OUR BOOKING-OFFICE.

(_By Mr. Punch's Staff of Learned, Clerks._)

_The Life of Algernon Charles Swinburne_ (MACMILLAN) is a book that may be

regarded as filling, at least partially, what has long been an aching void

in our biographical shelves. I say partially, because the time has not

perhaps fully come for an unreserved appreciation of a character whose

handling must present exceptional difficulties. One cannot but notice how

many obstacles Mr. EDMUND GOSSE has had to overcome, or avoid, in the

present volume. The result inevitably is a certain sense of over-discretion

that makes the whole study so detached as to be at times lacking in

vitality. Even, however, with these reservations the figure of the poet

stands out, bewildering as it must have been in life, with its strange

blend of frailty and genius. Stories abound also (sometimes one suspects

Mr. GOSSE of having fallen back upon anecdote with an air of relief); they

range from the early days of brilliant "failures" at Eton and Balliol to

those when in the watchful security of Putney the lamp was guarded by hands

so zealous that its flame was ultimately extinguished. Two of the tales

remain pleasantly in my memory, one of them describing how young ALGERNON,

lately sent down from Oxford and a pupil at the rectory of the future

Bishop STUBBS, scared away his host's rustic congregation by leaning upon

the garden-gate one Sunday morning, looking, with his red-gold hair and

scarlet dressing-gown, like some "flaming apparition." The other, less

picturesque but more credible, has also a bishop in it, and concerns an

untimely recitation of _Les Noyades_. I will leave you to find this for

yourself in a book that forms at least an interesting, if not altogether

final, study of a fascinating subject.

* * * * *

For an old hand BENJAMIN SWIFT shows a poor discretion in crowding too many

characters into his pages to allow of anything like adequate

characterisation, and indeed, in _What Lies Beneath_ (CHAPMAN AND HALL), he

is too much concerned with his main purpose of tract-making to be

sufficiently interested in the subsidiary business of good story-telling. A

_Mr. Ravendale_, an unpleasant, hoary-bearded patriarch and opulent seller

of Bibles, who has buried three wives and lives in a fat Bloomsbury house

with the collected offspring of his three marriages, and one or two

step-children thrown in, is haunted by a doubt as to whether the beautiful

_Ruby Delmore_, daughter of the widow _Delmore_, his second wife, is also

the daughter of the late _Mr. Delmore_ or of himself, whose attitude

towards _Mrs. Delmore_ had not been as correct as that of a seller of

Bibles is reasonably expected to be, especially by people like the author

who don't believe in Bibles. At any rate _Sebastian_, son by the first

marriage, is desperately in love with _Ruby_--so, you see, the old man had

something to worry about. However, it all turns out to be, in fact, mere

illusion, developing into a fatal monomania, and the family business is

left to be carried on by such of the next generation as have not been

convinced by the formidable array of evidence, anti-Theistic and anti-

Christian, of two of the characters (who, it is clear, have sedulously read

the same books). _Sebastian_ loses his faith apparently because he has been

distressed by the sight of a wounded horse in the great War, as if it were

necessary to wait for the great War for this kind of a difficulty! A

certain rough earnestness lies beneath this rather crude presentment of a

world-old problem. But I wonder how much of the honest patriotism which

fills the book would survive a rationalism as perverse and shallow as Mr.

SWIFT applies to traditional faiths. Does he imagine they have no better

defences than those which he puts into the weak mouth of silly _Mr.

Teanby_, the parson?

* * * * *

The arrangement of Lady POORE'S new volume of recollections, _An Admiral's

Wife in the Making_ (SMITH, ELDER), reminded me quaintly of certain

romances familiar to my boyhood, in which the fortunes of the hero were

traced from cadetship in aspiring sequence. Because, of course, this is

exactly what happens to the hero of the present book; the chief difference

being that he himself makes only a brief personal appearance therein

(though the chapters in question, formed from letters and diaries of

Commander POORE during the Nile Expedition of '85, are by no means the

least interesting part of the volume). For the rest, one might perhaps call

it a draught of Naval small beer, but a very sparkling beverage and served

with a highly attractive head upon it. To drop metaphor, Lady POORE has

brought together a most entertaining collection of breezy reminiscences of

life ashore and on the ocean wave. There is matter to suit all tastes, from

her recollections of economies in a furnished villa at Paramé, where

chickens were to be bought for thirty-two sous, to more exalted anecdotes

connected with the time when her hero had been advanced as far as the post

of Commander of the Royal Yacht _Victoria and Albert_. It is all kindly

gossip, not ill suited to the best-tempered service in the world.

