VI. BORROWED SCENES

"It cannot be done. People really would not stand it. I know because

I have tried."--_Extract from an unpublished paper upon George Borrow

and his writings_.

Yes, I tried and my experience may interest other people. You must

imagine, then, that I am soaked in George Borrow, especially in his

_Lavengro_ and his _Romany Rye_, that I have modelled both my thoughts,

my speech and my style very carefully upon those of the master, and that

finally I set forth one summer day actually to lead the life of which I

had read. Behold me, then, upon the country road which leads from the

railway-station to the Sussex village of Swinehurst.

As I walked, I entertained myself by recollections of the founders of

Sussex, of Cerdic that mighty sea-rover, and of Ella his son, said by the

bard to be taller by the length of a spear-head than the tallest of his

fellows. I mentioned the matter twice to peasants whom I met upon the

road. One, a tallish man with a freckled face, sidled past me and ran

swiftly towards the station. The other, a smaller and older man, stood

entranced while I recited to him that passage of the Saxon Chronicle

which begins, "Then came Leija with longships forty-four, and the fyrd

went out against him." I was pointing out to him that the Chronicle had

been written partly by the monks of Saint Albans and afterwards by those

of Peterborough, but the fellow sprang suddenly over a gate and

disappeared.

The village of Swinehurst is a straggling line of half-timbered houses of

the early English pattern. One of these houses stood, as I observed,

somewhat taller than the rest, and seeing by its appearance and by the

sign which hung before it that it was the village inn, I approached it,

for indeed I had not broken my fast since I had left London. A stoutish

man, five foot eight perhaps in height, with black coat and trousers of a

greyish shade, stood outside, and to him I talked in the fashion of the

master.

"Why a rose and why a crown?" I asked as I pointed upwards.

He looked at me in a strange manner. The man's whole appearance was

strange. "Why not?" he answered, and shrank a little backwards.

"The sign of a king," said I.

"Surely," said he. "What else should we understand from a crown?"

"And which king?" I asked.

"You will excuse me," said he, and tried to pass.

"Which king?" I repeated.

"How should I know?" he asked.

"You should know by the rose," said I, "which is the symbol of that Tudor-

ap-Tudor, who, coming from the mountains of Wales, yet seated his

posterity upon the English throne. Tudor," I continued, getting between

the stranger and the door of the inn, through which he appeared to be

desirous of passing, "was of the same blood as Owen Glendower, the famous

chieftain, who is by no means to be confused with Owen Gwynedd, the

father of Madoc of the Sea, of whom the bard made the famous cnylyn,

which runs in the Welsh as follows:--"

I was about to repeat the famous stanza of Dafydd-ap-Gwilyn when the man,

who had looked very fixedly and strangely at me as I spoke, pushed past

me and entered the inn. "Truly," said I aloud, "it is surely Swinehurst

to which I have come, since the same means the grove of the hogs." So

saying I followed the fellow into the bar parlour, where I perceived him

seated in a corner with a large chair in front of him. Four persons of

various degrees were drinking beer at a central table, whilst a small man

of active build, in a black, shiny suit, which seemed to have seen much

service, stood before the empty fireplace. Him I took to be the

landlord, and I asked him what I should have for my dinner.

He smiled, and said that he could not tell.

"But surely, my friend," said I, "you can tell me what is ready?"

"Even that I cannot do," he answered; "but I doubt not that the landlord

can inform us." On this he rang the bell, and a fellow answered, to whom

I put the same question.

"What would you have?" he asked.

I thought of the master, and I ordered a cold leg of pork to be washed

down with tea and beer.

"Did you say tea _and_ beer?" asked the landlord.

"I did."

"For twenty-five years have I been in business," said the landlord, "and

never before have I been asked for tea and beer."

"The gentleman is joking," said the man with the shining coat.

"Or else--" said the elderly man in the corner.

"Or what, sir?" I asked.

"Nothing," said he--"nothing." There was something very strange in this

man in the corner--him to whom I had spoken of Dafydd-ap-Gwilyn.

"Then you are joking," said the landlord.

I asked him if he had read the works of my master, George Borrow. He

said that he had not. I told him that in those five volumes he would

not, from cover to cover, find one trace of any sort of a joke. He would

also find that my master drank tea and beer together. Now it happens

that about tea I have read nothing either in the sagas or in the bardic

cnylynions, but, whilst the landlord had departed to prepare my meal, I

recited to the company those Icelandic stanzas which praise the beer of

Gunnar, the long-haired son of Harold the Bear. Then, lest the language

should be unknown to some of them, I recited my own translation, ending

with the line--

If the beer be small, then let the mug be large.

