Captain Bellendean followed Mrs. Hayward into the house. It was
unusually silent, no one stirring, not even a dog. The air was very warm
and soft inside, the fire having the room to itself, and burning in a
quiet genial way to keep itself company, with a clear red glow that
lighted up everything. The tea-table stood untouched--the curtains drawn
a little more than usual over the sides of the windows to keep out the
cold, and making a still earlier twilight than that outside. The
emptiness and silence and vacancy of that warm and luxurious room, so
softly carpeted, curtained, cushioned, so evidently expectant of
inhabitation, with all its certain signs and marks of habitual tenancy,
yet all empty and silent, were more impressive almost than the emptiness
of real abandonment. Mrs. Hayward opened the door of the room for her
visitor, and bade him go in while she herself looked for the others.
‘I’ll see if they are in,’ she said; and her heart gave a little jump of
expectation as she said it. If she had found Joyce, she would have sent
the girl into the drawing-room, while she herself took off her ‘things’
in the most leisurely way upstairs; and she would not have pursued her
researches with any idea of finding the Colonel. It annoyed her very
much to find Joyce’s room empty, and no trace of her visible. She went
over every room where her step-daughter could be before she gave up the
search, asking the maids, and finally Baker, though she had no desire to
take that personage into her confidence. Colonel Hayward’s lamp was
already burning in the library. It was his hour for reading the rest of
the paper left unfinished in the morning, and sometimes for a doze; but
Joyce was not there.
‘Miss Hayward have gone out, ma’am,’ Baker said.
‘Oh, has she? I had something to say to her. (She would not have Baker
think that it was because of Captain Bellendean’s visit that she wanted
Joyce.) Ask her to come to me in the drawing-room the moment she comes
in.’
‘I will, ma’am,’ said Baker, with stolid gravity; but he chuckled when
his mistress, much put out, turned towards the drawing-room door. _He_
knew very well why Joyce was so urgently wanted. ‘He ’ave come up to the
scratch at last,’ Baker said to himself.
Captain Bellendean stood by himself upon the Persian rug before the
fire. He was in a very restless mood. There was something in this warm,
soft afternoon atmosphere, the sense of domestic calm, the composure of
settled life, which was like an insufficient opiate, exciting instead of
calming. He was not in a comfortable or happy state of mind. The last
time he had been here he was at the height of warm and spontaneous love,
bewitched by the presence of the girl who had transported him out of all
his bachelor reluctances and defences. This is perhaps a strange way in
which to speak of the lover. It is the woman who is supposed to defend
herself, to hold back with reluctance, either real or assumed. However,
it is one of the enlightenments of our age to recognise that there are
two sides to that question. Norman Bellendean had not made up his mind
to marry when he took possession of his estate. He did not want even to
take possession of his estate; he would have preferred that his father
should have held it in his place a few years longer, until he felt more
disposed to settle down. But that had not suited Mr. Bellendean’s ideas
or plans: and Norman, fresh from India, and with a natural desire after
the pleasant experiences of a rich young man’s untrammelled career at
home, found himself at once introduced into the responsibilities of an
estate and the bondage of a conspicuous position much against his will.
But he had set his face against the natural results. He knew that it was
expected of him that he should marry and ‘settle down.’ He had an idea
even that his neighbours had kindly selected for him a certain number of
eligible young ladies among whom he would be expected to make his
choice. To be sure nobody could force him to make any such choice. He
was free as the air to choose elsewhere, or not to choose at all. But
the consciousness that this was what was expected of him chafed the
young man. He was coy at first like a girl, on his defence, yet
sometimes, with laughter and shame, became conscious of his own little
coquetries, and felt how ludicrous was the situation altogether. And
then he fled to town, to the excitements of the season, to take his
share, for the first time, in that whirl and hurry of entertainment and
assembling together which we call society. And then--but this was the
thing unaccountable in the midst of so many things which he saw through
and understood--he fell in love; and before he knew, was on the eve of
asking to share his fortunes, and to ‘settle down’ with him at
Bellendean, the girl who had been, a few months before, the village
schoolmistress there.
