CHAPTER I

Produced by Juliet Sutherland, Mary Meehan and PG

Distributed Proofreaders

Project Gutenberg's Treasure and Trouble Therewith, by Geraldine Bonner

Copyright laws are changing all over the world. Be sure to check the

copyright laws for your country before downloading or redistributing

this or any other Project Gutenberg eBook.

TREASURE _and_ TROUBLE THEREWITH

_A TALE OF CALIFORNIA_

BY GERALDINE BONNER

1917

I DEDICATE THIS BOOK TO THE MEMORY OF MY FATHER

JOHN BONNER

WHO, HIMSELF A WRITER, TRAINED ME IN THE WORK HE LOVED. WHAT MERIT THE

READER MAY FIND IN THESE PAGES IS THE RESULT OF THAT TRAINING, UNDERTAKEN

WITH A FATHER'S PRIDE, CARRIED ON WITH A FATHER'S BELIEF AND

ENCOURAGEMENT.

GERALDINE BONNER

CONTENTS

I. HANDS UP

II. THE TULES

III. MARQUIS DE LAFAYETTE

IV. THE DERELICT

V. THE MARKED PARAGRAPH

VI. PANCHA

VII. THE PICAROON

VIII. THOSE GIRLS OF GEORGE'S

IX. GREEK MEETS GREEK

X. MICHAELS THE MINER

XI. THE SOLID GOLD NUGGET

XII. A KISS

XIII. FOOLS IN THEIR FOLLY

XIV. THE NIGHT RIDER

XV. THE LAST DINNER

XVI. THROUGH A GLASS DARKLY

XVII. THE WOLF IN SHEEP'S CLOTHING

XVIII. OUTLAWED

XIX. HALF TRUTHS AND INFERENCES

XX. MARK PAYS A CALL

XXI. A WOMAN SCORNED

XXII. THEREBY HANGS A TALE

XXIII. THE CHINESE CHAIN

XXIV. LOVERS AND LADIES

XXV. WHAT JIM SAW

XXVI. PANCHA WRITES A LETTER

XXVII. BAD NEWS

XXVIII. CHRYSTIE SEES THE DAWN

XXIX. LORRY SEES THE DAWN

XXX. MARK SEES THE DAWN

XXXI. REVELATION

XXXII. THE VOICE IN THE NIGHT

XXXIII. THE MORNING THAT CAME

XXXIV. LOST

XXXV. THE UNKNOWN WOMAN

XXXVI. THE SEARCH

XXXVII. HAIL AND FAREWELL

LIST OF ILLUSTRATIONS

He ... heard the feller at the wheel say, "Hands up!" _Frontispiece_

"Oh, silly, unbelieving child!" came his voice

As it came it sent up a hoarse cry for food

The ghost of a smile touched her lips

TREASURE _and_ TROUBLE THEREWITH

CHAPTER I

HANDS UP

The time was late August some eleven years ago. The place that part of

central California where, on one side, the plain unrolls in golden

levels, and on the other swells upward toward the rounded undulations of

the foothills.

It was very hot; the sky a fathomless blue vault, the land dreaming in

the afternoon glare, its brightness blurred here and there by shimmering

heat veils. Checkered by green and yellow patches, dotted with the black

domes of oaks, it brooded sleepily, showing few signs of life. At long

intervals ranch houses rose above embowering foliage, a green core in the

midst of fields where the brown earth was striped with lines of fruit

trees or hidden under carpets of alfalfa. To the west the foothills rose

in indolent curves, tan-colored, as if clothed with a leathern hide.

Their hollows were filled with the darkness of trees huddled about hidden

streams, ribbons of verdure that wound from the mountains to the plain.

Farther still, vision faint, remote and immaculate, the white peaks of

the Sierra hung, a painting on the drop curtain of the sky.

Across the landscape a parent stem of road wound, branches breaking from

it and meandering thread-small to ranch and village. It was white-dusted

here, but later would turn red and crawl upward under the resinous

dimness of pine woods to where the mining camps clung on the lower wall

of the Sierra. Already it had left behind the region of farms in

neighborly proximity and the little towns that were threaded along it

like beads upon a string. Watching its eastward course, one would have

noticed that after it crested the first rise it ran free of habitation

for miles.

Along its empty length a dust cloud moved, a tarnishing spot on the

afternoon's hard brightness. This spot was the one point of energy in the

universal torpor. From it came the rhythmic beat of flying hoofs and the

jingle of harness. It was the Rocky Bar stage, up from Shilo through

Plymouth, across the Mother Lode and then in a steep, straining grade on

to Antelope and Rocky Bar, camps nestling in the mountain gorges. It was

making time now against the slow climb later, the four horses racing, the

reins loose on their backs.