I then asked the company whether they went to church or to chapel. The

question surprised them, and especially the strange man in the corner,

upon whom I now fixed my eye. I had read his secret, and as I looked at

him he tried to shrink behind the clock-case.

"The church or the chapel?" I asked him.

"The church," he gasped.

"_Which_ church?" I asked.

He shrank farther behind the clock. "I have never been so questioned,"

he cried.

I showed him that I knew his secret, "Rome was not built in a day," said

I.

"He! He!" he cried. Then, as I turned away, he put his head from behind

the clock-case and tapped his forehead with his forefinger. So also did

the man with the shiny coat, who stood before the empty fireplace.

Having eaten the cold leg of pork--where is there a better dish, save

only boiled mutton with capers?--and having drunk both the tea and the

beer, I told the company that such a meal had been called "to box Harry"

by the master, who had observed it to be in great favour with commercial

gentlemen out of Liverpool. With this information and a stanza or two

from Lopez de Vega I left the Inn of the Rose and Crown behind me, having

first paid my reckoning. At the door the landlord asked me for my name

and address.

"And why?" I asked.

"Lest there should be inquiry for you," said the landlord.

"But why should they inquire for me?"

"Ah, who knows?" said the landlord, musing. And so I left him at the

door of the Inn of the Rose and Crown, whence came, I observed, a great

tumult of laughter. "Assuredly," thought I, "Rome was not built in a

day."

Having walked down the main street of Swinehurst, which, as I have

observed, consists of half-timbered buildings in the ancient style, I

came out upon the country road, and proceeded to look for those wayside

adventures, which are, according to the master, as thick as blackberries

for those who seek them upon an English highway. I had already received

some boxing lessons before leaving London, so it seemed to me that if I

should chance to meet some traveller whose size and age seemed such as to

encourage the venture I would ask him to strip off his coat and settle

any differences which we could find in the old English fashion. I

waited, therefore, by a stile for any one who should chance to pass, and

it was while I stood there that the screaming horror came upon me, even

as it came upon the master in the dingle. I gripped the bar of the

stile, which was of good British oak. Oh, who can tell the terrors of

the screaming horror! That was what I thought as I grasped the oaken bar

of the stile. Was it the beer--or was it the tea? Or was it that the

landlord was right and that other, the man with the black, shiny coat, he

who had answered the sign of the strange man in the corner? But the

master drank tea with beer. Yes, but the master also had the screaming

horror. All this I thought as I grasped the bar of British oak, which

was the top of the stile. For half an hour the horror was upon me. Then

it passed, and I was left feeling very weak and still grasping the oaken

bar.

I had not moved from the stile, where I had been seized by the screaming

horror, when I heard the sound of steps behind me, and turning round I

perceived that a pathway led across the field upon the farther side of

the stile. A woman was coming towards me along this pathway, and it was

evident to me that she was one of those gipsy Rias, of whom the master

has said so much. Looking beyond her, I could see the smoke of a fire

from a small dingle, which showed where her tribe were camping. The

woman herself was of a moderate height, neither tall nor short, with a

face which was much sunburned and freckled. I must confess that she was

not beautiful, but I do not think that anyone, save the master, has found

very beautiful women walking about upon the high-roads of England. Such

as she was I must make the best of her, and well I knew how to address

her, for many times had I admired the mixture of politeness and audacity

which should be used in such a case. Therefore, when the woman had come

to the stile, I held out my hand and helped her over.

"What says the Spanish poet Calderon?" said I. "I doubt not that you

have read the couplet which has been thus Englished:

Oh, maiden, may I humbly pray

That I may help you on your way."

The woman blushed, but said nothing.

"Where," I asked, "are the Romany chals and the Romany chis?"

She turned her head away and was silent.

"Though I am a gorgio," said I, "I know something of the Romany lil," and

to prove it I sang the stanza--

Coliko, coliko saulo wer

Apopli to the farming ker

Will wel and mang him mullo,

Will wel and mang his truppo.

The girl laughed, but said nothing. It appeared to me from her

appearance that she might be one of those who make a living at telling

fortunes or "dukkering," as the master calls it, at racecourses and other

gatherings of the sort.

"Do you dukker?" I asked.

She slapped me on the arm. "Well, you _are_ a pot of ginger!" said she.

I was pleased at the slap, for it put me in mind of the peerless Belle.

"You can use Long Melford," said I, an expression which, with the master,

meant fighting.

"Get along with your sauce!" said she, and struck me again.

"You are a very fine young woman," said I, "and remind me of Grunelda,

the daughter of Hjalmar, who stole the golden bowl from the King of the

Islands."

She seemed annoyed at this. "You keep a civil tongue, young man," said

she.

"I meant no harm, Belle. I was but comparing you to one of whom the saga

says her eyes were like the shine of sun upon icebergs."

