CHAPTER V.

The bewildered Margery was led by the Baron up the steps to the interior

of the house, whence the sounds of music and dancing were already

proceeding. The tones were strange. At every fourth beat a deep and

mighty note throbbed through the air, reaching Margery’s soul with all

the force of a blow.

‘What is that powerful tune, sir—I have never heard anything like it?’

she said.

‘The Drum Polka,’ answered the Baron. ‘The strange dance I spoke of and

that we practised—introduced from my country and other parts of the

continent.’

Her surprise was not lessened when, at the entrance to the ballroom, she

heard the names of her conductor and herself announced as ‘Mr. and Miss

Brown.’

However, nobody seemed to take any notice of the announcement, the room

beyond being in a perfect turmoil of gaiety, and Margery’s consternation

at sailing under false colours subsided. At the same moment she observed

awaiting them a handsome, dark-haired, rather _petite_ lady in

cream-coloured satin. ‘Who is she?’ asked Margery of the Baron.

‘She is the lady of the mansion,’ he whispered. ‘She is the wife of a

peer of the realm, the daughter of a marquis, has five Christian names;

and hardly ever speaks to commoners, except for political purposes.’

‘How divine—what joy to be here!’ murmured Margery, as she contemplated

the diamonds that flashed from the head of her ladyship, who was just

inside the ball-room door, in front of a little gilded chair, upon which

she sat in the intervals between one arrival and another. She had come

down from London at great inconvenience to herself; openly to promote

this entertainment.

As Mr. and Miss Brown expressed absolutely no meaning to Lady Toneborough

(for there were three Browns already present in this rather mixed

assembly), and as there was possibly a slight awkwardness in poor

Margery’s manner, Lady Toneborough touched their hands lightly with the

tips of her long gloves, said, ‘How d’ye do,’ and turned round for more

comers.

‘Ah, if she only knew we were a rich Baron and his friend, and not Mr.

and Miss Brown at all, she wouldn’t receive us like that, would she?’

whispered Margery confidentially.

‘Indeed, she wouldn’t!’ drily said the Baron. ‘Now let us drop into the

dance at once; some of the people here, you see, dance much worse than

you.’

Almost before she was aware she had obeyed his mysterious influence, by

giving him one hand, placing the other upon his shoulder, and swinging

with him round the room to the steps she had learnt on the sward.

At the first gaze the apartment had seemed to her to be floored with

black ice; the figures of the dancers appearing upon it upside down. At

last she realized that it was highly-polished oak, but she was none the

less afraid to move.

‘I am afraid of falling down,’ she said.

‘Lean on me; you will soon get used to it,’ he replied. ‘You have no

nails in your shoes now, dear.’

His words, like all his words to her, were quite true. She found it

amazingly easy in a brief space of time. The floor, far from hindering

her, was a positive assistance to one of her natural agility and

litheness. Moreover, her marvellous dress of twelve flounces inspired

her as nothing else could have done. Externally a new creature, she was

prompted to new deeds. To feel as well-dressed as the other women around

her is to set any woman at her ease, whencesoever she may have come: to

feel much better dressed is to add radiance to that ease.

Her prophet’s statement on the popularity of the polka at this juncture

was amply borne out. It was among the first seasons of its general

adoption in country houses; the enthusiasm it excited to-night was beyond

description, and scarcely credible to the youth of the present day. A

new motive power had been introduced into the world of poesy—the polka,

as a counterpoise to the new motive power that had been introduced into

the world of prose—steam.

Twenty finished musicians sat in the music gallery at the end, with

romantic mop-heads of raven hair, under which their faces and eyes shone

like fire under coals.

The nature and object of the ball had led to its being very inclusive.

Every rank was there, from the peer to the smallest yeoman, and Margery

got on exceedingly well, particularly when the recuperative powers of

supper had banished the fatigue of her long drive.

Sometimes she heard people saying, ‘Who are they?—brother and

sister—father and daughter? And never dancing except with each other—how

odd?’ But of this she took no notice.

