Chapter XIV

During the journey back to England I thought much of Strickland. I

tried to set in order what I had to tell his wife. It was

unsatisfactory, and I could not imagine that she would be content with

me; I was not content with myself. Strickland perplexed me. I could not

understand his motives. When I had asked him what first gave him the

idea of being a painter, he was unable or unwilling to tell me. I could

make nothing of it. I tried to persuade myself than an obscure feeling

of revolt had been gradually coming to a head in his slow mind, but to

challenge this was the undoubted fact that he had never shown any

impatience with the monotony of his life. If, seized by an intolerable

boredom, he had determined to be a painter merely to break with irksome

ties, it would have been comprehensible, and commonplace; but

commonplace is precisely what I felt he was not. At last, because I was

romantic, I devised an explanation which I acknowledged to be

far-fetched, but which was the only one that in any way satisfied me.

It was this: I asked myself whether there was not in his soul some

deep-rooted instinct of creation, which the circumstances of his life

had obscured, but which grew relentlessly, as a cancer may grow in the

living tissues, till at last it took possession of his whole being and

forced him irresistibly to action. The cuckoo lays its egg in the

strange bird’s nest, and when the young one is hatched it shoulders its

foster-brothers out and breaks at last the nest that has sheltered it.

But how strange it was that the creative instinct should seize upon

this dull stockbroker, to his own ruin, perhaps, and to the misfortune

of such as were dependent on him; and yet no stranger than the way in

which the spirit of God has seized men, powerful and rich, pursuing

them with stubborn vigilance till at last, conquered, they have

abandoned the joy of the world and the love of women for the painful

austerities of the cloister. Conversion may come under many shapes, and

it may be brought about in many ways. With some men it needs a

cataclysm, as a stone may be broken to fragments by the fury of a

torrent; but with some it comes gradually, as a stone may be worn away

by the ceaseless fall of a drop of water. Strickland had the directness

of the fanatic and the ferocity of the apostle.

But to my practical mind it remained to be seen whether the passion

which obsessed him would be justified of its works. When I asked him

what his brother-students at the night classes he had attended in

London thought of his painting, he answered with a grin:

“They thought it a joke.”

“Have you begun to go to a studio here?”

“Yes. The blighter came round this morning—the master, you know; when

he saw my drawing he just raised his eyebrows and walked on.”

Strickland chuckled. He did not seem discouraged. He was independent of

the opinion of his fellows.

And it was just that which had most disconcerted me in my dealings with

him. When people say they do not care what others think of them, for

the most part they deceive themselves. Generally they mean only that

they will do as they choose, in the confidence that no one will know

their vagaries; and at the utmost only that they are willing to act

contrary to the opinion of the majority because they are supported by

the approval of their neighbours. It is not difficult to be

unconventional in the eyes of the world when your unconventionality is

but the convention of your set. It affords you then an inordinate

amount of self-esteem. You have the self-satisfaction of courage

without the inconvenience of danger. But the desire for approbation is

perhaps the most deeply seated instinct of civilised man. No one runs

so hurriedly to the cover of respectability as the unconventional woman

who has exposed herself to the slings and arrows of outraged propriety.

I do not believe the people who tell me they do not care a row of pins

for the opinion of their fellows. It is the bravado of ignorance. They

mean only that they do not fear reproaches for peccadillos which they

are convinced none will discover.

But here was a man who sincerely did not mind what people thought of

him, and so convention had no hold on him; he was like a wrestler whose

body is oiled; you could not get a grip on him; it gave him a freedom

which was an outrage. I remember saying to him:

“Look here, if everyone acted like you, the world couldn’t go on.”

“That’s a damned silly thing to say. Everyone doesn’t want to act like

me. The great majority are perfectly content to do the ordinary thing.”

And once I sought to be satirical.

“You evidently don’t believe in the maxim: Act so that every one of

your actions is capable of being made into a universal rule.”

“I never heard it before, but it’s rotten nonsense.”

“Well, it was Kant who said it.”

“I don’t care; it’s rotten nonsense.”

Nor with such a man could you expect the appeal to conscience to be

effective. You might as well ask for a reflection without a mirror. I

take it that conscience is the guardian in the individual of the rules

which the community has evolved for its own preservation. It is the

policeman in all our hearts, set there to watch that we do not break

its laws. It is the spy seated in the central stronghold of the ego.

Man’s desire for the approval of his fellows is so strong, his dread of

their censure so violent, that he himself has brought his enemy within

his gates; and it keeps watch over him, vigilant always in the

interests of its master to crush any half-formed desire to break away

from the herd. It will force him to place the good of society before

his own. It is the very strong link that attaches the individual to the

whole. And man, subservient to interests he has persuaded himself are

greater than his own, makes himself a slave to his taskmaster. He sits

him in a seat of honour. At last, like a courtier fawning on the royal

stick that is laid about his shoulders, he prides himself on the

sensitiveness of his conscience. Then he has no words hard enough for

the man who does not recognise its sway; for, a member of society now,

he realises accurately enough that against him he is powerless. When I

saw that Strickland was really indifferent to the blame his conduct

must excite, I could only draw back in horror as from a monster of

hardly human shape.

The last words he said to me when I bade him good-night were:

“Tell Amy it’s no good coming after me. Anyhow, I shall change my

hotel, so she wouldn’t be able to find me.”

“My own impression is that she’s well rid of you,” I said.

“My dear fellow, I only hope you’ll be able to make her see it. But

women are very unintelligent.”

The Moon and Sixpence · 第 14 / 58 章