West laughed. "Yes," he said, "I'm going to take Gildy to see her."

"You see, Gilderman," said the young fellow, "Stirling's dead gone on

the girl. He goes to the Westminster Gardens every night, and takes her

out for a spin along the drive every afternoon."

Gilderman looked at West, who again laughed.

"They say you're having Norcott paint her portrait," said Le Roy Barron.

"No, I'm not," said West. "Norcott's doing it off his own bat, for a

picture to send to the Academy or somewhere, I believe."

"By-the-way," said Barron, "I see poor old Herod's let them execute

John."

"Yes," said West, "we may all thank Salome for that. Tommy Ryan was

telling me all about it this morning. It seems that there was something

going on down at Herod's place last night, and Ryan was asked. It was a

pretty wild sort of affair. After supper, the girl danced for them on

the table in the supper-room, _à la_ Carrington. I guess they were all

pretty lively--anyhow Herod promised he'd give her whatever she'd ask

him. And what does that woman, her mother, do but put her up to asking

to have poor John the Baptist put out of the way. Herod would have

backed out if he could, but the women held him to his promise."

"By-the-way, Gildy," said Latimer-Moire, "you're sort of on the

religious lay; what do you think of all this row?"

Governor Pilate turned and looked briefly at Gilderman.

The question was so sudden that Gilderman did not know what to say. "I

don't know that I'm especially on the 'religious lay,' as you call it,"

he said, after a moment's pause; "but I suppose that every man must

believe more or less in something or other."

As he spoke he felt that his words were rather an excuse for his

convictions than a proclamation of them.

"You see, governor," said Latimer-Moire, "Gilderman still clings to

the old theological superstitions of the past ages--heaven and God and

a resurrection of the soul and all that sort of thing. He's a good

fellow, is Gildy, but he don't seem to be able to emancipate himself

from the shackles of tradition that his grandfather left behind him.

Why, Gildy, my boy, nobody believes in anything nowadays."

"Don't they?" said Gilderman. "I think they do. If they don't believe

in heaven and God and the resurrection of the soul, as you phrase it,

they must believe in the world, the devil, and themselves."

"You are wrong, Mr. Gilderman," said Governor Pilate, calmly, "so far

as I am concerned. I don't believe in anything--not even in myself. I

know I like a good dinner and a good glass of wine and a pretty woman,

but I don't believe in them. As for all this about Christ, to tell

you the truth, I have not followed it very closely, for it doesn't

interest me particularly. I have heard a good deal said about it now

and then--such as you young men have been talking just now--but I

have read nothing of it in the newspapers. I find life too short to

read everything that's printed nowadays. If one undertakes to read

everything, one reads nothing. I try to pick out what is absolutely

needful to me and to leave the rest. I find all I need in the report of

current politics and the stock markets."

* * * * *

Olivia Carrington was acting in the play called "Le Chevalier d'Amour."

The great scene that had made such a hit was where she, as the

Marquise, dances upon the top of the table in the inn yard, seducing

the jailers from their duty while the scamp of a chevalier escapes.

Gilderman sat watching the woman in her gyrations amid a cloud of

gauzy draperies. He recognized the pleasure he felt in the seductive

spectacle as an evil pleasure, rooted in a nether stratum of masculine

brutality, but, nevertheless, he yielded himself to it.

As the girl came forward in answer to the loud applause and bowed her

acknowledgment to the house, she shot a glance like a flash at the

box where Gilderman and his friend sat. "Isn't she a daisy, Gildy?"

said Stirling West enthusiastically, as he continued to clap his hands

together. "Come on around back of the scenes and I'll introduce you."

* * * * *

It was thus that the life of the Romans just touched the divine agony

of that other life lived by the poor carpenter who was Jehovah-God in

the flesh; it was thus that their two lives just touched but did not

commingle.

Rejected of Men: A Story of To-day · 第 23 / 50 题