CHAPTER III.

Our wire has been roughed out into the form of a staff, has been hardened

and the temper drawn down to the requisite hardness and we are now ready

to proceed with our work. As I said before, we have now arrived at a

point where many authorities differ, _i. e._, as to whether the finishing

of the staff proper, should be performed while the work is held in the

chuck, or whether a wax chuck be substituted. We will take it for granted

that you have a true chuck and that you prefer to finish all the lower

portion of the staff while held in the chuck.

Before we proceed with our work it will be necessary for us to make some

accurate measurements, as we cannot afford to do any guess work by

measuring by means of the old staff. I have used a number of different

kinds of calipers and measuring instruments for determining the various

measurements for a balance staff, but have met with more success with a

very simple little tool which I made myself from drawings and description

published some years ago in THE AMERICAN JEWELER. This simple little tool

is shown in Fig. 7, and has been of great service to me. It consists of a

brass sleeve A, with a projection at one end as shown at B. This sleeve

is threaded, and into it is fitted the screw part C, which terminates in

a pivot D, which is small enough to enter the smallest jewel. The sleeve

I made from a solid piece of brass, turning it down in my lathe and

finishing the projection by means of a file. The hole was then drilled

and threaded with a standard thread. The screw part C, I made of steel

and polished carefully.

[Illustration: _Fig. 7._]

To ascertain the proper height for the roller, place it upon the tool,

allowing it to rest upon the leg B, and set the pivot D in the foot

jewel. Now adjust, by means of the screw C until the roller is in its

proper position in relation to the lever fork. This may be understood

better by consulting Fig. 8, where A is the gauge, C is the roller, E is

the lever, F is the plate and G is the potance.

[Illustration: _Fig. 8._]

Now in order to locate the proper place to cut the seat for the roller,

remove it from the foot of the gauge and apply the gauge to the work as

shown in Fig. 9. The foot of the gauge resting against the end of the

pivot, the taper end of the gauge will locate accurately the position of

the roller seat. In order to locate the proper position for the seat for

the balance, proceed the same as for the roller, except that the foot of

the gauge is lowered until it is brought sufficiently below the plate to

allow of the proper clearance as indicated by the dotted lines at H. Now

apply the gauge to the new staff, as shown in Fig. 10, and the taper end

will locate the exact position for the balance seat.

[Illustration: _Fig. 9._]

[Illustration: _Fig. 10._]

As previously stated, I have taken it for granted that you preferred to

finish all the lower portion of the staff while the work was held in the

chuck. I have assumed that you prefer to work in this way because I have

noted the fact that nine watchmakers out of every ten start with, and

first finish up, the lower portion of the staff. Where this method of

working originated I do not know, but it always has the appearance to me

of "placing the cart before the horse." I do not pretend to say that a

true staff cannot be made in this way, but it certainly is not the most

convenient nor advisable. We all know that the heaviest part of the staff

is from the roller seat to the end of the top pivot. Now it seems to me

that it is the most natural thing in the world for a mechanic to desire

to turn the greater bulk of his work before reversing it. Now if the

workman has been educated to turn indifferently with right or left hand,

it may make little difference, as far as the actual turning is concerned,

whether he starts to work at the upper or lower end of the staff, but

unfortunately there are few among us who are so skilled as to use the

graver with equal facility with either hand, and it is therefore an

advantage to start with the upper end, as you can thus finish a greater

portion of the work more readily. You can readily see that when you come

to reverse your staff and use the wax chuck, that by starting at the top

of staff your wax has a much larger surface of metal to cling to, and

again the shape of the balance seat is such as to secure the work firmly

in the wax, while if the reverse method is employed, the larger portion

of the balance seat is exposed and the staff is more liable to loosen

from the motion of the lathe and pressure of the graver and polishers.

A Treatise on Staff Making and Pivoting Containing Complete Directions for Making and Fitting New Staffs from the Raw Material · 第 3 / 7 章