CHAPTER XIV

_The Crest of Murray Hill_

Stretches of the Avenue--The Crest of Murray Hill--The House of

"Sarsaparilla" Townsend--A.T. Stewart's Italian Palace--The

Knickerbocker Trust Company--The Coventry Waddell Mansion--A House at

Thirty-ninth Street--The Present Union League--A Tavern of the

Fifties--The "House of Mansions"--The Old Reservoir, and Egyptian

Temple--The Crystal Palace--The Latting Tower--"Quality Hill."

Although the name it now bears and has borne for four or five years is

the Columbia Trust Company, the building at the northwest corner of

Fifth Avenue and Thirty-fourth Street is likely to be known and referred

to as the Knickerbocker Trust for a long time to come. As such it was

the storm centre of the great panic which shook the country in 1907,

ruining many, shaking some of America's supposedly most solid fortunes,

and involving a dramatic suicide. The story of the site goes back almost

three-quarters of a century. There, at the beginning of the Civil War,

was the residence of "Dr." Samuel P. Townsend. Originally a contractor,

he had "discovered" a sarsaparilla, advertised it on an extensive scale,

acquired a fortune and the nickname of "Sarsaparilla" Townsend. His

house, a four-story brown-stone, was one of the wonders of the town. For

some reason he did not live in it long, selling it in 1862 to Dr. Gorham

D. Abbott, an uncle of Dr. Lyman Abbott of the "Outlook." For a number

of years Dr. Abbott, who had been the principal of the Spingler

Institute on Union Square, conducted a school there. Then A.T. Stewart,

the famous merchant, bought the site. He found brown-stone and left

marble. "Sarsaparilla" Townsend's pride and folly was tumbled to the

ground, carted away, and in its place there went up the Italian palace

that is still a familiar memory to most New Yorkers. It cost two million

dollars. Stewart did not live long to enjoy it. But after his death in

1876, his widow occupied the palace until her death in 1886, when the

property was leased to the Manhattan Club. There was a story to the

effect that during the club's occupancy it was found necessary to make

certain interior alterations. One of the committee in charge was an

Irishman. He complained that the work was unduly expensive for the

reason that "the woodwork was all marble."

But before Stewart demolished and built, and before "Sarsaparilla"

Townsend built what Stewart later demolished, there had been a famous

mansion in this neighbourhood. Thackeray, in one of his letters to the

Baxter family, alluded to the long journey he was about to undertake in

order to travel from his hotel to a certain famous house up in the

country at Fifth Avenue and Thirty-seventh Street. That was the Coventry

Waddell house, on land where the Brick Presbyterian Church now stands.

Waddell was a close friend of President Jackson, and his fortune sprang

from the services he rendered as financial representative of the "Old

Hickory" Administration. In 1845, when he went "into the wilderness" to

build, the Avenue, beyond Madison Square, was nothing but a country road

lined with farms. It is told that when he was bargaining for the land,

his wife sat under an apple-tree in a neighbouring orchard. Nine

thousand one hundred and fifty dollars he paid for the tract, which ten

years later brought eighty thousand dollars, and for part of which the

Brick Church paid fifty-eight thousand dollars in 1856. The Fifth Avenue

Bank monograph contains a print of the villa, as it was called,

reproduced from "Putnam's Magazine." What the print apparently shows is

the Thirty-seventh Street stretch, with the wicket fence near the

corner, and the low brick wall extending westward beyond. The villa was

of yellowish grey stucco with brown-stone trim, Gothic in style, and had

so many towers, oriels, and gables, that when Waddell's brother saw it

and was asked what he would call it, replied, "Waddell's Caster; here

is a mustard pot, there is a pepper bottle, and there is a vinegar

cruet." There were a conservatory and a picture-gallery, and the house

stood considerably above the Avenue level upon grounds that descended to

the street by sloping grass banks. A winding staircase led from the

broad marble hall to a tower from which there was a fine view of the

rolling country, the rivers to the east and west, and the growing city

far to the south. There were celebrities other than the author of

"Vanity Fair" who sampled the quality of the Waddell hospitality. For

ten years the Waddells lived there, entertaining magnificently. Then

came the financial crash of 1857, Mr. Waddell was one of those whose

fortunes tumbled with the market, and he was obliged to sacrifice his

estate. The villa was torn down, and the grounds levelled. "I remember,"

