draught will make her sleep for many hours. I will call before noon
again. It is now daylight. Good-by."
Susan shut him out; and then gently extricating the dead child from its
mother's arms, she could not resist making her own quiet moan over her
darling. She tried to learn off its little placid face, dumb and pale
before her.
"Not all the scalding tears of care
Shall wash away that vision fair
Not all the thousand thoughts that rise,
Not all the sights that dim her eyes.
Shall e'er usurp the place
Of that little angel-face."
And then she remembered what remained to be done. She saw that all was
right in the house; her father was still dead asleep on the settle, in
spite of all the noise of the night. She went out through the quiet
streets, deserted still, although it was broad daylight, and to where
the Leighs lived. Mrs. Leigh, who kept her country hours, was opening
her window-shutters. Susan took her by the arm, and, without speaking,
went into the house-place. There she knelt down before the astonished
Mrs. Leigh, and cried as she had never done before; but the miserable
night had overpowered her, and she who had gone through so much calmly,
now that the pressure seemed removed, could not find the power to speak.
"My poor dear! What has made thy heart so sore as to come and cry
a-this-ons? Speak and tell me. Nay, cry on, poor wench, if thou canst
not speak yet. It will ease the heart, and then thou canst tell me."
"Nanny is dead!" said Susan. "I left her to go to father, and she fell
down stairs, and never breathed again. Oh, that's my sorrow but I've
more to tell. Her mother is come--is in our house. Come and see if it's
your Lizzie." Mrs. Leigh could not speak, but, trembling, put on her
things, and went with Susan in dizzy haste back to Crown-street.
CHAPTER IV.
As they entered the house in Crown-street, they perceived that the door
would not open freely on its hinges, and Susan instinctively looked
behind to see the cause of the obstruction. She immediately recognized
the appearance of a little parcel, wrapped in a scrap of newspaper, and
evidently containing money. She stooped and picked it up. "Look!" said
she, sorrowfully, "the mother was bringing this for her child last
night."
But Mrs. Leigh did not answer. So near to the ascertaining if it were
her lost child or no, she could not be arrested, but pressed onward with
trembling steps and a beating, fluttering heart. She entered the
bedroom, dark and still. She took no heed of the little corpse, over
which Susan paused, but she went straight to the bed, and withdrawing
the curtain, saw Lizzie--but not the former Lizzie, bright, gay,
buoyant, and undimmed. This Lizzie was old before her time; her beauty
was gone; deep lines of care, and alas! of want (or thus the mother
imagined) were printed on the cheek, so round, and fair, and smooth,
when last she gladdened her mother's eyes. Even in her sleep she bore
the look of woe and despair which was the prevalent expression of her
face by day; even in her sleep she had forgotten how to smile. But all
these marks of the sin and sorrow she had passed through only made her
mother love her the more. She stood looking at her with greedy eyes,
which seemed as though no gazing could satisfy their longing; and at
last she stooped down and kissed the pale, worn hand that lay outside
the bed-clothes. No touch disturbed the sleeper; the mother need not
have laid the hand so gently down upon the counterpane. There was no
sign of life, save only now and then a deep, sob-like sigh. Mrs. Leigh
sat down beside the bed, and, still holding back the curtain, looked on
and on, as if she could never be satisfied.
Susan would fain have staid by her darling one; but she had many calls
upon her time and thoughts, and her will had now, as ever, to be given
up to that of others. All seemed to devolve the burden of their cares on
her. Her father, ill-humored from his last night's intemperance, did not
scruple to reproach her with being the cause of little Nanny's death;
and when, after bearing his upbraiding meekly for some time, she could
no longer restrain herself, but began to cry, he wounded her even more
by his injudicious attempts at comfort: for he said it was as well the
child was dead; it was none of theirs, and why should they be troubled
with it? Susan wrung her hands at this, and came and stood before her
father, and implored him to forbear. Then she had to take all requisite
steps for the coroner's inquest; she had to arrange for the dismissal of
her school; she had to summon a little neighbor, and send his willing
feet on a message to William Leigh, who, she felt, ought to be informed
of his mother's whereabouts, and of the whole state of affairs. She
asked her messenger to tell him to come and speak to her--that his
mother was at her house. She was thankful that her father sauntered out
to have a gossip at the nearest coach-stand, and to relate as many of
the night's adventures as he knew; for as yet he was in ignorance of the
watcher and the watched, who silently passed away the hours up-stairs.
At dinner-time Will came. He looked red, glad, impatient, excited. Susan
stood calm and white before him, her soft, loving eyes gazing straight
into his.
"Will," said she, in a low, quiet voice, "your sister is up-stairs."
"My sister!" said he, as if affrighted at the idea, and losing his glad
look in one of gloom. Susan saw it, and her heart sank a little, but she
went on as calm to all appearance as ever.
"She was little Nanny's mother, as perhaps you know. Poor little Nanny
was killed last night by a fall down stairs." All the calmness was gone;
all the suppressed feeling was displayed in spite of every effort. She
sat down, and hid her face from him, and cried bitterly. He forgot every
thing but the wish, the longing to comfort her. He put his arm round her
waist, and bent over her. But all he could say was, "Oh, Susan, how can
I comfort you? Don't take on so--pray, don't!" He never changed the
words, but the tone varied every time he spoke. At last she seemed to
regain her power over herself, and she wiped her eyes, and once more
looked upon him with her own quiet, earnest, unfearing gaze.
"Your sister was near the house. She came in on hearing my words to the
doctor. She is asleep now, and your mother is watching her. I wanted to
tell you all myself. Would you like to see your mother?"
"No!" said he. "I would rather see none but thee. Mother told me thou
knew'st all." His eyes were downcast in their shame.
But the holy and pure did not lower or vail her eyes.
She said, "Yes, I know all--all but her sufferings. Think what they must
have been!"
He made answer low and stern, "She deserved them all--every jot."
"In the eye of God, perhaps she does. He is the judge: we are not."
"Oh," she said, with a sudden burst, "Will Leigh, I have thought so well
of you; don't go and make me think you cruel and hard. Goodness is not
goodness unless there is mercy and tenderness with it. There is your
mother who has been nearly heart-broken, now full of rejoicing over her
child--think of your mother."
"I do think of her," said he. "I remember the promise I gave her last
night. Thou should'st give me time. I would do right in time. I never
think it o'er in quiet. But I will do what is right and fitting, never
fear. Thou hast spoken out very plain to me, and misdoubted me, Susan; I
love thee so, that thy words cut me. If I did hang back a bit from
making sudden promises, it was because, not even for love of thee, would
I say what I was not feeling; and at first I could not feel all at once
as thou would'st have me. But I'm not cruel and hard; for if I had
been, I should na' have grieved as I have done."
He made as if he were going away; and indeed he did feel he would rather
think it over in quiet. But Susan, grieved at her incautious words,
which had all the appearance of harshness, went a step or two
nearer--paused--and then, all over blushes, said in a low, soft whisper,
"Oh, Will! I beg your pardon. I am very sorry--won't you forgive me?"
She who had always drawn back, and been so reserved, said this in the
very softest manner; with eyes now uplifted beseechingly, now dropped to
the ground. Her sweet confusion told more than words could do; and Will
turned back, all joyous in his certainty of being beloved, and took her
in his arms and kissed her.
"My own Susan!" he said.
Meanwhile the mother watched her child in the room above.
It was late in the afternoon before she awoke, for the sleeping draught
had been very powerful. The instant she awoke, her eyes were fixed on
her mother's face with a gaze as unflinching as if she were fascinated.
Mrs. Leigh did not turn away, nor move. For it seemed as if motion would
unlock the stony command over herself which, while so perfectly still,
she was enabled to preserve. But by-and-by Lizzie cried out, in a
piercing voice of agony,
"Mother, don't look at me! I have been so wicked!" and instantly she hid
her face, and groveled among the bed-clothes, and lay like one dead--so
motionless was she.
Mrs. Leigh knelt down by the bed, and spoke in the most soothing tones.
"Lizzie, dear, don't speak so. I'm thy mother, darling; don't be afeard
of me. I never left off loving thee, Lizzie. I was always a-thinking of
thee. Thy father forgave thee afore he died." (There was a little start
here, but no sound was heard). "Lizzie, lass, I'll do aught for thee;
I'll live for thee; only don't be afeard of me. Whate'er thou art or
hast been, we'll ne'er speak on't. We'll leave th' oud times behind us,
and go back to the Upclose Farm. I but left it to find thee, my lass;
and God has led me to thee. Blessed be His name. And God is good, too,
Lizzie. Thou hast not forgot thy Bible, I'll be bound, for thou wert
always a scholar. I'm no reader, but I learnt off them texts to comfort
me a bit, and I've said them many a time a day to myself. Lizzie, lass,
don't hide thy head so, it's thy mother as is speaking to thee. Thy
little child clung to me only yesterday; and if it's gone to be an
angel, it will speak to God for thee. Nay, don't sob a that 'as; thou
shalt have it again in heaven; I know thou'lt strive to get there, for
thy little Nancy's sake--and listen! I'll tell thee God's promises to
them that are penitent; only don't be afeard."
Mrs. Leigh folded her hands, and strove to speak very clearly, while she
repeated every tender and merciful text she could remember. She could
tell from the breathing that her daughter was listening; but she was so
dizzy and sick herself when she had ended, that she could not go on
speaking. It was all she could do to keep from crying aloud.
At last she heard her daughter's voice.
"Where have they taken her to?" she asked.
"She is down stairs. So quiet, and peaceful, and happy she looks."
"Could she speak? Oh, if God--if I might but have heard her little
voice! Mother, I used to dream of it. May I see her once again--Oh,
mother, if I strive very hard, and God is very merciful, and I go to
Heaven, I shall not know her--I shall not know my own again--she will
shun me as a stranger, and cling to Susan Palmer and to you. Oh woe! Oh
woe!" She shook with exceeding sorrow.
In her earnestness of speech she had uncovered her face, and tried to
read Mrs. Leigh's thoughts through her looks. And when she saw those
aged eyes brimming full of tears, and marked the quivering lips, she
threw her arms round the faithful mother's neck, and wept there as she
had done in many a childish sorrow, but with a deeper, a more wretched
grief. Her mother hushed her on her breast; and lulled her as if she
were a baby; and she grew still and quiet.
They sat thus for a long, long time. At last Susan Palmer came up with
some tea and bread and butter for Mrs. Leigh. She watched the mother
feed her sick, unwilling child, with every fond inducement to eat which
she could devise; they neither of them took notice of Susan's presence.
That night they lay in each other's arms; but Susan slept on the ground
beside them.
They took the little corpse (the little unconscious sacrifice, whose
early calling-home had reclaimed her poor, wandering mother), to the
hills, which in her life-time she had never seen. They dared not lay her
by the stern grandfather in Milne-row church-yard, but they bore her to
a lone moorland grave-yard, where long ago the Quakers used to bury
their dead. They laid her there on the sunny slope, where the earliest
spring-flowers blow.
Will and Susan live at the Upclose Farm. Mrs. Leigh and Lizzie dwell in
a cottage so secluded that, until you drop into the very hollow where it
is placed, you do not see it. Tom is a schoolmaster in Rochdale, and he
and Will help to support their mother. I only know that, if the cottage
be hidden in a green hollow of the hills, every sound of sorrow in the
whole upland is heard there--every call of suffering or of sickness for
help, is listened to by a sad, gentle-looking woman, who rarely smiles
(and when she does, her smile is more sad than other people's tears),
but who comes out of her seclusion whenever there's a shadow in any
household. Many hearts bless Lizzie Leigh, but she--she prays always and
ever for forgiveness--such forgiveness as may enable her to see her
child once more. Mrs. Leigh is quiet and happy. Lizzie is to her eyes
something precious--as the lost piece of silver--found once more. Susan
is the bright one who brings sunshine to all. Children grow around her
and call her blessed. One is called Nanny. Her, Lizzie often takes to
the sunny grave-yard in the up-lands, and while the little creature
gathers the daisies, and makes chains, Lizzie sits by a little grave,
and weeps bitterly.