Norman had fallen in love honestly, spontaneously, without any
preparation or _arrière-pensée_. He had neither said to himself that
this was the one woman for him, or that she was altogether out of the
question for him being what she was. Before he had begun to suspect it,
the thing was done. He had thought it was the river, the rowing, the
greater simplicity and freedom of the merry party, something in the
summer air that was itself delicious as an escape out of London, before
he found out that it was Joyce. He had indeed just found out that it was
Joyce on the last occasion, when he walked with her home from the
garden-party at Sir Sam’s. He had found it out, and in the rush and
flood of feeling had told her--he scarcely knew what. He tried to
recollect after what he had said, and he could not. He knew that she had
not responded; that she had kept him at arm’s-length; and that when he
had rushed away, unable to bear the constraint of other people’s society
while it was she--she only--whom he wanted, he had said he would come
back. The recollection was all confused, disturbed, made uncertain even
by excessive thinking over and attempts to remember every detail. And
then he had been called away, and it was not possible for him to go
back; and then cold afterthought had seized upon him in his heat of
love. She had made no reply--what she had said had been ‘No,’ though he
did not believe that she had meant the final ‘No’ which would annihilate
all his pretensions. He had known that she did not mean that: he had
seen in her something of the flood of feeling which had overwhelmed
himself. He had gone up to town with his heart throbbing and his head
swimming, in anticipation of what would happen when he went back. That
was not how a man felt when he expected the ‘No’ which would make an end
of all.
But he did not come back--for the moment could not, being called back to
Bellendean; and then--did not. Why? Because of the chill of the
afterthought which took possession of him; because he remembered, not
immediately but after a time, who Joyce was. She was his old Colonel’s
daughter, it was true, who was a match for any gentleman. Yes, a match
for any gentleman. Colonel Hayward’s daughter, a distinguished soldier,
a man who was as good as the best. Under royalty, Colonel Hayward’s
daughter might have married any one--no man daring to have said that it
was a _mésalliance_. But then at Bellendean she was the village
schoolmistress. Nobody knew much about Colonel Hayward, though they had
all heard the story; but everybody knew Joyce. He was aware, for he had
heard it talked of, that for Joyce herself it was hard to throw off the
habits of her previous existence; and that she was wounded even when
told that she must no longer say Miss Greta, and must submit to be
treated on a footing of equality by the lady to whom she had looked up.
He remembered all this with an acute sense of pain, when he had time to
think. That his wife should still have these instincts of inferiority;
that she should wish to say Miss Greta; that she should look up to his
step-mother as to a being of a superior kind--he grew hot and red at the
thought. His wife! It was impossible--it could not be.
These thoughts chilled him to his very heart, and stopped the flood of
love which was carrying him away. And many other thoughts came in to add
to them. Norman himself was not well known in his county. There was a
slight feeling against him as a man who had (though quite innocently on
his part) supplanted his own father. He wanted a wife who should be
unquestionable, who should be popular--able to help him to the full
acquisition of his proper standing in the place. And if he were to bring
home to be the mistress of Bellendean a girl whom everybody knew indeed,
but knew as Joyce the schoolmistress!--his heart sank within him at that
thought, which was suggested by several concurring things; by his
step-mother, who, without mentioning Joyce, had laid the state of
affairs very clearly before him, and by other incidental remarks and
occurrences which supported her view. All these things disturbed his
mind greatly. And he had occupations, perhaps arranged for the purpose,
to keep him at home. And Greta’s home was at hand, where there was
always a sympathetic listener for everything he wanted to say. He did
not speak to Greta of Joyce, but Greta spoke of her freely, always with
love and admiration, which soothed him, yet at the same time diverted
his thoughts a little in affectionate gratitude and approval of this
generous little creature, who combined everything that was most
desirable in a wife, just as Joyce combined everything that was least
desirable. And then there were the poor couple in the village, whom
Norman went religiously to see at first, to tell them about their lost
child; then with a hunger of the heart that could not be satisfied, to
talk about her. He never asked himself how he would like to have this
old couple, so excellent, so blameless--worthy of all respect, and more
than respect--at Bellendean, calling its mistress J’yce, and weeping
over her; but the thought, of which he was ashamed, shot across his mind
like lightning every time he heard their name.
