Of a culture all your own,
And a spiritual independence,
And a freedom large and new.
If you had not set up a Federal judge in China,
And scrambled for place in the Orient,
And stolen the Philippine Islands,
And mixed in the business of Europe,
Three thousand miles of water east,
And seven thousand west
Had kept your hands untainted, free
For a culture all your own!
But while you were fumbling, and while you were dreaming
As the boy in the village dreams of the city
You were doing something worse:
You were imitating!
You came to the city and aped the swells,
And tried to enter their set!
You strained your Fate to their fate,
And borrowed the mood to live their life!
And here you are in the game, Republic,
But not prepared to play!
But you did it.
And the water east and water west
Are no longer your safeguard:
They are now your danger and difficulty!
And you must live the life you started to imitate
In spite of these perilous waters.
For they keep you now from being neutral--
For you are not neutral, Republic,
You only pretend to be.
You are not free, independent, brave,
You are shackled, cowardly
For what could happen to you overnight
In the Orient,
If you stood with your shoulders up,
And were Neutral!
Suppose you do it, Republic.
Get some class,
Throw out your chest, lift up your head,
Be a ruler in the world,
And not a hermit in regimentals with a flint-lock.
Colossus with one foot in Europe,
And one in China,
Quit looking between your legs for the re-appearance
Of the star of Bethlehem--
Stand up and be a man!
PAST AND PRESENT
Past midnight! Vastly overhead
A wash of stars--the town’s asleep!
And through the pine trees of the dead
The rising winds of morning creep.
Dim, mid the hillside’s shadow grass
I count the marble slabs. How vain
My throbbing life that waits to pass
Into the great world on the train!
The city’s vision fades from mind.
I only see the hill and sky;
And on the mist that rides the wind
A tottering pageant meets my eye.
The cock crows faintly, far away;
A troop of age and grief appears.
Ye shadows of a distant day.
What do ye, pioneers?
There shines the engine’s comet light.
Ye shadows of a century set,
Haste to the hillside and the night--
I am not of you yet!
ROBERT G. INGERSOLL
To the lovers of Liberty everywhere,
But chiefly to the youth of America
Who did not know Robert G. Ingersoll,
Remember that he helped to make you free!
He was a leader in a war of guns for freedom,
But a general in the war of ideas for freedom!
He braved the misunderstanding of friends,
He faced the enmity of the powerful small of soul,
And the insidious power of the churches;
He put aside worldly honours,
And the sovereignty of place,
He stripped off the armor of institutional friendships
To dedicate his soul
To the terrible deities of Truth and Beauty!
And he went down into age and into the shadow
With love of men for a staff,
And the light of his soul for a light--
And with these alone!
O you martyrs trading martyrdom for heaven,
And self-denial for eternal riches,
How does your work and your death compare
With a man’s for whom the weal of the race,
And the cause of humanity here and now were enough
To give life meaning and death as well?--
I have not seen such faith in Israel!
AT HAVANA
I met a fisherman at Havana once,
Havana on the Illinois, I mean,
There by the house and fish boats. He was burned
The color of an acorn, and his hair
Was coarse as a horse’s tail. His scraggy hands
Looked like thick bands of weather-colored copper,
But his eyes were blue as faded gingham is.
I stood amid the smell of scales and heads,
And fishes’ entrails dumped along the sand.
The still air was a burning glass which focused
A bon-fire sun right through my leghorn hat;
And a black fly from crannies of the air
Lit on my hand and bit it venomously.
Across the yellow river lay the bottoms
Where giant sycamores and elms o’ertopped
A jungle of disgusting weeds. The breeze
Hot as a tropic breath exhaled the reek
Of baking mud and of those noisome weeds,
Wherewith the odors of putrescent fish
Mixed on the simmering sands. A naturalist
Must seek the habitat of the life he studies....
There on a platform lay the dressed fish, carp,
Black-bass, and pike and pickerel, buffalo,
Cat-fish, which I had come to see, and talk
With fishermen along the Illinois.
My man held up a fish and said to me;
“Here is the bastard who drives all the fish
Out of the river, out of any water
He comes in, and he comes wherever food
Can be obtained; the black-bass, even cat-fish,
And all the good stocks run away from him,
He is so hoggish, plaguy, and so mean.
The other fish may try to live with him,
I’m thinking sometimes, anyway I know
He drives the others out.” I looked to see
What fish is so unfriendly to his fellows.
“Just look at him,” he said, but as he spoke
The black fly stung my hand again. When I
Looked up from swatting him, the man had thrown
The fish upon the sand, and a stray dog
Was running off with him along the river.
