SOME NOTES AT STARMOUTH.

[Illustration: Chill-sea.]

MY Nautical Drama is not making much progress. Must go more amongst men

and things. That is the only way to gain ideas. World full of _dramatis

personae_, who will provide their own dialogue, if you can only find them

a good part. Interview old sailor; capital character--the very man to be

"discovered drinking," (which must have frequently occurred to him) as

curtain rises. Talk to him half-an-hour, but without hearing a single

really telling line. Half-a-crown wasted! Pleasure-boat just "putting

off,"--which is naturally a dilatory operation--Skipper says they are

only waiting for me. I hesitate; does Art demand this sacrifice?

Hitherto my voyages have been chiefly confined to journeyings in a penny

steamer from Chelsea to Lambeth. But can I reasonably expect to become

familiar with marine matters without some actual experience? If M. ZOLA

could go and live for weeks down a coal-mine, surely I may trust myself

in a pleasure-boat for one short half-hour? It is only sixpence.

I subdue my diffidence, and embark--that is, I fall over the stern, and

stumble to the only vacant seat--a thwart in the middle. Should have

_preferred_ a place nearer the gunwale.... We are off; boat pretty full,

twenty-four passengers, to crew of two boatmen and a cornet-player.

People enjoying what they call "a blow on the jetty," wave handkerchiefs

to us as we pass. Curious, this blind impulse to wave greetings to

perfect strangers--does it spring from vague enthusiasm for humanity?

Chatty old gentleman next to me _will_ talk: he tells me confidentially

that it is a singular thing, but it does so happen that he has never

been on the sea without an accident of some sort occurring,--never!

There is no superstitious nonsense about him, it seems, so he thought he

would "chance it" once more. Very creditable--but more considerate if he

would chance it in a canoe. The Cornet-player quite a cockney Arion

(though nobody thinks, somehow, of pitching him overboard). He performs

appropriate airs during trip. _A Life on the Ocean Wave_, as we start;

_Only a Pansy Blossom_, (though I don't see the precise connection of

this) as we tack; and the _Harbour Lights_, when we turn. Somehow, this

rather vulgarises the Ocean--for me. Sea fortunately smooth: nobody at

all unwell. I feel nothing--except perhaps a growing conviction that a

very young infant opposite should not be permitted to eat a jam-puff in

public. Boatmen use no nautical expressions. Passengers lively at first,

though, by time we turn, the expression on our features, like that of

young lady who wore the wreath of roses, seems "more thoughtful than

before." We are close in now--the musician is sending round his hat.

Resent this privately, it is _not_ seamanlike! In beaching, yacht swings

round with her broadside to breakers, causing sudden wave to drench the

Jonah gentleman and myself before we can disembark. He seems rather

gratified than otherwise by so apposite an illustration of his ill-luck.

The brown-eyed girl on sands watches me alight--on all fours, dripping.

Sea-trip a mistake, I feel damped rather than fired.

_On the Beach again._--Cheap photographers, galvanic machines,

chiropodist, tea-stalls, grim old ladies eating shrimps, as if they were

cherries, out of paper bags. Open-air music-hall, where comic songs are

shouted from platform by dreary men in flaxen wigs to harmonium--this

always crowded. Enjoyment at Starmouth hearty perhaps--but hardly

refined. Constantly haunted by song from open-air platform about "The

Gurls," with refrain describing how "they squeeze, And they tease. And

they soy, 'Oh, what joy!'" (or perhaps it should be--"sigh, 'Oh, what

jy!'") Either way, it has hit the popular taste here. I may be

prudish--but, even if a couple _are_ engaged, it seems to me that a

nicer sense of propriety would deter them from dozing in a sand-pit,

_coram publico_, with their arms around one another's neck. Nobody

thinks anything of this at Starmouth, however.

[Illustration: Lamb-bath.]

What a matter of circumstance are our prejudices! I should once have

thought that nothing would induce me to drive about on a

_char-a-banc_--like one of the band in a circus procession. Yet I have

just returned from a drive in one--and enjoyed it!

