This book is intended as an introduction to the reading and study of
French lyric poetry. If it contributes toward making that poetry more
widely known and more justly appreciated its purpose will have been
fulfilled.
It is rather usual among English-speaking people to think slightingly
of the poetry of France, especially of her lyrics. This is not
unnatural. The qualities that give French verse its distinction are
very different from those that make the strength and the charm of our
English lyrics. But we must guard ourselves against the conclusion
that because a work is unlike those that we are accustomed to admire
it is necessarily bad. There are many kinds of excellence. And this
little book must have been poorly put together indeed if it fail to
suggest to the reader that France possesses a wealth of lyric
verse which, whatever be its shortcomings in those qualities that
characterize our English lyrics, has others quite its own, both of
form and of spirit, that give it a high and serious interest and no
small measure of beauty and charm.
The editor has sought to keep the purpose of the volume constantly in
view in preparing the introduction and notes. He has hoped to supply
such information as would be most helpful, if not indispensable, to
the reader. And as he has thought that the best service the book could
render would be to stimulate interest in French poetry and to persuade
to a wider reading of it, he has wished in the bibliography to meet
especially the wants of those who may be inclined to pursue further
one or another of the acquaintances here begun. It is of course not
intended to be in any wise exhaustive, but only to present the sum of
an author's lyrical work, to indicate current and available editions,
and to point out sources of further information; among these last it
has sometimes been accessibility to the American reader rather than
relative importance that has dictated the insertion of a title.
The editor acknowledges here his wholesale indebtedness for his
materials to the various sources that he has recommended to the
reader. But he wishes to confess the special debt that he owes to Miss
Eugénie Galloo, Assistant Professor of French in the University of
Kansas, for many suggestions and valuable help with the proofs.
Her assistance has reduced considerably the number of the volume's
imperfections. For those that remain he can hold no one responsible
but himself.