"Fifth Avenue" quotes Mr. John D. Crimmins as saying, "very vividly the

old Waddell mansion. I was taken into it by my father the day they began

to dismantle it, and remember very distinctly the courteous manner in

which we were received by Mrs. Waddell, and how she regretted the

destruction of her home. At that time the Reservoir was an attraction

for the view it furnished. There were no buildings high enough to

interfere, and visitors could get a bird's-eye view of the entire city

and the Palisades. The neighbourhood at that time is well illustrated

in the old New York print showing the Reservoir and the Crystal Palace,

1855. There were no pretentious houses north of Forty-second Street. It

was interesting to see the drovers--tall men, with staffs in their

hands, herding eight, ten, or twenty cattle--driving the cattle to

market, generally on Sunday, as Monday was market day."

[Illustration: THE TERRACE OF THE PUBLIC LIBRARY. TO-DAY THE SPOT IS THE

SCENE OF THE ACTIVITIES OF THOSE ENGAGED IN THE WORK OF SPEEDING

AMERICA'S ANSWER. ONCE IT WAS FAR UPTOWN, AND ON THE EASTERN SIDE OF THE

AVENUE WERE THE RESIDENCES KNOWN AS "SPANISH ROW," OR "THE HOUSE OF

MANSIONS"]

About the time that the Waddell villa was being pulled down there was

going up, two blocks to the north, a New York residence that has endured

to the present day. The original Wendell and the original Astor were

partners in the fur trade, and at the time of the death of the late John

Gottlieb Wendell his holdings in Manhattan real estate were second only

to those of the Astors. There was a General David Wendell, known as

"Fighting Dave," who fought in the War of the Revolution. The first

Wendell and the first Astor, his partner, married sisters, and they

bequeathed to their descendants the sound principle of buying land and

buying beyond. The John Gottlieb Wendell of recent memory, a

great-great-grandson of the founder of the family fortune, was

distinguished for his eccentricities. Although he collected his own

rents, would never give more than three-year leases, and could not be

persuaded to part with a foot of his land holdings, he was

characterized as "one of the squarest landlords in the city." In the

old-fashioned brick and brown-stone house he lived in extreme

simplicity. From the top of a passing bus may be seen the garden beyond

the high board fence. Many covetous eyes of commerce have regarded it;

many tempting offers have been made. But according to popular tradition

Mr. Wendell clung to the garden because his sisters desired it as a

place in which to exercise their dogs. Now, after the death of John

Gottlieb, the three elderly sisters still live in the house, in a state

of the same old-time plainness. They, with a married sister, are the

sole heirs of the eighty million dollars in New York real estate left by

their brother. The house, a few years ago, was assessed at five thousand

dollars, the site is valued at two million.

Directly across the Avenue from the Wendell house is the Union League

Club, on land that formerly was occupied by Dickel's Riding Academy,

fifty years ago the fashionable equestrian school of New York. The early

story of the organization will be found in another chapter. The present

home at the northeast corner of Thirty-ninth Street was built in

1879-1880 at a cost of four hundred thousand dollars. The building is in

Queen Anne style, of Baltimore pressed brick, with brown-stone

trimmings, the interior decorations are the work of John La Farge, Louis

Tiffany, and Franklin Smith, and the club's art collection includes

Carpenter's Inauguration of Lincoln. The long room on the first floor

facing Fifth Avenue, from the windows of which at any hour of the day

may be seen comfortable-looking gentlemen blandly surveying the passing

procession, is the Reading Room, decorated in Pompeian style.

On the corner above where the Union League now stands there was, in

1854, a small country tavern known as the Croton Cottage. It took its

name from the Croton Reservoir, a block above, then on the other side of

the Avenue. A yellow, wooden structure, with a veranda reached by deep

stoops from the sidewalk, and surrounded by trees and shrubbery, it

flourished by vending ice cream and other refreshment to those who came

to view the city from the top of the Reservoir walls. During the Draft

Riots in 1863 it was burned down, and Commodore Vanderbilt bought the

site in 1866 for eighty thousand dollars, built a house, lived in it,

and left it to his son, Frederick W. Vanderbilt. It is the Arnold,

Constable site. On the same side of the Avenue as the Croton Cottage, in

the block between Forty-first and Forty-second Street, was the Rutgers

Female Cottage. This institution was first opened in 1839 on ground

given it by William B. Crosby in Madison Street. The Madison Street

property had been part of the estate of Colonel Henry Rutgers, of

Revolutionary fame, after whom the college was named. In 1855 certain

buildings known as "The House of Mansions," or "The Spanish Row," were

erected opposite the Reservoir by George Higgins, who thought "that

eleven buildings, uniform in size, price, and amount of accommodation,

of durable fire-brick, and of a chosen cheerful tint of colour and

variegated architecture," would suit the most fastidious home-seeker. In

his prospectus to the public he informed that the view from the windows

was unrivalled, as it commanded the whole island and its surroundings.

