“The church is raised on a terrace with a noble flight of steps 100

feet long, and a platform 20 feet in width. The centre entrance of the

east front forms an open-recessed porch within a rich archway, which

contains four columns on each side. Over this centre entrance is a

series of small circular-headed arches, forming a sort of exterior

gallery at the back of the one within, and producing a good deal

of relief and richness. Immediately above it is a very large rose

window, of elaborate design, set within a square, whose spandrils

are sculptured with the emblems of the four evangelists. The lofty

campanile tower is connected with the south-east angle of the building

by a vestibule or cloister, whose elaborately carved open arches and

columns present a pleasing contrast to the breadth and solidity of

the other parts. On the same side of the church, at the west end, is

a projecting porch (or vestry), which naturally increases the play

and picturesqueness of the composition. Upon entering the rich door

in the east front, already described, we pass between two screens of

twisted columns, dividing the gallery staircase from the centre porch.

Immediately opposite to this entrance is placed the font, a massive

structure of black and variegated Italian marble. It is carved with

lions’ heads at the corners, and the basin is richly foliated. The

pedestal is of white marble in panels, inlaid with vine-leaves in

black marble. The whole is raised on a black marble plinth.... The

pulpit is of stone, inlaid with panels of marble, and glittering with

rich mosaic-work, having also four twisted columns wholly composed

of ancient mosaic, and supported by the black marble columns with

alabaster capitals. The roofing of the nave and aisles is of open

timber-work, stained to imitate dark chestnut.... The height of the

campanile is 100 feet; and in it are hung a peal of six bells, brought

from the old church. The remaining dimensions are as under: from the

western porch to the chancel apse, 120 feet; width, 53 feet; width of

nave between the columns, 24 feet; height, 57 feet; aisles, 13 feet

wide, and 24 feet high.”

One of the most interesting places in Wilton is the famous “Royal

Axminster and Wilton Carpet Factory” of Messrs. Yates and Co., and

this, through the courtesy of the proprietors, may be seen by visitors

to this district. This manufactory, which occupies nearly two acres

of ground and gives employment to nearly four hundred people, was the

first place in England where carpets were made. A charter was granted

in 1701, and other charters of 1706 and 1725 (by which the weavers were

made a corporate body, with stewards, &c.) were also granted. By these

all persons who were not members of the body of weavers were prevented

from carrying on the same business within three miles of the borough

of Wilton, stamped certificates, after seven years’ apprenticeship,

being given by the corporation to such men as were elected by them.

The carpets then made were naturally of a coarse and very inferior

character to those produced after on. To Henry, ninth Earl of Pembroke

and sixth Earl of Montgomery, of whom we have spoken in a preceding

page, and who died in 1751, England is indebted for the introduction

of the manufacture of superior descriptions of carpets. Like many of

his ancestors, he was a man of refined taste, and spent large sums

of money in adorning his mansion at Wilton. Lord Orford says of him,

“The soul of Inigo Jones, who had been patronised by his ancestors,

seems still to hover over its favourite Wilton, and to have assisted

the muses of Art in the education of this noble person. The towers,

the chambers, the scenes which Holbein, Jones, and Vandyke decorated,

and which Earl Thomas had enriched with the spoil of the best ages,

received the last touches of beauty from Earl Henry’s hand.” The Earl

during his travels in Flanders and France had taken great interest

in the carpet works of those countries, and he noticed the much more

general use of this article of furniture there than in England, where

it was then regarded as an exotic luxury, and the idea occurred to him

that the manufacture might be established in England, so as to form a

new industry, and be a source of employment to the poor. He therefore

entered into arrangements with artists, superintendents, and a body of

workmen; brought them to England about the year 1745; and settled them

in Wilton—thus laying the foundation of that branch of manufacture

which now in England surpasses by far that of any other country.

The productions of this famous historical factory, to which, years

ago, the looms and trade from Axminster were transferred, are entirely

hand-made, and in this particular the manufactory is the only one in

existence in this kingdom. Carpets of various degrees of quality and of

different descriptions are here made, but whether “Brussels,” “Saxony,”

“Velvet-pile,” “Axminster,” or what not, all are “real hand-made,” and

all of extreme excellence, both in design and in superiority of make.

“Royal carpets” for Windsor Castle, for Buckingham Palace, and other

abodes of royalty, may now and then be seen by the visitor in course

of weaving, and many of these better-class carpets, which are an inch

or more in thickness, and of the softness of down to the tread, are of

the most gorgeous character in design and in brilliancy and arrangement

of colours. A “Wilton carpet” indicates a high degree of refinement in

furnishing, and its enduring quality gives it a strong recommendation.