When not dancing the watchful Baron took her through the drawing-rooms

and picture-galleries adjoining, which to-night were thrown open like the

rest of the house; and there, ensconcing her in some curtained nook, he

drew her attention to scrap-books, prints, and albums, and left her to

amuse herself with turning them over till the dance in which she was

practised should again be called. Margery would much have preferred to

roam about during these intervals; but the words of the Baron were law,

and as he commanded so she acted. In such alternations the evening

winged away; till at last came the gloomy words, ‘Margery, our time is

up.’

‘One more—only one!’ she coaxed, for the longer they stayed the more

freely and gaily moved the dance. This entreaty he granted; but on her

asking for yet another, he was inexorable. ‘No,’ he said. ‘We have a

long way to go.’

Then she bade adieu to the wondrous scene, looking over her shoulder as

they withdrew from the hall; and in a few minutes she was cloaked and in

the carriage. The Baron mounted to his seat on the box, where she saw

him light a cigar; they plunged under the trees, and she leant back, and

gave herself up to contemplate the images that filled her brain. The

natural result followed: she fell asleep.

She did not awake till they stopped to change horses; when she saw

against the stars the Baron sitting as erect as ever. ‘He watches like

the Angel Gabriel, when all the world is asleep!’ she thought.

With the resumption of motion she slept again, and knew no more till he

touched her hand and said, ‘Our journey is done—we are in Chillington

Wood.’

It was almost daylight. Margery scarcely knew herself to be awake till

she was out of the carriage and standing beside the Baron, who, having

told the coachman to drive on to a certain point indicated, turned to

her.

‘Now,’ he said, smiling, ‘run across to the hollow tree; you know where

it is. I’ll wait as before, while you perform the reverse operation to

that you did last night.’ She took no heed of the path now, nor regarded

whether her pretty slippers became scratched by the brambles or no. A

walk of a few steps brought her to the particular tree which she had left

about nine hours earlier. It was still gloomy at this spot, the morning

not being clear.

She entered the trunk, dislodged the box containing her old clothing,

pulled off the satin shoes, and gloves, dress, and in ten minutes emerged

in the cotton and shawl of shepherd’s plaid.

Baron was not far off. ‘Now you look the milkmaid again,’ he said,

coming towards her. ‘Where is the finery?’

‘Packed in the box, sir, as I found it.’ She spoke with more humility

now. The difference between them was greater than it had been at the

ball.

‘Good,’ he said. ‘I must just dispose of it; and then away we go.’

He went back to the tree, Margery following at a little distance.

Bringing forth the box, he pulled out the dress as carelessly as if it

had been rags. But this was not all. He gathered a few dry sticks,

crushed the lovely garment into a loose billowy heap, threw the gloves,

fan, and shoes on the top, then struck a light and ruthlessly set fire to

the whole.

Margery was agonized. She ran forward; she implored and entreated.

‘Please, sir—do spare it—do! My lovely dress—my-dear, dear slippers—my

fan—it is cruel! Don’t burn them, please!’

‘Nonsense. We shall have no further use for them if we live a hundred

years.’

‘But spare a bit of it—one little piece, sir—a scrap of the lace—one bow

of the ribbon—the lovely fan—just something!’

But he was as immoveable as Rhadamanthus. ‘No,’ he said, with a stern

gaze of his aristocratic eye. ‘It is of no use for you to speak like

that. The things are my property. I undertook to gratify you in what

you might desire because you had saved my life. To go to a ball, you

said. You might much more wisely have said anything else, but no; you

said, to go to a ball. Very well—I have taken you to a ball. I have

brought you back. The clothes were only the means, and I dispose of them

my own way. Have I not a right to?’

‘Yes, sir,’ she said meekly.

He gave the fire a stir, and lace and ribbons, and the twelve flounces,

and the embroidery, and all the rest crackled and disappeared. He then

put in her hands the butter basket she had brought to take on to her

grandmother’s, and accompanied her to the edge of the wood, where it

merged in the undulating open country in which her granddame dwelt.

