THE HOUSE OF DREAMS-COME-TRUE
By Margaret Pedler
Grosset & Dunlap Publishers,New York
1919
[Illustration: 0001]
[Illustration: 0007]
It’s a strange road leads to the House of Dreams,
To the House of Dreams-Come-True,
Its hills are steep and its valleys deep,
And salt with tears the Wayfarers weep,
The Wayfarers--I and you.
But there’s sure a way to the House of Dreams,
To the House of Dreams-Come-True.
We shall find it yet, ere the sun has set,
If we fare straight on, come fine, come wet,
Wayfarers--I and you.
Margaret Pedler.
Note:--Musical setting by Harold Pincott. Published by Edward Schubert &
Co., 11 East Sand Street, New York.
THE HOUSE OF DREAMS-COME-TRUE
CHAPTER I--THE WANDER-FEVER
THE great spaces of the hall seemed to slope away into impenetrable
gloom; velvet darkness deepening imperceptibly into sable density of
panelled wall; huge, smoke-blackened beams, stretching wide arms across
the roof, showing only as a dim lattice-work of ebony, fretting the
shadowy twilight overhead.
At the furthermost end, like a giant golden eye winking sleepily through
the dark, smouldered a fire of logs, and near this, in the luminous
circle of its warmth, a man and woman were seated at a table lit by
tall wax candles in branched candlesticks. With its twinkling points of
light, and the fire’s red glow quivering across its shining surface, the
table gleamed out like a jewel in a sombre setting--a vivid splash of
light in the grey immensity of dusk-enfolded hall.
Dinner was evidently just over, for the candlelight shone softly on
satin-skinned fruit, while wonderful gold-veined glass flecked the dark
pool of polished mahogany with delicate lines and ripples of opalescent
colour.
A silence had fallen on the two who had been dining. They had been gay
enough together throughout the course of the meal, but, now that the
servants had brought coffee and withdrawn, it seemed as though the
stillness--that queer, ghostly, memory-haunted stillness which lurks
in the dim, disused recesses of a place--had crept out from the four
corners of the hall and were stealing upon them, little by little, as
the tide encroaches on the shore, till it had lapped them round in a
curious atmosphere of oppression.
The woman acknowledged it by a restless twist of her slim shoulders.
She was quite young--not more than twenty--and as she glanced
half-enquiringly at the man seated opposite her there was sufficiency of
likeness between the two to warrant the assumption that they were father
and daughter.
In each there was the same intelligent, wide brow, the same straight
nose with sensitively cut nostrils--though a smaller and daintier affair
in the feminine edition, and barred across the top by a little string of
golden freckles--and, above all, the same determined, pointed chin with
the contradictory cleft in it that charmed away its obstinacy.
But here the likeness ended. It was from someone other than the
dark-browed man with his dreaming, poet’s eyes--which were neither
purple nor grey, but a mixture of the two--that Jean Peterson had
inherited her beech-leaf brown hair, tinged with warm red where the
light glinted on it, and her vivid hazel eyes--eyes that were sometimes
golden like the heart of a topaz and sometimes clear and still and brown
like the waters of some quiet pool cradled among the rocks of a moorland
stream.
They were like that now--clear and wide-open, with a certain pensive,
half-humorous questioning in them.
“Well?” she said, at last breaking the long silence. “What is it?”
The man looked across at her, smiling a little.
“Why should it be--anything?” he demanded.
She laughed amusedly.
“Oh, Glyn dear”--she never made use of the conventional address
of “father.” Glyn Peterson would have disliked it intensely if she
had--“Oh, Glyn dear, I haven’t been your daughter for the last twenty
years without learning to divine when you are cudgelling your brains as
to the prettiest method of introducing a disagreeable topic.”
Peterson grinned a little. He tossed the end of his cigarette into the
fire and lit a fresh one before replying.
“On this occasion,” he observed at last, slowly, “the topic is not
necessarily a disagreeable one. Jean”--his quizzical glance raked her
face suddenly--“how would you like to go to England?”
“To England?”
Her tone held the same incredulous excitement that anyone unexpectedly
invited to week-end at El Dorado might be expected to evince.
