CHAPTER IV.

BURGOS.--THE FONDA DEL NORTE.--THE ODOUR OF SANCTITY.--SPANISH

CHARACTERISTICS.--SCENES IN THE STREETS.--THE CONVENT OF LA

CARTUJA.--TOMB OF JUAN AND ISABELLA.--THE CASTLE.--THE CID.--THE

CATHEDRAL.--HOW PRIESTS MAKE MONEY.

We arrived at Burgos in the midst of a hurricane of piercing wind--wind

that was more easily felt by us than it will be understood by our

friends in England, who cling to the obstinate notion of the incessant

heat of Spain. The cold of that October night, far more intense than an

ordinary mid-winter night in England, was made more severe by the utter

absence of all comforts, and by the piteous appearance of the natives

who shiver and shake all over the country, rolled up into peripatetic

bundles of drapery, like denizens of frozen regions. There are people

who leave off fires and flannel waistcoats in England because it is

the first of April, although, snow may be on the ground; and we have

no doubt that several of our friends would have had us array ourselves

in white jane pantaloons and linen jackets because we were in Spain.

No, there is no reason that, because a man is clever and _au fait_

at all that concerns that state of life to which God has called him

in the British metropolis, his meteorological and thermal assertions

respecting other countries are to be believed in unreservedly by his

friends.

Meanwhile, "Burgos!" was suddenly shouted by the guard of the train,

and on looking out, we found we had arrived at that station. About

a mile off was the great cathedral, so well portrayed by our David

Roberts, looming before us ghostly in the dim light of the watery

moon. We descended on to the platform half asleep, and anxious about

the portmanteaux, while the train whisked off, leaving us alone, like

stranded mariners on an unknown shore. We looked about us, and saw

uncouth figures gliding about here and there with lanterns gleaming in

the darkness, shapeless forms wrapped up to the eyes in dirty coloured

blankets--their heads extinguished with steeple hats and other

romantic and curious gear.

A small crowd gradually gathered around us as we sat upon our pieces of

baggage, like Marius among the ruins of Carthage, and then everybody

began to talk at once with the most frightful velocity and alarming

gestures. The chorus, not very unlike that of evil demons in some weird

opera, continued for several minutes, raging with great vigour and

such rapidity that we could not make even the wildest guess at their

meaning, because, amidst the babel no words of their patois could be

distinctly singled out. However, directed we suppose by the special

providence which presides over British tourists, we eventually made

a desperate resolution to follow our luggage and cling to it to the

last. Following these tactics, we found ourselves in a short time

seated in an elongated vehicle, innocent of all springs, which had some

resemblance to a schoolroom on wheels, with all the candles put out.

In this conveyance we had the further advantage of the uninterrupted

society of a monkish gentleman with sandals, cowl, rope, and what

seemed to be a long hairy dressing-gown. Now, we have often heard of

the odour of sanctity, but if the odour by which this holy person was

accompanied was the article in question, we must say we didn't think

much of it.

The vehicle in which we were seated started with a shout, a crack,

and a jerk, very suddenly, and, to any one a little absent, without

sufficient warning. After rattling over the most fearful pavement,

past grey, gaunt buildings, and through dark, narrow, shadowy streets,

illuminated at long intervals by a misty lamp swung across from house

to house, we were landed at the door of the Fonda del Norte.

At this juncture, the fact that in this life confidence in things

as they should be, instead of suspicion of things as they are, is a

mistake, was forced upon us very decisively; for had we, on descending

from the omnibus, not considered it natural that there should be a step

upon which to place the foot, instead of regarding it as possible that

there might not be one,--especially if it was at all required,--we

should not have fallen heavily out into the road, and been smeared all

over with dirt and mire.

After holding out a handful of small coins, thus simplifying matters

by letting the omnibus-driver help himself, we were escorted in slow

procession,--the luggage going first,--by a train of four damsels,

and a very brown old woman, bearing candles, through winding passages

all whitewashed, up cold stone flights of stairs, the walls of which

seemed to be covered with any amount of black-beetles, until we

were ushered into a small double-bedded room, also whitewashed, and

adorned with violently coloured prints of saints and martyrs, with

what appeared to be fireworks fizzing and exploding out of the backs

of their heads. We were then presented with a cup of some darkly red

and rather muddy-looking fluid called chocolate, highly flavoured

with what to us is the most nauseous thing in the world,--cinnamon.