This seemed to please her, for she smiled. "My name ain't Belle," she

said at last.

"What is your name?"

"Henrietta."

"The name of a queen," I said aloud.

"Go on," said the girl.

"Of Charles's queen," said I, "of whom Waller the poet (for the English

also have their poets, though in this respect far inferior to the

Basques)--of whom, I say, Waller the poet said:

That she was Queen was the Creator's act,

Belated man could but endorse the fact."

"I say!" cried the girl. "How you do go on!"

"So now," said I, "since I have shown you that you are a queen you will

surely give me a choomer"--this being a kiss in Romany talk.

"I'll give you one on the ear-hole," she cried.

"Then I will wrestle with you," said I. "If you should chance to put me

down, I will do penance by teaching you the Armenian alphabet--the very

word alphabet, as you will perceive, shows us that our letters came from

Greece. If, on the other hand, I should chance to put you down, you will

give me a choomer."

I had got so far, and she was climbing the stile with some pretence of

getting away from me, when there came a van along the road, belonging, as

I discovered, to a baker in Swinehurst. The horse, which was of a brown

colour, was such as is bred in the New Forest, being somewhat under

fifteen hands and of a hairy, ill-kempt variety. As I know less than the

master about horses, I will say no more of this horse, save to repeat

that its colour was brown--nor indeed had the horse or the horse's colour

anything to do with my narrative. I might add, however, that it could

either be taken as a small horse or as a large pony, being somewhat tall

for the one, but undersized for the other. I have now said enough about

this horse, which has nothing to do with my story, and I will turn my

attention to the driver.

This was a man with a broad, florid face and brown side-whiskers. He was

of a stout build and had rounded shoulders, with a small mole of a

reddish colour over his left eyebrow. His jacket was of velveteen, and

he had large, iron-shod boots, which were perched upon the splashboard in

front of him. He pulled up the van as he came up to the stile near which

I was standing with the maiden who had come from the dingle, and in a

civil fashion he asked me if I could oblige him with a light for his

pipe. Then, as I drew a matchbox from my pocket, he threw his reins over

the splashboard, and removing his large, iron-shod boots he descended on

to the road. He was a burly man, but inclined to fat and scant of

breath. It seemed to me that it was a chance for one of those wayside

boxing adventures which were so common in the olden times. It was my

intention that I should fight the man, and that the maiden from the

dingle standing by me should tell me when to use my right or my left, as

the case might be, picking me up also in case I should be so unfortunate

as to be knocked down by the man with the iron-shod boots and the small

mole of a reddish colour over his left eyebrow.

"Do you use Long Melford?" I asked.

He looked at me in some surprise, and said that any mixture was good

enough for him.

"By Long Melford," said I, "I do not mean, as you seem to think, some

form of tobacco, but I mean that art and science of boxing which was held

in such high esteem by our ancestors, that some famous professors of it,

such as the great Gully, have been elected to the highest offices of the

State. There were men of the highest character amongst the bruisers of

England, of whom I would particularly mention Tom of Hereford, better

known as Tom Spring, though his father's name, as I have been given to

understand, was Winter. This, however, has nothing to do with the matter

in hand, which is that you must fight me."

The man with the florid face seemed very much surprised at my words, so

that I cannot think that adventures of this sort were as common as I had

been led by the master to expect.

"Fight!" said he. "What about?"

"It is a good old English custom," said I, "by which we may determine

which is the better man."

"I've nothing against you," said he.

"Nor I against you," I answered. "So that we will fight for love, which

was an expression much used in olden days. It is narrated by Harold

Sygvynson that among the Danes it was usual to do so even with battle-

axes, as is told in his second set of runes. Therefore you will take off

your coat and fight." As I spoke, I stripped off my own.

The man's face was less florid than before. "I'm not going to fight,"

said he.

"Indeed you are," I answered, "and this young woman will doubtless do you

the service to hold your coat."

"You're clean balmy," said Henrietta.

"Besides," said I, "if you will not fight me for love, perhaps you will

fight me for this," and I held out a sovereign. "Will you hold his

coat?" I said to Henrietta.

"I'll hold the thick 'un," said she.

"No, you don't," said the man, and put the sovereign into the pocket of

his trousers, which were of a corduroy material. "Now," said he, "what

am I to do to earn this?"

"Fight," said I.

"How do you do it?" he asked.

"Put up your hands," I answered.

He put them up as I had said, and stood there in a sheepish manner with

no idea of anything further. It seemed to me that if I could make him

angry he would do better, so I knocked off his hat, which was black and

hard, of the kind which is called billy-cock.

"Heh, guv'nor!" he cried, "what are you up to?"

"That was to make you angry," said I.

"Well, I am angry," said he.

"Then here is your hat," said I, "and afterwards we shall fight."