Especially did I like Lady POORE'S gently maternal attitude towards the

many junior officers who figure very attractively in her pages (_e.g._ the

jovial pic-nic party in the Blue Mountains, who slaked their thirst from

the Government rain-gauge, and thereby disorganised the meteorological

records of Jamaica). Certainly the book could not have appeared in times

more apt to give it a hearty welcome.

* * * * *

_The Stars in their Courses_ (UNWIN) is not, as you might possibly suppose,

a work of theatrical history, but just the latest volume in that admirable

series, the First Novel Library. While I am not claiming for it any

startling pre-eminence, it is at least a story of more than ordinary

promise, and one that easily contrived to hold my interest. This is,

perhaps, the more odd, since Miss HILDA M. SHARP has apparently of

deliberate intent called in every one of the three conventions that all

good young novelists are bidden to avoid--the long-nourished revenge, the

missing will, and the super-quixotic self-sacrifice. Naturally the last is

the worst. Thus when old _Mr. Yardley_ (who had, I fancy, more than a touch

of the melodramatic habits of the late _Mr. Dombey_) planned to revenge

himself upon a faithless wife by bringing up his and her son with

extravagant tastes, and leaving him penniless, I winced but endured. When,

repenting of such inhuman intentions, he revoked them by a will, carefully

placed, for subsequent discovery, between the pages of a put-away book, I

still held an undaunted course. But, when _Patrick_, the disinherited

spendthrift, took upon himself, for the thinnest reason, all the blame of

his supplanter's evil doing and kept up this idiotic fraud till the girl of

his heart, and indeed everyone who cared for him, turned their backs in

disdain, then I confess to having felt that Miss SHARP was trying my

forbearance too high. But even so the fact that I could not throw the book

down unfinished seems to show that whoever selects Mr. UNWIN'S _débutantes_

has spotted another winner. If, in short, Miss SHARP will forget all the

novels she may ever have read, and choose for her next story something a

little nearer to life, I believe the result may be remarkable.

* * * * *

_Nursing Adventures_, with its sub-title, _A F.A.N.Y. in France_, is a

notable addition to the series of War-literature which is bringing grist to

Messrs. HEINEMANN'S windmill. F.A.N.Y., in case it has you puzzled, means

First Aid Nursing Yeomanry. Starting from one woman this corps now has over

fifty members working in the zone of the armies, and I shall believe that

no one can read of their efficiency and courage without genuine admiration.

This is not an official account of the F.A.N.Y. Corps--that is to come when

the Hun is beaten--but the author has told enough to convince us of the

sound work that has been and is being done by these brave and gentle-

hearted women. Fortunately she has the gift of selection, in spite of a

rather breathless style, which however goes excellently well with a

narrative full of excitement and danger. Here too once more a fine tribute

is paid to the incorrigible courage of the Allies in face of an enemy that

has forgotten the elementary rules of humanity.

* * * * *

Those who have sampled any reasonable selection of the eighty or so

published works of "KATHARINE TYNAN" will know what pleasant fare to expect

in _Kit_ (SMITH, ELDER). _Kit_ is a pretty, red-haired, peasant girl

approved for her gentle ways and honest breeding by Madam of the big house,

and sent, on the advice of one of Mrs. HINKSON'S nice, human, friendly

priests, to a convent for the higher education. She stirs the sentimental

soul of one of the English quality, _Captain Guy Dering_; is plunged into,

and rather chilled by, high-life in the modern English manner, and

eventually goes back to her own people and her girlhood's friend, _Donal

Sheehy_, who returns from America a made man. 'Tis not a chronicle to set

the Liffey afire, but it is wholesome, escapes being mawkish, and may be

confidently recommended for an anxious old person to give to sensitive

young persons--if there be still any such. Mrs. HINKSON, though she loves

her own, is no blind partisan and does not spare her criticism. So that you

get a plausible picture of a kindly decent native Irish folk of all sorts,

not a little helpful in these days of stress and promise.

* * * * *

[Illustration: A MODEL FOR THE HUNS IN BELGIUM.

HENGIST AND HORSA KINDLY CONSENT TO TAKE PART IN A THREE-LEGGED RACE AT THE

SPORTS IN AID OF THE WIDOWS AND ORPHANS OF THE BRITONS.]

* * * * *

"The bride was attended by her sister and Miss ---- as bridesmaids, all

being very strongly under the influence of drink.

Punch, or the London Charivari, Volume 152, April 18, 1917 · 第 47 / 48 题