WEDNESDAY, JANUARY 24, 1917

I have often wished, Gentlemen, that some more winning name could

be found for the thing we call Education; and I have sometimes

thought wistfully that, had we made a better thing of it, we

should long ago have found a more amiable, a blither, name.

For after all it concerns the child; and is it quite an accident

that, weaning him away from lovely things that so lovelily call

themselves 'love,' 'home,' 'mother,' we can find no more alluring

titles for the streets into which we entrap him than 'Educational

Facilities,' 'Local Examinations,' 'Preceptors,' 'Pedagogues,'

'Professors,' 'Matriculations,' 'Certificates,' 'Diplomas,'

'Seminaries,' Elementary or Primary, and Secondary Codes,'

'Continuation Classes,' 'Reformatories,' 'Inspectors,' 'Local

Authorities,' 'Provided' and 'Non-Provided,' 'Denominational' and

'Undenominational,' and 'D.Litt.' and 'Mus. Bac.'? Expressive

terms, no doubt!--but I ask with the poet

Who can track

A Grace's naked foot amid them all?

Take even such words as should be perennially beautiful by

connotation-words such as 'Academy,' 'Museum.' Does the one (O,

"Ode on a Distant Prospect of Clapham Academy!") call up visions

of that green lawn by Cephissus, of its olives and plane trees

and the mirrored statues among which Plato walked and held

discourse with his few? Does the other as a rule invite to haunts

(O God! O Montreal!) where you can be secure of communion with

Apollo and the Nine? Answer if the word Academy does not first

call up to the mind some place where small boys are crammed, the

word Museum some place where bigger game are stuffed?

And yet 'academy,' 'museum,' even 'education' are sound words if

only we would make the things correspond with their meanings. The

meaning of 'education' is a leading out, a drawing-forth; not an

_imposition_ of something on somebody--a catechism or an uncle--

upon the child; but an eliciting of what is within him. Now, if

you followed my last lecture, we find that which is within him to

be no less, potentially, than the Kingdom of God.

I grant that this potentiality is, between the ages of four and

sixteen, not always, perhaps not often, evident. The boy--in

Bagehot's phrase 'the small apple-eating urchin whom we know'--

has this in common with the fruit for which he congenitally sins,

that his very virtues in immaturity are apt, setting the teeth on

edge, to be mistaken for vices. A writer, to whom I shall recur,

has said:

If an Englishman who had never before tasted an apple

were to eat one in July, he would probably come to the

conclusion that it was a hard, sour, indigestible fruit,

`conceived in sin and shapen in iniquity,' fit only to be

consigned to perdition (on a dust heap or elsewhere). But if

the same man were to wait till October and then eat an apple

from the same tree, he would find that the sourness had

ripened into wholesome and refreshing acidity; the hardness

into firmness of fibre which, besides being pleasant to the

palate, makes the apple 'keep' better than any other fruit;

the indigestibility into certain valuable dietetic qualities,

and so on....

In other words--trench, manure, hoe and water around your young

tree, and patiently allow the young fruit to develop of its own

juice from the root; your own task being, as the fruit forms, but

to bring in all you can of air and sunshine upon it. It must, as

every mother and nurse knows, be coaxed to realise itself, to

develop, to grow from its individual root. It may be coaxed and

trained. But the main secret lies in encouraging it to grow, and,

to that end, in pouring sunshine upon it and hoeing after each

visitation of tears parentally induced.

Every child wants to grow. Every child wants to learn. During his

first year or so of life he fights for bodily nutriment, almost

ferociously. From the age of two or thereabouts he valiantly

essays the conquest of articulate speech, using it first to

identify his father or his mother amid the common herd of

Gentiles; next, to demand a more liberal and varied dietary;

anon, as handmaid of his imperious will to learn. This desire,

still in the nursery, climbs--like dissolution in Wordsworth's

sonnet--from low to high: from a craving to discover

experimentally what the stomach will assimilate and what reject,

up to a kingly debonair interest in teleology. Our young

gentleman is perfectly at ease in Sion. He wants to know why

soldiers are (or were) red, and if they were born so; whence

bread and milk is derived, and would it be good manners to thank

the neat cow for both; why mamma married papa, and--that having

been explained and thoughtfully accepted as the best possible

arrangement--still thoughtfully, not in the least censoriously,

'why the All-Father has not married yet?' He falls asleep

weighing the eligibility of various spinsters, church-workers, in

the parish.