These things worked in his mind and made him miserable. His step-mother
talked to him of marrying, and of the necessity of making a wise choice
to establish his position; and Greta met him at every corner--either he
was invited to her father’s house, or she came to see her dear aunt
Margaret. The girl was entirely innocent of any conspiracy in the
matter; but Norman was her hero, and it was scarcely possible for her to
conceal her interest in him--her joy when he came, her regret when he
went away. It was not difficult for him to discover that in everybody’s
opinion Greta was the fittest of wives for him. He could not shut his
eyes to the fact that it was so. If he had never seen Joyce, if he had
never entered that enchanted country in which she dwelt, never floated
on that magic river, never strayed in that garden of dreams--never met
and parted--then Greta would have been his bride. She would have come to
Bellendean so naturally and simply, with such a carrying out of all good
wishes for its new lord, that the marriage would have been pronounced by
all to be one of those made in heaven.
But now another image had come in. Sometimes he would wish in his
distress that it had never done so--that he had never seen her: but that
did not change the fact that she had come in and changed everything. The
conflict had grown harder every day. Then he had gone to the Highlands,
to the moors, and there the struggle took another form. His demon, his
other self, who maintained the controversy with him, began to put it
before Norman that he had ‘behaved badly’ to Joyce. Perhaps--we know so
little about these demons or dæmons, who are continually interfering in
our affairs, making and meddling, and have so little light as to their
motives--perhaps that most secret of companions meant to deter him by
the shame of that bad behaviour from going near Joyce again. But if so,
he calculated without his host. For Norman, in a blaze of shame and
self-indignation which drove him like a fiery wind, hurried straight off
to London, on the spot, to see Joyce instantly and put himself right.
It was in this mood that he arrived, and found himself in the familiar
scene of his summer romance, under grey twilight skies, and in the cosy
empty room, lighted with the red firelight, silent, comfortable, full of
the poetry of domestic life, which is different from the poetry of the
river and the garden. He knew that Mrs. Hayward had gone to look for
Joyce, and that she would not come back to disturb the _tête-à-tête_,
but would leave them together, as mothers seemed to do, with an instinct
of what is coming. He would rather have met Joyce unawares without any
warning, without any possibility of a concerted meeting of which the
parents should be in the secret. It annoyed him to think that she would
be warned, that along with the sudden intimation that he was there,
there would be a word of advice or at least a look, to show her what was
expected of her. This added to his restlessness as he stood before the
red glow of the fire changing from one foot to the other, anxious,
impatient, yet feeling that the chill fit, the mental ague which
alternated with the fever, might be on its way. He heard little
movements in the house--some one walking overhead--some one running
upstairs--a voice sounding faintly calling some one. Was Joyce reluctant
then to come? Was she angry with him for not returning sooner? Was she
displeased with the warning given her, and unwilling to come down to him
in the empty drawing-room while everybody knew what must take place
there? It would be like her to refuse. It would be what he should expect
of her; but in what a position would it place _him!_--a lover understood
yet undeclared, whose object was unmistakable, yet who was not to be
allowed to carry it out. His heart began to beat, partly with anger,
partly with suspense, partly with love. Would not she come? He was so
impatient that he could have seized her and shaken her in exasperation
and excitement; and yet he could not but grumble in his moustache, that
by Jove she was right, and that it was just what he would have expected
of Joyce.
Presently, however, the sounds outside became more audible, and he made
out that it was the Colonel’s step which was coming towards the
drawing-room. ‘Captain Bellendean!’ Colonel Hayward was saying; ‘why
didn’t you bring him to the library? Why, Norman, my fine fellow! how do
you do?--I’m delighted to see you; but why that ass should have sent you
in here in the dark--I can’t see you a bit--is more than any mortal
could divine--when he knew the ladies were out, and I was sitting by
myself.’
‘I came in with Mrs. Hayward. I assure you it wasn’t the man’s fault.’
‘Oh, well, if Elizabeth knows. She’ll be down immediately, no doubt.
