CHAPTER VI.

SONGS AND STORIES.

NIGHT falls suddenly on this beautiful home. There is no long twilight

as in northern lands; and soon the stars are shining, myriads of them.

They do not twinkle, but give a strong, steady light.

[Illustration: "THE HOMES OF THE WORKMEN"]

This is the best part of the day. The planter sits on the veranda,

smoking; his wife, in her delicate evening dress, keeps him company.

Teresa plays some sweet tunes on her guitar and sings, while her

duenna sits back in a rattan chair and dozes. Manuel and Dolores dance

together along the garden paths or play with their fireflies.

Hark! listen to that lively music coming from the homes of the workmen.

We know there are mandolins among the instruments they are playing,

but what is that strange, swishing noise we hear, keeping time with the

other instruments? It is somewhat like the sound of shuffling feet. It

is made upon gourds notched in many places, with holes in the shape of

triangles cut in the necks.

A few nights ago Manuel and Dolores begged their father to take them

over to the "quarters," as the cabins of the coloured farm labourers

are called. Manuel said:

"We want to see the sport. They have such good times over there when

their work is done, and do tell such funny stories. But, after all,

papa, it's the way they tell them that I like best. Their black eyes

are so solemn and look as though they believed every word that is said."

When the planter and his children drew near, they found the coloured

people squatting in a big circle in front of one of the huts. The sun

was just setting in a great round ball in the west. There was still

light enough in the sky to show the shining dark faces ranged around.

Two rows of glistening ivory teeth could be plainly seen in each face

as the workmen jumped up to bow and smile before "Massa, little Massa,

and little Missus." They were quite proud to be honoured by a visit

from these great people. And now the sun suddenly dropped below the

horizon, and the air seemed filled with the darkness.

It was the sign to begin, and the blacks, at a motion from their

leader, started in with an old, old song not learned from books; it had

been handed down from the time when their people lived in their native

land of Africa. It was a song about a beautiful star, and before it

was ended Dolores and Manuel felt as if the star itself were a living

friend and helper of these ignorant, earnest people.

Sing! The word does not begin to describe the music they not only

heard but saw and felt. The voices of the singers were sweet and rich;

their bodies swayed back and forth, keeping perfect time. Their great

round eyes rolled from side to side, and as they sang verse after

verse, they seemed to forget their company as well as themselves. Their

faces shone with a smile of perfect happiness.

When the song was ended a story was called for, and an old gray-haired

man began to tell this tale of the elephant and the whale.

"Once upon a time an elephant was walking on the shore. He saw a whale

in the water. He spoke to the whale and said:

"'Brother Whale, I can pull you up on to the shore.'

"'Indeed you can't,' cried the whale.

"'I bet three thousand dollars that I can,' the elephant answered.

"'All right, let me see you try,' the whale said, quickly, and went

away.

"Soon afterward they met again. The whale spoke this time, and said:

"'Brother Elephant, I can pull you into the sea.'

"'What an idea!' said the elephant. 'No man in the world could pull me

into the sea.'

"Brother Rabbit heard the two talking, and said:

"'I'll try it to-morrow at twelve o'clock.'

"He went away and got a piece of rope. He tied one end of it around the

whale's neck and the other around the elephant's neck. Then he said:

"'When I speak the word you must both pull hard.'

"Now when the whale pulled, he dragged the elephant into the sea. He

said:

"'You, Brother Elephant, think the little rabbit is doing all this.'

"Then the elephant pulled hard, and brought the whale into the surf.

The whale caught underneath a shelf of rock and the elephant found

himself fastened to a big tree.

"These two mightiest of creatures pulled and pulled, till at last the

rope broke, and the elephant was jerked way back into the forest and

the whale was jerked way out to sea. That is why you always see the

whale in the ocean and the elephant in the woods."

There was a great clapping of hands when the tale was ended. After

that, there were other songs and stories, while the faces of the people

grew more earnest and eager after each one.

It was growing late, and Manuel's father said:

"Come, children, we must go now. Your mother will be watching for you.

It is long past your bedtime."

As they walked homeward, Manuel was quiet for some time. Then he said:

"Father, what nonsense many of these stories are! Yet I like them,

too, because they seem to bring one so near all living things. Even

the rabbit and the elephant are brothers to them. It's a little odd,

though, that in their animal stories they always make the rabbit the

wisest."

Sometimes Manuel's father walks over to the "quarters" with his boy to

see the dancing. It is wild and exciting; it fairly makes Manuel dizzy

to watch the people twist and turn themselves about. It is so different

from the slow, graceful steps he and Dolores have been taught.

One wonders if the children are not afraid of snakes in the long grass

at night. No, for in all Porto Rico, it is said, a poisonous serpent

has never been seen. In two other islands of the West Indies the most

deadly snake of the Western world is found. This is the terrible

fer-de-lance whose bite is so much dreaded; but this serpent has never

made its way into Porto Rico. It probably drifted on limbs of forest

trees from South America to the other islands, but never reached

Manuel's home. The boy should be very grateful that it did not.

But there are other things for him to fear. When he goes to bed

to-night, he will get Juana to look under his bed and in every corner

of the room before he can settle himself to sleep. Is he afraid of

burglars, do you suppose? He never thinks of them; but he knows that

scorpions and centipedes can creep into the house, and even into

his bed, without being seen. And oh! their sting means very great

suffering. Manuel's mother was once stung by a scorpion's fiery tail,

and the wound was very painful for a long time.

It was only a few nights ago that Juana found a centipede snuggled away

under a cushion in the sitting-room. Suppose some one had sat down upon

it unawares and been bitten! It makes the shivers creep up and down

Manuel's back to think of it.

The word centipede, perhaps you know, means hundred-footed. These

little insects travel quite rapidly, and although they do not cause

death, they may make very painful wounds.

There are other things, too, to trouble Manuel and Dolores, for

mosquitoes and fleas are always plentiful, and sometimes the children

are awakened at night by an attack from a small regiment of cruel

little ants, and sleep no more till morning.

There is a certain insect in the West Indies known as a "chico,"

"chigoe," or "jigger," and woe to the toes of the person whom it

visits. It gets under the skin, and there lays many eggs and prepares

to make itself very much at home. So if any person's toe begins to

itch, he needs to have it examined at once, or there may be trouble.

People have sometimes been obliged to have the toe, and even the foot

and leg, cut off on account of the inflammation caused by a chico and

her family.

But the curious thing about it is that this insect seems to prefer the

toes of white strangers, so that Manuel and Dolores, who were born on

the island, are pretty safe in going barefooted.

Our Little Porto Rican Cousin · 第 6 / 14 章