THE MOURNER’S BENCH
They’re holding a revival at New Hope Meeting house,
I can’t keep from going, I ought to stay away.
For I come home and toss in bed till day,
For thinking of my sin, and the trouble I am in.
I dream I hear the dancers
In the steps and swings,
The quadrilles and the lancers
They danced at Revis Springs.
I lie and think of Charley, Charley, Charley
The Bobtown dandy
Who had his way with me.
And no one is so handy
A dancer as Charley
To Little Drops of Brandy,
Or the Wind that Shakes the Barley,
Or Good mornin’ Uncle Johnny I’ve fetched your Wagon Home.
And Greenberry Atterberry, who toed it like a pigeon
Has gone and got religion;
He’s deserted the dancers, the fiddlers, merry-makers,
And I should do it too.
For Charley, Charley has left me for to roam.
But a woman at the mourner’s bench must tell her story true--
What shall I do? What shall I do?
My grandmother told me of Old Peter Cartwright
Who preached hell-fire
And the worm that never dies.
And here’s a young preacher at the New Hope Meeting house,
And every one allows, he has old Peter’s brows,
And flaming of the eyes,
And the very same way, they say.
Last night he stuck his finger right down in my direction,
And said: “God doesn’t care
For your woman’s hair.
Jesus wants to know if your soul is fair
As your woman’s complexion.”
And then I thought he knew--
O what shall I do?
Greenberry Atterberry, weeping and unsteady
Had left his seat already.
He stood at the mourner’s bench in great tribulation
And told the congregation:
That fiddling and dancing and tobacco chewin’
Led up to whisky and to woman’s ruin--
And I thought he looked at me.
Well, you can stop dancing, and you can stop drinking
And you can leave the quarter-horses at the crooked races.
But a woman, a woman, the people will be thinking
Forever of a woman who confesses her behavior.
And then I couldn’t look in the people’s faces,
All weeping and singing, O gentle Saviour!
Then the devil said: You wench
You’d cut a pretty figure at the mourner’s bench,
Go out and look for Charley,
Go out and look for Charley,
He’s down at Leese’s Grove.
He has found a fresh love
Go win him back again.
He is dancing on the platform to the Speckled Hen.
O Saviour, Saviour, how can I join the mourners,
Face all the scorners?
But how can I hunt Charley at Leese’s Grove?
How can I stand the staring, the whispering of things
Down at Revis Springs?
How can I stand the mocking of the fiddle strings?
Charley! Charley!
So it’s knowing what’s best to do,
Saviour! Saviour!
Its knowing what’s best to do!
THE BAY-WINDOW
She sat at a bay-window where she saw
First open carriages and buggies pass!
And then Victorias with horses docked
And bits and buckles, chains of shining brass.
And then the horseless carriage, till at last
The swallow-gleam of varnished limousines
Silent as shadows took her lifted eye,
Uplifted from a book. She always sat
In her bay-window with a book,
And with a tinted fan in summer-time.
But first she was a bride
Before the war.
Springing from honest blood, her place
Passed over lightly as her grandeur grew:
She was of seed too vital to decay
Wholly in any soil, the sort that grows and blooms
Where never gardener comes.
And this bay-window! An aging man of gold
Had plucked her up, and here she rests and breathes
The free air of Chicago’s reclamation.
And then she is
A wonder-bride for her brown hair,
And gray-blue eyes, and laughter, sunny wit,
And naturally patrician ways and speech,
(Acquiring French now that the chance has come),
And she is eighteen and is born to rule.
And her great merchant husband with blue eyes,
And strong beaked English nose,
Walks straighter for a pride that she is his.
Gives her a country place spaced out in walks,
And flower beds, where now such flimsy flats
Confront Grand Boulevard!
And for a city house he builds a house
Three stories high at Twentieth street,
Where then the manifest was sand and oaks,
And what is now the Loop, was just as far
As Hyde Park from the Loop is now.
In this bay-window then she sits a bride,
And sees the scrub oak cut and mansions fill
Gradually year by year the waste of sand.
For fashion follows her and builds beside her,
Till Prairie Avenue becomes the street
Of millionaires, who hear from traveled wives
What London is, what Paris is,
And open purses to unfolding tastes
For canvases and sculpture.
For every one grows rich now in Chicago.
And in the seventies women go to Paris,
Herself among the first, at least the chief,
See Egypt and see Rome.
And when returned drive down where wondering eyes
Along the marble terrace promenading,
Where Michigan Avenue was bounded by
The Lake across the street,
Behold the striped silk of their parasols
Fluttering over plumes and dancing eyes,
And purple velvet of Victorias.