Bring us some light, Baker. Yes, yes, the firelight is very pretty, but
I always like to see to talk. Come up about business, Bellendean?’
‘Yes,’ said Norman, with a little hesitation. ‘I may say it is business,
though not quite what is usually called by that name.’
‘I thought so. Nothing else would bring one of you young fellows to town
at this time of the year. Tell your mistress, Baker, we are waiting for
her to give us some tea. Mrs. Bellendean was here yesterday to bid us
good-bye; or perhaps I should say to bid good-bye to Joyce: for I think
we came a long way after Joyce in her estimation, my wife and I.’
‘I hope,’ said Bellendean, with a catch in his breath, ‘that Miss
Hayward--is quite well.’
‘Oh yes, she is very well. I have thought sometimes that this air didn’t
suit her--it’s a great change from the North. It gave me great pleasure,
however, to find, when we were talking the other day, that she likes it
on the whole. She has a wonderfully pretty way of expressing herself. I
should like to tell you a thing she said to me. I was questioning her on
this subject, anxious to get her true sentiments. And she said, “You are
my home, father."--Eh, don’t you think it was pretty? Well, I’m an old
fool--it brought the water to my eyes. Hush, here’s Elizabeth; she says
I am like a child with a new toy. I bore everybody with my stories of
Joyce.’
‘It would not be easy to bore me--on that subject.’
These last words were drowned by the entrance of Mrs. Hayward. She had
taken off her things, leaving it to her husband to entertain the
visitor. Joyce’s absence annoyed her exceedingly. It was quite unusual,
and seemed a sort of climax of misfortune--or perversity: perversity was
the view to which Mrs. Hayward inclined.
‘I don’t know what can have become of Joyce,’ she said, after she had
poured out tea for the gentlemen. ‘She is never out at this hour. It is
getting dark, too late for her to be out.’
‘Are you anxious, my dear?’ cried the Colonel, rising. ‘Bless me! it is
always you who think of everything. I’ll go at once and bring her home.’
‘Nonsense, Henry!--there is nothing to be anxious about. She has stayed
somewhere for tea. Last time we saw you, Captain Bellendean, you
expected to return to town--earlier than this. I suppose you had still a
good deal to arrange before your father and Mrs. Bellendean left you to
your own devices?’
‘I have been very busy,’ said Bellendean in a subdued tone, which the
Colonel did not understand.
‘He has come up about business now,’ said Colonel Hayward; ‘and very
dull you will find it, Bellendean, I don’t doubt, though I am told that
more people come to London at this time of the year than used to do so.
You must run down as often as you can and look us up--as you did in
summer, you know----’
‘Summer and winter are two very different things,’ said Mrs. Hayward;
‘and Captain Bellendean feels that, Henry. In summer there’s the river,
you know, and--other things.’
‘The other things,’ said Norman with an effort, ‘last all the year
through; and they are more important even than the river.’
Captain Bellendean was very ill at ease. He had not thought of these
surroundings at all, nor of any questions that might be put to him on
the subject of his long delay, nor of anything indeed but Joyce. It had
been comparatively easy in the outdoor summer life to secure an
interview with her. Now as he looked round him, and saw Mrs. Hayward
seat herself in her habitual chair by her habitual table, with that air
of settled and permanent possession which the mistress of a house has in
her own corner, and the Colonel thrown back in a larger chair on the
other side, a sense of being surrounded and shut in came upon him. Joyce
was not here, which took all the meaning out of his coming; but if she
had been here between this pair to whom she belonged, what could he have
said to her? Colonel Hayward’s daughter surrounded by all the
fortifications of life was a different thing from Joyce,--the girl whom
to love and seek was a sort of social crime. There was no question here
of a tremendous social downfall, of the _mésalliance_ and mistake
against which he had been warned. He had fully understood that side of
the question, and it had chilled him even in his heat of love. Now the
tables were turned; it was he who was suspected and disapproved of, and
from whom the parents were defending their daughter. This unexpected
drawback chilled him still more.
