CHAPTER II.

THE ARIAN NATIONS.

1. THE EAST ARIANS. THE INDIANS.

In the development of religion among the Indians, the following periods

may be distinguished:--

_a._ The original Veda-religion.

_b._ The priestly religion of the Brahmins.

_c._ The philosophical speculation.

_d._ Buddhism.

_e._ The modified Brahminism after Buddha, in connection with the

worship of Vishnu and Siva.

_a. The original Veda-religion._

The original religion of Arya originated in Bactria. From thence, before

the time of Zoroaster, it was brought over, with the great migration of

the people, to the land of the seven rivers, which they conquered, and

which stretched from the Indus to the Hesidrus. It consisted, according

to the oldest literature of the Veda, in a polytheistical worship of the

divine, either as the beneficent or the baneful power of nature. The

clear, blue sky, the light of the sun, the rosy dawn, the storm that

spends itself in fruitful rain, the winds and gales which drive away the

clouds, the rivers whose fruitful slime overspreads the fields,--these

moved the inhabitants of India to the worship of the divine as the

beneficent power of nature which blesses man. On the other hand, he

changed under the impression of the harmful phenomena of nature, the

dark and close-packed clouds which hold back the rain and intercept the

sunshine, the parching heat of summer, which dries up the rivers and

hinders growth and fruitfulness, and these also he erected into objects

of awe and religious adoration. From this view of nature sprang the

Indian mythology. The oldest divinity (Deva) of the Indians is Varuna,

the all-embracing heaven, who marks out their courses for the heavenly

luminaries, who rules the day and the night, who is lord of life and

death, whose protection is invoked, whose anger deprecated. After him,

the great ruler of nature, there appear, in the Veda hymns, Indra, the

blue sky, god of light and thunder, the warrior who in battle stands

beside the combatants; Vayu, the god of the wind, the chief of the

Maruts, or the winds; Rudra, the god of the hurricane; Vritra, the

hostile god of the clouds; Ahi, the parching heat of summer. In the

mythology of the people, Indra, god of light, aided by Vayu and Rudra,

wages war with Vritra,--who, as god of the clouds, holds back the rain

and the light,--and appears as opponent of the destructive Ahi. The

other divinities also which appear in the Vedas are personified powers

of nature,--the twin brothers Aswins (equites), or the first rays of the

sun, Ushas the maiden, or the rosy dawn, Surya, Savitri, the god of the

sun. Great significance is given in the Indian mythology to Agni, the

god of fire, who burns the sacrifice in honor of the gods, who conveys

the offerings and prayers of men to gods and their gifts to men, who

gladdens the domestic hearth, lights up the darkness of night, drives

away the evil spirits, the Ashuras and Rakshas, and purges of evil the

souls of men. Religion, still wholly patriarchal in form, and free from

hierarchical constraint and from the later dogmatic narrowness, bore in

this earlier stage of its development the character of the still free

and warlike life of a nomadic people living in the midst of a sublime

nature, where everything, the clear sky, sunshine, and boisterous storm,

mountains and rivers, disposed to worship. As yet the Indian knew no

close priestly caste. Worship consisted in prayers and offerings,

especially in the Soma-offering, which was offered as food to the gods.

No fear of future torment after death as yet embittered the enjoyment of

life and made dying fearful. Yama was the friendly guide of the souls of

heroes to the heaven of Indra or Varuna, and not yet the inexorable

prince of hell who tormented the souls of the ungodly in the kingdom of

the dead. Of later barbarous usages also, such as the widow's

sacrificing herself on the funeral pile of her departed husband, there

was as yet no trace; and in the heroic poetry, as yet not disfigured by

later Brahminical alterations and additions, the heroes Krishna and Rama

appear as types of courage and self-sacrifice, and not, as later, as

avatars, or human incarnations, of the deity.