A piece of black bread, and a pat of something which might once have

been butter, but now resembled railway wheel-grease, or cheese, was

then given to us. Half of a cold bird, of a species, we should imagine,

nearly extinct, seemed as little calculated to please the appetite

as the bread, butter, and chocolate. These luxuries were placed upon

a chest of drawers, there being no table; and as no chair could be

found of sufficient altitude to raise us to a proper level with these

delicacies, we were constrained to stand at our feast.

The procession of curious followers had now halted, and deployed

into a semicircle around us, doubtless to watch the effects of this

astonishing banquet upon our weak minds and empty stomachs. To taste of

the half-bird was at once to come to the conclusion that the poultry

in Spain is fed chiefly on gravel. The black-eyed young ladies who

lingered round us wonderingly while we were regaling ourselves, as if

we were two specimens of some remarkable race of men, or inhabitants

of the planet Jupiter dropped into their hotel, were at length swept

off tittering by the brown old female, and we were left alone with

the pyrotechnical saints, the whitewashed walls, a couple of iron

bedsteads, two chairs, and the chest of drawers, which still groaned

beneath the weight of the remains of the viands that had formed our

initiatory banquet in the land of Spain. The wild cry of the watchman

moaning through the narrow, silent streets, the distant clang of

the great cathedral bell sounding the hour, and the misty moonlight

streaming through the casement, gave a peculiar finish to our novel

experiences of men and things; and so to bed--to a sleep confused with

all sorts of impressions, blurred and running into each other on the

palette of the mind.

Here we were in Spain; Spain, the land of historical memories--Iberian,

Celtic, Phœnician, Greek, Carthaginian, and Roman. From the Phœnicians

sprang Cadiz, Seville, Malaga, and Cordova. From the Greeks, Rhodians,

and Zanteans, arose Rosas in Cataluña, the populations of the Balearic

Isles, and the immortal Saguntum (Murviedro), which heroically resisted

Hannibal, and caused the second Punic war. From the Carthaginians,

who conquered Southern Spain (B.C. 237), sprang Carthagena, and also

Barcelona. All Spain fell beneath the Roman yoke, and continued under

it for a period of four centuries.

Spain, the land of historic memories, Gothic, Moorish, French, British;

the land of the Cid and of chivalry; the land of the Inquisition and

of bigotry, of the religious monster, Torquemada,[3] and of the great

and cruel Duke of Alva; the land of the conquerors of Mexico and

Peru, of Cervantes, Lope de Vega, and Calderon; the land of Velasquez,

Murillo, and the Ideal, not to speak of extortionate hotel-keepers who

are much attached to the Real;[4] the land of impecuniosity, bigotry,

intolerance, and fleas; the land of love and revenge, mantillas and

stilettos; the land of plenty and horror, gazelle-eyed women, and the

blue cholera; the land of bull-fights, cigarettes, blue blood, beggars,

monks, and dinners cooked in oil; the land of the wondrous architecture

of the sombre Goth and sensuous Moor; the land of a corrupted and

vicious court--of lounging, intrigue, procrastination, and pride;

the land of staunch, changeless, and noble characters, and of pure

and chivalrous hearts; the land of the vine, orange, and cypress--of

purple mountains and dreaming sea; the land of light and shadow, of

love and hatred, glory and gloom;--in fine, the land of a sensitive,

generous, warm-hearted, and graceful people, but the worst government

in Christendom.

We are in Spain, certainly; but how cold and sepulchral a city Burgos

is! It is chill and damp, and subject to violent attacks of wind, being

situated on an elevated, exposed, and treeless plain, 3075 feet above

the level of the sea, and surrounded by a wide Arabian-like yellow

desert, which, however, waves one vast sea of corn in summer, for it is

the granary of Spain. It is sepulchral because, for all the purposes

of an advanced and enlightened age, it is a buried city; and there is

nothing a Burgolese hates so much as improvement. We are many hundred

miles south of England; but how much more bleak and inhospitable is

the climate than that of our temperate Northern isle; and we can well

understand the proverb relating to the weather in this place, "_Diez

meses de invierno y dos de infierno_."

Burgos is, as we have said, much behind its time. There is no

particular trade, excepting in the simple articles considered necessary

for the population. The hotels are but second-rate, and are used

chiefly as eating-houses for the higher class of tradespeople. Few

foreigners seek their shelter.