His brain teeming with questions, he asks them of impulse and

makes his discoveries with joy. He passes to a school, which is

supposed to exist for the purpose of answering these or cognate

questions even before he asks them: and behold, he is not happy!

Or, he is happy enough at play, or at doing in class the things

that should not be done in class: his master writes home that he

suffers in his school work 'from having always more animal

spirits than are required for his immediate purposes.' What is the

trouble? You cannot explain it by home-sickness: for it attacks

day boys alike with boarders. You cannot explain it by saying

that all true learning involves 'drudgery,' unless you make that

miserable word a mendicant and force it to beg the question.

'Drudgery' is _what you feel to be drudgery_--

Who sweeps a room, as for thy laws,

Makes that and th' action fine.

--and, anyhow, this child learned one language--English, a most

difficult one--eagerly. Of the nursery through which I passed

only one sister wept while learning to read, and that was over a

scholastic work entitled "Reading Without Tears."

Do you know a chapter in Mr William Canton's book "The Invisible

Playmate" in which, as Carlyle dealt in "Sartor Resartus" with an

imaginary treatise by an imaginary Herr Teufelsdröckh, as Matthew

Arnold in "Friendship's Garland" with the imaginary letters of an

imaginary Arminius (Germany in long-past happier days lent the

world these playful philosophical spirits), so the later author

invents an old village grandpapa, with the grandpapa-name of

Altegans and a prose-poem printed in scarecrow duodecimo on

paper-bag pages and entitled "Erster Schulgang," 'first

school-going,' or 'first day at school'?

The poem opens with a wonderful vision of children; delightful as

it is unexpected; as romantic in presentment as it is commonplace

in fact. All over the world--and all under it too, when their

time comes--the children are trooping to school. The great globe

swings round out of the dark into the sun; there is always

morning somewhere; and for ever in this shifting region of the

morning-light the good Altegans sees the little ones afoot---

shining companies and groups, couples and bright solitary

figures; for they all seem to have a soft heavenly light about

them.

He sees them in country lanes and rustic villages; on lonely

moorlands ... he sees them on the hillsides ... in the woods, on

the stepping-stones that cross the brook in the glen, along the

seacliffs and on the water-ribbed sands; trespassing on the

railway lines, making short cuts through the corn, sitting in the

ferry-boats; he sees them in the crowded streets of smoky cities,

in small rocky islands, in places far inland where the sea is

known only as a strange tradition.

The morning-side of the planet is alive with them: one hears

their pattering footsteps everywhere. And as the vast continents

sweep `eastering out of the high shadow which reaches beyond the

moon' ... and as new nations with _their_ cities and villages,

their fields, woods, mountains and sea-shores, rise up into the

morning-side, lo! fresh troops, and still fresh troops, and yet

again fresh troops of these school-going children of the dawn.

What are weather and season to this incessant panorama of

childhood? The pigmy people trudge through the snow on

moor and hill-side; wade down flooded roads; are not to be

daunted by wind or rain, frost or the white smother of 'millers and

bakers at fisticuffs.' Most beautiful picture of all, he sees them

travelling schoolward by the late moonlight which now and again in

the winter months precedes the tardy dawn.

That vision strikes me as being poetically true as well as

delightful: by which I mean that it is not sentimental: we know

that it ought to be true, that in a world well-ordered according

to our best wishes for it, it would be _naturally_ true. It

expresses the natural love of Age, brooding on the natural eager

joy of children. But that natural eager joy is just what our

schools, in the matter of reading, conscientiously kill.

In this matter of reading-of children's reading--we stand, just

now, or halt just now, between two ways. The parent, I believe,

has decisively won back to the right one which good mothers never

quite forsook. There was an interval, lasting from the early

years of the last century until midway in Queen Victoria's reign

and a little beyond, when children were mainly brought up on the

assumption of natural vice. They might adore father and mother,

and yearn to be better friends with papa: but there was the old

Adam, a quickening evil spirit; there were his imps always in the

way, confound them! I myself lived, with excellent grandparents,

for several years on pretty close terms with Hell and an

all-seeing Eye; until I grew so utterly weary of both that I have

never since had the smallest use for either. Some of you may have

read, as a curious book, the agreeable history called "The

Fairchild Family," in which Mr Fairchild leads his naughty

children afield to a gallows by a cross-road and seating them

under the swinging corpse of a malefactor, deduces how easily

they may come to this if they go on as they have been going. The

authors of such monitory or cautionary tales understood but one

form of development, the development of Original Sin. You stole a

pin and proceeded, by fatal steps, to the penitentiary; you threw

a stick at a pheasant, turned poacher, shot a gamekeeper and

ended on the gallows. You were always Eric and it was always

Little by Little with you.... Stay! memory preserves one gem from

a Sunday school dialogue, one sharp-cut intaglio of childhood

springing fully armed from the head of Satan:

Q. Where hast thou been this Sabbath morning?

A. I have been coursing of the squirrel.

Q. Art not afraid so to desecrate the Lord's Day with idle

sport?

