I.

The entire circus was altogether Italian, with the exception of the

clowns, who, to the credit of our nation, are always Americans, or

advertised as such, in Italy. Its chief and almost absorbing event was a

reproduction of the tournament which had then lately been held at Rome in

celebration of Prince Tommaso’s coming of age, and for a copy of a copy

it was really fine. It had fitness in the arena, which must have

witnessed many such mediaeval shows in their time, and I am sensible

still of the pleasure its effects of color gave me. There was one

beautiful woman, a red blonde in a green velvet gown, who might have

ridden, as she was, out of a canvas of Titian’s, if he had ever painted

equestrian pictures, and who at any rate was an excellent Carpaccio.

Then, the ‘Clowns Americani’ were very amusing, from a platform devoted

solely to them, and it was a source of pride if not of joy with me to

think that we were almost the only people present who understood their

jokes. In the vast oval of the arena, however, the circus ring looked

very little, not half so large, say, as the rim of a lady’s hat in front

of you at the play; and on the gradines of the ancient amphitheatre we

were all such a great way off that a good field-glass would have been

needed to distinguish the features of the actors. I could not make out,

therefore, whether the ‘Clowns Americani’ had the national expression or

not, but one of them, I am sorry to say, spoke the United States language

with a cockney accent. I suspect that he was an Englishman who had

passed himself off upon the Italian management as a true Yankee, and who

had formed himself upon our school of clowning, just as some of the

recent English humorists have patterned after certain famous wits of

ours. I do not know that I would have exposed this impostor, even if

occasion had offered, for, after all, his fraud was a tribute to our own

primacy in clowning, and the Veronese were none the worse for his erring

aspirates.

The audience was for me the best part of the spectacle, as the audience

always is in Italy, and I indulged my fancy in some cheap excursions

concerning the place and people. I reflected that it was the same race

essentially as that which used to watch the gladiatorial shows in that

arena when it was new, and that very possibly there were among these

spectators persons of the same blood as those Veronese patricians who had

left their names carved on the front of the gradines in places, to claim

this or that seat for their own. In fact, there was so little

difference, probably, in their qualities, from that time to this, that I

felt the process of the generations to be a sort of impertinence; and if

Nature had been present, I might very well have asked her why, when she

had once arrived at a given expression of humanity, she must go on

repeating it indefinitely? How were all those similar souls to know

themselves apart in their common eternity? Merely to have been

differently circumstanced in time did not seem enough; and I think Nature

would have been puzzled to answer me. But perhaps not; she may have had

her reasons, as that you cannot have too much of a good thing, and that

when the type was so fine in most respects as the Italian you could not

do better than go on repeating impressions from it.

Certainly I myself could have wished no variation from it in the young

officer of ‘bersaglieri’, who had come down from antiquity to the topmost

gradine of the arena over against me, and stood there defined against the

clear evening sky, one hand on his hip, and the other at his side, while

his thin cockerel plumes streamed in the light wind. I have since

wondered if he knew how beautiful he was, and I am sure that, if he did

not, all the women there did, and that was doubtless enough for the young

officer of ‘bersaglieri’.

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