Wilton House is within three miles of venerable Salisbury, six miles

or so from Stonehenge, and some three or four miles from “Old Sarum;”

the visitor may, therefore, with but little sacrifice of time, examine

three of the most interesting of all the relics of ancient England,

while Wilton itself may well be ranked as a fourth.

[Illustration: _Salisbury Cathedral._]

If we have cathedrals grander, more extensive, and more magnificent

than that of Salisbury, we have none more graceful: “the singular

uniformity displayed in its design and style, the harmony which

pervades its several parts and proportions, and the striking air of

brightness, simplicity, and elegance, that reigns throughout the whole,

all conspire to invest it with a charm peculiarly its own; whilst the

great elevation of its graceful spire renders it without exception the

most lofty building in the kingdom.” Grace is, indeed, its especial

attribute, and beauty has not been here “a fatal gift;” for the sacred

edifice seems as perfect to-day as it was many centuries ago.

Stonehenge is near at hand; that wonderful assemblage of stones which

tell us—nothing, defying even the guess-work of the antiquary,

concerning which tradition is dumb; yet there they stand as they stood

thousands of years ago, solitary in their solemn grandeur upon the

plain where the grouse and hares are even now their only neighbours.

“Old Sarum” seems but a huge waste heap: it rises high above environing

scenery; there are no dwellings on the “mound”—not even one where

might have been registered the return to Parliament of the member by

whom it was represented, until Reform arrested its chronicles, and

swept it away as a city for ever.

RABY CASTLE.

FEW counties are so rich in ancient fortresses and castellated

buildings as Durham; but pre-eminent among these in historical

interest, and perhaps in antiquity, is Raby Castle, which we add to our

series. Situate about six or seven miles from Barnard Castle, a trifle

more than that from Bishop Auckland, and about a dozen from Darlington,

Raby Castle, with its grand old park, lies close to the pretty little

town of Staindrop, about which we shall say a few words later on. The

castle itself, with its many massive towers and turrets, is built on

rising ground, on a foundation of solid rock, and is surrounded and

enclosed by a massive battlemented wall, the area of the edifice,

within the wall, comprising about two acres of land. The castle was

formerly surrounded by a moat, the course of which, although now filled

up, is clearly traceable; in its place extensive sheets of ornamental

water have been very judiciously laid out, and give to the scene the

effect, in approaching the castle from the park, of a fine but placid

river.

Raby Park, which surrounds the castle, consists of several hundred

acres of the finest land, and contains a noble herd of more than five

hundred red and fallow deer. The park is entered by three Lodges of

ancient and unpretentious appearance. The South Lodge, which is the

main entrance, is situated about one hundred yards from Staindrop

Church. On entering the Lodge, within a very short distance from here

the towers of the castle are visible, and continue in sight for some

considerable distance, when a sharp incline cuts off the view. On

attaining the summit the grand old pile is again seen standing boldly

out from the grounds, and forming a most imposing prospect, which is

greatly enhanced by the sheet of water that at this point separates

the castle from the observer. The carriage drive from the Lodge has

hitherto been wavy and circuitous in its route, but from here it takes

a straight course across the Pond, or Lake, of ten acres in extent,

by means of an embankment, and again continues in a circuitous form

through an avenue of grand old venerable beech-trees, which terminates

at the entrance, or Porter’s Lodge, to the castle itself.

[Illustration: _South Side._]

The Pond, or Lake, which is divided by the carriage drive, is situated

on the west side of the castle, its western portion overflowing into

the eastern half, that flows to and surrounds the south battlement

walls; the Moat, which is now dry, receding from it to the east and

west. The Lake is well supplied with swans and other aquatic birds.

The East Lodge is a foot entrance for the workpeople; the North Lodge,

or back entrance, has two low castellated towers, one on each side of

the entrance gates.

The Home Park and Woods consist of nine hundred and forty acres, which

are intersected by fifteen miles of drives and walks. The Woods are

beautifully varied and picturesque, especially the North Wood, which

forms the north boundary of the park, and rises considerably above the

castle, commanding a most extensive and charming landscape, especially

on a clear sunset evening, when the old dark walls of the castle are

lit up by its golden rays, which are also reflected on the far-distant

Yorkshire and Richmond hills.