A. By no means: for I should tell you that I am an Atheist.

I forget what happened to that boy: but doubtless it was, as it

should have been, something drastic.

The spell of prohibition, of repression, lies so strong upon

these authors that when they try to break away from it, to appeal

to something better than fear in the child, and essay to amuse,

they become merely silly. For an example in verse:

If Human Beings only knew

What sorrows little birds go through,

I think that even boys

Would never think it sport or fun

To stand and fire a frightful gun

For nothing but the noise.

For another (instructional and quite a good _memoria technica_ so

far as it goes):

William and Mary came next to the throne:

When Mary died, there was William alone.

Now for a story of incident.--It comes from the book "Reading

Without Tears," that made my small sister weep. She did not weep

over the story, because she did not claim to be an angel.

Did you ever hear of the donkey that went into the sea with the

little cart?... A lady drove the cart down to the beach. She had

six children with her. Three little ones sat in the cart by her

side. Three bigger girls ran before the cart. When they came to

the beach the lady and the children got out.

Very good so far. It opens like the story of Nausicaa ["Odyssey,"

Book vi, lines 81-86].

The lady wished the donkey to bathe its legs in the sea, to make

it strong and clean. But the donkey did not like to go near the

sea. So the lady bound a brown shawl over its eyes, and she bade

the big girls lead it close to the waves. Suddenly a big wave

rushed to the land. The girls started back to avoid the wave, and

they let go the donkey's rein.

The donkey was alarmed by the noise the girls made, and it went

into the sea, not knowing where it was going because it was not

able to see. The girls ran screaming to the lady, crying out,

'The donkey is in the sea!'

There it was, going further and further into the sea, till the

cart was hidden by the billows. The donkey sank lower and lower

every moment, till no part of it was seen but the ears; for the

brown shawl was over its nose and mouth. Now the children began

to bawl and to bellow! But no one halloed so loud as the little

boy of four. His name was Merty. He feared that the donkey was

drowned....

Two fishermen were in a boat far away. They said 'We hear howls

and shrieks on the shore. Perhaps a boy or girl is drowning. Let

us go and save him: So they rowed hard, and they soon came to the

poor donkey, and saw its ears peeping out of the sea. The donkey

was just going to sink when they lifted it up by the jaws, and

seized the bridle and dragged it along. The children on the shore

shouted aloud for joy. The donkey with the cart came safe to

land. The poor creature was weak and dripping wet. The fishermen

unbound its eyes, and said to the lady, 'We cannot think how this

thing came to be over its eyes.' The lady said she wished she had

not bound up its eyes, and she gave the shillings in her purse to

the fishermen who had saved her donkey.

Now every child knows that a donkey may change into a Fairy

Prince: that is a truth of imagination. But to be polite and say

nothing of the lady, every child knows that so donkey would be

ass enough to behave as in this narrative. And the good parents

who, throughout the later 18th century and the 19th, inflicted

this stuff upon children, were sinning against the light.

Perrault's Fairy Tales, and Madame D'Aulnoy's were to their hand

in translations; "Le Cabinet des Fées", which includes these and

M. Galland's "Arabian Nights" and many another collection of

delectable stories, extends on my shelves to 41 volumes (the last

volume appeared during the fury of the French Revolution!). The

brothers Grimm published the first volume of their immortal tales

in 1812, the second in 1814. A capital selection from them,

charmingly rendered, was edited by our Edgar Taylor in 1823; and

drew from Sir Walter Scott a letter of which some sentences are

worth our pondering.

He writes:

There is also a sort of wild fairy interest in [these tales]

which makes me think them fully better adapted to awaken

the imagination and soften the heart of childhood than the

good-boy stories which have been in later years composed

for them. In the latter case their minds are, as it were, put

into the stocks ... and the moral always consists in good

moral conduct being crowned with temporal success. Truth

is, I would not give one tear shed over Little Red Riding

Hood for all the benefit to be derived from a hundred

histories of Jemmy Goodchild.