_b. Brahminism._

When the nomadic and warlike life of the nations of India in the land of

the seven rivers, in connection with their removal to the conquered land

of the Ganges (1300 B.C.), gave place to a more ordered social

constitution, a priestly class formed itself, which began to represent

the people before the deity, and from its chief function, _Brahma_, or

prayer, took the name of _Brahmins_, i.e., the praying. This Brahma,

before whose power even the gods must yield, was gradually exalted by

the Brahmins to the highest deity, to whom, under the name of Brahma,

the old Veda divinities were subordinated. Brahma is no god of the

people, but a god of the priests; not the lord of nature, but the

abstract and impersonal _Being_, out of whom nature and her phenomena

emanate. From Brahma the priest derives his authority; and the system of

caste, by which the priesthood is raised to the first rank, its origin.

The worship of Brahma consists in doing penance and in abstinence. Yama,

once a celestial divinity, now becomes the god of the lower world, where

he who disobeys Brahma is tormented after death. Immortality consists in

returning to Brahma; but is the portion only of the perfectly godly

Brahmin, while the rest of mankind can rise to this perfect state only

after many painful new births. The Brahmin, in the exclusive possession

of religious knowledge, reads and expounds the Vedas (knowledge),

exalted to infallible scripture, and on them constructs his doctrine.

Thus the once vigorous, natural life of the Indians gave place to a

conception of the world which repressed the soul, and annihilated man's

personality. The many-sidedness of the earlier theology resolved itself

into the abstract unity of an impersonal All, and thus the glory of

nature passed by unmarked, as nought or non-existent, and lost its

charm. At the same time, the old heroic sagas were displaced by legends

of saints, and the heroic spirit of the olden epic by an asceticism

which repressed the human, and before whose power even the gods stood in

awe. With Brahminism the religion lost its original and natural

character, and became characterized by a slavish submission to a

priesthood, which abrogated the truly human.

_c. The Speculative Systems._

The doctrine of the Brahmins occasioned the rise of various theological

and philosophical systems. To these belong, first, the "Vedanta," (end

of the Veda) or the dogmatic-apologetic exposition of the Veda. This

contains (1) the establishment of the authority of the Veda as holy

scripture revealed by Brahma, and also of the relation in which it

stands to tradition; (2) the proof that everything in the Veda has

reference to Brahma; (3) the ascetic system, or the discipline. To

explain contradictory statements in the older and later parts of the

Veda, Brahminical learning makes use of the subtleties of an

harmonistical method of interpretation. Second, the "Mimansa" (inquiry),

devoted to the solution of the problem, How can the material world

spring from Brahma, or the immaterial? According to this system, there

is only one Supreme Being, Paramatma, a name by which Brahma himself had

been already distinguished in Manu's book of law. Outside of this

highest _Being_, there is nothing real. The world of sense, or nature,

(Maya, the female side of Brahma), is mere seeming and illusion of the

senses. The human spirit is a part of Brahma, but perverted, misled by

this same illusion to the conceit that he is individual. This illusion

is done away with by a deeper insight, by means of which the dualism

vanishes from the wise man's view, and the conceit gives place to the

true knowledge that Brahma alone really exists, that nature, on the

contrary, is nought, and the human spirit nothing else than Brahma

himself. Third, the "Sankya" (criticism) originating with Kapila, in

which, in opposition to the "Mimansa," the individual being and the real

existence of nature, in opposition to spirit, is laid down as the

starting-point, and the result reached is the doctrine of two original

forces, spirit and nature, from whose reciprocal action and reaction

upon each other the union of soul and body is to be explained. Is this

union unnatural, then the effort of the wise man should be to free

himself, through the perception that the soul is not bound to the body,

from the dominion of matter. In this system, there is no room for an

infinite being, for, if a material world exist, then must God be limited

by its existence, and therefore cease to be infinite, that is God. The

Sankya philosophy here came in conflict with the orthodox doctrine of

the Brahmins, and prepared the way for Buddhism.