As the morning broke we were favoured with a glimpse of the sun,

which cheered us with its vivifying beams for about one hour, and then

the dull leaden clouds once more passed over the face of day, while

the cold winds swept down from the bare and dusty hills overlooking

the town. However, as one wanders through the quiet old streets, one

experiences a feeling of indolence which is soothing after the busy

roar of other cities. The various colouring of the quaint Spanish

streets, with the picturesque irregularity of the houses, as looked at

in perspective, is light and lively. The appearance of the balconies,

coloured matting, and painted shutters and blinds, is pleasing to

the eye of the stranger from its novelty. There are never too many

passengers to mar the repose of the scene; and on such as glide quietly

past us we look with no small degree of curiosity. How interesting it

is to see the good priest with the shovel hat, long black skirts, and

stomach-buckle of "Il Barbiere," politely saluting the olive-coloured

young lady with the graceful mantilla as she sweeps along with natural

and queen-like dignity!

However offensive may be some of the sights we see in this country,

however reluctant may be many of its fair denizens to part with

their birthright of dirt, there is grace everywhere--grace innocent

of the slightest attempt at effect, or of the smallest appearance of

affectation; natural indigenous grace, worn by all, either in manner,

dress, or bearing, from the highest to the lowest in the land. Even

the vermin-hunting beggar, sunning his idle self beneath the carved

church door, can be graceful in his rags; and an old rug flung loosely

around his form, with the folds caught up here and there, and falling

in an easy and becoming manner from his shoulder to his feet, gives to

his figure, as he paces calmly by, an air of dignity rarely to be met

with elsewhere; while the worn broad-brimmed velvet sombrero, jauntily

poised on the coloured napkin which is bound round the head and falls

in a knot on the nape of the neck, completes the well-known picture of

the proud but beggarly Don, and places him _in propriâ personâ_ before

our eyes.

At every turn the eye may fall upon beautiful old gems of Gothic

architecture, quaint and solemn old houses, carved with heraldic

blazonry, or with statues of illustrious warriors dead ages ago set in

their walls. Column, pillar, and arch are so intertwined and twisted in

all directions, that the buildings look as if they had been suddenly

paralysed whilst writhing all over in a fit of agony. One may pass

under some beautifully fretted arch, and find oneself within a ruined

court of the most graceful Saracenic device. No step breaks the sleepy

silence of its light arcades; some goats only are quietly cropping the

rank grass amongst the broken pavements of its great square; and the

clouds are passing on softly above.

In the outskirts of the town we observed some massive yellow walls,

with noble Gothic arches and windows, deep and barred, standing all

alone amidst the dust of this arid climate, and looking upon the barren

hills in the distance; but there was no living soul to attest whether

they were convent or prison. Here and there, too, some rich relics

of ancient sculpture were seen built up amidst the bricks of a barn

or storehouse--the tottering Past nursed in the arms of the strong

Present! In and around the city, feudal towers, grand old gateways, and

the palaces of ancient nobles, of the old constables of Castile, with

their _façades_ ornamented with wonderful devices, armorial bearings,

and heraldic monsters, are frequent objects of interest to him who can

read a country's history in its antiquarian remains. From the eminence

on which is built the convent of La Cartuja, situated about two miles

from the city, a general view of Burgos is obtained, with the lace-like

pinnacles of the Cathedral spiring to the skies, surrounded on all

sides by the desolate hills and far-stretching Sahara-like plains,

with scarce a patch of verdure for the aching eye to rest upon in any

direction. We, in a weak moment, hired a _calèche_ to convey us to the

convent; but as the road thither was over the most harassing ground,

now following the track of a water-course strewn with great stones,

then across level ground in which we sank up to the axles in white

dust, we came to the conclusion that, like the man in the sedan-chair

when the bottom came out, if it were not for the honour of the thing,

we might just as well walk. Indeed, we might as well have owned to

walking at once,--walking ostensibly, for though the carriage of honour

was by our side, we really had to walk half the way.

