I.

Everything here, indeed, is so strange that you placidly accept whatever

offers itself as the simplest and naturalest fact. Those low hills, that

climb, with their tough, dark cedars, from the summer sea to the summer

sky, might have drifted down across the Gulf Stream from the coast of

Maine; but when, upon closer inspection, you find them skirted with palms

and bananas, and hedged with oleanders, you merely wonder that you had

never noticed these growths in Maine before, where you were so familiar

with the cedars. The hotel itself, which has brought the Green Mountains

with it, in every detail, from the dormer-windowed mansard-roof, and the

white-painted, green-shuttered walls, to the neat, school-mistressly

waitresses in the dining-room, has a clump of palmettos beside it,

swaying and sighing in the tropic breeze, and you know that when it

migrates back to the New England hill-country, at the end of the season,

you shall find it with the palmettos still before its veranda, and

equally at home, somewhere in the Vermont or New Hampshire July. There

will be the same American groups looking out over them, and rocking and

smoking, though, alas! not so many smoking as rocking.

But where, in that translation, would be the gold braided red or blue

jackets of the British army and navy which lend their lustre and color

here to the veranda groups? Where should one get the house walls of

whitewashed stone and the garden walls which everywhere glow in the sun,

and belt in little spaces full of roses and lilies? These things must

come from some other association, and in the case of him who here

confesses, the lustrous uniforms and the glowing walls rise from waters

as far away in time as in space, and a long-ago apparition of Venetian

Junes haunts the coral shore. (They are beginning to say the shore is

not coral; but no matter.) To be sure, the white roofs are not accounted

for in this visionary presence; and if one may not relate them to the

snowfalls of home winters, then one must frankly own them absolutely

tropical, together with the green-pillared and green-latticed galleries.

They at least suggest the tropical scenery of Prue and I as one remembers

seeing it through Titbottom’s spectacles; and yet, if one supplies roofs

of brown-red tiles, it is all Venetian enough, with the lagoon-like

expanses that lend themselves to the fond effect. It is so Venetian,

indeed, that it wants but a few silent gondolas and noisy gondoliers,

in place of the dark, taciturn oarsmen of the clumsy native boats, to

complete the coming and going illusion; and there is no good reason why

the rough little isles that fill the bay should not call themselves

respectively San Giorgio and San Clemente, and Sant’ Elena and San

Lazzaro: they probably have no other names!

Literature and Life (Complete) · 第 72 / 228 题