I turned as I spoke to pick up his hat, which had rolled behind where I

was standing. As I stooped to reach it, I received such a blow that I

could neither rise erect nor yet sit down. This blow which I received as

I stooped for his billy-cock hat was not from his fist, but from his iron-

shod boot, the same which I had observed upon the splashboard. Being

unable either to rise erect or yet to sit down, I leaned upon the oaken

bar of the stile and groaned loudly on account of the pain of the blow

which I had received. Even the screaming horror had given me less pain

than this blow from the iron-shod boot. When at last I was able to stand

erect, I found that the florid-faced man had driven away with his cart,

which could no longer be seen. The maiden from the dingle was standing

at the other side of the stile, and a ragged man was running across the

field from the direction of the fire.

"Why did you not warn me, Henrietta?" I asked.

"I hadn't time," said she. "Why were you such a chump as to turn your

back on him like that?"

The ragged man had reached us, where I stood talking to Henrietta by the

stile. I will not try to write his conversation as he said it, because I

have observed that the master never condescends to dialect, but prefers

by a word introduced here and there to show the fashion of a man's

speech. I will only say that the man from the dingle spoke as did the

Anglo-Saxons, who were wont, as is clearly shown by the venerable Bede,

to call their leaders 'Enjist and 'Orsa, two words which in their proper

meaning signify a horse and a mare.

"What did he hit you for?" asked the man from the dingle. He was

exceedingly ragged, with a powerful frame, a lean brown face, and an

oaken cudgel in his hand. His voice was very hoarse and rough, as is the

case with those who live in the open air. "The bloke hit you," said he.

"What did the bloke hit you for?"

"He asked him to," said Henrietta.

"Asked him to--asked him what?"

"Why, he asked him to hit him. Gave him a thick 'un to do it."

The ragged man seemed surprised. "See here, gov'nor," said he. "If

you're collectin', I could let you have one half-price."

"He took me unawares," said I.

"What else would the bloke do when you bashed his hat?" said the maiden

from the dingle.

By this time I was able to straighten myself up by the aid of the oaken

bar which formed the top of the stile. Having quoted a few lines of the

Chinese poet Lo-tun-an to the effect that, however hard a knock might be,

it might always conceivably be harder, I looked about for my coat, but

could by no means find it.

"Henrietta," I said, "what have you done with my coat?"

"Look here, gov'nor," said the man from the dingle, "not so much

Henrietta, if it's the same to you. This woman's my wife. Who are you

to call her Henrietta?"

I assured the man from the dingle that I had meant no disrespect to his

wife. "I had thought she was a mort," said I; "but the ria of a Romany

chal is always sacred to me."

"Clean balmy," said the woman.

"Some other day," said I, "I may visit you in your camp in the dingle and

read you the master's book about the Romanys."

"What's Romanys?" asked the man.

_Myself_. Romanys are gipsies.

_The Man_. We ain't gipsies.

_Myself_. What are you then?

_The Man_. We are hoppers.

_Myself_ (to Henrietta). Then how did you understand all I have said to

you about gipsies?

_Henrietta_. I didn't.

I again asked for my coat, but it was clear now that before offering to

fight the florid-faced man with the mole over his left eyebrow I must

have hung my coat upon the splashboard of his van. I therefore recited a

verse from Ferideddin-Atar, the Persian poet, which signifies that it is

more important to preserve your skin than your clothes, and bidding

farewell to the man from the dingle and his wife I returned into the old

English village of Swinehurst, where I was able to buy a second-hand

coat, which enabled me to make my way to the station, where I should

start for London. I could not but remark with some surprise that I was

followed to the station by many of the villagers, together with the man

with the shiny coat, and that other, the strange man, he who had slunk

behind the clock-case. From time to time I turned and approached them,

hoping to fall into conversation with them; but as I did so they would

break and hasten down the road. Only the village constable came on, and

he walked by my side and listened while I told him the history of Hunyadi

Janos and the events which occurred during the wars between that hero,

known also as Corvinus or the crow-like, and Mahommed the second, he who

captured Constantinople, better known as Byzantium, before the Christian

epoch. Together with the constable I entered the station, and seating

myself in a carriage I took paper from my pocket and I began to write

upon the paper all that had occurred to me, in order that I might show

that it was not easy in these days to follow the example of the master.

As I wrote, I heard the constable talk to the station-master, a stout,

middle-sized man with a red neck-tie, and tell him of my own adventures

in the old English village of Swinehurst.

"He is a gentleman too," said the constable, "and I doubt not that he

lives in a big house in London town."

"A very big house if every man had his rights," said the station-master,

and waving his hand he signalled that the train should proceed.

Danger! and Other Stories · 第 13 / 28 题