_d. Buddhism._

Against Brahminism Buddhism arose as a reaction. Siddharta, son of

Suddhodana, the King of Kapilavastu, of the family of the Sakya, (about

450 B.C.) moved by the misery of his fellow-countrymen, determined to

examine into the causes of it, and, if possible, to find means of

remedying it. Initiated into the wisdom of the Brahmins, but not

satisfied with that, after years of solitary retirement and quiet

meditation, penetrated with the principles of the Sankya, he traversed

the land as pilgrim (Sakya-muni, Sramana, Gautama) and opened to the

people of India a new religious epoch. The tendency of the new doctrine

was to break up the system of caste, and free the people from the

galling yoke of the Brahminical hierarchy and dogmas. While in

Brahminism man was deprived of his individuality, and regarded only as

an effluence from Brahma, and tormented by the fear of hell, and by the

thought of a ceaseless process of countless new births awaiting him

after death, whence the necessity of the most painful penances and

chastisements, Sakya-muni began with man as an individual, and in morals

put purity, abstinence, patience, brotherly love, and repentance for

sins committed above sacrifice and bodily mortification, and opened to

his followers the prospect, after this weary life, no more to be exposed

to the ever-recurring pains of new birth, but released from all

suffering to return to Nirvana, or nothingness. While Brahminism drew a

distinction between man and man, and with hierarchical pride took no

thought of the Sudra or lower class of the people, and limited wisdom to

the priestly caste, Sakya-muni preached the equality of all men, came

forward as a preacher to the people, used the people's language, and

chose his followers out of all classes, even from among women. Both of

these opposed systems are one-sided. In Brahminism, God is all, and man,

as personal being, nothing; in Buddhism, man is recognized as an

individual, but apart from God, while in both systems, the highest

endeavor is to be delivered from, according to Brahminism a seeming,

according to Sakya-muni a really existing individuality, the source of

all human woe, and to lose one's self either in Brahma or in the

Nirvana.

Less on account of his doctrine, in which there is found neither a God

nor a personal immortality, than on account of the universal character

of his words and of his life, Sakya-muni continued in honor after his

death, as the benefactor of the people and as the Buddha, the wise,

pre-eminently; and afterwards was deified, and took his place in the

ranks of the recognized gods as their superior. Thus there arose in

Buddhism, by a departure from the doctrine of the master, a new

polytheism. This was afterwards, through the influence of the

Brahminical priestly caste, suppressed in India, but spread over other

parts of Asia, to the islands of the Indian Archipelago, and also to

China.

_e. Later modification of Brahminism in connection with the worship of

Siva and Vishnu._

While Brahminism saw itself menaced by the steadily increasing influence

of Buddhism, the former nature-religion, dispossessed by the Brahmins,

asserted its rights in the worship of Siva in the valleys of the

Himalaya Mountains, and in that of Vishnu on the banks of the Ganges.

Siva is the Rudra of the Veda, the boisterous god of storms, the giver

of rain and growth. Vishnu is the same divinity among other races,

conceived under the influence of a softer climate in a modified form as

the blue sky. Both divinities, originally belonging to different parts

of India, were afterwards taken, first Vishnu, and then also Siva, into

the theological system of the Brahmins, and formed with Brahma, but not

until the fourth century after Christ, the trimurti, according to which

the one supreme being Parabrama is worshiped in the threefold form of

Brahma the creating, Vishnu the sustaining, and Siva the destroying

power of nature. To this later period of Brahminism belongs also the

alteration of the old epics, the Ramayana and Mahabharata, by which the

heroes Rama and Krishna are represented as avatars, that is incarnations

or human impersonations, of Vishnu. In this also there is evidently an

effort to bring the deity, conceived as the abstract One, into closer

union with man, an effort which is likewise visible in the later Yoga

system of the Brahmins, in which, by the admission of Buddhistic

elements, the visible world is recognized as real, the old rigid

asceticism mitigated, Vishnu represented as the soul of the world, and

immortality taught as a return of the individual soul to Brahma.

2. THE WEST ARIANS, IRANIANS.

[THE BACTRIANS, MEDES, PERSIANS.]