She--my brown-eyed divinity of the Phrenology lecture--was on one of the

seats, which redeemed a drive otherwise prosaic. We went to ruined

castle; scenery unpicturesque (she showed, I thought, delicate

perception of this by reading _Family Herald_ all the way). Starmouth

children ran by side of carriage, turning head-over-heels, and gasping

comic songs for coppers. Had last glimpse of them standing gratefully in

a row on their heads.

We did not alight to see castle, as coachman said there was nothing to

see. On way home, conductor made collection on his own account. (The hat

is not much worn at Starmouth.) Yet I was happy--I have made _her_

acquaintance! Charming as she is beautiful--so simple and _naive_ in the

few remarks she made. She is called LOUISE, and the person I took to be

her maid is, it appears, her aunt--a most shrewd and sensible old lady,

full of quiet good sense. We became friendly at once.

_A Week later._--No time for notes lately--too absorbed in study of

LOUISE'S character--most complex and fascinating. Am I drifting into

love? Why not--who could help it? The rank she occupies is not, perhaps,

a lofty one; but at least there is nothing unfeminine in the duty of

providing old ladies and children with light refreshment from behind the

counter of an Oxford Street confectioner. And her tastes are refined;

she is a gentlewoman by nature and instinct. The lady-phrenologist has

delineated her (privately), and declared that LOUISE "could learn

science easily, and play the piano, if she turns her attention that

way." As a matter of fact, she has not, because neither science nor the

piano is in demand at a confectioner's; but still she undoubtedly

possesses a superior intellect; no ordinary girl would enter into the

Nautical Drama, for instance, as she does.

[Illustration: "A Blow on the Jetty."]

We have been to see _Caste_ at the theatre. LOUISE very grave and

critical; she only laughed once, and that was when _Eccles_ blew rather

loudly down his pipe to clear it. So many girls have an inconvenient

sense of humour--quite unsexing, I have always thought.

Her aunt is not precisely patrician in her manner, which would be

totally out of place in a Fancy Wool Repository--but, after all, I shall

not have to go through any experiences like poor _D'Alroy's_. And I am

sure my uncle's heart will warm to LOUISE at once. Why hesitate, then? I

will not.

I have taken the plunge--LOUISE has consented. She tells me that she was

won by my appearance in the Professor's chair, and still more by the

character he gave me. How our choicest blessings masquerade! Drama, for

the moment, in the background--but only apparently so. Literature has no

stimulus like love, and I am constantly talking the play over with

LOUISE. She has made one suggestion that convinces me she has a keen

sense of dramatic effect--a hornpipe in one of the Acts. I am to read

her the first Scene, as soon as it is put into shape.

Her brother "ALF" is expected down to-night. LOUISE is certain we shall

"take to one another," he has "such spirits," and is "quite a cure."

Always thought a "cure" was a kind of jumping clown--but ALF is a clerk

in a leading establishment, somewhere in Marylebone--a steady,

industrious young fellow, no doubt. However, I shall meet him to-morrow.

I _have_ met ALF. Although I love LOUISE with the first real passion of

a lifetime, I cannot disguise from myself that her brother is an

unmitigated Blazer. I would almost rather that he did not take to

me--but he does. In half an hour he is addressing me as "Old

gooseberry-pudden." If he is going to do this often, I shall have to

hint that I do not like it.

I have been strolling with him on the sands, where he has already found

several of his acquaintance. He _will_ introduce me to all of them.

Hearty, high-spirited fellows, full of rough but genuine British humour.

From the manner in which they all inquire "How my bumps are getting on,"

I infer they were amongst Professor SKITTLES' audience the other day.

But they mean to be friendly enough--I must not let them see how they

annoy me.... It is absurd to be stiff at Starmouth.

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Punch, or the London Charivari, Vol. 93., October 1, 1887 · 第 16 / 18 题