OUR BOOKING-OFFICE.

(_BY MR. PUNCH'S STAFF OF LEARNED CLERKS_.)

The idea of publishing _Frederick the Great: The Memoirs of his

Reader, Henri de Catt_ (_1758-1760_) (CONSTABLE) was that we are all

so passionate against Prussianism that we want to plank down our money

for two volumesful of observations at first hand about the man who was

the source and origin of that dark and swollen stream. Personally,

we doubt the general zeal in this matter--not of Prussianism but of

FREDERICK. However, DE CATT, looking at a king from a queer angle,

is extraordinarily diverting. "Reader" was a euphemism for a patient

audience, including _claque_. FREDERICK, _incognito_ on a Dutch barge,

picked up the young scholar and marked him down as one who could be

induced by florins and flattery to take on the job of listening to

his patron's bad French verses and his after-dinner flutings of little

things of his own, his approving observations on his own conduct, his

battles, his philosophy of life and politics, no doubt calculating

that it would all be jotted down on fateful scraps of paper and given

a favourable colouring for the edification of the world. Well, the

great FREDERICK put it over me all right. Frankly I rather liked the

old fellow, his old clothes (there was at least no shining armour

swank at Potsdam in those days), his practice of solemnly cutting

capers for the benefit of his "reader," though I know not explicitly

what a caper is, his Billingsgate language, his real opinion of

VOLTAIRE, his charming, if possibly rare, acts of magnanimity, his

moderation in war, which was not all hypocrisy. In fact, if you

expect an ogre you will be disappointed. He could give the latest

Hohenzollern points in a good many directions. I ought, of course,

to add that a learnedly allusive preface by Lord ROSEBERY graces the

volume, and that the very competent translation is by F.S. FLINT.

* * * * *

These are days when the more we know about Russia and things Russian

the better. Specially timely, then, is the appearance, in an

English translation, of _The Fishermen_ (STANLEY PAUL), by DIMITRY

GREGOROVITSH. It is a wonderfully appealing story, which has been put

into English--presumably by Dr. ANGELO RAPPOPORT, though he is only

credited on the title-page with the authorship of the Preface--in such

a way that the spirit of the original is admirably preserved. I had

not read a couple of pages before the charm of the style laid hold

upon me. The story is quite simple, concerned only with a group

of peasants, fisher-folk, living on the banks of a great river.

GREGOROVITSH is like TOURGENIEV in his devotion to peasant and country

types, but otherwise more akin to our own younger school of realists

in the minuteness of his observation. Throughout the story abounds in

character-study of a kind that, while building up the figure with a

thousand details, will add suddenly some vivid touch that brings the

whole wonderfully and unforgettably to life. An example of this is

_Akim_, that perfect type of the hopeless incompetent, whose very

futility, while it rightly exasperates his fellows, makes him a

delight to the reader; so that his death, at the end of the first

part, comes with an effect of personal loss. For my own part, as poor

_Akim_ had never once before accomplished what he set out to do, I

was quite expectant of his recovery, and proportionately disappointed.

Throughout also there are pen-pictures of Russian scenery, full of

vivid colour; while the story itself, though inevitably in a somewhat

minor key, is never sordid or pessimistic. Emphatically therefore a

book for everyone to read who cares to know the best in the literature

of our great Ally.

* * * * *

MARGARET DELAND'S well-proved pen gives us a spirited sketch of a

modernist American woman in _The Rising Tide_ (MURRAY). I don't quite

know how this enigmatic sentence, which 1 have long puzzled over and

frankly given up, came to escape both author and reader: "Once Mrs.

Childs said to tell Fred her Uncle William would say it was perfect

nonsense." I feel sure it is not good American. However, _Freddy

Payton_ is a young girl who tells the inconvenient truth to everybody

about everything, and you may guess that such candour does not make

for peace. _Mrs. Payton_ elects to keep her idiot son in the house,

and _Freddy_ thinks an asylum is the proper place for him, and

says so. The late _Mr. Payton_ was a rake, and _Freddy_ derides her

mother's weeds on the ground that the widow is really in her heart

waving flags for deliverance, but daren't admit it. _Freddy_ offers

cigarettes to the curate, which is apparently a much greater crime

over there than here. _Freddy_ finally, carried along by the rising

tide, asks the man she loves to marry her, mistaking his friendship

for something stronger, and learns that, as the old-fashioned people

like her mother realise, men are essentially hunters and "won't bag

the game if it perches on their fists." I wonder! But _Freddy_ got

a better man--the diffident elderly man who was waiting round the

corner. In fact, _Freddy_ is rather a sport, and if Mrs. DELAND

intended her as a tract for the times, in the manner of Mrs. HUMPHRY

WARD, her shot has miscarried--at least so far as I am concerned.

* * * * *

[Illustration: FORCE OF HABIT.

Punch, or the London Charivari, Volume 152, January 17, 1917 · 第 46 / 48 题