Chapter XXV

Presently we left him. Dirk was going home to dinner, and I proposed to

find a doctor and bring him to see Strickland; but when we got down

into the street, fresh after the stuffy attic, the Dutchman begged me

to go immediately to his studio. He had something in mind which he

would not tell me, but he insisted that it was very necessary for me to

accompany him. Since I did not think a doctor could at the moment do

any more than we had done, I consented. We found Blanche Stroeve laying

the table for dinner. Dirk went up to her, and took both her hands.

“Dear one, I want you to do something for me,” he said.

She looked at him with the grave cheerfulness which was one of her

charms. His red face was shining with sweat, and he had a look of comic

agitation, but there was in his round, surprised eyes an eager light.

“Strickland is very ill. He may be dying. He is alone in a filthy

attic, and there is not a soul to look after him. I want you to let me

bring him here.”

She withdrew her hands quickly, I had never seen her make so rapid a

movement; and her cheeks flushed.

“Oh no.”

“Oh, my dear one, don’t refuse. I couldn’t bear to leave him where he

is. I shouldn’t sleep a wink for thinking of him.”

“I have no objection to your nursing him.”

Her voice was cold and distant.

“But he’ll die.”

“Let him.”

Stroeve gave a little gasp. He wiped his face. He turned to me for

support, but I did not know what to say.

“He’s a great artist.”

“What do I care? I hate him.”

“Oh, my love, my precious, you don’t mean that. I beseech you to let me

bring him here. We can make him comfortable. Perhaps we can save him.

He shall be no trouble to you. I will do everything. We’ll make him up

a bed in the studio. We can’t let him die like a dog. It would be

inhuman.”

“Why can’t he go to a hospital?”

“A hospital! He needs the care of loving hands. He must be treated with

infinite tact.”

I was surprised to see how moved she was. She went on laying the table,

but her hands trembled.

“I have no patience with you. Do you think if you were ill he would

stir a finger to help you?”

“But what does that matter? I should have you to nurse me. It wouldn’t

be necessary. And besides, I’m different; I’m not of any importance.”

“You have no more spirit than a mongrel cur. You lie down on the ground

and ask people to trample on you.”

Stroeve gave a little laugh. He thought he understood the reason of his

wife’s attitude.

“Oh, my poor dear, you’re thinking of that day he came here to look at

my pictures. What does it matter if he didn’t think them any good? It

was stupid of me to show them to him. I dare say they’re not very

good.”

He looked round the studio ruefully. On the easel was a half-finished

picture of a smiling Italian peasant, holding a bunch of grapes over

the head of a dark-eyed girl.

“Even if he didn’t like them he should have been civil. He needn’t have

insulted you. He showed that he despised you, and you lick his hand.

Oh, I hate him.”

“Dear child, he has genius. You don’t think I believe that I have it. I

wish I had; but I know it when I see it, and I honour it with all my

heart. It’s the most wonderful thing in the world. It’s a great burden

to its possessors. We should be very tolerant with them, and very

patient.”

I stood apart, somewhat embarrassed by the domestic scene, and wondered

why Stroeve had insisted on my coming with him. I saw that his wife was

on the verge of tears.

“But it’s not only because he’s a genius that I ask you to let me bring

him here; it’s because he’s a human being, and he is ill and poor.”

“I will never have him in my house—never.”

Stroeve turned to me.

“Tell her that it’s a matter of life and death. It’s impossible to

leave him in that wretched hole.”

“It’s quite obvious that it would be much easier to nurse him here,” I

said, “but of course it would be very inconvenient. I have an idea that

someone will have to be with him day and night.”

“My love, it’s not you who would shirk a little trouble.”

“If he comes here, I shall go,” said Mrs. Stroeve violently.

“I don’t recognize you. You’re so good and kind.”

“Oh, for goodness sake, let me be. You drive me to distraction.”

Then at last the tears came. She sank into a chair, and buried her face

in her hands. Her shoulders shook convulsively. In a moment Dirk was on

his knees beside her, with his arms round her, kissing her, calling her

all sorts of pet names, and the facile tears ran down his own cheeks.

Presently she released herself and dried her eyes.

“Leave me alone,” she said, not unkindly; and then to me, trying to

smile: “What must you think of me?”

Stroeve, looking at her with perplexity, hesitated. His forehead was

all puckered, and his red mouth set in a pout. He reminded me oddly of

an agitated guinea-pig.

“Then it’s No, darling?” he said at last.

She gave a gesture of lassitude. She was exhausted.

“The studio is yours. Everything belongs to you. If you want to bring

him here, how can I prevent you?”

A sudden smile flashed across his round face.

“Then you consent? I knew you would. Oh, my precious.”

Suddenly she pulled herself together. She looked at him with haggard

eyes. She clasped her hands over her heart as though its beating were

intolerable.

“Oh, Dirk, I’ve never since we met asked you to do anything for me.”

“You know there’s nothing in the world that I wouldn’t do for you.”

“I beg you not to let Strickland come here. Anyone else you like. Bring

a thief, a drunkard, any outcast off the streets, and I promise you

I’ll do everything I can for them gladly. But I beseech you not to

bring Strickland here.”

“But why?”

“I’m frightened of him. I don’t know why, but there’s something in him

that terrifies me. He’ll do us some great harm. I know it. I feel it.

If you bring him here it can only end badly.”

“But how unreasonable!”

“No, no. I know I’m right. Something terrible will happen to us.”

“Because we do a good action?”

She was panting now, and in her face was a terror which was

inexplicable. I do not know what she thought. I felt that she was

possessed by some shapeless dread which robbed her of all self-control.

As a rule she was so calm; her agitation now was amazing. Stroeve

looked at her for a while with puzzled consternation.

“You are my wife; you are dearer to me than anyone in the world. No one

shall come here without your entire consent.”

She closed her eyes for a moment, and I thought she was going to faint.

I was a little impatient with her; I had not suspected that she was so

neurotic a woman. Then I heard Stroeve’s voice again. It seemed to

break oddly on the silence.

“Haven’t you been in bitter distress once when a helping hand was held

out to you? You know how much it means. Couldn’t you like to do someone

a good turn when you have the chance?”

The words were ordinary enough, and to my mind there was in them

something so hortatory that I almost smiled. I was astonished at the

effect they had on Blanche Stroeve. She started a little, and gave her

husband a long look. His eyes were fixed on the ground. I did not know

why he seemed embarrassed. A faint colour came into her cheeks, and

then her face became white—more than white, ghastly; you felt that the

blood had shrunk away from the whole surface of her body; and even her

hands were pale. A shiver passed through her. The silence of the studio

seemed to gather body, so that it became an almost palpable presence. I

was bewildered.

“Bring Strickland here, Dirk. I’ll do my best for him.”

“My precious,” he smiled.

He wanted to take her in his arms, but she avoided him.

“Don’t be affectionate before strangers, Dirk,” she said. “It makes me

feel such a fool.”

Her manner was quite normal again, and no one could have told that so

shortly before she had been shaken by such a great emotion.

The Moon and Sixpence · 第 25 / 58 章