XVII. MACAULAY

One of the many characters of the village was the machinist who had his

shop under our printing-office when we first brought our newspaper to the

place, and who was just then a machinist because he was tired of being

many other things, and had not yet made up his mind what he should be

next. He could have been whatever he turned his agile intellect and his

cunning hand to; he had been a schoolmaster and a watch-maker, and I

believe an amateur doctor and irregular lawyer; he talked and wrote

brilliantly, and he was one of the group that nightly disposed of every

manner of theoretical and practical question at the drug-store; it was

quite indifferent to him which side he took; what he enjoyed was the

mental exercise. He was in consumption, as so many were in that region,

and he carbonized against it, as he said; he took his carbon in the

liquid form, and the last time I saw him the carbon had finally prevailed

over the consumption, but it had itself become a seated vice; that was

many years since, and it is many years since he died.

He must have been known to me earlier, but I remember him first as he

swam vividly into my ken, with a volume of Macaulay’s essays in his hand,

one day. Less figuratively speaking, he came up into the printing-office

to expose from the book the nefarious plagiarism of an editor in a

neighboring city, who had adapted with the change of names and a word or

two here and there, whole passages from the essay on Barere, to the

denunciation of a brother editor. It was a very simple-hearted fraud,

and it was all done with an innocent trust in the popular ignorance which

now seems to me a little pathetic; but it was certainly very barefaced,

and merited the public punishment which the discoverer inflicted by means

of what journalists call the deadly parallel column. The effect ought

logically to have been ruinous for the plagiarist, but it was really

nothing of the kind. He simply ignored the exposure, and the comments of

the other city papers, and in the process of time he easily lived down

the memory of it and went on to greater usefulness in his profession.

But for the moment it appeared to me a tremendous crisis, and I listened

as the minister of justice read his communication, with a thrill which

lost itself in the interest I suddenly felt in the plundered author.

Those facile and brilliant phrases and ideas struck me as the finest

things I had yet known in literature, and I borrowed the book and read it

through. Then I borrowed another volume of Macaulay’s essays, and

another and another, till I had read them every one. It was like a long

debauch, from which I emerged with regret that it should ever end.

I tried other essayists, other critics, whom the machinist had in his

library, but it was useless; neither Sidney Smith nor Thomas Carlyle

could console me; I sighed for more Macaulay and evermore Macaulay. I

read his History of England, and I could measurably console myself with

that, but only measurably; and I could not go back to the essays and read

them again, for it seemed to me I had absorbed them so thoroughly that I

had left nothing unenjoyed in them. I used to talk with the machinist

about them, and with the organ-builder, and with my friend the printer,

but no one seemed to feel the intense fascination in them that I did, and

that I should now be quite unable to account for.

Once more I had an author for whom I could feel a personal devotion, whom

I could dream of and dote upon, and whom I could offer my intimacy in

many an impassioned revery. I do not think T. B. Macaulay would really

have liked it; I dare say he would not have valued the friendship of the

sort of a youth I was, but in the conditions he was helpless, and I

poured out my love upon him without a rebuff. Of course I reformed my

prose style, which had been carefully modelled upon that of Goldsmith and

Irving, and began to write in the manner of Macaulay, in short, quick

sentences, and with the prevalent use of brief Anglo-Saxon words, which

he prescribed, but did not practise. As for his notions of literature, I

simply accepted them with the feeling that any question of them would

have been little better than blasphemy.

For a long time he spoiled my taste for any other criticism; he made it

seem pale, and poor, and weak; and he blunted my sense to subtler

excellences than I found in him. I think this was a pity, but it was a

thing not to be helped, like a great many things that happen to our hurt

in life; it was simply inevitable. How or when my frenzy for him began

to abate I cannot say, but it certainly waned, and it must have waned

rapidly, for after no great while I found myself feeling the charm of

quite different minds, as fully as if his had never enslaved me. I

cannot regret that I enjoyed him so keenly as I did; it was in a way a

generous delight, and though he swayed me helplessly whatever way he

thought, I do not think yet that he swayed me in any very wrong way. He

was a bright and clear intelligence, and if his light did not go far, it

is to be said of him that his worst fault was only to have stopped short

of the finest truth in art, in morals, in politics.

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