‘Now, Margery,’ he said, ‘here we part. I have performed my contract—at

some awkwardness, if I was recognized. But never mind that. How do you

feel—sleepy?’

‘Not at all, sir,’ she said.

‘That long nap refreshed you, eh? Now you must make me a promise. That

if I require your presence at any time, you will come to me . . . I am a

man of more than one mood,’ he went on with sudden solemnity; ‘and I may

have desperate need of you again, to deliver me from that darkness as of

Death which sometimes encompasses me. Promise it, Margery—promise it;

that, no matter what stands in the way, you will come to me if I require

you.’

‘I would have if you had not burnt my pretty clothes!’ she pouted.

‘Ah—ungrateful!’

‘Indeed, then, I will promise, sir,’ she said from her heart. ‘Wherever

I am, if I have bodily strength I will come to you.’

He pressed her hand. ‘It is a solemn promise,’ he replied. ‘Now I must

go, for you know your way.’

‘I shall hardly believe that it has not been all a dream!’ she said, with

a childish instinct to cry at his withdrawal. ‘There will be nothing

left of last night—nothing of my dress, nothing of my pleasure, nothing

of the place!’

‘You shall remember it in this way,’ said he. ‘We’ll cut our initials on

this tree as a memorial, so that whenever you walk this path you will see

them.’

Then with a knife he inscribed on the smooth bark of a beech tree the

letters M.T., and underneath a large X.

‘What, have you no Christian name, sir?’ she said.

‘Yes, but I don’t use it. Now, good-bye, my little friend.—What will you

do with yourself to-day, when you are gone from me?’ he lingered to ask.

‘Oh—I shall go to my granny’s,’ she replied with some gloom; ‘and have

breakfast, and dinner, and tea with her, I suppose; and in the evening I

shall go home to Silverthorn Dairy, and perhaps Jim will come to meet me,

and all will be the same as usual.’

‘Who is Jim?’

‘O, he’s nobody—only the young man I’ve got to marry some day.’

‘What!—you engaged to be married?—Why didn’t you tell me this before?’

‘I—I don’t know, sir.’

‘What is the young man’s name?’

‘James Hayward.’

‘What is he?’

‘A master lime-burner.’

‘Engaged to a master lime-burner, and not a word of this to me! Margery,

Margery! when shall a straightforward one of your sex be found! Subtle

even in your simplicity! What mischief have you caused me to do, through

not telling me this? I wouldn’t have so endangered anybody’s happiness

for a thousand pounds. Wicked girl that you were; why didn’t you tell

me?’

‘I thought I’d better not!’ said Margery, beginning to be frightened.

‘But don’t you see and understand that if you are already the property of

a young man, and he were to find out this night’s excursion, he may be

angry with you and part from you for ever? With him already in the field

I had no right to take you at all; he undoubtedly ought to have taken

you; which really might have been arranged, if you had not deceived me by

saying you had nobody.’

Margery’s face wore that aspect of woe which comes from the repentant

consciousness of having been guilty of an enormity. ‘But he wasn’t good

enough to take me, sir!’ she said, almost crying; ‘and he isn’t

absolutely my master until I have married him, is he?’

‘That’s a subject I cannot go into. However, we must alter our tactics.

Instead of advising you, as I did at first, to tell of this experience to

your friends, I must now impress on you that it will be best to keep a

silent tongue on the matter—perhaps for ever and ever. It may come right

some day, and you may be able to say “All’s well that ends well.” Now,

good morning, my friend. Think of Jim, and forget me.’

‘Ah, perhaps I can’t do that,’ she said, with a tear in her eye, and a

full throat.

‘Well—do your best. I can say no more.’

He turned and retreated into the wood, and Margery, sighing, went on her

way.

The Romantic Adventures of a Milkmaid · 第 5 / 17 章