STEAM.
How wonderful are the revolutions which steam has wrought in the world!
The diamond, we are told, is but pure carbon; and the dream of the
alchymist has long been to disentomb the gem in its translucent purity
from the sooty mass dug up from the coal-field. But if the visionary has
failed to extricate the fair spirit from its earthly cerements, the
practical philosopher has produced from the grimy lump a gem, in
comparison to which the diamond is valueless--has evoked a Titanic
power, before which the gods of ancient fable could not hold their
heaven for an hour; a power wielding the thunderbolt of Jove, the sledge
of Vulcan, the club of Hercules; which takes to itself the talaria of
Mercury, the speed of Iris, and the hundred arms of Briareus. Ay, the
carbon gives us, indeed, the diamond after all; the white and feathery
vapor that hisses from the panting tube, is the priceless pearl of the
modern utilitarian. Without STEAM man is nothing--a mere zoological
specimen--Lord Monboddo's ape, without the caudal elongation of the
vertebrae. With steam, man is every thing. A creature that unites in
himself the nature and the power of every animal; more wonderful than
the ornithorhynchus--he is fish, flesh, and fowl. He can traverse the
illimitable ocean with the gambolings of the porpoise, and the snort of
the whale; rove through the regions of the earth with the speed of the
antelope, and the patient strength of the camel; he essays to fly
through the air with the steam-wing of the aeronauticon, though as yet
his pinions are not well fledged, and his efforts have been somewhat
Icarian. And, albeit our own steam aeronavigation is chiefly confined to
those involuntary gambols (as Sterne happily called Sancho's blanket
tossing), which we now and then take at the instance of an exploding
boiler, yet may we have good hope that our grandchildren will be able to
"take the wings of the morning," and sip their cup of tea genuine at
Pekin. He is more than human, and little less than Divinity. Were
Aristotle alive, he would define the genus "homo"--neither as "animal
ridens," nor yet "animal sentiens," but "Animal VAPORANS." True it is,
doubtless, that man alone can enjoy his joke. He hath his laugh, when
the monkey can but grin and the ape jabber--his thinking he shares with
the dog and the elephant; but who is there that can "get up the steam"
but man? "Man," say we, "is an animal that VAPORETH!" and we will wager
one of Stephenson's patent high-pressure engines again our cook's
potato-steamer, that Dr. Whately will affirm our definition.--_Dublin
University Magazine._
[From The Ladies' Companion.]
PAPERS ON WATER.--No. 1.
WHY IS HARD WATER UNFIT FOR DOMESTIC PURPOSES?
Few subjects have attracted more attention among sanitary reformers,
than the necessity of obtaining a copious supply of water to the
dwellers in large cities. Experience has shown that the supply should be
at least twenty gallons daily for each inhabitant, although forty
gallons are necessary to carry out to the full extent all the sanitary
improvements deemed desirable for the well-being of a population. But in
looking to quantity of supply, quality has been thought of less
importance; there could not be a more gross error, or one more fatal to
civic economy and domestic comfort. As we are anxious to instruct the
readers of this Journal in the science of every-day life, we propose to
consider the subject of water-supply in some detail, and in the present
article to explain the serious inconveniences which result from an
injudicious selection of hard water for domestic purposes.
The water found in springs, brooks, and rivers, has its primary origin
in the rain of the district, unless there should happen to be some
accidental infiltration from the sea or other great natural reservoirs.
This rain, falling on the upper soil, either runs off in streams, or,
percolating through it and the porous beds beneath, gushes out in the
form of springs wherever it meets with an impervious bed which refuses
it a passage; pits sunk down to the latter detect it there, and these
form the ordinary wells. In its passage through the pervious rocks, it
takes up soluble impurities, varying in their amount and character with
the nature of the geological formations, these impurities being either
mineral, vegetable, or animal matter. The mineral ingredients may be
chalk, gypsum, common salt, and different other compounds but it is the
earthy salts generally which impress peculiar qualities on the water.
The salts of lime and magnesia communicate to water the quality termed
_hardness_, a property which every one understands, but which it would
be very difficult to describe. By far the most common giver of hardness
is chalk, or, as chemists term it, carbonate of lime; a substance not
soluble in pure water, but readily so in water containing carbonic acid.
Rain water always contains this acid, and is, therefore, a solvent for
the chalk disseminated in the different geological formations through
which it percolates. Gypsum, familiarly known as plaster of Paris, and
termed sulphate of lime by chemists, is also extensively diffused in
rocks, and being itself soluble in water, becomes a very common
hardening ingredient, though not of such frequent occurrence as chalk.
Any earthy salt, such as chalk or gypsum, decomposes soap, and prevents
its action as a detergent. Soap consists of an oily acid combined
generally with soda. Now, when this is added to water containing lime,
that earth unites with the oily acid, forming an insoluble soap, of no
use as a detergent; this insoluble lime-soap is the curd which appears
in hard water during washing with soap. Hard water is of no use as a
cleanser, until all the lime has been removed by uniting with the oily
acid of the soap. Every hundred gallons of Thames water destroy in this
way thirty ounces of soap before becoming a detergent. But as this is an
enormous waste, the dwellers in towns, supplied with hard water, resort
to other methods of washing, so as to economize soap. If our readers in
London observe their habits in washing, they will perceive that the
principal quantity of the water is used by them not as a cleanser, but
merely for the purposes of rinsing off the very sparing amount employed
for detergent purposes. In London, we do not wash ourselves _in_ but
_out_ of the basin. A small quantity of water is taken on the hands and
saturated with soap so as to form a lather; the ablution is now made
with this quantity, and the water in the basin is only used to rinse it
off. The process of washing with soft water is entirely different, the
whole quantity being applied as a detergent. To illustrate this
difference an experiment may be made, by washing the hands alternately
in rain and then in hard water, such as that supplied to London; and the
value of the soft water for the purposes of washing will be at once
recognized. Even without soap, the soft water moistens the hand, while
hard water flows off, just as if the skin had been smeared with oil.
Now, although the soap may be economized in personal ablution by the
uncomfortable method here described, it is impossible to obtain this
economy in the washing of linen. In this case, the whole of the water
must be saturated with soap before it is available. Soda is, to a
certain extent, substituted with a view to economy, as much as L30,000
worth of soda being annually used in the metropolis to compensate for
the hard quality of the water; and, perhaps, as an approximative
calculation, L200,000 worth of soap is annually wasted without being
useful as a detergent. This enormous tax on the community results from
the hardness both of the well and river water; the former being
generally much harder than the latter. But this expense, large as it may
seem, is not the only consequence of a bad water supply. The labor
required to wash with hard water is very much greater than that
necessary when it is soft, this labor being represented in the excessive
charges for washing. In fact, extraordinary as it may appear, it has
recently been shown in evidence before the General Board of Health, that
the washerwoman's interest in the community is actually greater than
that of the cotton-spinner, with all his enormous capital. An instance
of this will suffice to show our meaning: a gentleman buys one dozen
shirts at a cost of L4, three of these are washed every week, the charge
being fourpence each, making an annual account of L2 12_s._ The set of
shirts, with careful management, lasts for three years, and has cost in
washing L7 16_s._ The cotton-spinner's interest in the shirts and that
of the shirt-maker's combined, did not exceed L4, while the
washerwoman's interest is nearly double. A considerable portion of this
amount is unavoidable; but a very large part is due to the excessive
charges for washing rendered necessary by the waste of soap and
increased labor required for cleansing. A family in London, with an
annual income of L600, spends about one-twelfth of the amount, or L50,
in the expenses of the laundry. On an average, every person in London,
rich and poor, spends one shilling per week, or fifty-two shillings a
year for washing. Hence, at least five million two hundred thousand
pounds is the annual amount expended in the metropolis alone for this
purpose. Yet, large as this amount is--and it matters not whether it be
represented in the labors of household washing or that of the professed
laundress--it is obvious that the greatest part of it is expended in
actual labor, for the washerwoman is rarely a rich or even a thriving
person. Hence, it follows that this labor, barely remunerative as it is,
must be made excessive from some extraneous cause; for it is found by
experience that one-half the charge is ample compensation in a country
district supplied with soft water. The tear and wear of clothes by the
system necessary for washing in hard water, is very important in the
economical consideration of the question. The difference in this
respect, between hard and soft water, is very striking. It has been
calculated that the extra cost to ladies in London in the one article of
collars, by the unnecessary tear and wear, as compared with country
districts, is not less than, but probably much exceeds, L20,000.
We now proceed to draw attention to the inconvenience of hard water in
cooking. It is well known that greens, peas, French beans, and other
green vegetables, lose much of their delicate color by being boiled in
hard water. They not only become yellow, but assume a shriveled and
disagreeable appearance, losing much of their delicacy to the taste. For
making tea the evil is still more obvious. It is extremely difficult to
obtain a good infusion of tea with hard water, however much may be
wasted in the attempt. We endeavor to overcome the difficulty by the
addition of soda, but the tea thus made is always inferior. One reason
of this is, that it is difficult to adjust the quantity of the soda. Tea
contains nearly 16 per cent. of cheese or casein, and this dissolves in
water rendered alkaline by soda; and although the nutritious qualities
are increased by this solution, the delicacy of the flavor is impaired.
The water commonly used in London requires, at the very least, one-fifth
more tea to produce an infusion of the same strength as that obtained by
soft water. This, calculated on the whole amount of tea consumed in
London, resolves itself into a pecuniary consideration of great
magnitude.
The effect of hard water upon the health of the lower animals is very
obvious. Horses, sheep, and pigeons, refuse it whenever they can obtain
a supply of soft water. They prefer the muddiest pool of the latter to
the most brilliant and sparkling spring of the former. In all of them it
produces colic, and sometimes more serious diseases. The coats of horses
drinking hard water soon become rough, and stare, and they quickly fall
out of condition. It is not, however, known that it exerts similar
influences upon the health of man, although analogy would lead us to
expect that a beverage unsuited to the lower animals can not be
favorable to the human constitution. Persons with tender skins can not
wash in hard water, because the insoluble salts left by evaporation
produce an intolerable irritation.
In order to simplify the explanation of the action of hard water,
attention has been confined to that possessing lime. But hard waters
frequently contain magnesia, and in that case a very remarkable
phenomenon attends their use. At a certain strength the magnesian salt
does not decompose the soap, or retard the formation of a lather, but
the addition of soft water developes this latent hardness. With such
waters, the extraordinary anomaly appears, that the more soft water is
added to them, up to a certain point, the harder do they become. Some of
the wells at Doncaster are very remarkable in this respect, for when
their hard water is diluted with eight times the quantity of pure soft
distilled water, the resulting mixture is as hard--that is, it
decomposes as much soap--as the undiluted water. Thus the dilution of
such water with four or five times its bulk of soft rain water actually
makes it harder. The cause of this anomaly has not yet been
satisfactorily made out, but it only occurs in waters abounding in
magnesia.
Having now explained the inconveniences of the hardening ingredients of
water, we propose to show in the next article the action of other
deteriorating constituents; and after having done so, it will become our
duty to point out the various modes by which the evils thus exposed may
best be counteracted or remedied.
L.P.
EARLY RISING.
