The hands trained to whipping lanyards caught Ahmet's wrists as he

plunged. Shane's right leg went outward, foot sunk home. Backward he

fell, leg taunt, hands pulling. Above him Ahmet's great bulk soared,

hurtled grotesquely. For an instant; a flash.... The squeals of startled

Syrians, the panic of feet.... Then a crash, an immense crash....

A long shuddering, frightened _eh_ from the crowd.... A French soldier

mumbling ... "_'Cré nom de nom de nom de nom de Jésus Chri!_"

He staggered to his feet, put his hand to his face.... It came away

dripping.... His face was like the leeward deck of a flying yacht ...

swimming.... A few feet away Syrians and French soldiers were milling

over ... something.... The corporal wrenched Shane's arms into his coat.

Pushed his hat into his hands.

"_Courez donc, le citoyen_.... Come on, get away.... Get...."

"Is he dead?"

"No, not dead.... But get away.... He'll never wrestle again.... _Vite,

alors!_"

He pushed him down the street.

"But----"

[Illustration]

"Go on. We can take care of ourselves...." He shoved him roughly

forward.... Shane staggered, walked, ran a little.... Behind him a

few blocks away, an ominous hum. He ran on.... Some one was

shrieking....

"_Ma hala ya ma hala Kobal en Nosara_.... How sweet, oh, how sweet, to

kill the Christians...." The crack of a gun.... Tumult.... The long

Moslem war-song.... Two rifles. "_A nous, les Français_.... _A nous, la

Légion_!"

A nausea, a great weakness, an utter contempt for himself came over him

in the boat pulling him toward his ship ... God! He had fought with and

nearly killed--possibly killed--a man for personal hatred! From

irritation, and in a public place! A spectacle for donkey-boys and

riff-raff of French towns.... He tottered on the ship's ladder.... The

sailors caught him. The mate ran up.

"Anything wrong, sir? You look like a ghost."

"No, nothing. All aboard? Everything ready? Is she a-drawing? Anchor

a-peak? All right. Get her up...."

§ 12

"Arif Bey, where is my wife? I come back to Beirut. I find my house

deserted. My servants gone. Where is Fenzile? Is she here?"

"No, son."

"Is she dead?"

"No--no, son, I wish she were...."

"Then where is she gone? With whom?"

"Trebizond. Stamboul. Cairo. I don't know where."

"With whom?"

"With--oh, don't bother yourself, son. Forget her."

"With whom? I must know."

"With--do you remember that wrestler you crippled, the wrestler from

Aleppo?"

"With Ahmet Ali! Impossible! I all but killed him."

"She went, though...."

"No, uncle, no. If he had been strong she might, but,--"

The old Druse chief shook his head, smiled in his beard, a little,

bitter, wise smile.

"You were never sick with her, never poor."

"No, never sick, never poor."

"Well, he was sick and poor, so she went with him."

"Then she loved him all along."

"No, son Zan, she loved you--until you threw him. She might have been

amused at seeing him pass the house, laugh a little, be flattered....

Such a big fool, and she a little woman.... But she would never have

left you...."

"But she did."

"Well ... after the fall, he had no friends ... the Christians despised

him, the Moslems hated him.... There was no train to follow him ... he

went on crutches.... He passed her door and looked, and looked.... What

could she do but come out.... It was her fault, after all.... And she

was very tender-hearted...."

"Tender-hearted?"

"Didn't you know?"

"No, I never knew."

"She used to cry when the leaves fell from the trees.... You didn't know

your wife well?"

"No, sir, I did not."

"Well, she is gone, Zan.... Where, one doesn't know.... What will become

of her, one doesn't know. Destiny is like a blind camel. He doesn't know

against what he stumbles. We do not see him come.... Only when the harm

is done, do we say: We might have listened for the tinkle of his

bell.... Eh, one is young and does everything and sees nothing. One is

old and sees everything and does nothing. There is no mystery ... only

ignorance...."

"You say she was very tender-hearted, my uncle. I didn't know.... I

thought of her as something else...."

"Son Zan, you had better forget her in another woman. Listen son, I will

give you Aziyed in marriage, my own daughter. She is just as pretty and

younger and not so foolish as Fenzile."

"Oh, no, sir. No!"

"Well, I don't blame you."

"It isn't that, Arif Bey. It isn't that. I'm very beholden to you ...

for your kindness ... and your patience.... I didn't know.... And I

thought I knew everything nearly, and am so ignorant.... Why until now I

didn't know even this--the sun shone so brightly, and life was so

pleasant, I thought that was the way of life.... But I was in love with

Fenzile.... And that was what made everything so wonderful ... in love

with the wife you gave me ... head over heels, sir ... just simply--head

over heels...."