The Bath Wood, which is quite of a different nature from the North

Wood, is situated a short distance to the west of the castle in a

valley that is thickly wooded, and through which walks and drives

wind their way in such varied forms as to render it one of the most

enjoyable summer retreats that can possibly be desired. The walks and

drives all terminate at the Bath-house, somewhat west of the centre of

the wood. In front of the Bath, which consists of two rooms, supplied

by a natural spring of intensely cold water, is a fine open lawn, well

laid out with rhododendron beds and single specimens of conifers, with

a lake-stream of water winding its way in various falls and artificial

forms. This open space, or lawn, is thickly surrounded with grand old

beech and spruce-fir trees, blending most charmingly together. At the

back and on the north side of the Bath-house is a picturesquely built

lodge or cottage, inhabited by persons who have charge of the Baths.

The Gardens are situated on the north side of the castle, on a slight

incline, which commands some of the most interesting views of the north

side of the building. The whole grounds pertaining to the Gardens,

including the head and under gardeners’ dwellings, are enclosed within

substantial time-worn brick walls, which are strictly in keeping with

the castle itself. The interior is formed into various sections by

brick walls and massive yew hedges, that are kept closely clipped in

tapering form; in measure they are ten feet wide, and eleven feet high,

and probably were planted in the days of the first occupiers of the

castle. Formerly these sections were almost exclusively devoted to

the culture of fruit and vegetables, but of late years bedding plants

of all descriptions have been extensively introduced, associating

very agreeably the ornamental with the useful. On a terrace which is

bounded on one side by a stream of water is a ribbon border extending

its whole length; and on the south side of the boundary wall the

effect produced by the bends and receding form of the border is very

charming, and the perfection of what a ribbon border should be. Glass

structures are extensive, and principally devoted to fruit culture,

especially to pines and grapes. Excepting the Conservatory and two or

three other houses containing some very fine specimens of tropical

plants, plant culture is little regarded. Most of these houses have

been reconstructed on the most approved modern principles, but they are

scattered about in all directions. The noble range of vineries erected

some thirty years since, that contained the vines which caused so much

controversy amongst horticulturists on the carrion system of vine

culture, are now things of the past, and are succeeded by fine healthy

canes, which must, to all present appearance, produce in the future

fruit of the most approved excellence. In addition to the many glass

structures devoted to fruit culture, hot-air walls are also introduced

for the same purpose, which, especially in the case of apricots, insure

a full crop in spite of unpropitious weather.

The most-cared-for antique occupant in the Garden is, however, the

famous “Raby Fig-tree,” which, although known to be upwards of one

hundred years old, still produces annually thousands of figs of the

finest quality. This remarkable tree is covered by a primitive glass

structure, very much in keeping with its own venerable character. The

house in which the tree is planted is fifty feet in length, eight feet

in width, and nearly twelve feet in height; and every possible space of

this house, both walls and rafters, is occupied by this one tree, which

bids fair to live and flourish and produce fruit for many a century

yet to come. The house is heated by flues. Another speciality of the

Gardens is the original “Raby Red Currant,” whose trees are still in as

good preservation, as prolific, and as much in repute as ever.

The name of Raby points to a Danish origin, and it is first named, so

far as any record is known, in connection with King Canute, who, after

making his celebrated pilgrimage over Garmondsway Moor to the shrine of

St. Cuthbert at Durham, offered it, with Staindrop and its shire, to

the shrine of that saint. It continued, except for a time during the

life of Bishop Flambard, in the peaceful possession of the monks until

1131, when they granted it, for an annual rent of £4, to Dolfin, son of

Ughtred, of the blood royal of Northumberland.

[Illustration: _North-east Side._]

To him, Mr. Hodgson is of opinion, is to be ascribed the first

foundation of the manor. The descendant of Dolfin, Robert Fitz-Maldred,

lineal heir to Ughtred, Earl of Northumberland, was described as

“Dominus de Raby,” when, early in the thirteenth century, he married

Isabel de Nevil (daughter to Geoffrey de Nevil, the grandson of Gilbert

de Nevil, who came over with the Conqueror, by the daughter and sole

heiress of Bertram de Bulmer), who, by the death of her brother, the

last male of his line, became sole heiress and representative of the

great Saxon house of Bulmer, Lords of Brancepath and Sheriff-Hutton.