The ancient religion of the Bactrians in the period before Zoroaster was

patriarchal, and consisted in the worship of fire, as the beneficent

power of nature, and of Mithras, the god of the sun, combined with that

of the good spirits (Ahuras), among which were Geus-Urva (the spirit of

the earth), Cpento-mainyus (the white spirit), Armaiti (the earth, or

also the spirit of piety), and of the hero-spirits Sraosha, Traetona,

which as light and darkness are distinguished from Angro (the black

spirit).

Later, as it seems, the theology and worship of the neighboring nomadic

Arya penetrated to these nations, and caused a religious conflict which

ended with the migration of Arya to the south. At this period

Zarathustra[2] (Zoroaster) came forward under the Bactrian priest and

King Kava Vistaspa, as defender and reformer of the religion of the

fathers against the encroachments of a strange doctrine. The Devas

(Zend, Dews) or the gods of the Indian Veda appear with Zarathustra as

evil spirits. Not Indra, but the hero Traetona, wages war with Ahi

(Zend, Azhi), while the kavis, or priests, are attacked by him as

deceivers and liars. From the belief in good spirits (Ahuras, i.e.,

the living, and Mazdas, i.e., the wise), the ancient genii of the

country, Zarathustra developed the belief of one highest God,

Ahura-Mazda (Ormuzd, Greek, [Greek: Osompzês]), a doctrine which he

received by divine inspiration through the mediation of the spirit

Srasha. Ahura-Mazda, surrounded by the Amesha-Spenta (Amshaspands), or

the holy immortals, not until later reduced to seven, is the creator of

light and life. The hurtful and evil, on the contrary, is non-existence

(akem), and in the oldest parts of the Avesta, the Gathas, which go back

to Zarathustra and his first followers, is not yet conceived as a

personal being. First in the Vendidad, written after Zarathustra, does

Angro-mainyus (Ahriman), or the evil one, with his Dews, although

subordinated to Ahura-Mazda, gain a place in the Iranian conception of

the universe, as the adversary of Ahura-Mazda, and as the cause of evil

in the natural and spiritual world. From these conceptions there was

developed in the later Parsism the system of the four periods of the

world, each of three thousand years, in the book "Bundehesh." In the

first period, Ahura-Mazda appears as creator of the world and as the

source of good. The creation, completed by Ahura-Mazda in six days by

means of the word (Honover), is in the second period destroyed by

Angro-mainyus, who, appearing upon the earth in the form of a serpent,

seduces the first human pair, created by Ahura-Mazda. In the third

period, which begins with the revelation given to Zarathustra,

Ahura-mazda and Angro-mainyus strive together for man. After this

follows, in the fourth period, the victory gained by Ahura-Mazda.

Sosiosh (Saoshyas), the deliverer already foretold in the Vendidad,

appears. The resurrection of the dead, not taught by Zarathustra or in

the Vendidad, takes place. The judgment of the world begins; the good

are received into paradise and the sinners banished to hell. At last,

all is purified, and Angro-mainyus himself and his Dews submit

themselves to Ahura-Mazda, whose victory is celebrated in heaven with

songs of praise.

Thus among the Iranian races, out of the old patriarchal worship of fire

and light, on the occasion of the religious struggle with the Indian

Arya, and under the influence of Zarathustra, there was developed the

doctrine of one supreme God,[3] who, surrounded by the good spirits of

heaven, wages war against evil, whence arose later the moral opposition

between Ahura-Mazda and Angro-mainyus resulting in the victory of the

good principle over the bad. The old dualism of force and matter,

beneficent and destructive powers of nature, light and darkness, becomes

in Parsism moral. The deity, no longer identified with nature, becomes a

personal, spiritual being, the creator of mankind; and the end of the

world's development is conceived as the triumph of the good. Hence the

high rank which the doctrine of Zarathustra and its further development

holds in the history of religion.