PART FIVE

THE VALLEY OF THE BLACK PIG

§ 1

To him, for a long time now, the sea had been only water. All the

immense pelagic plain, dotted with ships; with bergs of ice, like

cathedrals; with waves that curled or swept in huge rhythms; with

currents defined in lines and whorls; with gulls that mewed and whales

that blew like pretty fountains; with the little Portuguese men-of-war;

with the cleaving of flying fish and the tumbling of dolphins, all this

was water. All this joyous green, this laughing white, the deep

reflective blue, the somber exquisite gray, was water. An infinity of

barrels of water, immense vats of water, water, wet water....

To him, for a long time now, a ship had been a means of keeping afloat

on water, of going from place to place. All its brave strakes, its

plunging bows, its healing beams, were wood, such as one makes a house

of, or a tinker's cart. All the miracle of sails; the steady foresail;

the sensitive jibs; the press canvas delicate as bubbles; the reliable

main; the bluff topsails; topgallants like eager horses; the

impertinent skysails; the jaunty moonraker, were just canvas stretched

on poles. All the pyramidal wonder of them, fore, main, and mizzen, were

not like a good rider's hands to a horse; compelling, coaxing, curbing

the wind, they were utilities. The spinning wheel was a mechanical

device. Port was left, and starboard only the right hand. The chiming of

the ship's bell was not an old sweet ceremony but a fallible thing, not

exact as the ticking of a cheap watch. And "The lights are burning

bright, sir," was not a pæan of comfort, but a mechanical artisans'

phrase....

To him, for a long time now, they who went down to the sea in ships were

men only; men such as sell things in shops or scrub poorhouse floors, or

dig tracks for a railroad. The slovenly Achill man, who would face death

with a grin, the shambling Highlander who on occasion could spring to

the shrouds like a cat; the old bos'un who had been for years a castaway

on Tierra del Fuego; the wizened chantey-man with his melodeon, who

could put new vigor into tired backs, with his long-drag chanteys, like

"Blow the Man Down," and "Dead Horse," and "Whisky Johnnie," and

short-drags like "Paddy Doyle" and "Haul the Bowline," and capstans like

"Homeward Bound" and "Wide Missouri," and pumping chanteys like "Storm

Along"; the keen men at the wheel and the hawk-eyed lookout; the sailor

swinging the lead in the bows, with a wrist and forearm of steel--all

these were only men, following the sea because they knew no better. And

the mate who would wade into a mob of twenty with swinging fists, and

the navigator who could calculate to a hair's-breadth where they were by

observing the unimaginable stars--they were not of the craft of Noah,

they were men who knew their job ... just men ... as a ticket-clerk on a

railroad is a man....

To him, for a long time now, ports were ports, only places whither one

went to get or deliver cargo. Baltimore, like some sweet old lady; Para,

heavy, sinister with rain; Rio, like some sparkling jewel; Belfast,

dour, efficient, sincere; Hamburg, dignified, _gemütlich_; Lisbon, quiet

as a cathedral--they were not entities, they were just collections of

houses covering men and women. And men were either fools or crooks, and

women were either ugly bores or pretty--bitches.... Men and women, they

were born crudely, as a calf is born of a cow, they lived foolishly or

meanly, and they died.... And they were hustled out of the house

quickly.... They thought themselves so important, and they lacked the

faithfulness of the dog, the cleanliness of wild animals, the strength

of horses, the beauty of tropic birds, the mathematical science of the

spider, the swiftness of fishes.... And they grew old abominably, the

women's breasts falling, the men getting pot-bellies.... How the devil

had they ever arrogated to themselves the lordship of created things?

To him, for a long time now, the world had been, was, one mean

street....

§ 2

Of all cities, none was better calculated to foster this mood of his

than the one to which his business now brought him--Buenos Aires on the

Plate. Leaving Liverpool with steel and cotton, there was an immensity

of ocean to be traversed, until one came to the river mouth. Then fifty

leagues of hard sailing to the abominable anchorage....

Here now was a city growing rich, ungracefully--a city of arrogant

Spanish colonists, of poverty-stricken immigrants, of down-trodden lower

classes ... a city of riches ... a city of blood.... Here mud, here

money....