Did you but know, when bathed in dew,
How sweet the little violet grew,
Amidst the thorny brake;
How fragrant blew the ambient air,
O'er beds of primroses so fair,
Your pillow you'd forsake.
Paler than the autumnal leaf,
Or the wan hue of pining grief,
The cheek of sloth shall grow;
Nor can cosmetic, wash, or ball,
Nature's own favorite tints recall,
If once you let them go.
HERRICK.
[From Household Words.]
A TALE OF THE GOOD OLD TIMES.
An alderman of the ancient borough of Beetlebury, and churchwarden of
the parish of St. Wulfstan's, in the said borough, Mr. Blenkinsop might
have been called, in the language of the sixteenth century, a man of
worship. This title would probably have pleased him very much, it being
an obsolete one, and he entertaining an extraordinary regard for all
things obsolete, or thoroughly deserving to be so. He looked up with
profound veneration to the griffins which formed the waterspouts of St.
Wulfstan's church, and he almost worshiped an old boot under the name of
a black jack, which on the affidavit of a foresworn broker, he had
bought for a drinking-vessel of the sixteenth century. Mr. Blenkinsop
even more admired the wisdom of our ancestors than he did their
furniture and fashions. He believed that none of their statutes and
ordinances could possibly be improved on, and in this persuasion had
petitioned parliament against every just or merciful change, which,
since he had arrived at man's estate, had been in the laws. He had
successively opposed all the Beetlebury improvements, gas, water-works,
infant schools, mechanics' institute, and library. He had been active in
an agitation against any measure for the improvement of the public
health, and being a strong advocate of intra-mural interment, was
instrumental in defeating an attempt to establish a pretty cemetery
outside Beetlebury. He had successfully resisted a project for removing
the pig-market from the middle of High-street. Through his influence the
shambles, which were corporation property, had been allowed to remain
where they were, namely, close to the Town-hall, and immediately under
his own and his brethren's noses. In short, he had regularly,
consistently, and nobly done his best to frustrate every scheme that was
proposed for the comfort and advantage of his fellow creatures. For this
conduct he was highly esteemed and respected, and, indeed, his hostility
to any interference with disease, had procured him the honor of a public
testimonial; shortly after the presentation of which, with several neat
speeches, the cholera broke out in Beetlebury.
The truth is, that Mr. Blenkinsop's views on the subject of public
health and popular institutions were supposed to be economical (though
they were, in truth, desperately costly), and so pleased some of the
rate-payers. Besides, he withstood ameliorations, and defended nuisances
and abuses with all the heartiness of an actual philanthropist.
Moreover, he was a jovial fellow--a boon companion; and his love of
antiquity leant particularly toward old ale and old port wine. Of both
of these beverages he had been partaking rather largely at a
visitation-dinner, where, after the retirement of the bishop and his
clergy, festivities were kept up till late, under the presidency of the
deputy-registrar. One of the last to quit the Crown and Mitre was Mr.
Blenkinsop.
He lived in a remote part of the town, whither, as he did not walk
exactly in a right line, it may be allowable perhaps, to say that he
bent his course. Many of the dwellers in Beetlebury High-street,
awakened at half-past twelve on that night, by somebody passing below,
singing, not very distinctly,
"With a jolly full bottle let each man be armed,"
were indebted, little as they may have suspected it, to Alderman
Blenkinsop, for their serenade.
In his homeward way stood the Market Cross; a fine medieval structure,
supported on a series of circular steps by a groined arch, which served
as a canopy to the stone figure of an ancient burgess. This was the
effigies of Wynkyn de Vokes, once mayor of Beetlebury, and a great
benefactor to the town; in which he had founded almhouses and a
grammar-school, A.D. 1440. The post was formerly occupied by St.
Wulfstan; but De Vokes had been removed from the Town Hall in Cromwell's
time, and promoted to the vacant pedestal, _vice_ Wulfstan, demolished.
Mr. Blenkinsop highly revered this work of art, and he now stopped to
take a view of it by moonlight. In that doubtful glimmer, it seemed
almost life-like. Mr. Blenkinsop had not much imagination, yet he could
well nigh fancy he was looking upon the veritable Wynkyn, with his
bonnet, beard, furred gown, and staff, and his great book under his arm.
So vivid was this impression, that it impelled him to apostrophize the
statue.
"Fine old fellow!" said Mr. Blenkinsop. "Rare old buck! We shall never
look upon your like again. Ah! the good old times--the jolly good old
times! No times like the good old times, my ancient worthy. No such
times as the good old times!"
"And pray, sir, what times do you call the good old times?" in distinct
and deliberate accents, answered--according to the positive affirmation
of Mr. Blenkinsop, subsequently made before divers witnesses--the
Statue.
Mr. Blenkinsop is sure that he was in the perfect possession of his
senses. He is certain that he was not the dupe of ventriloquism, or any
other illusion. The value of these convictions must be a question
between him and the world, to whose perusal the facts of his tale,
simply as stated by himself, are here submitted.
When first he heard the Statue speak, Mr. Blenkinsop says, he certainly
experienced a kind of sudden shock, a momentary feeling of
consternation. But this soon abated in a wonderful manner. The Statue's
voice was quite mild and gentle--not in the least grim--had no funereal
twang in it, and was quite different from the tone a statue might be
expected to take by any body who had derived his notions on that subject
from having heard the representative of the class in "Don Giovanni."
"Well, what times do you mean by the good old times?" repeated the
Statue, quite familiarly. The churchwarden was able to reply with some
composure, that such a question coming from such a quarter had taken him
a little by surprise.
"Come, come, Mr. Blenkinsop," said the Statue, "don't be astonished.
'Tis half-past twelve, and a moonlight night, as your favorite police,
the sleepy and infirm old watchman, says. Don't you know that we statues
are apt to speak when spoken to, at these hours? Collect yourself. I
will help you to answer my own question. Let us go back step by step;
and allow me to lead you. To begin. By the good old times, do you mean
the reign of George the Third?"
"The last of them, sir," replied Mr. Blenkinsop, very respectfully, "I
am inclined to think, were seen by the people who lived in those days."
"I should hope so," the Statue replied. "Those the good old old times?
What! Mr. Blenkinsop, when men were hanged by dozens, almost weekly, for
paltry thefts. When a nursing woman was dragged to the gallows with a
child at her breast, for shop-lifting, to the value of a shilling. When
you lost your American colonies, and plunged into war with France,
which, to say nothing of the useless bloodshed it cost, has left you
saddled with the national debt. Surely you will not call these the good
old times, will you, Mr. Blenkinsop?"
"Not exactly, sir; no, on reflection I don't know that I can," answered
Mr. Blenkinsop. He had now--it was such a civil, well-spoken
statue--lost all sense of the preternatural horror of his situation, and
scratched his head, just as if he had been posed in argument by an
ordinary mortal.
"Well then," resumed the Statue, "my dear sir, shall we take the two or
three reigns preceding? What think you of the then existing state of
prisons and prison discipline? Unfortunate debtors confined
indiscriminately with felons, in the midst of filth, vice, and misery
unspeakable. Criminals under sentence of death tippling in the condemned
cell, with the Ordinary for their pot-companion. Flogging, a common
punishment of women convicted of larceny. What say you of the times when
London streets were absolutely dangerous, and the passenger ran the risk
of being hustled and robbed even in the daytime? When not only Hounslow
and Bagshot Heath, but the public roads swarmed with robbers, and a
stage-coach was as frequently plundered as a hen-roost. When, indeed,
'the road' was esteemed the legitimate resource of a gentleman in
difficulties, and a highwayman was commonly called 'Captain'--if not
respected accordingly. When cock-fighting, bear-baiting, and
bull-baiting were popular, nay, fashionable amusements. When the bulk of
the landed gentry could barely read and write, and divided their time
between fox-hunting and guzzling. When duelist was a hero, and it was an
honor to have 'killed your man.' When a gentleman could hardly open his
mouth without uttering a profane or filthy oath. When the country was
continually in peril of civil war; through a disputed succession; and
two murderous insurrections, followed by more murderous executions,
actually took place. This era of inhumanity, shamelessness, brigandage,
brutality, and personal and political insecurity, what say you of it,
Mr. Blenkinsop? Do you regard this wig and pigtail period as
constituting the good old times, respected friend?"
"There was Queen Anne's golden reign, sir," deferentially suggested Mr.
Blenkinsop.
"A golden reign!" exclaimed the Statue. "A reign of favoritism and court
trickery at home, and profitless war abroad. The time of Bolingbroke's,
and Harley's, and Churchill's intrigues. The reign of Sarah, Duchess of
Marlborough and of Mrs. Masham. A golden fiddlestick! I imagine you must
go farther back yet for your good old times, Mr. Blenkinsop."
"Well," answered the churchwarden, "I suppose I must, sir, after what
you say."
"Take William the Third's rule," pursued the Statue. "War, war again;
nothing but war. I don't think you'll particularly call these the good
old times. Then what will you say to those of James the Second? Were
they the good old times when Judge Jefferies sat on the bench? When
Monmouth's rebellion was followed by the Bloody Assize. When the king
tried to set himself above the law, and lost his crown in consequence.
Does your worship fancy these were the good old times?"
Mr. Blenkinsop admitted that he could not very well imagine that they
were.
"Were Charles the Second's the good old times?" demanded the Statue.
"With a court full of riot and debauchery; a palace much less decent
than any modern casino; while Scotch Covenanters were having their legs
crushed in the 'Boots,' under the auspices and personal superintendence
of His Royal Highness the Duke of York. The time of Titus Oates, Bedloe,
and Dangerfield, and their sham plots, with the hangings, drawings, and
quarterings, on perjured evidence, that followed them. When Russell and
Sidney were judicially murdered. The time of the great plague and fire
of London. The public money wasted by roguery and embezzlement, while
sailors lay starving in the streets for want of their just pay; the
Dutch about the same time burning our ships in the Medway. My friend, I
think you will hardly call the scandalous monarchy of the 'Merry
Monarch' the good old times."
"I feel the difficulty which you suggest, sir," owned Mr. Blenkinsop.
"Now, that a man of your loyalty," pursued the Statue, "should identify
the good old times with Cromwell's Protectorate, is, of course, out of
the question."
"Decidedly, sir!" exclaimed Mr. Blenkinsop. "_He_ shall not have a
statue, though you enjoy that honor," bowing.
"And yet," said the Statue, "with all its faults, this era was perhaps
no worse than any we have discussed yet. Never mind! It was a dreary,
cant-ridden one, and if you don't think those England's palmy days,
neither do I. There's the previous reign, then. During the first part of
it, there was the king endeavoring to assert arbitrary power. During the
latter, the Parliament were fighting against him in the open field. What
ultimately became of him I need not say. At what stage of King Charles
the First's career did the good old times exist, Mr. Alderman? I need
barely mention the Star Chamber and poor Prynne; and I merely allude to
the fate of Strafford and of Laud. On consideration, should you fix the
good old times any where thereabouts?"
"I am afraid not, indeed, sir," Mr. Blenkinsop responded, tapping his
forehead.
"What is your opinion of James the First's reign? Are you enamored of
the good old times of the Gunpowder Plot? or when Sir Walter Raleigh was
beheaded? or when hundreds of poor, miserable old women were burnt alive
for witchcraft, and the royal wiseacre on the throne wrote as wise a
book, in defense of the execrable superstition through which they
suffered?"
Mr. Blenkinsop confessed himself obliged to give up the times of James
the First.
"Now, then," continued the Statue, "we come to Elizabeth."
"There I've got you!" interrupted Mr Blenkinsop, exultingly. "I beg your
pardon, sir," he added, with a sense of the freedom he had taken; "but
everybody talks of the times of Good Queen Bess, you know."