Upon arriving at the gloomy portal of the convent, with its yellow

walls, grated windows, and strong buttresses, upon which the long weeds

were waving in the blast like the wild straws in the head of some

melancholy maniac, we lifted a heavy knocker, and with it produced

some blows which sounded dismally and preternaturally loud amidst the

silence within. In answer to our summons, a cavernous, lean, pale face

appeared for a second or so at a grating to inspect the intruders,

and our exterior probably attesting the fact that no danger was to

be apprehended from us, the heavy door was swung open by a poor

dilapidated son of religion, in a long serge gown and sandals, who

looked so depressed and shy with life-long dulness and superstition,

that it was no wonder he could not lift his eyes higher than the knees

of his visitors. We then entered an elegant little church with pointed

arches, of the florid Gothic style, beneath a _façade_ emblazoned with

the arms of Castile and Leon. In the midst of the subdued light of the

holy place, there suddenly broke upon us the magnificent tomb of Juan

II. and Queen Isabella of Portugal, formed of white marble. It is truly

wonderful that in the recesses of these lonely and decaying walls,

in this forlorn spot of earth, inhabited only by five wretched and

poverty-stricken monks, are seen objects of interest which, in their

marvellous beauty, are unequalled, perhaps, in the world. Executed in

pure Carrara marble, octagonal in shape, and raised about six feet

from the pavement, with a circumference of nearly thirty-six feet, the

tomb of Juan and Isabella perfectly tortures the eye by the amazing

intricacy of its detail. Sixteen lions, bearing the royal escutcheons,

stand in pairs at each angle; groups of innumerable statuettes, each

individual a masterpiece of itself, appear resting under filigree

canopies, and within a perfect network of marble lace of infinite

delicacy; while festoons and bowers of feathery foliage, fruits and

flowers, support birds and insects treading in their marble imagery

with the springy touch of life. The statues of the royal pair lie side

by side, robed in drapery which might be the finest needlework were it

not stone.

In a recess in the wall near by is another wonderful tomb of the same

profuse ornament and delicate finish, that of Don Alonzo, son of the

above. Over the high altar is a _retablo_, a mass of gorgeous gilt

woodwork representing angels sitting on very solid clouds, while whole

coveys of little winged cherubim, with very red cheeks, hover round the

great central figure of Christ hanging on the cross, and surmounted

by a pelican tearing her breast to feed her young. The entire height

of the _retablo_, from the kneeling figures of the king and queen

below to the summit of the topmost clouds amidst which the Assumption

of the Virgin is represented, must be nearly forty feet. The gilding

with which this magnificent work is profusely adorned, is said to be

part of the gold brought by Columbus from America. The finely-carved

walnut-wood stalls of the choir are specimens of the wonderful industry

and exquisite taste of olden times, and a characteristic of all Spanish

churches.

In the central ground of the silent convent cloisters the rank weeds

wave over some hundred graves of Carthusian monks. As time rolls on the

weeds rise higher and tangle thicker, but the stoneless mound gradually

sinks down to the general level of the earth. However worthy the

actions or great the deeds of the poor, their graves are ever silent,

their names are but writ in water, and the very grass above them

withers not so soon as their memory.

After having seen everything that attracted our curiosity, we returned

through the deep white dust, and over the stony tracts, with our

very useful vehicle jolting behind us, the coachman wrapping more

closely round him his ample garment,--a garment with considerably more

pretension to hair than to shape, being composed of the skins of many

goats. I suppose he rarely, if ever, took it off, night or day; and it

is probable, if he ever ventured to dispense with a vestment which had

become almost a part of himself, he might have felt the consequences of

his rashness.

We fear it is our painful duty to remind the reader that Burgos and

the Duke of Wellington were once associated together. Glory is a fine

thing, but it is apt after a time to become a _bête noire_ to many

excellent readers; however, that is their look-out. In November, 1808,

Burgos became the head-quarters of Napoleon. Wellington, fresh from his

victory of Salamanca, invested the town; but, in consequence of the

insufficient support of the Spanish general, was compelled to raise

the siege in order to escape being captured by Marshal Soult, who

was approaching with an enormous force. To join Hill was the Duke's

necessary object, as his troops were few in number, badly provisioned,

and worn out by a continued struggle against great odds and many

disadvantages, the little band having with them to carry on the siege

but three field-pieces and five howitzers, against twenty-six of the

French. After a loss of two thousand men, the retreat of the English

was carried out with much hazard; but in June, 1813, the fortune of

war was changed, and King Joseph, upon the approach of the Duke of

Wellington, evacuated the citadel, after blowing up the fortifications,

and with them several hundred Frenchmen.

In the Castle at Burgos, once a sumptuous palace as well as a citadel,

the marriage of the Cid took place; also that of Edward the First of

England and Eleanor of Castile. Burgos is illustrious among cities, as

having given birth to the Cid, who in 1040, first saw the light in a

house which stood on the spot where now stands an obelisk, in the Calle

Alta, erected by Charles III. in 1784. There are, of course, a large

number of people who know all about the _Cid_, and the derivation of

the word. But as we are equally certain there are a fair amount who do

not, we may as well mention the following particulars in connection

with that semi-mysterious personage, to whom frequent allusions are

unavoidable in a book about Spain.