But either "The House of Mansions" had some defect, or the situation was

still too remote from the city. The project was not a success, and in

1860 the Rutgers Female College, incidentally the first institution for

the higher education of young women in the city, moved from its downtown

home and occupied the neglected buildings. Then there is the story of

the great square opposite, running from Fifth to Sixth Avenues, between

Fortieth and Forty-second Streets. The Public Library holds the eastern

half of it now and Bryant Park the western. Like Washington Square and

Madison Square the land once served as a burial place for the poor and

the nameless dead. Between the years 1822 and 1825 that northern square

was the Potter's Field. Then, on October 14, 1842, the massive

Reservoir, which remained to see almost the dawn of the twentieth

century, was opened with impressive ceremonies. The distributing

reservoir of the Croton Water system, it occupied more than four acres,

and was divided into two basins by a partition wall. The enclosing

walls, constructed of granite, were about forty-five feet high. This

vast structure, resembling an Egyptian temple, contained twenty million

gallons of water. The Reservoir had been there eleven years, when the

Crystal Palace, modelled after the London Crystal Palace at Sydenham,

was formally opened July 14, 1853, by President Franklin Pierce. Six

hundred and fifty thousand dollars was the cost of the building, which

was shaped like a Greek cross, of glass and iron, with a graceful dome,

arched naves, and broad aisles. Upon the completion of the Atlantic

Cable in 1858 an ovation was given in the Palace to Cyrus W. Field.

Beyond the Palace, to the north, was the Latting Tower, an observatory,

three hundred and fifty feet high, an octagon seventy-five feet across

the base, of timber, braced with iron, and anchored at each of the eight

angles with about forty tons of stone and timber. The tower was the

design of Warren Latting, and cost one hundred thousand dollars.

Immediately over the first story there was a refreshment room, and above

three view landings, the highest being three hundred feet from the

pavement. The proprietors were as sanguine as the promoters of the

Crystal Palace and the builder of "The House of Mansions" had been. They

took a ten-year lease of the ground and counted on reaping a fortune.

But like the other ventures the Tower was a failure. It was sold under

execution and destroyed by fire August 30, 1856, twenty-five months

before the burning of the Palace. In 1862 Union troops camped on the

site of the latter building, and the ground became known in 1871 as

Reservoir Park, which name was changed to Bryant Park in 1884.

Like other world-great cities, New York has many hearts. The spot that

means the very centre of things varies according to mood, occupation,

and manner of life. To high finance and those who play feverishly with

it, the heart of the town is where Wall Street, running from Trinity

Church down to the East River, is crossed by Nassau zigzagging into

Broad. At high noon the colossal figure of Washington on the steps of

the Sub-Treasury looks down on the centre of the earth. To the swarming

thousands of the Ghetto, who seldom venture west of the Bowery, there is

a point on the East Side that represents the pivot of things. There are

descendants of the Knickerbockers who cling arrogantly to the corner

facing the Washington Arch. Profound is the belief of the pleasure

seeker in the lights, signs, theatres, and lobster palaces of Longacre

Square. To others nothing counts as the trees and fountains of Madison

Square and graceful Diana and the great clock in the Metropolitan Tower

count. But in these stirring days of the spring and early summer of

1918, for the throb of the universe climb Murray Hill to a point on the

Fifth Avenue sidewalk opposite the stone lions that guard the entrance

to the Public Library. There, as nowhere else, has the quiet of other

days been changed to the clamour of the present. To the passing

thousands the uniforms of khaki or of navy blue and the blaring band are

calling. "In this the vital hour let us show that the Spirit of '76 is

not dead! Americans, to arms!" And yesterday it was "Quality Hill," of

which Mr. Clinton Scollard sang:

"Quality Hill! Lo! It flourishes still,

And who can deny that forever it will?

A blending of breeding with puff and with plume;

A strange sort of mixture of rick and mushroom.

Some amble, some scramble, (some gamble), to fill

The motley and medley of Quality Hill."

Fifth Avenue · 第 14 / 19 章