"Ha, ha!" laughed the Statue, not at all like Zamiel, or Don Guzman, or
a pavior's rammer, but really with unaffected gayety. "Everybody
sometimes says very foolish things. Suppose Everybody's lot had been
cast under Elizabeth! How would Everybody have relished being subject to
the jurisdiction of the Ecclesiastical Commission, with its power of
imprisonment, rack, and torture? How would Everybody have liked to see
his Roman Catholic and Dissenting fellow-subjects butchered, fined, and
imprisoned for their opinions; and charitable ladies butchered, too, for
giving them shelter in the sweet compassion of their hearts? What would
Everybody have thought of the murder of Mary Queen of Scots? Would
Everybody, would Anybody, would _you_, wish to have lived in these days,
whose emblems are cropped ears, pillory, stocks, thumb-screws, gibbet,
ax, chopping-block, and scavenger's daughter? Will you take your stand
upon this stage of history for the good old times, Mr. Blenkinsop?"
"I should rather prefer firmer and safer ground, to be sure, upon the
whole," answered the worshiper of antiquity, dubiously.
"Well, now," said the Statue, "'tis getting late, and, unaccustomed as I
am to conversational speaking, I must be brief. Were those the good old
times when Sanguinary Mary roasted bishops, and lighted the fires of
Smithfield? When Henry the Eighth, the British Bluebeard, cut his wives
heads off, and burnt Catholic and Protestant at the same stake? When
Richard the Third smothered his nephews in the Tower? When the Wars of
the Roses deluged the land with blood? When Jack Cade marched upon
London? When we were disgracefully driven out of France under Henry the
Sixth, or, as disgracefully, went marauding there, under Henry the
Fifth? Were the good old times those of Northumberland's rebellion? Of
Richard the Second's assassination? Of the battles, burnings, massacres,
cruel tormentings, and atrocities, which form the sum of the Plantagenet
reigns? Of John's declaring himself the Pope's vassal, and performing
dental operations on the Jews? Of the Forest Laws and Curfew under the
Norman kings? At what point of this series of bloody and cruel annals
will you place the times which you praise? Or do your good old times
extend over all that period when somebody or other was constantly
committing high treason, and there was a perpetual exhibition of heads
on London Bridge and Temple Bar?"
It was allowed by Mr. Blenkinsop that either alternative presented
considerable difficulty.
"Was it in the good old times that Harold fell at Hastings, and William
the Conqueror enslaved England? Were those blissful years the ages of
monkery; of Odo and Dunstan, bearding monarchs and branding queens? Of
Danish ravage and slaughter? Or were they those of the Saxon Heptarchy,
and the worship of Thor and Odin? Of the advent of Hengist and Horsa? Of
British subjugation by the Romans? Or, lastly, must we go back to the
ancient Britons, Druidism, and human sacrifices, and say that those were
the real, unadulterated, genuine, good old times, when the true-blue
natives of this island went naked, painted with woad?"
"Upon my word, sir," said Mr. Blenkinsop, "after the observations that I
have heard from you this night, I acknowledge that I _do_ feel myself
rather at a loss to assign a precise period to the times in question."
"Shall I do it for you?" asked the Statue.
"If you please, sir. I should be very much obliged if you would,"
replied the bewildered Blenkinsop, greatly relieved.
"The best times, Mr. Blenkinsop," said the Statue, "are the oldest. They
are the wisest; for the older the world grows, the more experience it
acquires. It is older now than ever it was. The oldest and best times
the world has yet seen are the present. These, so far as we have yet
gone, are the genuine good old times, sir."
"Indeed, sir!" ejaculated the astonished alderman.
"Yes, my good friend. These are the best times that we know of--bad as
the best may be. But in proportion to their defects, they afford room
for amendment. Mind that, sir, in the future exercise of your municipal
and political wisdom. Don't continue to stand in the light which is
gradually illuminating human darkness. The Future is the date of that
happy period which your imagination has fixed in the Past. It will
arrive when all shall do what in right; hence none shall suffer what is
wrong. The true good old times are yet to come."
"Have you any idea when, sir?" Mr. Blenkinsop inquired, modestly.
"That is a little beyond me," the Statue answered. "I can not say how
long it will take to convert the Blenkinsops. I devoutly wish you may
live to see them. And with that, I wish you good-night, Mr. Blenkinsop."
"Sir," returned Mr. Blenkinsop, with a profound bow, "I have the honor
to wish you the same."
Mr. Blenkinsop returned home an altered man. This was soon manifest. In
a few days he astonished the Corporation by proposing the appointment of
an Officer of Health to preside over the sanitary affairs of Beetlebury.
It had already transpired that he had consented to the introduction of
lucifer-matches into his domestic establishment, in which, previously,
he had insisted on sticking to the old tinder-box. Next, to the wonder
of all Beetlebury, he was the first to propose a great, new school, and
to sign a requisition that a county penitentiary might be established
for the reformation of juvenile offenders. The last account of him is,
that he has not only become a subscriber to the mechanics' institute,
but that he actually presided there at, lately, on the occasion of a
lecture on Geology.
The remarkable change which has occurred in Mr. Blenkinsop's views and
principles, he himself refers to his conversation with the Statue, as
above related. That narrative, however, his fellow-townsmen receive with
incredulous expressions, accompanied by gestures and grimaces of like
import. They hint, that Mr. Blenkinsop had been thinking for himself a
little, and only wanted a plausible excuse for recanting his errors.
Most of his fellow-aldermen believe him mad; not less on account of his
new moral and political sentiments, so very different from their own,
than of his Statue story. When it has been suggested to them that he has
only had his spectacles cleaned, and has been looking about him, they
shake their heads, and say that he had better have left his spectacles
alone, and that a little knowledge is a dangerous thing, and a good deal
of dirt quite the contrary. _Their_ spectacles have never been cleaned,
they say, and any one may see they don't want cleaning.
The truth seems to be, that Mr. Blenkinsop has found an altogether new
pair of spectacles, which enable him to see in the right direction.
Formerly, he could only look backward; he now looks forward to the grand
object that all human eyes should have in view--progressive improvement.
He who can not live well to-day, will be less qualified to live well
to-morrow.--MARTIAL.
Men are harassed, not by things themselves but by opinions respecting
them.--EPICTETUS.
[From the Dublin University Magazine.]
MEMOIRS OF THE FIRST DUCHESS OF ORLEANS.
While the fortunes of the last Duchess of Orleans are still in
uncertainty, it may not be unpleasing to read something of the family
and character of the first princess who bore that title. The retrospect
will carry us back to stirring times, and make us acquainted with the
virtues and sufferings, as well as the crimes, which mark the family
history of the great European houses. The story of Valentina Visconti
links the history of Milan with that of Paris, and imparts an Italian
grace and tenderness to the French annals. Yet although herself one of
the gentlest of women, she was sprung from the fiercest of men. The
history of the rise and progress of the family of Visconti is, in truth,
one of the most characteristic that the Lombardic annalists have
preserved.
The Sforzias, called Visconti from their hereditary office of
_Vicecomes_, or temporal vicar of the Emperor, were a marked and
peculiar race. With the most ferocious qualities, they combined high
intellectual refinement, and an elegant and cultivated taste, in all
that was excellent in art, architecture, poetry, and classical learning.
The founder of the family was Otho, Archbishop of Milan at the close of
the 13th century. He extended his vicarial authority into a virtual
sovereignty of the Lombard towns, acknowledging only the German Emperor
as his feudal lord. This self-constituted authority he transmitted to
his nephew Matteo, "Il grande." In the powerful hands of Matteo the
Magnificent, Milan became the capital of a virtual Lombardic kingdom.
Three of the sons of Matteo were successively "tyrants" of Milan, the
designation being probably used in its classical, rather than its modern
sense. Galeazzo, the eldest, was succeeded by his son Azzo, the only one
of the male representatives of the Visconti who exhibited any of the
milder characteristics befitting the character of a virtuous prince.
Luchino, his uncle and successor, was, however, a patron of learning,
and has had the good fortune to transmit his name to us in illustrious
company. At his court, in other respects contaminated by vice, and made
infamous by cruelty, the poet Petrarch found a home and a munificent
patron. Luchino cultivated his friendship. The poet was not above
repaying attentions so acceptable by a no less acceptable flattery.
Petrarch's epistle, eulogizing the virtues and recounting the glory of
the tyrant, remains a humiliating record of the power of wealth and
greatness, and the pliability of genius.
Luchino's fate was characteristic. His wife, Isabella of Fieschi, had
frequently suffered from his caprice and jealousy; at length she learned
that he had resolved on putting her to death. Forced to anticipate his
cruel intent, she poisoned him with the very drugs he had designed for
her destruction.
Luchino was succeeded by his brother Giovanni, Archbishop of Milan, the
ablest of the sons of Matteo. Under his unscrupulous administration the
Milanese territory was extended, until almost the whole of Lombardy was
brought under the yoke of the vigorous and subtle tyrant. Although an
ecclesiastic, he was as prompt to use the temporal as the spiritual
sword. On his accession to power, Pope Clement the Sixth, then resident
at Avignon, summoned him to appear at his tribunal to answer certain
charges of heresy and schism. The papal legate sent with this commission
had a further demand to make on behalf of the Pontiff--the restitution
of Bologna, a fief of the church, which had been seized by the Milanese
prelate, Giovanni Visconti, as well as the cession, by the latter, of
either his temporal or spiritual authority, which the legate declared
could not be lawfully united in the person of an archbishop. Giovanni
insisted that the legate should repeat the propositions with which he
was charged at church on the following Sunday: as prince and bishop he
could only receive such a message in the presence of his subjects and
the clergy of his province. On the appointed day, the archbishop having
celebrated high-mass with unusual splendor, the legate announced the
message with which he was charged by his Holiness. The people listened
in silence, expecting a great discussion. But their astonishment was not
greater than that of the legate, when Archbishop Giovanni stepped forth,
with his crucifix in one hand, while with the other he drew from beneath
his sacerdotal robes a naked sword, and exclaimed, "Behold the spiritual
and temporal arms of Giovanni Visconti! By the help of God, with the one
I will defend the other."
The legate could obtain no other answer save that the archbishop
declared that he had no intention of disobeying the pontiff's citation
to appear at Avignon. He accordingly prepared, indeed, to enter such an
appearance as would prevent citations of that kind in future.
He sent, as his precursor, a confidential secretary, with orders to make
suitable preparations for his reception. Thus commissioned, the
secretary proceeded to hire every vacant house in the city and
surrounding neighborhood, within a circuit of several miles; and made
enormous contracts for the supply of furniture and provisions for the
use of the archbishop and his suite. These astounding preparations soon
reached the ears of Clement. He sent for the secretary, and demanded the
meaning of these extraordinary proceedings. The secretary replied, that
he had instructions from his master, the Archbishop of Milan, to provide
for the reception of 12,000 knights and 6,000 foot soldiers, exclusive
of the Milanese gentlemen who would accompany their lord when he
appeared at Avignon, in compliance with his Holiness's summons. Clement,
quite unprepared for such a visit, only thought how he should extricate
himself from so great a dilemma. He wrote to the haughty Visconti,
begging that he would not put himself to the inconvenience of such a
journey: and, lest this should not be sufficient to deter him, proposed
to grant him the investiture of Bologna--the matter in dispute between
them--for a sum of money: a proposal readily assented to by the wealthy
archbishop.