Into a city half mud hovels, half marble-fronted houses, gauchos drove

herd upon herd of cattle, baffled, afraid. Here Irish drove streams of

gray bleating sheep. Here ungreased bullock carts screamed. From the

blue-grass pampas they drove them, where the birds sang, and water

rippled, where was the gentleness of summer rain, where was the majesty

of great storms, clouds magnificently black and jagged lightning, where

were great white moons and life-giving suns, where was the serpent in

the grass, and the unique tree, where were swift horses.... Beeves that

had once been red awkward calves, and then sullen, stupid little

bullocks, and then proud young bulls, with graceful horns.... Such as

earnest Christians believed had lowed at the manger of Christ born in

Bethlehem.... And stupid, suspicious sheep, that had once been white

gamboling lambs, playful as pups, and so ridiculously innocent

looking!--didn't they call their Lord _Agnus Dei_, Lamb of God?--and

gentle ewes and young truculent rams, like red-headed schoolboys, eager

for a fray, and shamefaced wethers.... And by their thousands and their

tens of thousands they drove them into Buenos Aires, and slew them for

their hides....

But this was sentimental, Shane said. Bullocks and sheep must die, and

the knife is merciful as any death. But oughtn't these things be done

by night, privily, as they should bury the dead? Must they drive down

these infinities of creatures, and slaughter them openly and callously,

until the air was salt with blood, until the carrion crows hovered over

the city in battalions? Had they no feeling, had they no shame? Must the

pitiful machinery of life be exposed so airily?

Of course it must, he knew. These things had to be done in bulk. Now

weren't the middle ages when one killed a cow because one had to eat:

one killed a sheep because the winter was coming when woolens were

needed. All Europe needed shoes, saddles, combs, anti-macassars,

afghans--what not? And Europe was a big place, so in bulk they must

bellow and bleat and die, and have their hides torn from their pitiful

bodies, salted, and chucked in the hold of a ship.

Of course it must. That was civilization.

§ 3

From long ago, from far away, came the chime of old romance, but very

thin, like the note of a warm silver bell, that could not hold its own

against this blatancy. Came ancient immortal names--Magellan, that hound

of the world, whining fiercely, nosing for openings that he might

encircle the globe, he had been up the silver river. Sebastian Cabot,

too, the grim marauder, seeking to plunder the slender Indians, he had

been here. It was he had christened the great stream--Rio de la Plata,

the river where silver is. And Pedro Gomez, who headed the greatest

expedition the Argentine ever saw, and founded and named the city. And

fighting Beresford, the British general who took it from Spain, and

Whitelock who lost it again.... Campbell could see his bluff grenadiers,

their faces blackened with powder, their backs to the wall, a strange

land, a strange enemy, and blessed England so far away.... And the last

of the Spanish viceroys, with a name like an organ peal, Baltazar

Hidalgo de Cisneros y Latorre--a great gentleman, he had been wounded

fighting Nelson off Cape Trafalgar. Campbell could almost see his white

Spanish face, his pointed fingers, his pointed beard, his pontifical

walk.... And of them nothing remained. Nothing of Magellan, nothing of

Cabot, nothing of Gomez, nothing of staunch Beresford, or bluff John

Whitlock, or of the great hidalgo.... _Stat magni nominis umbra?_ ...

No, not even that. The shadows of the great names had gone. The dim

chime of a silver bell drowned by the lowing of dying cattle, by the

screech of bullock-carts, by the haggling of merchants over the price of

hides....

But he could not remain on board ship in port. Ships, he had enough of

them! There was nothing to do but go ashore, landing at high tide at one

of the two lugubrious piers, and make his way toward the squares ...

past the blazing water-front where the prostitutes chanted like demented

savages, past the saloons where the sailors drank until they dropped, or

were knifed, or robbed, or crimped. Down the ill-lit streets, which must

be trodden carefully, lest one should stumble into a heap of refuse.

Down to the Plaza Victoria, with its dim arcades, or to the 25 de Mayo,

with its cathedral, its stunted paradise trees. And from the houses came

shafts of light, and the sound of voices, thump of guitars like little

drums, high arguments, shuffle of cards.... Dark shadows and lonely

immigrants, and the plea of some light woman's bully--"_cosa

occulta_...." A dim watery moon, the portico of the cathedral, a woman

exaggerating her walk.... Pah!... immigrants fearful of the coming

snow.... A vigilante strutting like a colonel.... Mournful pampa

winds....

The theaters? Sugary Italian opera; a stark Spanish drama, too intense

for any but Latins, foreign; debauched vaudeville, incredibly vulgar; or

at the concert-hall, sentimental Teutonic and Anglo-Saxon songs, with an

audience of grave uncritical exiles--a little pathetic. No!