3. THE GREEKS.

As man rises in spiritual development, nature becomes to him a

revelation ever more and more manifold of the divine. To the Greek

(Pelasgi, Hellenes) the whole of nature was living, and his imagination

peopled her everywhere with divine beings, who in wood and field, in

rivers and on mountains (Oreads, Dryads, Naiads, Sileni, &c.), hovered

friendly round him. The Greek was indeed distinguished from other

nations by this richer and more elevated view of nature; but he excelled

them most of all in this, that the divine object which he worshiped was

conceived both in form and character after the human. Zeus, Phoebus

Apollo, Pallas Athene, Aphrodite, Ares, Hephaestus, Hestia, Hermes,

Artemis, were originally powers of nature personified, as some epithets

in Homer[4] still indicate; but they became, sometimes under the same

names, types of power and lordship, science and art, courage and

sensuous beauty. While Dionysus, Demeter, Hades, and Persephone remained

earthly, and Helios, Eos, Iris, and Hecate, heavenly divinities, and

Oceanus, Poseidon, Amphitrite, Proteus, and Nereus ruled the waters,

Zeus was conceived as the god of the sky and of thunder, who hurled the

bolts, the great king and lawgiver, the father of men, and Hera,

originally the air, became the protecting goddess of married life;

Apollo, the god of light, who shot forth his arrows, not at first

identified with Helios, became the god of divination and poetry, who led

the choir of the muses; the goddess of light, Athene, became the

contentious goddess of wisdom; Aphrodite, born of the foam of the sea,

once the symbol of the fruitful power of nature, later, encircled by the

Graces, became the type of womanly beauty and charm, to which the

strength of man, personified in Ares, corresponds. In like manner in the

later mythology, Hephaestus, the god of fire, appeared as the god of the

forge, Hestia, the goddess of fire, as the protector of the household

hearth, and Hermes, the god of the storm and of rain, as the messenger

of the gods, the type of cunning and craftiness, while Artemis, the

goddess of the moon, the fruitful mother of nature, took the character

of the chaste maiden, the goddess of hunting, who with her nymphs and

hounds nightly roamed the fields and woods. The monsters, the Sphinx,

the Minotaur, the Cyclops, the Centaurs, symbols of a yet unhuman or

half human power of nature, were overcome by the Greek heroes, Perseus,

Hercules, Jason, Theseus, OEdipus, the types of human strength and

valor. The religious festivals were enlivened by trials of men's

strength and skill in games, and the historian and poet offered to the

gods the products of human genius. In the religion of the Greeks,

however, the moral element, although not passed over and in the Greek

epic and tragedy not seldom expressed in grand characters, stood

nevertheless too little in the foreground, so that the worship of the

divine, as in the older nature-worship, especially in the feasts in

honor of Dionysus and Aphrodite, was marked by immoral practices. The

conception of a future life, which taken in connection with a future

retribution has a moral tendency, had but little attraction for the

Greek, who rejoiced in the glory of the earth, and saw in nature and in

man the kingdom of the divine. The passage from the earlier poetical

nature-worship to the worship of the divine in human form seems to be

indicated in the war which Olympian Zeus waged with Cronos and the

Titans. The origin and development of the various elements and powers of

nature, Chaos, Eros, Uranus, Gæa, the Giants, Styx, Erebus, Hemera,

Æther, &c, became, with the poets and philosophers after Homer, matters

of speculation, of which the theogonies of Hesiod, Orpheus, Pherecydes,

and others furnish proof.

4. THE ROMANS.

In the religion of the Greeks, the æsthetic and moral character of the

Grecian people was deified, and in the Romans also we see how that which

men value most exerts an influence upon their worship of the divine. The

primitive religion of the Romans, borrowed from the Sabines and

Etruscans, bears everywhere, in distinction to that of the Greeks, the

marks of the practical and political character of the Roman people. The

oldest national divinities are, first, Jupiter or Jovis, the god of the

heavens, Mars or Mavors, the god of the field and of war, Quirinus

(Janus?) the protector of the Quirites, afterwards, together with Juno

(Dione) and Minerva, worshiped in the Capitol, (Dii Capitolini);

second, Vesta, and the gods of the house and family, the Lares and

Penates; third, the rural divinities, Saturnus, Ops, Liber, Faunus,

Silvanus, Terminus, Flora, Vertumnus, and Pomona; fourth and last,

personifications, in part of the powers of nature, Sol, Luna, Tellus,

Neptunus, Orcus, Proserpina, in part of moral and social qualities and

states, such as Febris, Salus, Mens, Spes, Pudicitia, Pietas, Fides,

Concordia, Virtus, Bellona, Victoria, Pax, Libertas, and others.