Giovanni Visconti bequeathed to the three sons of his brother Stephano a
well-consolidated power; and, for that age, an enormous accumulation of
wealth. The Visconti were the most skillful of financiers. Without
overburthening their subjects, they had ever a well-filled
treasury--frequently recruited, it is true, by the plunder of their
enemies, or replenished by the contributions they levied on neighboring
cities. The uniform success which attended their negotiations in these
respects, encouraged them in that intermeddling policy they so often
pursued. We can scarcely read without a smile the proclamations of their
generals to the inoffensive cities, of whose affairs they so kindly
undertook the unsolicited management.
"It is no unworthy design which has brought us hither," the general
would say to the citizens of the towns selected for these disinterested
interventions; "we are here to re-establish order, to destroy the
dissensions and secret animosities which divide the people (say) of
Tuscany. We have formed the unalterable resolution to reform the abuses
which abound in all the Tuscan cities. If we can not attain our object
by mild persuasions, we will succeed by the strong hand of power. Our
chief has commanded us to conduct his armies to the gates of your city,
to attack you at our swords' point, and to deliver over your property to
be pillaged, unless (solely for your own advantage) you show yourselves
pliant in conforming to his benevolent advice."
Giovanni Visconti, as we have intimated, was succeeded by his nephews.
The two younger evinced the daring military talent which distinguished
their race. Matteo, the eldest, on the contrary, abandoned himself to
effeminate indulgences. His brothers, Bernabos and Galeazzo, would have
been well pleased that he should remain a mere cipher, leaving the
management of affairs in their hands; but they soon found that his
unrestrained licentiousness endangered the sovereignty of all. On one
occasion a complaint was carried to the younger brothers by an
influential citizen. Matteo Visconti, having heard that this citizen's
wife was possessed of great personal attractions, sent for her husband,
and informed him that he designed her for an inmate of his palace,
commanding him, upon pain of death, to fetch her immediately. The
indignant burgher, in his perplexity, claimed the protection of Bernabos
and Galeazzo. The brothers perceived that inconvenient consequences were
likely to ensue. A dose of poison, that very day, terminated the brief
career of Matteo the voluptuous.
Of the three brothers, Bernabos was the most warlike and the most cruel;
Galeazzo the most subtle and politic. Laboring to cement his power by
foreign alliances, he purchased from John, king of France, his
daughter, Isabelle de Valois, as the bride of his young son and heir;
and procured the hand of Lionel, Duke of Clarence, son of Edward III. of
England, for his daughter Violante. While Galeazzo pursued these
peaceful modes of aggrandizement, Bernabos waged successful war on his
neighbors, subjecting to the most refined cruelties all who questioned
his authority. It was he who first reduced the practice of the torture
to a perfect system, extending over a period of forty-one days. During
this period, every alternate day, the miserable victim suffered the loss
of some of his members--an eye, a finger, an ear--until at last his
torments ended on the fatal wheel. Pope after pope struggled in vain
against these powerful tyrants. They laughed at excommunication, or only
marked the fulmination of a papal bull by some fresh act of oppression
on the clergy subject to their authority. On one occasion Urban the
Fifth sent Bernabos his bull of excommunication, by two legates.
Bernabos received the pontifical message unmoved. He manifested no
irritation--no resentment; but courteously escorted the legates, on
their return, as far as one of the principal bridges in Milan. Here he
paused, about to take leave of them. "It would be inhospitable to permit
you to depart," he said, addressing the legates, "without some
refreshment; choose--will you eat or drink?" The legates, terrified at
the tone in which the compliment was conveyed, declined his proffered
civility. "Not so," he exclaimed, with a terrible oath; "you shall not
leave my city without some remembrance of me; say, will you eat or
drink?" The affrighted legates, perceiving themselves surrounded by the
guards of the tyrant, and in immediate proximity to the river, felt no
taste for drinking. "We had rather eat," said they; "the _sight_ of so
much water is sufficient to quench our thirst." "Well, then," rejoined
Bernabos, "here are the bulls of excommunication which you have brought
to me; you shall not pass this bridge until you have eaten, in my
presence, the parchments on which they are written, the leaden seals
affixed to them, and the silken cords by which they are attached." The
legates urged in vain the sacred character of their offices of
embassador and priest: Bernabos kept his word; and they were left to
digest the insult as best they might. Bernabos and his brother, after
having disposed of Matteo, became, as companions in crime usually do,
suspicious of one another. In particular, each feared that the other
would poison him. Those banquets and entertainments to which they
treated one another must have been scenes of magnificent discomfort.
Galeazzo died first. His son, Giovanni-Galeazzo, succeeded, and matched
the unscrupulous ambition of his uncle with a subtlety equal to his own.
Not satisfied with a divided sway, he maneuvered unceasingly until he
made himself master of the persons of Bernabos and his two sons. The
former he kept a close prisoner for seven months, and afterward put to
death by poison. The cruelty and pride of Bernabos had rendered him so
odious to his subjects, that they made no effort on his behalf, but
submitted without opposition to the milder government of
Giovanni-Galeazzo. He was no less successful in obtaining another object
of his ambition. He received from the Emperor Wenceslaus the investiture
and dukedom of Milan, for which he paid the sum of 100,000 florins, and
now saw himself undisputed master of Lombardy.
The court of Milan, during such a period, seems a strange theatre for
the display of graceful and feminine virtues. Yet it was here, and under
the immediate eye of her father, this very Giovanni-Galeazzo, that
Valentina Visconti, one of the most amiable female characters of
history, passed the early days of her eventful life. As the naturalist
culls a wild flower from the brink of the volcano, the historian of the
dynasty of Milan pauses to contemplate her pure and graceful character,
presenting itself among the tyrants, poisoners, murderers, and infidels
who founded the power and amassed the wealth of her family. It would be
sad to think that the families of the wicked men of history partook of
the crimes of their parents. But we must remember that virtue has little
charm for the annalist; he records what is most calculated to excite
surprise or awake horror, but takes no notice of the unobtrusive
ongoings of those who live and die in peace and quietness. We may be
sure that among the patrons of Petrarch there was no want of refinement,
or of the domestic amenities with which a youthful princess, and only
child, ought to be surrounded. In fact, we have been left the most
permanent and practical evidences of the capacity of these tyrants for
the enjoyment of the beautiful. The majestic cathedral of Milan is a
monument of the noble architectural taste of Valentina's father. In the
midst of donjons and fortress-palaces it rose, an embodiment of the
refining influence of religion; bearing in many respects a likeness to
the fair and innocent being whose fortunes we are about to narrate, and
who assisted at its foundation. The progress of the building was slow;
it was not till a more magnificent usurper than any of the Visconti
assumed the iron-crown of Lombardy, in our own generation, that the
general design of the Duomo of Milan was completed. Many of the details
still remain unfinished; many statues to be placed on their pinnacles;
some to be replaced on the marble stands from which they were overthrown
by the cannon of Radetski. Of the old castle of the Visconti two
circular towers and a curtain wall alone remain: its court-yard is
converted into a barrack, its moats filled up, its terraced gardens laid
down as an esplanade for the troops of the Austrian garrison. The family
of the Visconti have perished. Milan, so long the scene of their glory,
and afterward the battle-ground of contending claimants, whose title was
derived through them, has ceased to be the capital of a free and
powerful Italian state: but the Cathedral, after a growth of nearly
four centuries, is still growing; and the name of the gentle Valentina,
so early associated with the majestic Gothic edifice, "smells sweet, and
blossoms in the dust."
The year after the foundation of the Duomo, Valentina Visconti became
the bride of Louis Duke of Orleans, only brother to the reigning monarch
of France, Charles VI. Their politic father, the wise King Charles, had
repaired the disasters occasioned by the successful English invasion,
and the long captivity of John the Second. The marriage of Valentina and
Louis was considered highly desirable by all parties. The important town
of Asti, with an immense marriage portion in money, was bestowed by
Giovanni-Galeazzo on his daughter. A brilliant escort of the Lombard
chivalry accompanied the "promessa sposa" to the French frontier.
Charles VI. made the most magnificent preparations for the reception of
his destined sister-in-law. The weak but amiable monarch, ever
delighting in fetes and entertainments, could gratify his childish
taste, while displaying a delicate consideration and brotherly regard
for Louis of Orleans. The marriage was to be celebrated at Melun.
Fountains of milk and choice wine played to the astonishment and delight
of the bourgeois. There were jousts and tournaments, masks, and
banquets, welcoming the richly-dowered daughter of Milan. All promised a
life of secured happiness; she was wedded to the brave and chivalrous
Louis of Orleans, the pride and darling of France. He was eminently
handsome; and his gay, graceful, and affable manners gained for him the
strong personal attachment of all who surrounded him. But, alas! for
Valentina and her dream of happiness, Louis was a profligate; she found
herself, from the first moment of her marriage, a neglected wife: her
modest charms and gentle deportment had no attractions for her volatile
husband. The early years of her wedded life were passed in solitude and
uncomplaining sorrow. She bore her wrongs in dignified silence. Her
quiet endurance, her pensive gentleness, never for a moment yielded; nor
was she ever heard to express an angry or bitter sentiment. Still she
was not without some consolation; she became the mother of promising
children, on whom she could bestow the treasures of love and tenderness,
of the value of which the dissolute Louis was insensible. Affliction now
began to visit the French palace. Charles VI. had long shown evidences
of a weak intellect. The events of his youth had shaken a mind never
robust: indeed they were such as one can not read of even now without
emotion.
During his long minority the country, which, under the prudent
administration of his father, had well nigh recovered the defeats of
Cressy and Poietiers, had been torn by intestine commotions. The regency
was in the hands of the young king's uncles, the dukes of Anjou and
Burgundy. The latter inheriting by his wife, who was heiress of
Flanders, the rich provinces bordering France on the northeast, in
addition to his province of Burgundy, found himself, in some respects,
more powerful than his sovereign. The commercial prosperity of the Low
Countries filled his coffers with money, and the hardy Burgundian
population gave him, at command, a bold and intrepid soldiery.
From his earliest years, Charles had manifested a passion for the chase.
When about twelve years old, in the forest of Senlis, he had encountered
a stag, bearing a collar with the inscription, "_Caesar hoc mihi
donavit_." This wonderful stag appeared to him in a dream a few years
afterward, as he lay in his tent before Roosebeke in Flanders, whither
he had been led by his uncle of Burgundy to quell an insurrection of the
citizens of Ghent, headed by the famous Philip van Artevelde. Great had
been the preparations of the turbulent burghers. Protected by their
massive armor, they formed themselves into a solid square bristling with
pikes. The French cavalry, armed with lances, eagerly waited for the
signal of attack. The signal was to be the unfurling of the oriflamme,
the sacred banner of France, which had never before been displayed but
when battling against infidels. It had been determined, on this
occasion, to use it against the Flemings because they rejected the
authority of Pope Clement, calling themselves Urbanists, and were
consequently looked on by the French as excluded from the pale of the
church. As the young king unfurled this formidable banner, the sun,
which had for days been obscured by a lurid fog, suddenly shone forth
with unwonted brilliancy. A dove, which had long hovered over the king's
battalion, at the same time settled on the flag-staff.
"Now, by the lips of those you love, fair gentlemen of France,
Charge for the golden lilies--upon them with the lance!"
The French chivalry did indeed execute a memorable charge on these
burghers of Ghent. Their lance points reached a yard beyond the heads of
the Flemish pikes. The Flemings, unable to return or parry their
thrusts, fell back on all sides. The immense central mass of human
beings thus forcibly compressed, shrieked and struggled in vain. Gasping
for breath, they perished, _en masse_, suffocated by the compression,
and crushed under the weight of their heavy armor. A reward had been
offered for the body of Philip van Artevelde: it was found amid a heap
of slain, and brought to the king's pavilion. The young monarch gazed on
the mortal remains of his foe, but no wound could be discovered on the
body of the Flemish leader--he had perished from suffocation. The corpse
was afterward hanged on the nearest tree. When the king surveyed this
horrible yet bloodless field, the appalling spectacle of this mass of
dead, amounting, it is said, to 34,000 corpses, was more than his mind
could bear. From this period unmistakable evidences of his malady became
apparent. The marvelous stag took possession of his fancy; it seemed to
him the emblem of victory, and he caused it to be introduced among the
heraldic insignia of the kingdom.