Don Rodrigo Diaz de Bivar, otherwise the Cid, was a gentleman of very

warlike tendencies, and spent most of his time in giving vent to the

martial ardour within him. He has consequently been regarded by his

countrymen of all times as their national hero, and wrapped in a bright

haze of fabulous glory and fame. He, however, accomplished a good deal

of the work attributed to him, and chased, harassed, conquered, and

imprisoned the Moors throughout Spain to a most satisfactory extent.

His love for the beautiful and heroic Ximena exemplifies the adage

that none but the brave deserve the fair, and shows his prowess in the

bowers of Venus as well as in the field of Mars. Shortly after his

death a grand poetical glorification of his exploits was offered to his

manes in the "Chronicle of the Cid;" and another, a very long time

after, by the immortal Corneille in his masterpiece of "Le Cid." Upon

the occasion of a great victory, some Moorish notables came to the hero

and prostrated themselves at his feet, saluting him with the title of

_Seid Campeador_, or Champion Prince--whence the appellation _Cid_.

Valencia was the last Moorish stronghold which fell to his arms; and

there, after hanging up his spurs and horse-bit upon the Cathedral

wall, where they remain to this day, he died in the year 1099. Any

inquiring traveller may now satisfy the combined bent of a historical

and anatomical mind by inspecting within a wooden urn in the Town Hall

of Burgos, the bones of the immortal Don Rodrigo and his lovely Ximena.

Only to see the Cathedral of Burgos would amply serve as a grateful

end to a pilgrimage from the uttermost parts of the earth. Coming

suddenly from round the angle of some narrow street, there bursts upon

the eye that glorious Gothic pile, with all its airy pinnacles. In the

interior how rich is this majestic temple with that unequalled pomp so

significant of the Roman Catholic faith, while the solemn walls are

fretted with chaste ornaments of the rarest beauty, and with groups of

slender, graceful pillarets which rise arrow-like to the lofty roof.

When one views it, as Scott recommends us to view Melrose, in the pale

moonlight, how profound is the impression produced by the weird-like

appearance of the immense building, the design of which is so noble, so

perfect! The awed pilgrim from other lands, when his eyes first rest

on this unequalled shrine, stands enchanted, as if rooted to the spot,

his soul leaping within him, transported with the beauty of so rare a

spectacle.

As the great carved door swings back behind us, and shuts out from

the senses the glare of the Spanish day, the head is instinctively

bowed, and the knee bends in worship; for everything in this

consecrated temple of the Divinity is calculated to excite the spirit

of adoration, and to raise our faith heavenward. When we stand silent

on the threshold of that holy place, beneath the lofty arches of the

vaulted roof, supported by rows of colossal columns melting away

into the distance; when we slowly pace the long aisles, with the

tombs of the mighty dead on each side; or when we kneel with the

devout worshippers before the altars in the various chapels, gemmed

by hundreds of star-like lamps, the soul feels the reality of things

unseen; while with the deep diapason of the organ, blended with the

holy song of bands of choristers, its aspirations mount like clouds of

incense to heaven. Never shall I forget the profound impression which I

experienced when, in that noble fane, I felt that religious faith was

at once the grandest and the most genuine growth of the human soul.

The staircase, which descends in graceful curvings from the altar to

the marble floor beneath, with great griffin heads terminating the

balustrades, is very beautiful, and was much admired by our own David

Roberts. How magnificent, too, is the choir, with its two hundred

stalls, adorned with spires, which are ornamented with the richest and

most minute carving! The dark walnut-wood is all chased, chiselled, and

traced from pinnacle to floor with one mass of amazing ornamentation,

amidst the intricacies of which the sight loses itself, and becomes

dim. The choir is entirely surrounded by tall brass railings of

exquisite workmanship; and in the fifteen chapels, each enclosing

objects of marvellous interest or beauty, the altars are supported by

jasper pillars and columns of rarest marbles, while the _retablo_ rises

to the roof--a perfect labyrinth of gilt wood-carving, crowded with

subjects of wondrous device. On a shelf in a sacristy is mouldering

away into chips a great wooden chest which belonged to the Cid, for

the indulgence of looking at which not very remarkable article of this

hero's outfit a priest did not charge us more than a shilling a head.

FOOTNOTES:

[3] In the course of sixteen years, Torquemada, first

Inquisitor-General of Spain, committed to the flames eight thousand

eight hundred victims.

[4] About twopence halfpenny. The real is the basis of the whole

monetary system of Spain.

[Illustration: [++] Decorative Image]

[Illustration: [++] Decorative Image]

The Sunny South: An Autumn in Spain and Majorca · 第 4 / 18 章