The clubs? Oh, damn the clubs! A blaze of light and raucous voices,

ships' masters, ships' chandlers, merchants, discussing the riddle of

local politics, and the simony of office; or the price of hides, and

freight charges; how a ship's master could turn a pretty penny in

bringing out shoddy clothes, or pianos--Jesus! they were crazy for

pianos here! Rattle of glasses and striking of matches. Bluff,

ceremonious salutations.

"Well, captain, what kind of a trip did you make out?"

"Pretty fair, captain."

"Will you have a little snifter, captain?"

"Well, captain, seeing that it's you--"

"Paddy, a little of what ails him for the captain--"

And after a while the whisky would dissolve the ceremony, and would come

nauseating intimacies.

"We shipped a stewardess in Hull--" or "There was an Irish girl in the

steerage, a raving beauty, and when I saw her, I said: Wait. So--"

They were all the same. Give them whisky and time and the talk would

come around to easy money and easy women. All were the same, bluff,

sentimental, animal, all but the one or two hawk-eyed, close-lipped men

who came and went silently, who drank little and drank by themselves.

These men made the really big money, but it wasn't easy; they took a

chance with their lives, smuggling slaves from Africa for the Argentine

plantations, or silver from Chile and Peru. But as for the rest, easy

money, easy women!

Well, what was Campbell fussing about? Wasn't he too making easy money,

bringing agricultural steel and cotton goods here and taking away his

tally of hides?

And as to easy women, wasn't there Hedda Hagen?

§ 4

A ship's master had introduced him to her at a band concert in one of

the public squares--a tall Amazonian woman with her hair white as corn,

and eyes the strange light blue of ice. Her head was uptilted--a

brave woman. The introduction had a smirking ceremony about it that

defined Froken Hagen's position as though in so many words. Her bow was

as distant to Shane as his salutation was curt to her. Shane was

suddenly annoyed.

[Illustration]

The captain of the American boat talked incessantly while the band

blared on. Strolling Argentines eyed the woman's blond beauty at a

respectful distance. They trotted to and fro. They loped. They postured.

She paid no attention. To her they were nonexistent. To the American

skipper's conversation she replied only with a flicker of the eyelids, a

fleeting smile of her lips. Shane she seemed to ignore. She was so

clean, so cool, so damnably self-possessed.

"Froken Hagen," Campbell ventured, "aren't you sick of all this? Captain

Lincoln says you have been here for five years. Aren't you dead tired of

it?"

"No." Her voice was a strong soprano timbre.

"Don't you want to get back to the North again?"

"Often." She had a quiet aloof smile. Somewhere was the impression of a

gentlewoman. She did not mean to be abrupt. She was just immensely

self-possessed.

It occurred to Shane suddenly that he liked this woman. He liked her

dignity, her grave composure. He liked her coolness, her almost Viennese

grace. He liked her features; but for the wideness of her mouth, and the

little prominence of chin, she would have been immensely beautiful. Her

corn-like hair, massively braided, must be like a mane when down, and

beneath her Paris frock he could sense her deep bosom, great marble

limbs. Her voice had the cool sweet beauty of Northern winds.... Her

eyes were steady, her chin uptilted. Somewhere, some time, somehow she

had mastered fate.

About, in the gas-lit square, escorted, guarded, went other women,

reputable women. Great rawboned women, daughters of Irish _porteños_,

with the coarseness of the Irish peasant in their faces, the brogue of

the Irish peasant on their Spanish, but punctiliously Castilian as to

manners; gross Teutonic women; fluffy sentimental Englishwomen, bearing

exile bravely, but thinking long for the Surrey downs; gravid Italian

women, clumsy in the body, sweet and wistful in the face; Argentines,

clouded with powder, liquid of eyes, on their lips a soft little down

that would in a few years be an abomination unto the Lord; women of

mixed breed, with the kink of Africa in their hair, or the golden tint

of the Indian in their skin. Good women! And yet.... For grace, for

coolness, for cleanliness, the venal Swedish girl outshone them all....

"Froken Hagen," Campbell said, "may I call on you some time?"

"If you like."

"Does that mean you don't want me to come?"

She smiled at him.

"Mr. Campbell," she laughed gently, "you know very well what I am. If

you don't call on me it won't mean anything to me. If you do call I

think I'll be rather glad. Because on first appearances I like you. But

do whatever you like. I have no wiles."

"Thank God for that!"