Norman sat for a long time in that exceedingly comfortable, warm,
beautifully furnished room, with his old Colonel, for whom he had the
greatest respect, and the Colonel’s commander, the much-famed Elizabeth,
over whose name he had jested, but of whose personality he had always
been a little afraid. He sat and made conversation, or rather listened
to that which went on across him, growing more and more embarrassed and
uncomfortable. He seemed to hear doors opening and closing all over the
house, but Joyce never appeared; and footsteps in the hall and on the
stairs, but no sign of her coming. His head began to get confused with
the contrariety and annoyance. Fate and Mrs. Hayward seemed to have
joined the conspiracy against him, in which everybody was at
Bellendean--and, as he now blushed to think, he had not expected any
contrariety here. He had thought--coxcomb that he was!--that here he
would be master of the situation. He had thought he knew that Joyce
would not say him nay. The shy glance, the rising colour, even the
startled opposition to his half-spoken love-making on their last
interview, had given him an assurance that Joyce was not indifferent.
But even this assurance came back upon him with a keen sense of shame
and wounded vanity. He had been a fool. How could he tell what she would
say to him, while here were the father and mother talking, perhaps
keeping her out of sight, at least securing that even if she came
nothing could be said? And she did not come--though it seemed to Captain
Bellendean that hours had elapsed since he entered the drawing-room in
the firelight, and imagined to himself the little comedy, the mother
seeking the daughter, hurrying her downstairs and into the arms of the
waiting lover. He realised with the most stinging shame that he had
imagined that--though the reality was so different, so ludicrously
different, he tried to say with a laugh at himself--so painfully
different, as he felt in his heart.
After a long time he rose. ‘I am afraid it is getting late. I must not
lose--the next train. I have--something to do in town,’ he said.
‘Go! without your dinner!’ said the Colonel, in his cheerful ignorance.
‘No, no, you must not think of that. And Joyce would be disappointed not
to see you. Tell him, my dear, he must stay to dinner at least. We don’t
let old friends go like this.’
‘I am afraid I must go,’ said Norman, with the stony air of a departing
Englishman, always uneasy lest he should be made to change his
resolution. He was offended, wounded, shamed by the difference between
the reality and his imagination. ‘I--have a great deal to do in
town--and the little time----’
‘Then you are leaving again soon?’ Mrs. Hayward said. She had risen from
her chair at once as if to give him no excuse for changing his mind;
though that was not what she meant.
‘But we must see him again, Elizabeth. No, no, I’ll take no denial. Why,
Joyce will be distressed not to see you. You must come another day and
stay to dinner. It is a long time since we have had a good talk,’ cried
the Colonel. ‘I want to hear all your plans. Come, come, Bellendean,
there’s no getting off it. You must come another day.’
He was turned all the wrong way. He had come with great strain of
purpose, feeling all the magnitude of the step before him, knowing the
sacrifice that was involved as well as the gain. And nothing at all had
come of it, not even a recognition on the part of the spectators of the
immense importance of what he had been about to do. ‘I am afraid it’s
impossible,’ he said, with stony looks; and then there came over him a
sudden vision of Joyce in all her sweetness. Joyce, the only poetry he
had ever felt, the only romance that had ever revealed itself to him.
Was he to give her up for this? ‘Perhaps,’ he added, ‘if you are
disengaged on Thursday.’ His tone was ungracious, but his heart gave a
leap, belying the outward stolidity of disappointment and half offence.
‘Thursday, or any day,’ cried the Colonel, in his hospitality. ‘You
don’t think we should count any trumpery little engagement against a
visit from you! Well, that’s better--that’s better, Bellendean; and
good-bye, my dear fellow; you’ll have a run for the train, if you must
go.’
The Colonel came out bareheaded to the door to hasten the departure of
the guest to whom it was so indispensable not to lose the train. He
stood there for a moment looking at his watch in the light of the lamp
in the hall. ‘It is all he will do to catch it,’ he said; ‘but he has
good long legs of his own, which is better than a cab when you’re in a
hurry. Shut the door, Baker, there’s a dreadful draught. Why, Jenkinson,
is that you? You’ve brought my girl home, like a good fellow. And,
Joyce, my dear, you’ve come five minutes too late. Norman Bellendean has
just darted off to catch his train.’