“_England!_ Glyn, do you really mean to take me there at last?”
“You’d like to go then?” A keen observer might have noticed a shade of
relief pass over Peterson’s face.
“Like it? It’s the one thing above all others that I’ve longed for. It
seems so ridiculous to be an Englishwoman and yet never once to have set
foot in England.”
The man’s eyes clouded.
“You’re not--entirely--English,” he said in a low voice. Jean knew from
what memory the quick correction sprang. Her mother, the beautiful opera
singer who had been the one romance of Glyn Peterson’s life, had been of
French extraction.
“I know,” she returned soberly. “Yet I think I’m mostly conscious
of being English. I believe it’s just the very fact that I know
Paris--Rome--Vienna--so well, and nothing at all about England, that
makes me feel more absolutely English than anything else.”
A spark of amusement lit itself in Peterson’s eyes.
“How truly feminine!” he commented drily.
Jean nodded.
“I’m afraid it’s rather illogical of me.”
Her father blew a thin stream of smoke into the air.
“Thank God for it!” he replied lightly. “It’s the cussed
contradictoriness of your sex that makes it so enchanting. If women were
logical they would be as obvious and boring as the average man.”
He relapsed into a dreaming silence. Jean broke it rather hesitatingly.
“You’ve never suggested taking me to England before.”
His face darkened suddenly. It was an extraordinarily expressive
face--expressive as a child’s, reflecting every shade of his constant
changes of mood.
“There’s no sense of adventure about England,” he said shortly. “It’s a
dull corner of the world--bristling with the proprieties.”
Jean realised how very completely, from his own point of view, he had
answered her. Romance, beauty, the sheer delight of utter freedom from
the conventions were as the breath of his nostrils to Glyn Peterson.
Born to the purple, as it were, of an old English county family, he had
stifled in the conventional atmosphere of his upbringing. There had
been moments of wild rebellion, bitter outbursts against the established
order of things, but these had been sedulously checked and discouraged
by his father, a man of iron will, who took himself and his position
intensely seriously.
Ultimately, Glyn had come to accept with more or less philosophy the
fact of his heirship to old estates and old traditions, with their
inevitable responsibilities and claims, and he was just preparing to
fulfill his parents’ wishes by marrying, suitably and conventionally,
when Jacqueline Mavory, the beautiful half-French opera singer, had
flashed into his horizon.
In a moment the world was transformed. Artist soul called to artist
soul; the romantic vein in the man, so long checked and thwarted,
suddenly asserted itself irresistibly, and the very day before that
appointed for his wedding, he and Jacqueline ran away together in search
of happiness.
And they had found it. The “County” had been shocked; Glyn’s father,
unbending descendant of the old Scottish Covenanters, his whole creed
outraged, had broken under the blow; but the runaway lovers had found
what they sought.
At Beirnfels, a beautiful old schloss on the eastern border of Austria,
remote from the world and surrounded by forest-clad hills, Glyn Peterson
and Jacqueline had lived a romantically happy existence, roaming the
world whenever the wander-fever seized them, but always returning to
Schloss Beirnfels, where Peterson had contrived a background of almost
exotic richness for the adored woman who had flung her career to the
winds in order to become his wife.
The birth of Jean, two years after their marriage, had been frankly
regarded by both of them as an inconvenience. It interrupted their
idyll. They were so essentially lovers that no third--not even a third
born of love’s consummation--could be other than superfluous.
They had proceeded to shift the new responsibility with characteristic
lightheartedness. A small army of nursemaids and governesses was
engaged, and later, when Jean was old enough, she was despatched to
one of the best Continental schools, whilst her parents continued their
customary happy-go-lucky existence uninterruptedly. During the holidays
she shared their wanderings, and Egypt and the southern coast of Europe
became familiar places to her.
At the age of seventeen, Jean came home to live at Beirnfels,
thenceforward regarding her unpractical parents with a species of kindly
tolerance and amusement. The three of them had lived quite happily
together, though Jean had remained always the odd man out; but she had
accepted the fact with a certain humorous philosophy which robbed it of
half its sting.