In his sixteenth year, the king selected, as the partner of his throne,
the beautiful Isabeau of Bavaria. She also was a Visconti by the
mother's side, her father having wedded one of the daughters of
Bernabos. In her honor various costly fetes had been given. On one of
these occasions the royal bridegroom displayed his eccentricity in a
characteristic manner. The chroniclers of the time have given us very
detailed accounts of these entertainments. The costumes were
extravagantly fantastic: ladies carried on their head an enormous
_hennin_, a very cumbrous kind of head-dress, surmounted by horns of
such dimensions, that their exit or entrance into an apartment was a
work of considerable difficulty. The shoes were equally absurd and
inconvenient; their pointed extremities, half a yard in length, were
turned up and fastened to the knees in various grotesque forms. The
robes, the long open sleeves of which swept the ground, were emblazoned
with strange devices. Among the personal effects of one of the royal
princes we find an inventory of about a thousand pearls used in
embroidering on a robe the words and music of a popular song.
The chronicle of the _Religieux de St. Denis_ describes one of these
masked balls, which was held in the court-yard of that venerable abbey,
temporarily roofed over with tapestries for the occasion. The sons of
the Duke of Anjou, cousins of the king, were prepared to invade Naples,
in right of their father, to whom Joanna of Naples had devised that
inheritance. Previous to their departure, their royal cousin resolved to
confer on them the order of knighthood. An immense concourse of guests
were invited to witness the splendid ceremonial, and take part in the
jousts and tournaments which were to follow. The king had selected a
strange scene for these gay doings. The Abbey of St. Denis was the last
resting-place of the kings of France. Here mouldered the mortal remains
of his predecessors, and here were to repose his bones when he, too,
should be "gathered to his fathers." The celebrated "Captain of the
Companies," the famous du Guesclin, the saviour of France in the reign
of his father, had paid the debt of nature many years before, and
reposed there among the mortal remains of those whose throne he had
guarded so well. The astonishment of the guests was extreme, when it
appeared that the exhumation and reinterment of du Guesclin formed part
of the programme of the revels. The old warrior was taken up, the
funeral rites solemnly gone through, three hundred livres appropriated
to the pious use of masses for his soul, and the revelers dismissed to
meditate on the royal eccentricities.
The murder of the Constable of France, Oliver de Clisson, followed soon
after, and quite completed the break down of poor Charles's mind. This
powerful officer of the crown had long been feared and hated by the
great feudal lords especially by the Duke of Brittany, who entertained
an absurd jealousy of the one-eyed hero. Although Clisson, by his
decisive victory at Auray, had secured to him the contested dukedom of
Brittany, the jealous duke treacherously arrested his benefactor and
guest, whom he kept prisoner in the dungeons of his castle of La Motte.
In the first transports of his fury the duke had given orders that de
Clisson should be put to death; but his servants, fearing the
consequences of so audacious an act, left his commands unexecuted.
Eventually, the Constable was permitted by his captor to purchase his
freedom, a condition which was no sooner complied with, than the duke
repented having allowed his foe to escape from his hands. He now
suborned Pierre de Craon, a personal enemy of de Clisson, to be the
executioner of his vengeance. The Constable was returning to his hotel,
having spent a festive evening with his sovereign, when he was set on by
his assassins. He fell, covered with wounds, and was left for dead. To
increase his torments, the murderer announced to him, as he fell, his
name and motives. But, though severely injured, Clisson was yet alive.
The noise of the conflict reached the king, who was just retiring to
rest. He hastened to the spot. His bleeding minister clung to his robe,
and implored him to swear that he should be avenged.
"My fidelity to your majesty has raised up for me powerful enemies: this
is my only crime. Whether I recover or perish from my wounds, swear to
me that I shall not be unavenged."
"I shall never rest, so help me God," replied the excited monarch,
"until the authors of this audacious crime shall be brought to justice."
Charles kept his word. Although suffering from fever, the result of this
night's alarm and exposure, he collected a considerable army, and
marched for Brittany. His impatient eagerness knew no bounds. Through
the sultry, noonday heat, over the arid plains and dense forests of
Brittany, he pursued the assassin of his Constable. He rode the foremost
of his host; often silently and alone. One day, having undergone great
personal fatigue, he had closed his eyes, still riding forward, when he
was aroused by the violent curveting of his steed, whose bridle had been
seized by a wild-looking man, singularly clad.
"Turn back, turn back, noble king," cried he; "to proceed further is
certain death, you are betrayed!" Having uttered these words, the
stranger disappeared in the recesses of the forest before any one could
advance to arrest him.
The army now traversed a sandy plain, which reflected the intensity of
the solar rays. The king wore a black velvet jerkin, and a cap of
crimson velvet, ornamented with a chaplet of pearls. This ill-selected
costume rendered the heat insufferable. While musing on the strange
occurrence in the forest, he was aroused by the clashing of steel around
him. The page, who bore his lance, had yielded to the drowsy influences
of the oppressive noonday heat, and as he slumbered his lance had fallen
with a ringing sound on the casque of the page before him. The
succession of these alarms quite damaged Charles's intellect. He turned,
in a paroxysm of madness, crying, "Down with the traitors!" and attacked
his own body-guard. All made way, as the mad king assailed them. Several
fell victims to his wildly-aimed thrusts, before he sunk at length,
exhausted by his efforts, a fit of total insensibility followed. His
brother of Orleans and kinsman of Burgundy had him conveyed by slow
stages to Paris.
Charles's recovery was very tedious. Many remedies were tried--charms
and incantations, as well as medicines; but to the great joy of the
people, who had always loved him, his reason was at length pronounced to
be restored, and his physicians recommended him to seek amusement and
diversion in festive entertainments.
Another shock, and Charles VI. became confirmed lunatic. This tragical
termination of an absurd frolic occurred as follows:
On a gala occasion the monarch and five knights of his household
conceived the design of disguising themselves as satyrs. Close-fitting
linen dresses, covered with some bituminous substance, to which was
attached fine flax resembling hair, were stitched on their persons.
Their grotesque figures excited much merriment. The dukes of Orleans and
Bar, who had been supping elsewhere, entered the hall somewhat affected
by their night's dissipation. With inconceivable folly, one of these
tipsy noblemen applied a torch to the covering of one of the satyrs. The
miserable wretch, burning frightfully and hopelessly, rushed through the
hall in horrible torments, shrieking in the agonies of despair. The fire
was rapidly communicated. To those of the satyrs, whose hairy garments
were thus ignited, escape was hopeless. To detach the flaming pitch was
impossible; they writhed and rolled about, but in vain: their tortures
only ended with their lives. One alone beside the king escaped.
Recollecting that the buttery was near, he ran and plunged himself in
the large tub of water provided for washing the plates and dishes. Even
so, he did not escape without serious injuries. The king had been
conversing in his disguise with the young bride of the duke of Berri.
She had recognized him, and with admirable presence of mind and
devotion, she held him fast, covering him with her robe lest a spark
should descend on him. To her care and energy he owed his preservation
from so horrible a fate; but, alas! only to linger for years a miserable
maniac. The terrible spectacle of his companions in harmless frolic
perishing in this dreadful manner before his eyes, completed the wreck
of his already broken intellect. His reason returned but partially. Even
these slight amendments were at rare intervals. He became a squalid and
pitiable object; his person utterly neglected, for his garments could
only be changed by force. His heartless and faithless wife deserted
him--indeed, in his insane fits his detestation of her was
excessive--and neglected their children. One human being only could
soothe and soften him, his sister-in-law, Valentina Visconti.
Charles had always manifested the truest friendship for the neglected
wife of his brother. They were alike unhappy in their domestic
relations; for the gallantries of the beautiful queen were scarcely less
notorious than those of Louis of Orleans; and if scandal spoke truly,
Louis himself was one of the queen's lovers. The brilliant and beautiful
Isabeau was distinguished by the dazzlingly clear and fair complexion of
her German fatherland, and the large lustrous eyes of the Italian. But
Charles detested her, and delighted in the society of Valentina. He was
never happy but when near her. In the violent paroxysms of his malady,
she only could venture to approach him--she alone had influence over the
poor maniac. He yielded to her wishes without opposition; and in his
occasional glimpses of reason, touchingly thanked his "dear sister" for
her watchful care and forbearance.
It must have been a dismal change, even from the barbaric court of
Milan; but Valentina was not a stranger to the consolations which are
ever the reward of those who prove themselves self-sacrificing in the
performance of duty. She was eminently happy in her children. Charles,
her eldest son, early evinced a delicate enthusiasm of mind--the
sensitive organization of genius. He was afterward to become, _par
excellence_, the poet of France. In his childhood he was distinguished
for his amiable disposition and handsome person. Possibly at the time of
which we now write, was laid the foundation of that sincere affection
for his cousin Isabella, eldest daughter of the king, which many years
afterward resulted in their happy union. One of the most touching poems
of Charles of Orleans has been charmingly rendered into English by Mr.
Carey. It is addressed to his deceased wife, who died in child-bed at
the early age of twenty-two.
"To make my lady's obsequies,
My love a minster wrought,
And in the chantry, service there
Was sung by doleful thought.
The tapers were of burning sighs,
That light and odor gave,
And grief, illumined by tears,
Irradiated her grave;
And round about in quaintest guise
Was carved, 'Within this tomb there lies
The fairest thing to mortal eyes.'
"Above her lieth spread a tomb,
Of gold and sapphires blue;
The gold doth mark her blessedness,
The sapphires mark her true;
For blessedness and truth in her
Were livelily portray'd,
When gracious God with both his hands
Her wondrous beauty made;
She was, to speak without disguise,
The fairest thing to mortal eyes.
"No more, no more; my heart doth faint,
When I the life recall
Of her who lived so free from taint,
So virtuous deemed by all;
Who in herself was so complete,
I think that she was ta'en
By God to deck his Paradise,
And with his saints to reign;
For well she doth become the skies,
Whom, while on earth, each one did prize,
The fairest thing to mortal eyes!"
The same delicate taste and sweet sensibility which are here apparent,
break forth in another charming poem by Charles, composed while a
prisoner in England, and descriptive of the same delightful season that
surrounds us with light and harmony, while we write, "le premier
printemps:"
"The Time hath laid his mantle by
Of wind, and rain, and icy chill,
And dons a rich embroidery
Of sunlight pour'd on lake and hill.
"No beast or bird in earth or sky,
Whose voice doth not with gladness thrill;
For Time hath laid his mantle by
Of wind, and rain, and icy dull.
"River and fountain, brook and rill,
Bespangled o'er with livery gay
Of silver droplets, wind their way.
All in their new apparel vie,
For Time hath laid his mantle by."
We have said little of Louis of Orleans, the unfaithful husband of
Valentina. This young prince had many redeeming traits of character. He
was generous, liberal, and gracious; adored by the French people; fondly
loved, even by his neglected wife. His tragical death, assassinated in
cold blood by his cousin, Jean-sans-peur of Burgundy, excited in his
behalf universal pity. Let us review the causes which aroused the
vindictive hostility of the Duke of Burgundy, only to be appeased by the
death of his gay and unsuspicious kinsman.
