It was in no direct accordance with his literary plans, though it may
have been preordained in some divine scheme of chances, that Wyndham
found himself next Sunday attending evensong at St. Teresa's, Lambeth.
It so happened that Audrey and the Havilands had chosen that very
evening to go and hear, or, as Ted expressed it, see Flaxman Reed. He
wanted Flaxman Reed's head for a study. Ted seldom condescended to enter
any church of later date than the fifteenth century, and,
architecturally speaking, he feared the worst from St. Teresa's. Indeed,
smoke, fog, and modern Gothic genius have made the outside of that
building one with the grimy street it stands in, and Ted was not
prepared for the golden beauty of the interior. His judgment halted as
if some magic effect of colour had blinded it to stunted form and
pitiful perspective. But the glory of St. Teresa's is its music. The
three late-comers were shown into seats in the chancel as the choir were
singing the _Magnificat_. Music was the one art to which Audrey's nature
responded spontaneously after its kind. She knelt down and covered her
face with her hands for a prayer's space, while the voices of the choir
and organ shook her on every side with a palpable vibration. She was
conscious then of a deep sense of religion merging in a faint
expectancy, a premonition of things to follow. She rose from her knees
and found an explanation of this in the fact that Langley Wyndham was
standing in the opposite seat below the choir. She was not surprised;
for her the unexpected was always about to happen. It had happened now.
She tried not to see or think of him; but she felt him as something
illuminating and intensifying her consciousness. She heard the vicar's
voice like a fine music playing in the background. Then organ and choir
burst into the anthem. It was a fugue; the voices seemed to have
gathered together from the ends of the world, flying, pursuing and
flying, doubled, trebled, quadrupled in their flight, they met and
parted, they overtook and were overtaken. And now it was no longer a
fugue of sounds--it was a fugue of all sensations. The incense rose and
mingled with the music; the music fled and rose, up among the clustering
gas-jets, up to the chancel roof where it lost itself in a shimmering
labyrinth of gold and sapphire, and died in a diminuendo of light and
sound. Audrey looked up, and as her eyes met Wyndham's, it seemed as if
a new and passionate theme had crashed into her fugue, dominating its
harmonies, while the whole rushed on, more intricate, more tumultuous
than before. Her individuality that had swum with the stream became
fluent and coalesced with it now, soul flooded with sense, and sense
with soul. She came to herself exhausted and shivering with cold.
Flaxman Reed was in the pulpit. He stood motionless, with compressed
lips and flashing eyes, as he watched the last deserters softly filing
out through the side-aisles. The lights were turned low in nave and
chancel; Ted wriggled in his seat until he commanded a good view of the
fine head, in faint relief against a grey-white pillar, stone on stone;
and Flaxman Reed flung out his text like a challenge to the world: "The
things which are seen are temporal; but the things which are not seen
are eternal." The words suggested something piquantly metaphysical,
magnificently vague, and Audrey followed the sermon a little way. But
Flaxman Reed was in his austerest, most militant mood. He was a master
of antithesis, and to Audrey there was something repellent in his
steel-clad thoughts, his clear diamond-pointed sentences. No eloquence
had any charm for her that was not as water to reflect her image, or as
wind to lift and carry her along. Her fancy soon fluttered gently down
to earth, and she caught herself wondering whether Wyndham would walk
back to Piccadilly or go in a hansom.
She was still pursuing this train of thought as they left the church,
when she proposed that they should go back to Chelsea by Westminster
instead of Lambeth Bridge. Wyndham overtook them as they turned down to
the river by St. Thomas's Hospital. He stopped while Audrey pointed out
the beauty of the scene with her little air of unique appreciation.
"Isn't it too lovely for words? The suggestion--the mystery of it!" Her
voice had a passionate impatience, as if she chafed at the limitations
of the language. "Who says London's cold and grey? It's blue. And yet
what would it be without the haze?" Wyndham smiled inscrutably: perhaps
he wondered what Miss Audrey Craven would be without the haze?