Then, two years later, Jacqueline had developed rapid consumption, and
though Glyn hurried her away to Montavan, in the Swiss Alps, there
had been no combating the disease, and the romance of a great love had
closed down suddenly into the grey shadows of death.
Peterson had been like a man demented. For a time he had disappeared,
and no one ever knew, either then or later, how he had first faced the
grim tragedy which had overtaken him.
Jean had patiently awaited his return to Beirnfels. When at last he
came, he told her that it was the most beautiful thing which could have
happened--that Jacqueline should, have died in the zenith of their love.
“We never knew the downward swing of the pendulum,” he explained. “And
when we meet again it will be as young lovers who have never
grown tired. I shall always remember Jacqueline as still perfectly
beautiful--never insulted by old age. And when she thinks of me--well,
I’m still a ‘personable’ fellow, as they say----”
“My dear Glyn, you’re still a boy! You’ve never grown up,” Jean made
answer. To her he seemed a sort of Peter Pan among men.
She had been amazed--although in a sense relieved--to find how swiftly
he had rallied. It seemed almost as though his intense loathing of the
onset of old age and decay, of that slow cooling of passion and
gradual decline of faculties which age inevitably brings, had served
to reconcile him to the loss of the woman he had worshipped whilst yet
there had been no dimming of her physical perfection, no blunting of the
fine edge of their love.
It was easily comprehensible that to two such temperamental, joy-loving
beings as Glyn and Jacqueline, England, with her neutral-tinted skies
and strictness of convention, had made little appeal, and Jean could
with difficulty harmonise the suddenly projected visit to England with
her knowledge of her father’s idiosyncrasies.
It was just possible of course, since all which had meant happiness to
him lay buried in a little mountain cemetery in Switzerland, that it no
longer mattered to Peterson where he sojourned. One place might be as
good--or as bad--as another.
Rather diffidently Jean voiced her doubts, recalling him from the
reverie into which he had fallen.
“_I_ go to England?” he exclaimed. “God forbid! No, you would go without
me.”
“Without you?”
Peterson sprang up and began pacing restlessly to and fro.
“Yes, without me. I’m going away. I--I can’t stay here any longer. I’ve
tried, Jean, for your sake”--he looked across at her with a kind of
appeal in his eyes--“but I can’t stand it. I must move on--get away
somewhere by myself. Beirnfels--without her----”
He broke off abruptly and stood still, staring down into the heart of
the fire. Then he added in a wrung voice:
“It will be a year ago... to-morrow.”
Jean was silent. Never before had he let her see the raw wound in his
soul. Latterly she had divined a growing restlessness in him, sensed the
return of the wander-fever which sometimes obsessed him, but she had not
realised that it was pain--sheer, intolerable pain--which was this time
driving him forth from the place that had held his happiness.
He had appeared so little changed after Jacqueline’s death, so much the
wayward, essentially lovable and unpractical creature of former times,
still able to find supreme delight in a sunset, or an exquisite
picture, or a wild ride across the purple hills, that Jean had sometimes
marvelled, how easily he seemed able to forget.
And, after all, he had not forgotten--had never been able to forget!
The gay, debonair side which he had shown the world--that same rather
selfish, beauty-loving, charming personality she had always known--had
been only a shell, a husk hiding a hurt that had never healed--that
never would find healing in this world.
Jean felt herself submerged beneath a wave of self-reproach that she
could have thus crudely accepted Glyn’s attitude at its face value. But
it was useless to give expression to her penitence. She could find no
words which might not wound, and while she was still dully trying to
readjust her mind to this new aspect of things, her father’s voice broke
across her thoughts--smooth, polished, with just its usual inflection of
whimsical amusement, rather as though the world were a good sort of joke
in which he found himself constrained to take part.
“I’ve made the most paternal arrangements for your welfare in my
absence, Jean. I want to discuss them with you. You see, I couldn’t take
you with me--I don’t know in the least where I’m going or where I shall
fetch up. That’s the charm of it”--his face kindling. “And it wouldn’t
be right or proper for me to drag a young woman of your age--and
attractions--half over the world with me.”