Peculiarly Roman also is the conception of the _manes_, or shades of the

departed, who hover as protecting genii about the living. Afterwards,

along with the culture of the Greeks, their gods also were taken,

although rather outwardly than inwardly, into the spirit of the people,

and the original character of the gods of Latium was modified after the

new mythology. Notwithstanding this, however, the worship of the Romans

retained its political and practical character. The priests (sacerdotes)

Flamines, Salii, Feciales, the Pontifices with the Pontifex Maximus at

their head, the Augurs, were likewise officers of the state, and did not

form a hierarchy apart from the state and alongside of it.

5. THE CELTS.

Among the Celtic tribes in Brittany, Ireland, and Gaul, and on both

banks of the Rhine, out of an aboriginal life of nature characterized by

wildness and license, religion developed itself in the form of the

worship of two chief divinities, a male divinity, Hu, the begetting, and

a female, Ceridwen, the bearing, power of nature. The priesthood busied

itself with speculations about the divine, the origin of the world, and

the continued existence of man after death, conceived in the form of the

transmigration of souls. Nor did the people's faith lack the conception

of good and evil spirits, fairies, dwarfs, elves, which to the still

childish fancy are objects of fear or superstitious veneration. To the

service of these divinities the priesthood, the Druids, were

consecrated, and beside them the bards, or poets, held a more

independent place.

6. THE GERMANS AND SCANDINAVIANS.

More developed intellectually is the nature-religion of the ancient

Germans (Teutons) and Scandinavians, which betrays thereby the character

of the Aryan race to which these nations, like the Celts, originally

belonged. The highest god of the Germans is Wodan, called Odhin among

the Norsemen, the god of the heavens, and of the sun, who protects the

earth, and is the source of light and fruitfulness, the spirit of the

world, and the All-father (Alfadhir). From the union of heaven and

earth, there springs the god Thunar or Donar among the Germans, Thor

among the Norsemen, the bold god of thunder who wages war against the

enemies of gods and men. Besides these there are the sons of Wodan, Fro

(German), Freyx (Norse), the god of peace, Zio (German), Tyx (Norse),

the god of war, Aki (German), Oegir (Norse), god of the sea, Vol

(German), Ullr (Norse), god of hunting, and others, to whom are joined

female divinities, such as Nerthus (German), Jördh (Norse), the fruitful

goddess of the earth, Holda (German), Freiya (Norse), the goddess of

love, Nehalennia, goddess of plenty, Frikka (German), Frigg (Norse), the

wife of Wodan, mother of all the living, Hellia (German), Hel (Norse),

the inexorable goddess of the lower world. Opposed to these divinities

(Asen and Asinnen) stands Loko (German), Loki (Norse), enemy of the

divine. In addition to these there appear in the Norse and German Sagas,

besides the heroes, a multitude of spirits, good and hostile, giants,

elves, Elfen (German), Alfen (Norse), white spirits of light, and black

dwarfs, house, forest, and water spirits. The worship was most simple,

and, as was the case with the ancient Semites, the Indians of the Veda,

and the Greeks, as yet independent of temple service and priestly

constraint. The holy places of the Germans were woods, and hills, and

fountains, and in the mysterious rustling of the leaves and in the

murmuring of the waters the pious spirit caught the breathing of the

deity.[5] The father of the house is priest, and the recognition by

these races more than elsewhere of worth in woman is apparent also in

their religion. In the description of the kingdom of the dead in the

German-Norse mythology, Walhalla is the abode of the heroes, hell the

gathering place of the other dead. Notwithstanding these still childish

conceptions, there was revealed in the moral character and heroic spirit

of the German forefathers the germ of a higher development, which makes

the nations of Germany and Northern Europe capable beyond others of a

constantly higher conception and estimation of the Christian

religion.[6]

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