IN THE LOOKING GLASS

It seems to be a human impossibility for us to see ourselves as others

see us. We never know exactly how we appear to our neighbors. Men are

like moving pictures—it requires some distance from the picture to see

the moving figures to the best advantage. We know that our nearest

neighbor knows less of our true character than the people living at a

distance. When Henry D. Thoreau built a little log cabin, with his own

hands, on the banks of Walden Pond, Massachusetts, his neighbors saw

the man at close range, and failed to notice the strength of mind and

character. It was the people at a long distance who saw the real Thoreau

at fitful glances, and anxiously magnified the man until he became a

thing unnatural—a genius.

The too-appreciative public called Thoreau a genius—a man to whom thought

came without an effort. He himself didn’t think so. He lamented his own

weakness and ignorance of things. It required so much time to learn a

simple truth: to cull out the true from the false. Half the thinkers of

the world are thinking out a plan to live without menial labor. They

are thinking out a plan to fool and deceive the unthinking into buying

knowledge and secret keys to science. And the deceived people look at

them from a distance and put a false estimate on their ability, and pay

them well to be fooled and humbugged.

I have seen sick people ignore their home physician and go a hundred

miles to consult a quack; and for a long time imagine that his knowledge

of the healing art was almost divine. The quack’s nearest neighbors

looked on in disgust, and repeated the immortal words of Shakespeare,

“What fools these mortals be!”

But even Shakespeare is seen at a distance in greater lustre than around

his own home. There is an old saying that “the king is never great to

his own valet.” But often this is because of the mental gulf between

the two men. The valet often judges only the physical man, or the moods

of the mental man. Men are great only when they go into the silence and

apply their entire force of mind to solving the problems of life. The

great speech you heard your favorite orator deliver was not gathered

spontaneously while standing before you. The speech was but the fruit of

many, many hours of struggle and study and worry and of painful effort.

Did you but know the late hour when he blew out the lamp and lay his

aching, throbbing head on his pillow, and only slept to dream over again

his struggles, you would not call him a genius, but a plodding student.

The man who stands looking into the mirror and beholds his own face,

without finding weak spots and flaws and lack of character, is too vain

to be judge of himself. The serious, sincere man is always finding flaws

in himself, and seeking to find a remedy to cure them. The man or woman

who “gets stuck” on the face they see in the glass are mental quacks—they

are humbugging themselves. They see a genius in the reflection of an

asinine mug. They go away from the glass, and a moment later cannot

describe the manner of face they carry on their shoulders. If they were

ever so good an artist and painter, they could not paint a picture of

themselves from memory.

And if we cannot judge ourselves correctly, how can we expect our own

neighbors to judge us even charitably. And our mental face flits before

us and out of reach of our grasp as rapidly as the reflection of our

physical countenance. We seem to sit in the midst of moving pictures,

our mind the curtain on which the pictures are flashed. If we stop the

machine and retain the same picture for any great length of time on our

mental curtain, we become insane. The machine must be kept in motion, one

scene following after the other all day long. True, we can repeat the

passing scenes daily, but they must be in motion, passing swiftly on.

When we apply ourselves to any particular study we learn to ignore all

the other passing scenes and fasten our mental eye on the screen at

a point where our favorite figures appear as they flash by, but our

subconscious mental eye realizes all the time that the entire picture

show is in progress. The truth is, dear reader, we haven’t time to see

our neighbor as he really is, nor even see ourself in all our many

phases. Our face is passing through the mirror too rapidly for us to

estimate the strength or force of character. In the great economy

of nature we are only shadows cast upon the curtain of eternity and

passing rapidly away. Our short life makes a film of limited length, the

different scenes passing before us so rapidly that even in our sensitive

memory only one per cent of all that transpires leaves a trace that can

be recalled in after years.

What need we care what people think of us, when we cannot judge or

estimate ourselves. If we can practice charity toward each other and

forget our neighbor’s faults, as we forget our own face, we do well. The

moving pictures of life will not stop long enough for us to “get stuck on

ourself.” If we do so, we are left behind. The rushing crowd cannot see

us as we see ourselves in the glass.

The philosophy of Jake Haiden (late Jacob K. Huff) · 第 65 / 84 题