Chapter V

The Open Fields

One of the sights upon which my eyes rest oftenest and with deepest

content is a broad sweep of meadow slowly climbing the western sky

until it pauses at the edge of a noble piece of woodland. It is a

playground of wind and flowers and waving grasses. There are, indeed,

days when it lies cold and sad under inhospitable skies, but for the

most part the heavens are in league with cloud and sun to protect its

charm against all comers. When the turf is fresh, all the promise of

summer is in its tender green; a little later, and it is sown thick

with daisies and buttercups; and as the breeze plays upon it these

frolicsome flowers, which have known no human tending, seem to chase

each other in endless races over the whole expanse. I have seen them

run breathlessly up the long slope, and then suddenly turn and rush

pell-mell down again. If the wind had only stopped for a moment its

endless gossip with the leaves, I am sure I should have heard the

gleeful shouts, the sportive cries, of these vagrant flowers whose

spell is rewoven over every generation of children, and whose unstudied

beauty and joy recall, with every summer, some of the clews which most

of us have lost in our journey through life. Even as I write, I see

the white and yellow heads tossing to and fro in a mood of free and

buoyant being, which has for me, face to face with the problems of

living, an unspeakable pathos.

What a depth of tender colour fills the arch of heaven as it bends over

this playground of the blooming and beauty-laden forces of nature! The

great summer clouds, shaping their courses to invisible harbours across

the trackless aerial sea, love to drop anchor here and slowly trail

their mighty shadows, vainly groping for something that shall make them

fast. The winds, that have come roaring through the woodlands, subdue

their harsh voices and linger long in their journey across this sunny

expanse. It is true, they sing no lullabies as in the hollow under the

hill where they themselves often fall asleep, but the music to which

they move has a magical cadence of joy in it, and sets our thought to

the dancing mood of the flowers.

Sometimes, on quiet afternoons, when the great world of work has

somehow seemed to drop its burdens into space, and carries nothing but

rest and quietude along its journey under the summer sky, I have seen a

pageant in the open fields that has made me doubt whether a dream had

not taken me unawares. I have seen the first sweet flowers of spring

rise softly out of the grass where they had been hiding and call gently

to each other, as if afraid that a single loud word would dissolve the

charm of sun and warm breeze for which they had waited so long. After

their dreamless sleep of months, these beautiful children of Mother

Earth seemed almost afraid to break the stillness from which they had

come, and strayed about noiselessly, with subdued and lovely mien,

exhaling a perfume as delicate as themselves. Then, with a rush and

shout, the summer flowers suddenly burst upon the scene, overflowing

with life and merriment; in lawless troops they ran hither and thither,

flinging echoes of their laughter over the whole country-side, and soon

overshadowing entirely their older and more sensitive fellows; these,

indeed, soon vanish altogether, as if lonely and out of place under the

broad glare and high colours of mid-summer. And now for weeks together

the game went on without pause or break; the revelry grew fast and

furious, until one suspected that some night the Bacchic throng had

passed that way and left their mood of wild and lawless frolic behind.

At last a softer aspect spread itself over the glowing sky and earth.

The nights grew vocal with the invisible chorus of insect life; there

was a mellow splendour in the moonlight, which touched the distant

hills and wide-spreading waters with a pathetic prophecy of change.

And now, ripe, serene, and rich with the accumulated beauty of the

summer, the autumn flowers appeared. Their movement was like the

stately dances of olden times; youth and its overflow were gone

forever; but in the hour of maturity there remained a noble beauty,

which touched all imaginations and communicated to all visible things a

splendour of which the most radiant hours of early summer had been only

faintly prophetic. In the calm of these golden days the autumn flowers

reigned with a more than regal state, and when the first cold breath of

winter touched them, they fell from their great estate silently and

royally as if their fate were matched to their rank. And now the

fields were bare once more.

From such a dream as this I often awake joyfully to find the drama

still in its first act, and to feel still before me the ever-deepening

interest and ever-widening beauty of the miracle play to which Nature

annually bids us welcome. Across this noble playground, with its sweep

of landscape and its arch of sky, I often wander with no companions but

the flowers, and with no desire for other fellowship. Here, as in more

secluded and quiet places. Nature confides to those who love her some

deep and precious truths never to be put into words, but ever after to

rise at times over the horizon of thought like vagrant ships that come

and go against the distant sea line, or like clouds that pass along the

remotest circle of the sky as it sleeps upon the hills. The essence of

play is the unconscious overflow of life that seeks escape in perfect

self-forgetfulness. There is no effort in it, no whip of the will

driving the unwilling energies to an activity from which they shrink;

one plays as the bird sings and the brook runs and the sun shines--not

with conscious purpose, but from the simple overflow. In this sense

Nature never works, she is always at play. In perfect unconsciousness,

without friction or effort, her mightiest movements are made and her

sublimest tasks accomplished. Throughout the whole range of her

activity one never comes upon any trace of effort, any sign of

weariness; one is always impressed--as Ruskin said long ago of works of

genius--that he is standing in the presence, not of a great effort, but

of a great power; that what has been done is only a single

manifestation of the play of an inexhaustible force. There is

somewhere in the universe an infinite fountain of life and beauty which

overflows and floods all worlds with divine energy and loveliness.

When the tide recedes it pauses but a moment, and then the music of its

returning waves is heard along all shores, and its shining edges move

irresistibly on until they have bathed the roots of the solitary flower

on the highest Alp.

It is this divine method of growth which Nature opposes to our

mechanisms; it is this inexhaustible life, overflowing in

unconsciousness and boundless fulness, that she forever reveals. The

truth which underlies these two great facts needs no application to

human life. Blessed, indeed, are they who live in it, and have caught

from it something of the joy, the health, and the perennial beauty of

Nature.

Under the Trees and Elsewhere · 第 5 / 22 章