There was only one passenger; the others had been dropped at towns along

the route. He sat on the front seat beside Jim Bailey the driver, his

feet on a pine box and a rifle across his knees. He and Jim Bailey knew

each other well, for he had often come that way, always with his box and

his rifle. He was Wells Fargo's messenger and his name was Danny Leonard.

In the box at his feet were twelve thousand dollars in coin to be

delivered that night to the Greenhide Mine at Antelope.

With nothing of interest in sight, talk between them was desultory. Jim

Bailey thought they'd take on some men at Plymouth when they stopped

there to victual up. The messenger, squinting at the swimming yellow

distance, yawned and said it might be a good thing, nobody knew when

Knapp and Garland would get busy again. They'd failed in the holdup of

the Rockville stage last spring and it was about time to hear from

them--the road after you passed Plymouth was pretty lonesome. Jim Bailey

snorted contemptuously and spat over the wheel--he guessed Knapp and

Garland weren't liable to bother _him_.

After this the conversation dropped. The stifling heat, the whirling dust

clouds broken by whiffs of air, dry as from a kiln and impregnated with

the pungent scent of the tarweed, made the men drowsy. Jim Bailey nodded,

the reins drawing slack between his fingers. Leonard slipped the rifle

from his knees to the floor and relaxed against the back of the seat.

Through half-shut lids he watched the whitened crests of the Sierra

brushed on the turquoise sky.

The horses clattered down a gulley and galloped across a wooden bridge

that spanned a dead watercourse. The ascent was steep and they took it

at a rush, backs humped, necks stretched, hoofs clattering among

loosened stones.

A sudden breeze carried their dust ahead, and for a moment the prospect

was obscured, the trees that filled the gulley, bunched at the summit

into a thicket, just discernible in foggy outline. The horses had gained

the level, Jim Bailey, who knew the road in his sleep, had cheered them

with a familiar chirrup, when the leaders stopped, recoiling in a clatter

of slackened harness on the wheelers. The stage came to a halt so violent

that Jim Bailey lurched forward against the splashboard, the reins jerked

out of his hands. He did not know what had happened, could see nothing

but the horses' backs, jammed together, lines and traces slapping about

their flanks.

Afterward, describing it at Mormons Landing, he laid it all to the dust.

In that first moment of surprise he hadn't made out the men, and anyway

who'd have expected it--on the open road in the full of the afternoon?

You couldn't put any blame on him, sprawled on his knees, the whole thing

coming so quick. When he picked himself up he looked into the muzzle of a

revolver and saw behind it a head, only the eyes showing between the hat

brim and a gunny sack tied round the lower part of the face.

After that it all went so swift you couldn't hardly tell. He didn't even

then know there were two of them--heard the feller at the wheel say,

"Hands up," and thought that was all there was to it--when the one at the

horses' heads fired. Leonard had given an oath and reached for his gun,

and right with that the report came, and Leonard heaved up with a sort of

grunt, and then settled and was still. The other feller came along down

through the dust, and Jim Bailey, paralyzed, with his hands up, knew

Knapp and Garland had got him at last.

The one at the wheel kept him covered while the other pulled out the box.

He could see him plain, all but his face, a big powerful chap, shoulders

on him like a prize fighter's, and freckled hands covered with red hair.

He got the box out with a jerk and dropped it, and then, snatching up a

stick, struck the near wheeler a blow on the flank and jumped back into

the bushes.

The horses started, mad, like they were locoed; it was a wonder the stage

wasn't upset, racing this way and that, up the bank and down on the other

side. Jim Bailey crawled out on the axle, picked up the dragging reins

and got back just in time to keep Leonard from bouncing out. He heaved

him up and held him round the body, and when he got the horses going

straight, took a look at him. That first time he thought he was dead,

white as chalk and with his eyes turned up. But after a spell of going he

decided there was life in him yet, and holding him with one arm,

stretched the other over the splashboard, shaking the reins on the

wheelers' backs, and the way those horses buckled to their work was worth

gettin' held up to see.

Half an hour later the Rocky Bar stage came like a cyclone into Mormons

Landing, Jim Bailey hopping like a grasshopper on the front seat, and on

his arm Danny Leonard, shot through the lung. They drew up in front of

the Damfino Saloon, and Mormons Landing, dead among its deserted ditches,

knew again a crowded hour of glorious life. Everybody came running and

lined up along the sidewalk, later to line up along the Damfino Bar. The

widow woman who ran the eating house put Danny Leonard in her own bed and

sent one of her sons, aged six, to San Marco for a doctor, and the other,

aged eight, to Jackson for the sheriff.

Before night fell the news had flashed through the countryside. On ranch

piazza and in cabin doorway, in the camps along the Mother Lode and the

villages of the plain, men were telling one another how Knapp and

Garland had held up the Rocky Bar stage and got away with twelve

thousand dollars in gold.

Treasure and Trouble Therewith: A Tale of California · 第 1 / 37 章