Few nowadays, I doubt, remember Gammer Grethel. She has been

ousted by completer, maybe far better, translations of the

Grimms' "Household Tales". But turning back, the other day, to

the old volume for the old sake's sake (as we say in the West) I

came on the Preface--no child troubles with a Preface--and on

these wise words:

Much might be urged against that too rigid and philosophic (we

might rather say, unphilosophic) exclusion of works of fancy

and fiction from the libraries of children which is advocated

by some. Our imagination is surely as susceptible of

improvement by exercise as our judgment or our memory.

And that admirable sentence, Gentlemen, is the real text of my

discourse to-day. I lay no sentimental stress upon Wordsworth's

Ode and its doctrine that 'Heaven lies about us in our infancy.'

It was, as you know, a favourite doctrine with our Platonists of

the 17th century: and critics who trace back the Ode "Intimations

of Immortality" to Henry Vaughan's

Happy those early days, when I

Shined in my Angel-infancy.

might connect it with a dozen passages from authors of that

century. Here is one from "Centuries of Meditations" by that poor

Welsh parson, Thomas Traherne, whom I quoted to you the other

day:

Those pure and virgin apprehensions I had from the

womb, and that divine light wherewith I was born are the

best unto this day, wherein I can see the Universe. By the

Gift of God they attended me into the world, and by His

special favour I remember them till now.... Certainly Adam

in Paradise had not more sweet and curious apprehensions

of the world, than I when I was a child.

And here is another from John Earle's Character of 'A Child' in

his "Microcosmography":

His father hath writ him as his own little story, wherein

he reads those days of his life that he cannot remember; and

sighs to see what innocence he has out-liv'd. He is the

Christian's example, and the old man's relapse: the one

imitates his pureness, and the other falls into his

simplicity. Could he put off his body with his little coat,

he had got Eternity without a burthen, and exchang'd but one

Heaven for another.

Bethinking me again of 'the small apple-eating urchin whom we

know,' I suspect an amiable fallacy in all this: I doubt if when

he scales an apple-bearing tree which is neither his own nor his

papa's he does so under impulse of any conscious yearning back to

Hierusalem, his happy home,

Where trees for evermore bear fruit.

At any rate, I have an orchard, and he has put up many excuses,

but never yet that he was recollecting Sion.

Still the doctrine holds affinity with the belief which I firmly

hold and tried to explain to you with persuasion last term:

that, boy or man, you and I, the microcosms, do--sensibly,

half-sensibly, or insensibly--yearn, through what we feel to be

best in us, to 'join up' with the greater harmony; that by poetry

or religion or whatnot we have that within us which craves to be

drawn out, 'e-ducated,' and linked up.

Now the rule of the nursery in the last century rested on

Original Sin, and consequently and quite logically tended not to

educate, but to repress. There are no new fairy-tales of the days

when your grandmothers wore crinolines--I know, for I have

searched. Mothers and nurses taught the old ones; the Three Bears

still found, one after another, that 'somebody has been sleeping

in my bed'; Fatima continued to call 'Sister Anne, do you see

anyone coming?' the Wolf to show her teeth under her nightcap and

snarl out (O, great moment!) 'All the better to eat you with, my

dear.' But the Evangelicals held field. Those of our grandfathers

and grandmothers who understood joy and must have had fairies for

ministers--those of our grandmothers who played croquet through

hoop with a bell and practised Cupid's own sport archery--those

of our grandfathers who wore jolly peg-top trousers and Dundreary

whiskers, and built the Crystal Palace and drove to the Derby in

green-veiled top-hats with Dutch dolls stuck about the brim--_tot

circa unum caput tumultuantes deos_--and those splendid uncles

who used to descend on the old school in a shower of gold--

half-a-sovereign at the very least--all these should have trailed

fairies with them in a cloud. But in practice the evangelical

parent held the majority, put away all toys but Noah's Ark on

Sundays, and voted the fairies down.

I know not who converted the parents. It may have been that

benefactor of Europe, Hans Christian Andersen, born at Odensee in

Denmark in April 1805. He died, near Copenhagen, in 1875, having

by a few months outlived his 70th birthday. I like to think that

his genius, a continuing influence over a long generation, did

more than anything else to convert the parents. The schools,

always more royalist than the King, professionally bleak,

professionally dull, professionally repressive rather than

educative, held on to a tradition which, though it had to be on

the sly, every intelligent mother and nurse had done her best to

evade. The schools made a boy's life penitential on a system.

