Chapter LIII

“_Tenez, voilà le Capitaine Brunot_,” said Tiaré, one day when I was

fitting together what she could tell me of Strickland. “He knew

Strickland well; he visited him at his house.”

I saw a middle-aged Frenchman with a big black beard, streaked with

gray, a sunburned face, and large, shining eyes. He was dressed in a

neat suit of ducks. I had noticed him at luncheon, and Ah Lin, the

Chinese boy, told me he had come from the Paumotus on the boat that had

that day arrived. Tiaré introduced me to him, and he handed me his

card, a large card on which was printed _René Brunot_, and underneath,

_Capitaine au Long Cours._ We were sitting on a little verandah outside

the kitchen, and Tiaré was cutting out a dress that she was making for

one of the girls about the house. He sat down with us.

“Yes; I knew Strickland well,” he said. “I am very fond of chess, and

he was always glad of a game. I come to Tahiti three or four times a

year for my business, and when he was at Papeete he would come here and

we would play. When he married”—Captain Brunot smiled and shrugged his

shoulders—“_enfin_, when he went to live with the girl that Tiaré gave

him, he asked me to go and see him. I was one of the guests at the

wedding feast.” He looked at Tiaré, and they both laughed. “He did not

come much to Papeete after that, and about a year later it chanced that

I had to go to that part of the island for I forgot what business, and

when I had finished it I said to myself: ‘_Voyons_, why should I not go

and see that poor Strickland?’ I asked one or two natives if they knew

anything about him, and I discovered that he lived not more than five

kilometres from where I was. So I went. I shall never forget the

impression my visit made on me. I live on an atoll, a low island, it is

a strip of land surrounding a lagoon, and its beauty is the beauty of

the sea and sky and the varied colour of the lagoon and the grace of

the cocoa-nut trees; but the place where Strickland lived had the

beauty of the Garden of Eden. Ah, I wish I could make you see the

enchantment of that spot, a corner hidden away from all the world, with

the blue sky overhead and the rich, luxuriant trees. It was a feast of

colour. And it was fragrant and cool. Words cannot describe that

paradise. And here he lived, unmindful of the world and by the world

forgotten. I suppose to European eyes it would have seemed

astonishingly sordid. The house was dilapidated and none too clean.

Three or four natives were lying on the verandah. You know how natives

love to herd together. There was a young man lying full length, smoking

a cigarette, and he wore nothing but a _pareo_.”

The _pareo_ is a long strip of trade cotton, red or blue, stamped with

a white pattern. It is worn round the waist and hangs to the knees.

“A girl of fifteen, perhaps, was plaiting pandanus-leaf to make a hat,

and an old woman was sitting on her haunches smoking a pipe. Then I saw

Ata. She was suckling a new-born child, and another child, stark naked,

was playing at her feet. When she saw me she called out to Strickland,

and he came to the door. He, too, wore nothing but a _pareo_. He was an

extraordinary figure, with his red beard and matted hair, and his great

hairy chest. His feet were horny and scarred, so that I knew he went

always bare foot. He had gone native with a vengeance. He seemed

pleased to see me, and told Ata to kill a chicken for our dinner. He

took me into the house to show me the picture he was at work on when I

came in. In one corner of the room was the bed, and in the middle was

an easel with the canvas upon it. Because I was sorry for him, I had

bought a couple of his pictures for small sums, and I had sent others

to friends of mine in France. And though I had bought them out of

compassion, after living with them I began to like them. Indeed, I

found a strange beauty in them. Everyone thought I was mad, but it

turns out that I was right. I was his first admirer in the islands.”

He smiled maliciously at Tiaré, and with lamentations she told us again

the story of how at the sale of Strickland’s effects she had neglected

the pictures, but bought an American stove for twenty-seven francs.

“Have you the pictures still?” I asked.

“Yes; I am keeping them till my daughter is of marriageable age, and

then I shall sell them. They will be her _dot._” Then he went on with

the account of his visit to Strickland.