Their son Geoffrey assumed his mother’s surname of Nevil, and thus laid

afresh the foundation of the great house of that name. He had issue

two sons—Robert, who succeeded him, and Geoffrey, who became Constable

of Scarborough Castle and Justice Itinerant, and from whom the Nevils

of Hornby, afterwards merged in the Beauforts, descended. Robert de

Nevil, who was Governor of Norham, Werke, York, Devizes, and Bamborough

Castles, Warden of all the King’s forests north of the Trent, Justice

Itinerant, General of all forces beyond the Trent, and Sheriff of

Yorkshire, joined the rebellious barons, but was afterwards restored

to favour. His son Robert, called the “Peacock of the North,” dying

without issue during his lifetime, this elder Robert was succeeded by

Ralph de Nevil, who took a prominent part in the troublous internal

wars of his time. He in turn was succeeded by his son, John de Nevil,

Baron of Raby, who was Admiral of the King’s fleet from the Thames

northward, Warden of the East Marches, Lieutenant of the Duchy of

Aquitaine, and Seneschal of Bordeaux. He died 12th Richard II., and was

succeeded by his eldest son, Ralph, his second son being Thomas, Lord

Furnival. This John, Lord Nevil, was the builder of the present castle

of Raby.

Ralph, Lord Nevil of Raby, held many important offices, and founded

the collegiate church of Staindrop. By his first wife, Margaret,

daughter of Hugh, Earl of Stafford, he had issue two sons—John, who

died during his father’s lifetime, and Ralph, “who married the daughter

and heir of Ferrers of Oversley, by whom he had John Nevil, called

Lord Ferrers, whose daughter Joan (heir to the baronies of Oversley

and Newmarch), being married to Sir William Gascoigne, brought forth

Margaret Gascoigne, their daughter and heir, wife to Wentworth; whence

the Barons Raby of that surname do descend”—and seven daughters:

Maud, married to Baron de Mauley; Alice, to Sir Thomas Grey; Philippa,

to Baron Dacres of Gillesland; Margaret, to Baron Scrope; Anne, to

Sir Gilbert de Umfraville; Margery and Elizabeth, nuns. His second

wife was Joan, daughter of John of Gaunt, Duke of Lancaster, “by

whom he had issue eight sons—Richard, Earl of Salisbury; William,

Baron Falconberg; George, Baron Latimer; Edward, Baron Bergavenny;

Robert, Bishop of Durham; Cuthbert, Henry, and Thomas, which three

last died issueless. Also five daughters—Catherine, married first to

John Mowbray, Duke of Norfolk, secondly to Thomas Strangways, Esq.,

thirdly to John, Viscount Beaumont, and lastly to Sir John Widville,

Knight; Eleanor, or Elizabeth, to Richard, Baron Spencer, secondly to

Henry Percy, Earl of Northumberland; Anne, to Humphrey, Duke of Bucks,

and afterwards to Walter Blunt, Baron Mountjoy; Jane, a nun; and

Ciceley, to Richard Plantagenet, Duke of York.” He was created Earl

of Westmoreland, being “the first who was made earl of this county;”

and at his death, in the 4th of Henry VI., he was succeeded by his

grandson, Ralph Nevil, as second Earl of Westmoreland and Baron Nevil

of Raby, who in turn was succeeded by his cousin, Ralph Nevil, son to

Sir John Nevil, as third Earl of Westmoreland. He married Margaret,

daughter of Sir Roger Booth, by whom he had issue, with others, one

son, who died in his father’s lifetime, leaving a son, Ralph, who in

turn succeeded his grandfather.

Ralph, fourth Earl of Westmoreland and Baron Nevil of Raby, married

Catherine, daughter of Edward Stafford, Duke of Buckinghamshire, by

whom he had issue seven sons and five daughters, and was, at his death,

succeeded by his eldest son, Henry Nevil, as fifth earl. This earl

married Anne, daughter to Thomas Manners, Earl of Rutland, by whom,

amongst others, he had issue a son, Charles, who succeeded him as fifth

Earl of Westmoreland and Baron Nevil of Raby.

This nobleman, Charles, fifth Earl of Westmoreland, having taken

an active part in the rebellion against Queen Elizabeth, known as

the “Rising in the North,” was defeated, and all his possessions

confiscated to the Crown. He left only female issue.

Raby, having passed into the hands of the Crown, was afterwards sold to

the Vanes, to which family we now draw attention.

It will thus be seen that Raby Castle holds a very high rank among the

ancient castles of England, and is one of the few of its old glories

that continue to be the habitation of its lords.