Among the vain follies of Louis of Orleans, his picture-gallery may be
reckoned the most offensive. Here were suspended the portraits of his
various mistresses; among others he had the audacity to place there the
likeness of the Bavarian princess, wife of Jean-sans-peur. The
resentment of the injured husband may readily be conceived. In addition
to this very natural cause of dislike, these dukes had been rivals for
that political power which the imbecility of Charles the Sixth placed
within their grasp.
The unamiable elements in the character of the Duke of Burgundy had been
called into active exercise in very early life. While Duke de Nevers, he
was defeated at Nicopolis, and made prisoner by Bajazet, surnamed
"Ilderim," or the Thunderer. What rendered this defeat the more
mortifying was, the boastful expectation of success proclaimed by the
Christian army. "If the sky should fall, we could uphold it on our
lances," they exclaimed, but a few hours before their host was
scattered, and its leaders prisoners to the Moslem. Jean-sans-peur was
detained in captivity until an enormous ransom was paid for his
deliverance. Giovanni-Galeazzo was suspected of connivance with Bajazet,
both in bringing the Christians to fight at a disadvantage, and in
putting the Turks on the way of obtaining the heaviest ransoms. The
splenetic irritation of this disaster seems to have clung long after to
the Duke of Burgundy. His character was quite the reverse of that of his
confiding kinsman of Orleans. He was subtle, ambitious, designing,
crafty--dishonorably resorting to guile, where he dared not venture on
overt acts of hostility. For the various reasons we have mentioned, he
bore a secret but intense hatred to his cousin Louis.
In the early winter of 1407, the Duke of Orleans, finding his health
impaired, bade a temporary adieu to the capital, and secluded himself in
his favorite chateau of Beaute. He seems to have been previously
awakened to serious reflections. He had passed much of his time at the
convent of the Celestines, who, among their most precious relics, still
reckon the illuminated manuscript of the Holy Scriptures presented to
them by Louis of Orleans, and bearing his autograph. To this order of
monks he peculiarly attached himself, spending most of the time his
approaching death accorded to him. A spectre, in the solitude of the
cloisters, appeared to him, and bade him prepare to stand in the
presence of his Maker. His friends in the convent, to whom he narrated
the occurrence, contributed by their exhortations to deepen the serious
convictions pressing on his mind. There now seemed a reasonable
expectation that Louis of Orleans would return from his voluntary
solitude at his chateau on the Marne, a wiser and a better man, cured,
by timely reflection, of the only blemish which tarnished the lustre of
his many virtues.
The aged Duke of Berri had long lamented the ill-feeling and hostility
which had separated his nephews of Orleans and Burgundy. It was his
earnest desire to see these discords, so injurious to their true
interests and the well-being of the kingdom, ended by a cordial
reconciliation. He addressed himself to Jean-sans-peur, and met with
unhoped-for success. The Duke of Burgundy professed his willingness to
be reconciled, and acceded with alacrity to his uncle's proposition of a
visit to the invalided Louis. The latter, ever trusting and
warm-hearted, cordially embraced his former enemy. They received the
sacrament together, in token of peace and good-will: the Duke of
Burgundy, accepting the proffered hospitality of his kinsman, promised
to partake of a banquet to be given on this happy occasion by Louis of
Orleans, a few days later.
During the interval the young duke returned to Paris. His sister-in-law,
Queen Isabeau, was then residing at the Hotel Barbette--a noble palace
in a retired neighborhood, with fine gardens, almost completely
secluded. Louis of Orleans, almost unattended, visited the queen, to
condole with her on the loss of her infant, who had survived its birth
but a few days. While they were supping together, Sas de Courteheuze,
valet-de-chambre to Charles VI., arrived with a message to the duke: "My
lord, the king sends for you, and you must instantly hasten to him, for
he has business of great importance to you and to him, which he must
communicate to you this night." Louis of Orleans, never doubting that
this message came from his brother, hastened to obey the summons. His
inconsiderable escort rendered him an easy prey to the ruffians who lay
in wait for him. He was cruelly murdered; his skull cleft open, the
brains scattered on the pavement; his hand so violently severed from the
body, that it was thrown to a considerable distance; the other arm
shattered in two places; and the body frightfully mangled. About
eighteen were concerned in the murder: Raoul d'Oquetonville and Scas de
Courteheuze acted as leaders. They had long waited for an opportunity,
and lodged at an hotel "having for sign the image of Our Lady," near the
Porte Barbette, where, it was afterward discovered, they had waited for
several days for their victim. Thus perished, in the prime of life, the
gay and handsome Louis of Orleans. The mutilated remains were collected,
and removed to the Church of the Guillemins, the nearest place where
they might be deposited. This confraternity were an order of hermits,
who had succeeded to the church convent of the Blanc Manteax, instituted
by St. Louis.
The church of the Guillemins was soon crowded by the friends and
relatives of the murdered prince. All concurred in execrating the author
or authors of this horrid deed. Suspicion at first fell upon Sir Aubert
de Canny, who had good reason for hating the deceased duke. Louis of
Orleans, some years previously, had carried off his wife, Marietta
D'Enghein, and kept her openly until she had borne him a son, afterward
the celebrated Dunois. Immediate orders were issued by the king for the
arrest of the Knight of Canny. Great sympathy was felt for the widowed
Valentina, and her young and fatherless children. No one expressed
himself more strongly than the Duke of Burgundy. He sent a kind message
to Valentina, begging her to look on him as a friend and protector.
While contemplating the body of his victim, he said, "Never has there
been committed in the realm of France a fouler murder." His show of
regret did not end here: with the other immediate relatives of the
deceased prince, he bore the pall at the funeral procession. When the
body was removed to the church of the Celestines, there to be interred
in a beautiful chapel Louis of Orleans had himself founded and built,
Burgundy was observed by the spectators to shed tears. But he was
destined soon to assume quite another character, by an almost
involuntary act. The provost of Paris, having traced the flight of the
assassins, had ascertained beyond doubt that they had taken refuge at
the hotel of this very Duke of Burgundy. He presented himself at the
council, and undertook to produce the criminals, if permitted to search
the residences of the princes. Seized with a sudden panic, the Duke of
Burgundy, to the astonishment of all present, became his own accuser:
Pale and trembling, he avowed his guilt: "It was I!" he faltered; "the
devil tempted me!" The other members of the council shrunk back in
undisguised horror. Jean-sans-peur, having made this astounding
confession, left the council-chamber, and started, without a moment's
delay, for the Flemish frontier. He was hotly pursued by the friends of
the murdered Louis; but his measures had been taken with too much prompt
resolution to permit of a successful issue to his Orleanist pursuers.
Once among his subjects of the Low Countries, he might dare the utmost
malice of his opponents.
In the mean time, the will of the deceased duke was made public. His
character, like Caesar's, rose greatly in the estimation of the citizens,
when the provisions of his last testament were made known. He desired
that he should be buried without pomp in the church of the Celestines,
arrayed in the garb of that order. He was not unmindful of the interests
of literature and science; nor did he forget to make the poor and
suffering the recipients of his bounty. Lastly, he confided his children
to the guardianship of the Duke of Burgundy: thus evincing a spirit
unmindful of injuries, generous, and confiding. This document also
proved, that even in his wild career, Louis of Orleans was at times
visited by better and holier aspirations.
Valentina mourned over her husband long and deeply; she did not long
survive him; she sunk under her bereavement, and followed him to the
grave ere her year of widowhood expired. At first the intelligence of
his barbarous murder excited in her breast unwonted indignation. She
exerted herself actively to have his death avenged. A few days after the
murder, she entered Paris in "a litter covered with white cloth, and
drawn by four white horses." All her retinue wore deep mourning. She had
assumed for her device the despairing motto:
"Rien ne m'est plus,
Plus ne m'est rien."
Proceeding to the Hotel St. Pol, accompanied by her children and the
Princess Isabella, the affianced bride of Charles of Orleans, she threw
herself at the king's knees, and, in a passion of tears, prayed for
justice on the murderer of his brother, her lamented lord. Charles was
deeply moved: he also wept aloud. He would gladly have granted her that
justice which she demanded, had it been in his power to do so; but
Burgundy was too powerful. The feeble monarch dared not offend his
overgrown vassal. A process at law was all the remedy the king could
offer.
Law was then, as now, a tedious and uncertain remedy, and a rich and
powerful traverser could weary out his prosecutor with delays and
quibbles equal to our own. Jean-sans-peur returned in defiance to Paris
to conduct the proceedings in his own defense. He had erected a strong
tower of solid masonry in his hotel; here he was secure in the midst of
his formidable guards and soldiery. For his defense, he procured the
services of Jean Petit, a distinguished member of the University of
Paris, and a popular orator. The oration of Petit (which has rendered
him infamous), was rather a philippic against Louis of Orleans, than a
defense of Jean-sans-peur. He labors to prove that the prince deserved
to die, having conspired against the king and kingdom. One of the
charges--that of having, by incantations, endeavored to destroy the
monarch--gives us a singular idea of the credulity of the times, when we
reflect that these absurd allegations were seriously made and believed
by a learned doctor, himself a distinguished member of the most learned
body in France, the University of Paris. The Duke of Orleans conspired
"to cause the king, our lord, to die of a disorder, so languishing and
so slow, that no one should divine the cause of it; he, by dint of
money, bribed four persons, an apostate monk, a knight, an esquire, and
a varlet, to whom he gave his own sword, his dagger, and a ring, for
them to consecrate to, or more properly speaking, to make use of, in the
name of the devil," &c. "The monk made several incantations.... And one
grand invocation on a Sunday, very early, and before sunrise on a
mountain near to the tower of Mont-joy.... The monk performed many
superstitious acts near a bush, with invocations to the devil; and while
so doing he stripped himself naked to his shirt and kneeled down: he
then struck the points of the sword and dagger into the ground, and
placed the ring near them. Having uttered many invocations to the
devils, two of them appeared to him in the shape of two men, clothed in
brownish-green, one of whom was called Hermias, and the other Estramain.
He paid them such honors and reverence as were due to God our
Saviour--after which he retired behind the bush. The devil who had come
for the ring took it and vanished, but he who was come for the sword and
dagger remained--but afterward, having seized them, he also vanished.
The monk, shortly after, came to where the devils had been, and found
the sword and dagger lying flat on the ground, the sword having the
point broken--but he saw the point among some powder where the devil had
laid it. Having waited half-an-hour, the other devil returned and gave
him the ring; which to the sight was of the color of red, nearly
scarlet, and said to him: 'Thou wilt put it into the mouth of a dead man
in the manner thou knowest,' and then he vanished."
To this oration the advocate of the Duchess of Orleans replied at great
length. Valentina's answer to the accusation we have quoted, was concise
and simple. "The late duke, Louis of Orleans, was a prince of too great
piety and virtue to tamper with sorceries and witchcraft." The legal
proceedings against Jean-sans-peur seemed likely to last for an
interminable period. Even should they be decided in favor of the family
of Orleans, the feeble sovereign dared not carry the sentence of the law
into execution against so powerful an offender as the Duke of Burgundy.
Valentina knew this; she knew also that she could not find elsewhere one
who could enforce her claims for justice--justice on the murderer of her
husband--the slayer of the father of her defenseless children. Milan,
the home of her girlhood, was a slaughter-house, reeking with the blood
of her kindred. Five years previously her father, Giovanni-Galeazzo
Visconti, had died of the plague which then desolated Italy. To avoid
this terrible disorder he shut himself up in the town of Marignano, and
amused himself during his seclusion by the study of judicial astrology,
in which science he was an adept. A comet appeared in the sky. The
haughty Visconti doubted not that this phenomenon was an announcement to
him of his approaching death. "I thank God," he cried, "that this
intimation of my dissolution will be evident to all men: my glorious
life will be not ingloriously terminated." The event justified the omen.