“I shall never forget the evening I spent with him. I had not intended

to stay more than an hour, but he insisted that I should spend the

night. I hesitated, for I confess I did not much like the look of the

mats on which he proposed that I should sleep; but I shrugged my

shoulders. When I was building my house in the Paumotus I had slept out

for weeks on a harder bed than that, with nothing to shelter me but

wild shrubs; and as for vermin, my tough skin should be proof against

their malice.

“We went down to the stream to bathe while Ata was preparing the

dinner, and after we had eaten it we sat on the verandah. We smoked and

chatted. The young man had a concertina, and he played the tunes

popular on the music-halls a dozen years before. They sounded strangely

in the tropical night thousands of miles from civilisation. I asked

Strickland if it did not irk him to live in that promiscuity. No, he

said; he liked to have his models under his hand. Presently, after loud

yawning, the natives went away to sleep, and Strickland and I were left

alone. I cannot describe to you the intense silence of the night. On my

island in the Paumotus there is never at night the complete stillness

that there was here. There is the rustle of the myriad animals on the

beach, all the little shelled things that crawl about ceaselessly, and

there is the noisy scurrying of the land-crabs. Now and then in the

lagoon you hear the leaping of a fish, and sometimes a hurried noisy

splashing as a brown shark sends all the other fish scampering for

their lives. And above all, ceaseless like time, is the dull roar of

the breakers on the reef. But here there was not a sound, and the air

was scented with the white flowers of the night. It was a night so

beautiful that your soul seemed hardly able to bear the prison of the

body. You felt that it was ready to be wafted away on the immaterial

air, and death bore all the aspect of a beloved friend.”

Tiaré sighed.

“Ah, I wish I were fifteen again.”

Then she caught sight of a cat trying to get at a dish of prawns on the

kitchen table, and with a dexterous gesture and a lively volley of

abuse flung a book at its scampering tail.

“I asked him if he was happy with Ata.

“‘She leaves me alone,’ he said. ‘She cooks my food and looks after her

babies. She does what I tell her. She gives me what I want from a

woman.’

“‘And do you never regret Europe? Do you not yearn sometimes for the

light of the streets in Paris or London, the companionship of your

friends, and equals, _que sais-je?_ for theatres and newspapers, and

the rumble of omnibuses on the cobbled pavements?’

“For a long time he was silent. Then he said:

“‘I shall stay here till I die.’

“‘But are you never bored or lonely?’ I asked.

“He chuckled.

“‘_Mon pauvre ami_,’ he said. ‘It is evident that you do not know what

it is to be an artist.’”

Capitaine Brunot turned to me with a gentle smile, and there was a

wonderful look in his dark, kind eyes.

“He did me an injustice, for I too know what it is to have dreams. I

have my visions too. In my way I also am an artist.”

We were all silent for a while, and Tiaré fished out of her capacious

pocket a handful of cigarettes. She handed one to each of us, and we

all three smoked. At last she said:

“Since _ce monsieur_ is interested in Strickland, why do you not take

him to see Dr. Coutras? He can tell him something about his illness and

death.”

“_Volontiers_,” said the Captain, looking at me.

I thanked him, and he looked at his watch.

“It is past six o’clock. We should find him at home if you care to come

now.”

I got up without further ado, and we walked along the road that led to

the doctor’s house. He lived out of the town, but the Hôtel de la Fleur

was on the edge of it, and we were quickly in the country. The broad

road was shaded by pepper-trees, and on each side were the plantations,

cocoa-nut and vanilla. The pirate birds were screeching among the

leaves of the palms. We came to a stone bridge over a shallow river,

and we stopped for a few minutes to see the native boys bathing. They

chased one another with shrill cries and laughter, and their bodies,

brown and wet, gleamed in the sunlight.

The Moon and Sixpence · 第 53 / 58 章