For now it is the classic age!
There is the driving park,
There is the Palmer House,
There are cathedrals too.
There are the lofty ceilings walnut trimmed,
And foliate chandeliers of polished brass,
And marble-slabbed buffets with heavy cupids,
And clustered fruits carved in their sombre wood,
And square pianos with their rosewood legs
Swelled out with oval figures like great plums.
And paintings deeply daubed in brown asphaltum
Where chiaroscuro ends were lost in shadows,
Not lost in light, depressionistic things,
From which her lambent intuition led her.
She was among the first to catch the psychic
Waves that sweep around this little world
And change all things.
She traveled much and lived in Europe much,
Returning to her window where she watched
The city pass and bow its admiration,
The half of whom she knew as time went on,
Though all knew her and said “there is the queen,”
Or “there she is who thinks she is the queen.”
And when the opera came she was the queen,
At least a queen whose sovereignty withstood
Encroaching claims to ripen into rights.
But then if all were lost where not a million
People lived as yet, and where, oh well
Packers and others threw their heavier gold
In what was once a scale of primogeniture,
Rome stood and London stood and Paris.
Have your own way at home, the mood began,
I am off here where you can scarcely come.
The next place is the best, a far off place
Has teasing witcheries to those at home.
Her husband now was dead some years, the children
Grown up, or off to school, a daughter married
To an Italian count kept state in Florence
Where Browning came, with whom our queen would fence
In spiritual dialectics. In her travels
She had known Ibsen, Patti and George Eliot,
Sat as a dinner guest by Beaconsfield,
And taken tea upon Hawarden’s lawn.
And so in escritoires and cabinets
She kept mementoes of her days abroad:
Like letters from George Eliot,
“Ferishtah’s Fancies” inscribed by Robert.
And in the course of time this three-floored house
Was filled with treasures, tapestries,
Etruscan things, and faience peacock blue;
And oriental jade with letters of gold.
And there she reigned, but lived alone
The house kept by French maids
And impeccable butlers.
And so the years went, and she saw at last
The city start to slip away from her
And make her royal isolation
An ignorant solitude!
Yet she was beautiful at forty years,
Some years a widow then and very rich.
She was most fresh and matronly at fifty.
At fifty-five and sixty she could charm
A man of any age. And master-men
Paid suit to her and gained
The stimulating richness of her mind.
Some said they did not want her, others said
Her wisdom and self-mastery froze their hearts.
But when she spoke she said she could not change
The name she loved, or change her place in life
To forced forgetfulness of that English face,
Who lifted up her life from some obscurity
And made it flower.
At any rate she lived for forty years
With only maids and butlers in a house
Round which the warring city crept,
Until at last the street with lowered pulse
Saw vacant mansions, as the mob psychology,
Which sways in fashion, brought an exodus.
But she knew no temptation to depart.
This was her house, her center of the world.
And when the Countess left the Count she came
To ease her mother’s loneliness--oh yes!
Six months of loneliness was quite enough.
And then in spite of everything she left,
Returned to Florence and her rascal count,
Because she could not stand the loneliness,
And saw ahead long years of loneliness
In some bay window--no, it could not be!
And so she left her mother sitting there
Now sixty-eight or so,
Who watched the city pass,
All now the swallow-gleam of limousines,
And all around her now the boarding house,
Or institutes for drunkards, hideous blocks
Of offices and warehouses.
And all her neighbors lying up in Rose Hill.
Perhaps a few remaining who remembered
All that she was, could only say to those
Who had heard of her as she was in the eighties,
And in the nineties:
“She was a great woman, I can scarce explain.
It was this way: Chicago then was young.
Chicago in ten years is changed all through.
You see it was this way: But then you see
This great two million thing has slipped away
From all our hands.”
And then perhaps
A limousine would pass with reckless pridelings
Coming from tea or dancing at the Blackstone,
And find their laughter shortened by her face
At this bay-window
Would say: “Who’s that old woman at the window?
She always has a book, or has a fan.”
MAN OF OUR STREET
This Man’s life had four stages as I hear.
The first stage took him through the days of school
And fastened on his name a prophecy
That he would win success. The second stage
Took him to thirty years while he was fumbling
The strings to find the key and play in key.
The third stage marked discouragement, departure
To speculations and to reconcilement
That he was born no lawyer. And the fourth
Was one of quietude and trivial days.
I knew him in this fourth stage as a man
Emerging from a house across the street
On Sunday mornings in silk hat, long coat
And bamboo cane. When summer came he donned
A flannel suit of gray, a panama
And gloves of tan. When winter came he wore
A double-breasted coat with lamb’s fur collar.