They discovered athletics, as a safety-valve for high spirits

they could not cope with, and promptly made that safety-valve

compulsory! They went on to make athletics a religion. Now

athletics are not properly a religious exercise, and their

meaning evaporates as soon as you enlist them in the service of

repression. They are being used to do the exact opposite of that

for which God meant them. Things are better now: but in those

times how many a boy, having long looked forward to it, rejoiced

in his last day at school?

I know surely enough what must be in your minds at this point: I

am running up my head hard against the doctrine of Original Sin,

against the doctrine that in dealing with a child you are dealing

with a 'fallen nature,' with a human soul 'conceived in sin,'

unregenerate except by repression; and therefore that repression

and more repression _must_ be the only logical way with your

Original Sinners.

Well, then, I am. I have loved children all my life; studied them

in the nursery, studied them for years--ten or twelve years

intimately--in elementary schools. I know for a surety, if I have

acquired any knowledge, that the child is a 'child of God' rather

than a 'Child of wrath'; and here before you I proclaim that to

connect in any child's mind the Book of Joshua with the Gospels,

to make its Jehovah identical in that young mind with the Father

of Mercy of whom Jesus was the Son, to confuse, as we do in any

school in this land between 9.5 and 9.45 a.m., that bloodthirsty

tribal deity whom the Hohenzollern family invokes with the true

God the Father, is a blasphemous usage, and a curse.

But let me get away to milder heresies. If you will concede for a

moment that the better way with a child is to draw out, to

_educate,_ rather than to repress, what is in him, let us observe

what he instinctively wants. Now first, of course, he wants to

eat and drink, and to run about. When he passes beyond these

merely animal desires to what we may call the instinct of growth

in his soul, how does he proceed? I think Mr Holmes, whom I have

already quoted, very fairly sets out these desires as any

grown-up person can perceive them. The child desires

(1) to talk and to listen;

(2) to act (in the dramatic sense of the word);

(3) to draw, paint and model;

(4) to dance and sing;

(5) to know the why of things

(6) to construct things.

Now I shall have something to say by and by on the amazing

preponderance in this list of those instincts which Aristotle

would have called _mimetic._ This morning I take only the least

imitative of all, the desire to know the why of things.

Surely you know, taking only this, that the master-key admitting

a child to all, or almost all, palaces of knowledge is his ability

to _read._ When he has grasped that key of his mother-tongue he

can with perseverance unlock all doors to all the avenues of

knowledge. More--he has the passport to heavens unguessed.

You will perceive at once that what I mean here by 'reading' is

the capacity for silent reading, taking a book apart and

mastering it; and you will bear in mind the wonder that I

preached to you in a previous lecture--that great literature

never condescends, that what yonder boy in a corner reads of a

king is happening to _him._ Do you suppose that in an elementary

school one child in ten reads thus? Listen to a wise ex-inspector,

whose words I can corroborate of experience:

The first thing that strikes the visitor who enters an

ordinary elementary school while a reading lesson is in

progress is that the children are not reading at all, in the

accepted sense of the word. They are not reading to

themselves, not studying, not mastering the contents of the

book, not assimilating the mental and spiritual nutriment that

it may be supposed to contain. They are standing up one by

one and reading aloud to their teacher.

Ah! but I have seen far worse than that. I have visited and

condemned rural schools where the practice was to stand a class

up--- say a class of thirty children--and make them read in

unison: which meant, of course, that the front row chanted out

the lesson while the back rows made inarticulate noises. I well

remember one such exhibition, in a remote country school on the

Cornish hills, and having my attention arrested midway by the

face of a girl in the third row. She was a strikingly beautiful

child, with that combination of bright auburn, almost flaming,

hair with dark eyebrows, dark eyelashes, dark eyes, which of

itself arrests your gaze, being so rare; and those eyes seemed to

challenge me half scornfully and ask, 'Are you really taken in by

all this?' Well, I soon stopped the performance and required each

child to read separately: whereupon it turned out that, in the

upper standards of this school of 70 or 80 children, one only--

this disdainful girl--could get through half a dozen easy

sentences with credit. She read well and intelligently, being

accustomed to read to herself, at home.

I daresay that this bad old method of block-reading is dead by

this time.

Reading aloud and _separately_ is excellent for several purposes.

It tests capacity: it teaches correct pronunciation by practice,

as well as the mastery of difficult words: it provides a good

teacher with frequent opportunities of helping the child to

understand what he reads.

But as his schooling proceeds he should be accustomed more and

more to read to himself: for that, I repeat, is the master-key.

On The Art of Reading · 第 35 / 132 题