ADOLPH. Which cannot accept anything from me--

GUSTAV. But from everybody else.

ADOLPH. [After a pause] Yes.--And it looked as if she especially hated

my ideas because they were mine, and not because there was anything

wrong about them. For it used to happen quite often that she advanced

ideas that had once been mine, and that she stood up for them as her

own. Yes, it even happened that friends of mine gave her ideas which

they had taken directly from me, and then they seemed all right.

Everything was all right except what came from me.

GUSTAV. Which means that you are not entirely happy?

ADOLPH. Oh yes, I am happy. I have the one I wanted, and I have never

wanted anybody else.

GUSTAV. And you have never wanted to be free?

ADOLPH. No, I can't say that I have. Oh, well, sometimes I have imagined

that it might seem like a rest to be free. But the moment she leaves me,

I begin to long for her--long for her as for my own arms and legs. It

is queer that sometimes I have a feeling that she is nothing in herself,

but only a part of myself--an organ that can take away with it my will,

my very desire to live. It seems almost as if I had deposited with her

that centre of vitality of which the anatomical books tell us.

GUSTAV. Perhaps, when we get to the bottom of it, that is just what has

happened.

ADOLPH. How could it be so? Is she not an independent being, with

thoughts of her own? And when I met her I was nothing--a child of an

artist whom she undertook to educate.

GUSTAV. But later you developed her thoughts and educated her, didn't

you?

ADOLPH. No, she stopped growing and I pushed on.

GUSTAV. Yes, isn't it strange that her "authoring" seemed to fall off

after her first book--or that it failed to improve, at least? But that

first time she had a subject which wrote itself--for I understand she

used her former husband for a model. You never knew him, did you? They

say he was an idiot.

ADOLPH. I never knew him, as he was away for six months at a time. But

he must have been an arch-idiot, judging by her picture of him. [Pause]

And you may feel sure that the picture was correct.

GUSTAV. I do!--But why did she ever take him?

ADOLPH. Because she didn't know him well enough. Of course, you never DO

get acquainted until afterward!

GUSTAV. And for that reason one ought not to marry

until--afterward.--And he was a tyrant, of course?

ADOLPH. Of course?

GUSTAV. Why, so are all married men. [Feeling his way] And you not the

least.

Plays by August Strindberg: Creditors. Pariah. · 第 14 / 42 题