"What did you think of the service?" she asked presently. By this time
she and Wyndham were walking together a little in advance of the others.
"I didn't hear it. I was watching Flaxman Reed all the time." This
statement, as Audrey well knew, was not strictly correct.
"So was I. My uncle says if he stays in the church he'll be the coming
man."
"The coming man? H'm. He's been going back ever since I knew him. At
present he's got to the thirteenth century; he may arrive at the Nicene
age, but he'll never have a hold on his own. He's nothing but a holy
anachronism."
"Oh? I thought you didn't understand him?"
"In one way I do, in another I don't. You see I knew him at Oxford when
I was a happy undergraduate." (Audrey could not imagine Langley Wyndham
ever being an undergraduate; it seemed to her that he must always have
been a Master of Arts.) "I knew the real Flaxman Reed, and he was as
logical a sceptic as you or I. There was an epidemic of ideas in our
time, and the poor fellow was frightened, so he took it--badly. Of
course he made up his mind that he was going to die, and he was horribly
afraid of dying. So instead of talking about his interesting symptoms,
as you or I might do" ("You or I"--again that flattering association!),
"he quietly got rid of the disease by attacking its source."
"How?"
"Well, I forget the precise treatment, but I think he took equal parts
of St. Augustine and St. Thomas Aquinas, diluted with _aqua sacra_. He
gave me the prescription, but I preferred the disease."
"At any rate he was in earnest."
"Deadly earnest. That's the piety of the fraud."
"You surely don't call him a fraud?"
"Well--a self-deceiver. Isn't that the completest and most fatal form of
fraud? He fights and struggles to be what he isn't and calls it
renouncing self."
"He renounces the world too--and everything that's pleasant."
"I'm afraid that doesn't impress me. I can't forget that he renounced
reason because it was unpleasant. Rather than bear a little spiritual
neuralgia, he killed the nerve of thought."
"How terrible!" said Audrey, though she had no very precise notion of
what was involved in that operation.
"To us--not to him. Yet he talks about doing good work for his
generation."
"Why shouldn't he? He works hard enough."
"Unfortunately his generation doesn't want his work or him either. It's
too irrevocably pledged to reality. There's one thing about him
though--his magnificent personality. I believe he has unlimited
influence over some men and most women."
Audrey ignored the last suggestion. "You seem to find him very
interesting."
"He is profoundly interesting. Not in himself so much, but in his
associations. Do you know, when I saw you in church to-night it struck
me that he might possibly influence _you_."
"Never! I should have to give up my intellect first, I suppose. I'm not
prepared to do _that_." Wyndham smiled again. "Why, what made you think
he would influence me?"
"I'd no right to think anything at all about it, but I know some women
take him for a hierophant."
"Some women? Do you think I'm like them?"
"You are like nothing but yourself. I was only afraid that he might
persuade you to renounce yourself and become somebody else, which would
be a pity."
"Don't be alarmed. I'm not so impressionable as you think."
"Aren't you? Be frank. Didn't you feel to-night that he might have a
revelation for you?"
"No. And yet it's odd you should say so. I have felt that, but--not with
him. I shall never come under that influence."
"I hope not." (It was delightful to have Langley Wyndham "hoping" and
being "afraid" for her.) "He belongs to the dead--you to the living."
What a thing it is to have a sense of style, to know the words that
consecrate a moment! They were crossing Westminster Bridge now, and
Audrey looked back. On the Lambeth end of the bridge Ted and Katherine
were leaning over the parapet; she looked at them as she might have
looked at two figures in a crowd. Lambeth and St. Teresa's seemed very
far away. She said so, and her tone implied that she had left illusion
behind her on the Surrey side.
Wyndham said good-bye at Westminster. Audrey was not quite pleased with
his manner of hailing a hansom; it implied a conscious loss of valuable
time.
"What fools we were to let him catch us up," said Ted as they walked
towards Pimlico. Audrey made no answer. She was saying to herself that
Langley Wyndham had read her, and--well, she hardly thought he would
take the trouble to read anything that was not interesting.