron, laughing as he did so. Gee! I wished

I had his teeth, as well as the muscles in his arm. Yet I felt younger,

somehow, too--youth flowed more and more into my veins. I had forgotten

how sweet the winds and woods and flowers could be. Something melted in

me. For it was Spring, and the whole world was singing like a dream.

Beauty was creeping over me. I don't know. I began to feel all big and

tender and open to a thousand wonderful sensations. The thought of

streets and houses seemed like death....

We went on again, not talking much; my breath got shorter and shorter,

and he kept looking about him as though he expected something. But we

passed no living soul, not even a peasant; there were no chalets, no

cattle, no cattle shelters even. And then I realised that the valley

lay at our feet in haze and that we had been climbing at least a

couple of hours. "Why, last night I got home in twenty minutes at the

outside," I said. He shook his head, smiling. "It seemed like that," he

replied, "but you really took much longer. It was long after ten when I

found you in the hall." I reflected a moment. "Now I come to think of

it, you're right, Arthur. Seems curious, though, somehow." He looked

closely at me. "I followed you all the way," he said.

"You followed me!"

"And you went at a good pace too. It was your feelings that made it

seem so short--you were singing to yourself and happy as a dancing

faun. We kept close behind you for a long way."

I think it was "we" he said, but for some reason or other I didn't care

to ask.

Day and Night Stories · 第 5 / 17 段