By his second marriage with Katharina Visconti, daughter of his uncle
Bernabos, Giovanni Galeazzo left two sons, still very young,
Giovanni-Maria and Philippo-Maria, among whom his dominions were
divided, their mother acting as guardian and regent.
All the ferocious characteristics of the Visconti seemed to be centred
in the stepmother of Valentina. The Duchess of Milan delighted in
executions; she beheaded, on the slightest suspicions, the highest
nobles of Lombardy. At length she provoked reprisals, and died the
victim of poison. Giovanni-Maria, nurtured in blood, was the worthy son
of such a mother. His thirst for blood was unquenchable; his favorite
pursuit was to witness the torments of criminals delivered over to
bloodhounds, trained for the purpose, and fed only on human flesh. His
huntsman and favorite, Squarcia Giramo, on one occasion, for the
amusement of his master, threw to them a young boy only twelve years of
age. The innocent child clung to the knees of the duke, and entreated
that he might be preserved from so terrible a fate. The bloodhounds hung
back. Squarcia Giramo seizing the child, with his hunting-knife cut his
throat, and then flung him to the dogs. More merciful than these human
monsters, they refused to touch the innocent victim.
Facino Cane, one of the ablest generals of the late duke, compelled the
young princes to admit him to their council, and submit to his
management of their affairs; as he was childless himself, he permitted
them to live, stripped of power, and in great penury. To the sorrow and
dismay of the Milanese, they saw this salutary check on the ferocious
Visconti about to be removed by the death of Facino Cane. Determined to
prevent the return to power of the young tyrant, they attacked and
massacred Giovanni-Maria in the streets of Milan. While this tragedy was
enacting, Facino Cane breathed his last.
Philippo-Maria lost not a moment in causing himself to be proclaimed
duke. To secure the fidelity of the soldiery, he married, without delay,
the widow of their loved commander. Beatrice di Tenda, wife of Facino
Cane, was an old woman, while her young bridegroom was scarcely twenty
years of age: so ill-assorted a union could scarcely be a happy one.
Philippo-Maria, the moment his power was firmly secured, resolved to
free himself from a wife whose many virtues could not compensate for her
want of youth and beauty. The means to which he resorted were atrocious:
he accused the poor old duchess of having violated her marriage vow, and
compelled, by fear of the torture, a young courtier, Michel Orombelli,
to become her accuser. The duke, therefore, doomed them both to be
beheaded. Before the fatal blow of the executioner made her his victim,
Beatrice di Tenda eloquently defended herself from the calumnies of her
husband and the base and trembling Orombelli. "I do not repine," she
said, "for I am justly punished for having violated, by my second
marriage, the respect due to the memory of my deceased husband; I submit
to the chastisement of heaven; I only pray that my innocence may be made
evident to all; and that my name may be transmitted to posterity pure
and spotless."
Such were the sons of Giovanni-Galeazzo Visconti, the half-brothers of
the gentle Valentina of Orleans. When she sank broken-hearted into an
early grave--her husband unavenged, her children unprotected--she felt
how hopeless it would be to look for succor or sympathy to her father's
house; yet her last moments were passed in peace. Her maternal
solicitude for her defenseless orphans was soothed by the conviction
that they would be guarded and protected by one true and faithful
friend. Their magnanimous and high-minded mother had attached to them,
by ties of affection and gratitude more strong, more enduring than those
of blood, one well fitted by his chivalrous nature and heroic bravery to
defend and shelter the children of his protectress. Dunois--"the young
and brave Dunois"--the bastard of Orleans, as he is generally styled,
was the illegitimate son of her husband. Valentina, far from slighting
the neglected boy, brought him home to her, nurtured and educated him
with her children, cherishing him as if he had indeed, been the son of
her bosom. If the chronicles of the time are to be believed, she loved
him more fondly than her own offspring. "My noble and gallant boy," she
would say to him, "I have been robbed of thee; it is thou that art
destined to be thy father's avenger; wilt thou not, for my sake, who
have loved thee so well, protect and cherish these helpless little
ones?"
Long years after the death of Valentina the vengeance of heaven did
overtake Jean-sans-peur of Burgundy: he fell the victim of treachery
such as he had inflicted on Louis of Orleans; but the cruel retaliation
was not accomplished through the instrumentality or connivance of the
Orleanists: Dunois was destined to play a far nobler part. The able
seconder of Joan of Arc--the brave defender of Orleans against the
besieging English host--he may rank next to his illustrious
countrywoman, "La Pucelle," as the deliverer of his country from foreign
foes. His bravery in war was not greater than his disinterested devotion
to his half-brothers. Well and nobly did he repay to Valentina, by his
unceasing devotion to her children, her tender care of his early years.
Charles of Orleans, taken prisoner by the English at the fatal battle of
Agincourt, was detained for the greater part of his life in captivity:
his infant children were unable to maintain their rights. Dunois
reconquered for them their hereditary rights, the extensive appanages of
the house of Orleans. They owed every thing to his sincere and watchful
affection.
Valentina's short life was one of suffering and trial; but she seems to
have issued from the furnace of affliction "purified seven times." In
the midst of a licentious court and age, she shines forth a "pale pure
star." Her spotless fame has never been assailed. Piety, purity, and
goodness, were her distinguishing characteristics. She was ever a
self-sacrificing friend, a tender mother, a loving and faithful wife.
Her gentle endurance of her domestic trials recalls to mind the
character of one who may almost be styled her contemporary, the "patient
Griselda," so immortalized by Chaucer and Boccacio. Valentina adds
another example to the many which history presents for our
contemplation, to show that suffering virtue, sooner or later, meets
with its recompense, even in this life. The broken-hearted Duchess of
Orleans became the ancestress of two lines of French sovereigns, and
through her the kings of France founded their claims to the Duchy of
Milan. Her grandson, Louis the Twelfth, the "father of his people," was
the son of the poet Duke of Orleans. On the extinction of male heirs to
this elder branch, the descendant of her younger son, the Duke of
Angouleme, ascended the throne as Francis the First. Her
great-grand-daughter was the mother of Alphonso, Duke of Ferrara, the
"magnanimo Alfonso" of the poet Tasso. His younger sister, Leonora, will
ever be remembered as the beloved one of the great epic poet of
Italy--the ill-starred Torquato Tasso.
The mortal remains of Valentina repose at Blois; her heart is buried
with her husband, in the church of the Celestines at Paris. Over the
tomb was placed the following inscription:
'Cy gist Loys Duc D'Orleans.
Lequel sur tons duez terriens,
Fut le plus noble en son vivant
Mais ung qui voult aller devant,
Par envye le feist mourir.'
M.N.
THE SNOWY MOUNTAINS IN NEW ZEALAND.
The "Wellington Independent" gives the following account of a recent
expedition made by the Lieutenant-Governor to the Middle Island: After
leaving the Wairau, having traversed the Kaparatehau district, his
Excellency and his attendants reached the snowy mountains to the
southward, about four short days' journey from the Wairau, and encamped
at the foot of the Tapuenuko mountain, which they ascended. Previously
to starting into the pass which is supposed to exist between the Wairau
and Port Cooper plains, his Excellency ascended the great snowy mountain
which forms the principal peak of the Kaikoras, and which attains an
elevation of at least 9000 feet, the upper part being heavily covered
with snow to a great depth. He succeeded in reaching the top of the
mountain, but so late as to be unable to push on to the southern edge of
the summit, when an extensive view southwards would have been obtained.
In returning, a steep face of the hill (little less than perpendicular),
down which hung a bed of frozen snow, had to be crossed for a
considerable distance. Mr. Eyre, who had led the party up the dangerous
ascent, was in advance with one native, the others being 200 feet before
and behind him, on the same perpendicular of the snow. He heard a cry,
and looking round, saw Wiremu Hoeta falling down the precipice, pitching
from ledge to ledge, and rolling over and over in the intervals, till he
fell dead, and no doubt smashed to pieces at a depth below of about 1500
feet, where his body could be seen in a sort of ravine, but where it was
impossible to get at it. His Excellency narrowly escaped from similar
destruction, having lost both feet from under him, and only saving
himself by the use of an iron-shod pole which he carried. Another of the
natives had a still narrower escape, having actually fallen about
fifteen yards, when he succeeded in clutching a rock and saving himself.
The gloom which this unfortunate event caused, and the uncertainty of
crossing the rivers while the snows are melting, induced his Excellency
to return.
GENIUS.
Self-communion and solitude are its daily bread; for what is genius but
a great and strongly-marked individuality--but an original creative
being, standing forth alone amidst the undistinguishable throng of our
everyday world? Genius is a lonely power; it is not communicative; it is
not the gift of a crowd; it is not a reflection cast from without upon
the soul. It is essentially an inward light, diffusing its clear and
glorious radiance over the external world. It is a broad flood, pouring
freely forth its deep waters; but with its source forever hidden from
human ken. It is the creator, not the creature it calls forth glorious
and immortal shapes; but it is called into being by none--save
GOD.--_Women in France during the Eighteenth Century._
[From Household Words.]
FRANCIS JEFFREY.
Jeffrey was a year younger than Scott, whom he outlived eighteen years,
and with whose career his own had some points of resemblance. They came
of the same middle-class stock, and had played together as lads in the
High School "yard" before they met as advocates in the Court of Session.
The fathers of both were connected with that court; and from childhood,
both were devoted to the law. But Scott's boyish infirmity imprisoned
him in Edinburgh, while Jeffrey was let loose to Glasgow University, and
afterward passed up to Queen's College, Oxford. The boys, thus
separated, had no remembrance of having previously met, when they saw
each other at the Speculative Society in 1791.
The Oxford of that day suited Jeffrey ill. It suited few people well who
cared for any thing but cards and claret. Southey, who came just after
him, tells us that the Greek he took there he left there, nor ever
passed such unprofitable months; and Lord Malmesbury, who had been there
but a little time before him, wonders how it was that so many men should
make their way in the world creditably, after leaving a place that
taught nothing but idleness and drunkenness. But Jeffrey was not long
exposed to its temptations. He left after the brief residence of a
single term; and what in after life he remembered most vividly in
connection with it, seems to have been the twelve days' hard traveling
between Edinburgh and London, which preceded his entrance at Queen's.
Some seventy years before, another Scotch lad, on his way to become yet
more famous in literature and law, had taken nearly as many weeks to
perform the same journey; but, between the schooldays of Mansfield and
of Jeffrey, the world had not been resting.
It was enacting its greatest modern incident, the first French
Revolution, when the young Scotch student returned to Edinburgh and
changed his College gown for that of the advocate. Scott had the start
of him in the Court of Session by two years, and had become rather
active and distinguished in the Speculative Society before Jeffrey
joined it. When the latter, then a lad of nineteen, was introduced (one
evening in 1791), he observed a heavy-looking young man officiating as
secretary, who sat solemnly at the bottom of the table in a huge woolen
night-cap, and who, before the business of the night began, rose from
his chair, and, with imperturbable gravity seated on as much of his face
as was discernible from the wrappings of the "portentous machine" that
enveloped it, apologized for having left home with a bad toothache. This
was his quondam schoolfellow Scott. Perhaps Jeffrey was pleased with the
mingled enthusiasm for the speculative, and regard for the practical,
implied in the woolen nightcap; or perhaps he was interested by the
Essay on Ballads which the hero of the nightcap read in the course of
the evening: but before he left the meeting he sought an introduction to
Mr. Walter Scott, and they were very intimate for many years afterward.