The family of Vane, of which the Duke of Cleveland, the owner of Raby

Castle, is the head, is of very high antiquity, and, unlike many of our

noted families, has been continued in unbroken succession from at least

the time of the Norman Conquest down to the present hour. The first of

whom we have any authentic record—although doubtless the family might

be traced much further back still—is Howell ap Vane, who was living in

Monmouthshire antecedently to the Conquest. His son, Griffith ap Howell

Vane, married Lettyce, daughter of Bledwyn ap Kynvyn, Lord of Powys,

who was founder of three noble tribes of Wales, and by usurpation

sovereign of North and South Wales. Their son was Enyon, or Ivon,

“the Fair,” who married a daughter of Owen ap Edwyn Meredith. Passing

on through the next three generations, we come to Sir Henry Vane,

knighted at the battle of Poitiers, in 1356, where he claimed to have

assisted in taking prisoner John, King of France, who, in token of his

captivity, took off his dexter gauntlet and gave it to Vane: from that

moment he adopted it as his cognisance, and it has been continued both

as a crest and as a charge on the shield of arms.

[Illustration: _South and East Sides._]

He married Grace, daughter of Sir Stephen de la Leke, and was succeeded

by his son, John Vane, whose great-grandson, Henry Vane (his elder

brother having died without issue), married Isabella, daughter of Henry

Persall, or Peshall, by whom he had a family of eight sons and two

daughters, and, in default of issue of the eldest two, was succeeded

by his third son, John Vane (whose younger brother, Sir Ralph Vane,

married Elizabeth, known as “the good Lady Vane,” and was knighted at

the siege of Bulleyn, in 1544; he afterwards purchased Penshurst,

was attainted 4th Edward VI., executed on Tower Hill, and his estates

forfeited). John Vane, who was of Hilden, in Kent, assumed the name of

Fane in lieu of Vane, and married Isabella, daughter of John Darknoll,

or Darrell, and was succeeded by their second son, Richard Fane,

of Tudeley, at whose death, in 1540, he was succeeded by his only

son, George Fane, of Badsall, who married Joan, daughter of William

Waller, of Groombridge, from whom the present Earl of Westmoreland is

descended. The fourth son of John Vane, or Fane, of Hilden, was John

Fane, who was in possession of Hadlow when his uncle, Sir Ralph, was

executed. He married Joan, daughter and co-heiress of Sir Edward Hawte,

of Tonbridge, by whom, with others, he had a son, his successor, Henry

Fane, of Hadlow, who took part in Wyatt’s insurrection, was committed

to the Tower, but afterwards pardoned and released.

His grandson, Sir Henry Fane, resumed the ancient patronymic of

his family, Vane, in lieu of Fane, and this has continued to the

present time. This Henry Fane, or Vane, was knighted in 1611, and was

constituted one of the regents of the kingdom for the safe keeping

of the Queen, Prince Charles, and the rest of the royal children. In

1616, on the disgrace of Robert Carr of Fernyhurst, Earl of Somerset,

Sir Henry Vane received a lease from the trustees for support of the

household of Charles, Prince of Wales, for the remainder of the term

granted to Carr. He was principal Secretary of State to James I., and

Cofferer of the Household to Charles I. In 1626 he purchased the castle

and manor of Raby, and in 1632 was sent as ambassador to Sweden to

expostulate with Gustavus Adolphus in favour of the Elector Palatine.

In the following year he nobly entertained the King at Raby, on his

journey to and from Scotland, on the occasion of his coronation. He

married Frances, daughter of Thomas Darcy, of Tolleshunt Darcy, and

died at Raby Castle in 1654. By this union he had seven sons—viz.

Thomas and John, who died in infancy; Sir Henry Vane, who succeeded

him; and Sir George Vane, from whom the Marquis of Londonderry, who

sits as Earl Vane, is descended; Sir Walter Vane, Charles Vane, and

William Vane—and eight daughters, among whom were Margaret, married to

Sir Thomas Pelham, from whom are descended the Duke of Newcastle and

the Earl of Chichester; and Frances, wife of Sir Robert Honeywood.

Sir Henry Vane (third son), who succeeded his father in the estates of

Raby, Fairlawn, Shipborne, &c., in 1654, had a very chequered, but

historical life. He was educated at Westminster and Oxford, proceeded

to Geneva, and afterwards to America, where he was elected Governor

of Massachusetts. He was also M.P. for Hull and other places, and was

knighted in 1640. He is characterized as “one of the most turbulent

enthusiasts produced by the rebellion, and an inflexible Republican,”

by some, but by Milton as

“Vane, young in years, but in sage counsel old.”

The Stately Homes of England · 第 48 / 58 段