By which Jean, not in the least deceived by his air of conscious
rectitude, comprehended that he didn’t want to be bothered with her. He
was bidding for freedom, untrammelled by any petticoats.
“So I’ve written to my old pal, Lady Anne Brennan,” pursued Peterson,
“asking if you may stay with her for a little. You would have a
delightful time. She was quite the most charming woman I knew in
England.”
“That must be rather more than twenty years ago,” observed Jean drily.
“She may have altered a good deal.”
Peterson frowned. He hated to have objections raised to any plan that
particularly appealed to him.
“Rubbish! Why should she change? Anne was not the sort of woman to
change.”
Jean was perfectly aware that her father hadn’t the least wish to
“discuss” his proposals with her, as he had said. What he really wanted
was to tell her about them and for her to approve and endorse them
with enthusiasm--which is more or less what a man usually wants when he
suggests discussing plans with his womankind.
So, recognising that he had all his arrangements cut and dried, Jean
philosophically accepted the fact and prepared to fall in with them.
“And has Lady Anne signified her readiness to take me in for an
indefinite period?” she enquired.
“I haven’t had her answer yet. But I have no doubt at all what form it
will take. It will be a splendid opportunity for you, altogether. You
know, Jean”--pictorially--“you ought really to see the ‘stately homes of
England.’ Why, they’re--they’re your birthright!”
Jean reflected humorously that this point of view had only occurred to
him now that it chanced to coincide so admirably with his own wishes.
Hitherto the “stately homes of England” had been relegated to a quite
unimportant position in the background and Jean’s attention focussed
more directly upon the unpleasing vagaries of the British climate.
“I should like to go to England,” was all she said. Peterson smiled at
her radiantly--the smile of a child who has got its own way with much
less difficulty than it had anticipated.
“You shall go,” he promised her. “You’ll adore Staple. It’s quite a
typical old English manor--lawns and terraces all complete, even down to
the last detail of a yew hedge.”
“Staple? Is that the Brennans’ place?”
“God bless my soul, no! The Tormarins acquired it when they came pushing
over to England with the Conqueror, I imagine. Anne married twice, you
know. Her first husband, Tormarin, led her a dog’s life, and after
his death she married Claude Brennan--son of a junior branch of the
Brennans. Now she is a widow for the second time.”
“And are there any children?”
“Two sons. The elder is the son of the first marriage and is the
owner of Staple, of course. The younger one is the child of the second
marriage. I believe that since Brennan’s death they all three live very
comfortably together at Staple--at least, they did ten years ago when I
last heard from Anne. That was not long after Brennan died.”
Jean wrinkled her brows.
“Rather a confusing household to be suddenly pitchforked into,” she
commented.
“But not dull!” submitted Peterson triumphantly. “And dullness is, after
all, the biggest bugbear of existence.”
As if suddenly stabbed by the palpable pose of his own remark, the
light died out of his face and he looked round the great dim ball with a
restless, eager glance, as though trying to impress the picture of it on
his memory.
“Beirnfels--my ‘House of Dreams-Come-True,’” he muttered to himself.
He had named it thus in those first glowing days when love had
transfigured the grim old border castle, turning it into a place of
magic visions and consummated hopes. The whimsical name took its origin
from a little song which Jacqueline had been wont to sing to him, her
glorious voice investing the simple words with a passionate belief and
triumph.
It’s a strange road leads to the House of Dreams,
To the House of Dreams-Come-True,
Its hills are steep and its valleys deep,
And salt with tears the Wayfarers weep,
The Wayfarers--I and you.
But there’s sure a way to the House of Dreams,
To the House of Dreams-Come-True.
We shall find it yet, ere the sun has set.
If we fare straight on, come fine, come wet,
Wayfarers--I and you.
Peterson’s eyes rested curiously on his daughter’s face. There was
something mystic, almost visionary, in their quiet, absent gaze.
“One day, Jean,” he said, “when you meet the only man who matters,
Beirnfels shall be yours--the house where _your_ dreams shall come true.
It’s a house of ghosts now--a dead house. But some day you and the man
you love will make it live again.”