Lincoln, master of the _Katurah Knopp_, listened in with a silent

chuckle. She was a queer one, Hedda was. And Campbell, he was a queer

one, too. Two queer ones together. Hedda was all right, but a man

sickened of her quick. She wasn't what you might call warm. No

affection; that's what a man missed far from home, affection. Yes,

affection. Hedda had none. She was a fine woman, but she had no

affection. He liked to see men get stung. In a few days Campbell would

be down at the club with a face as long as to-day and to-morrow. He

would call for a drink angrily.

"Well, captain, what's got into you? You don't look happy."

And Campbell, like the others, would grumble something about a

God-damned big Swede.

"Hey, what's wrong? Ain't Hedda treated you right?"

"Sure, she treated me right," he would say as the others said, "but God

damn! that woman's not human. Take away that rot-gut and gi' me whisky.

I got a touch o' chill."

Lincoln had seen it all before. He liked to see it all the time. He

chuckled as Shane turned to him.

"Lincoln, are you seeing this lady home?"

"Not if you want to."

"I don't want to break up any arrangements of yours."

"Tell the truth," Lincoln said, "I've got a little party to-night. A

party as is a party--Spanish girls, Spanish dancers ... I wish I could

take you, but it ain't my party...."

"Then I'll see Miss Hagen home."

Dog-gone, Lincoln would have to go down to the club and tell 'em how

Campbell of the _Maid of the Isles_ got stuck with the human iceberg!

§ 5

Without, the west wind had increased suddenly, a cold steady wind,

coasting down the Argentine pampas, bending the sparse trees and giant

thistle, ruffling the river, shallowing it, until to-morrow many a poor

sailorman would regret his optimistic anchorage ... Shane shivered....

To-morrow October would be making a din in the streets.... And the poor

skippers fighting their way round the Horn, icy winds and head seas and

immense gray dirty-bearded waves.... To-morrow three men were to be shot

in the 25 de Mayo for a political offense, and Shane could see them in

the bleak dawn, three frightened stanch figures; the soldiers would be

blowing their fingers in the cold air, and their triggers would be like

ice to the touch ... the shoddy tragedy....

But within the room was warm, a little fire of coal in the unusual

grate, and the soft and mellow lights of candles, and here and there

gauchos' blankets on the wall, and here a comfortable chair and there a

table of line, and brass things ... clean and ascetic, and yet

something womanly about the place, the grace and composition of

things.... And with her coming into her house, Hedda Hagen's manner had

changed gently.... She was no longer frigid, aloof.... She unbent into

calm smiles, and the grace of a hostess of the big world ... the quiet

masonic signal of a certain caste....

"I wonder," he said; "am I dreaming?"

She paused suddenly. She had taken her hat off, and was touching things

on the tables with her large fine hands. She turned her head toward him.

There was a half smile in her eyes.

"Why?"

"It doesn't seem right."

"That you never saw me before, that you are here in this house after

meeting me half an hour ago, and that you can stay here the night?"

"Yes."

"Well, it's true."

She was once more the hostess. It was as if some one had sprung nimbly

from a little height to the ground.

"I can't give you any whisky. But I can make you tea. Or have my maid

brew you some coffee."

"Is that a Russian samovar?"

"Yes."

"Then I'll have tea."

So queer! Without the wind blustered and the little din of it crept into

the room somehow, and within was warmth, and the stillness of still

trees. And grace. Beauty moved like an actress on the stage. All her

motions were harmonious, could have gone to some music on the violin.

Now it was the easy dropping to her knees as she lit the quaint Russian

teapot, now an unconscious movement of her hand to push back a braid of

her hair, now the firm certain motion of her strong white unringed

fingers. Now her large graceful body moved like some heroic statue that

had become quick with life. The thought came into his head, somehow,

that if he had had a sister he would have liked her to have been like

this splendid blond woman....

Yet into this house, where she had settled like some strange bird in an

alien land, came ships' masters, reeking with drink, came merchants with

their minds full of buying and selling and all the petty meannesses of

trade, came dark Latins who hankered for blond women....

"God! I can't understand."

She came toward him frankly....

"_Amigo mío_, have you a right to understand?"

"I'm sorry."

"No, but--see! You and I have often met. I mean: there is a plane of us,

who must be loyal to one another. You understand. And to you, to one of

us, I don't want to lie. Only certain persons have a right to ask. A

father, a mother, a child, a sister or brother or husband. But our

destinies touch only, hardly even that. Will never grip, bind. There is

no right you have, beyond what--you buy; and there are things--I don't

sell."

"I'm sorry," Shane turned aside. "I was just carried away. But I should

go."

"Do you want to go?"

"No."

The Wind Bloweth · 第 10 / 17 段