He had no friends, so far as one could see,
No membership in clubs, was never seen
Where men meet, or society is gathered.
Sometimes he stopped to tell a passer-by
The day is fine, it’s very fine, you’re right,
In voice complaisant. The neighbors knew
He lived upon a little purse he made
In compromise of some preposterous wrong.
And people wondered how the purse was lasting,
And wondered how much longer he could loaf,
How many seasons more he could appear
So seasonably attired and walk the streets
In such velleity, with such vacuous light
Grown steady in his eyes.
I love to watch
The chickens in a barn-yard. Nothing else
Is quite so near the human brood. You’ll see
Invariably a rooster stalk about
In aimless fashion, moving here and there,
Picking at times with dull inappetence
At grains or grit, or standing for a time
In listless revery. I never saw
A man with such resemblance to this rooster
As this man was.
At last we had not seen
Our man upon the street for several days.
And some one said he had been very ill.
His wife had fears and wept and said ’twas hard
Just on the eve of great success to die.
He had thought out a plan, she said, to win
Great trade in South America for us.
Our State Department thought it excellent.
And then one day four doctors passed his door
For consultation, and the word went round
Our man rebelled most piteously and said
He could not die until he had worked out
His dream of South America. He knew
His danger, had the doctors called to check
The inroads of the peril, though the purse
Was growing slim, as we discovered later.
One noon-time as I came along the street
Where twenty children laughed and followed me,
Half playing at their game, half following
My banterings and idle talk, and asking
About the bundle underneath my arm.
“It’s nothing but a chicken, go away,”
I said to them.
And there across the street
Was crape upon the door--our man was dead,
And I was carrying chicken home to boil
ACHILLES DEATHERIDGE
“Your name is Achilles Deatheridge?
How old are you, my boy?”
“I’m sixteen past and I went to the war
From Athens, Illinois.”
“Achilles Deatheridge, you have done
A deed of dreadful note.”
“It comes of his wearing a battered hat,
And a rusty, wrinkled coat.”
“Why didn’t you know how plain he is?
And didn’t you ever hear,
He goes through the lines by day or night
Like a sooty cannoneer?”
“You must have been half dead for sleep,
For the dawn was growing bright.”
“Well, Captain, I had stood right there
Since six o’clock last night.”
“I cocked my gun at the swish of the grass
And how am I at fault
When a dangerous looking man won’t stop
When a sentry hollers halt?”
“I cried out halt and he only smiled
And waved his hand like that.
Why, any Johnnie could wear the coat
And any fellow the hat.”
“I hollered halt again and he stopped
And lighted a fresh cigar.
I never noticed his shoulder badge,
And I never noticed a star.”
“So you arrested him? Well, Achilles,
When you hear the swish of the grass
If it’s General Grant inspecting the lines
Hereafter let him pass.”
SLIP SHOE LOVEY
You’re the cook’s understudy
A gentle idiot body.
You are slender like a broom
Weaving up and down the room,
With your dirt hair in a twist
And your left eye in a mist.
Never thinkin’, never hopin’
With your wet mouth open.
So bewildered and so busy
As you scrape the dirty kettles,
O Slip Shoe Lizzie
As you rattle with the pans.
There’s a clatter of old metals,
O Slip Shoe Lovey,
As you clean the milk cans.
You’re a greasy little dovey,
A laughing scullery daughter,
As you slop the dish water,
So abstracted and so dizzy,
O Slip Shoe Lizzie!
So mussy, little hussie,
With the china that you break,
And the kitchen in a smear
When the bread is yet to bake,
And the market things are here--
O Slip Shoe Lovey!
You are hurrying and scurrying
From the sink to the oven,
So forgetful and so sloven.
You are bustling and hustling
From the pantry to the door,
With your shoe strings on the floor,
And your apron strings a-draggin’,
And your spattered skirt a-saggin’.
You’re an angel idiot lovey,
One forgives you all this clatter
Washing dishes, beating batter.
But there is another matter
As you dream above the sink:
You’re in love pitter-patter,
With the butcher-boy I think.
And he’ll get you, he has got you
If he hasn’t got you yet.
For he means to make you his,
O Slip Shoe Liz.
And your open mouth is wet
To a little boyish chatter.
You’re an easy thing to flatter
With your hank of hair a-twist,
And your left eye in a mist--
O Slip Shoe Lovey!
So hurried and so flurried
And just a little worried
You lean about the room,
Like a mop, like a broom.
O Slip Shoe Lovey!
O Slip Shoe Lovey!
THE ARCHANGELS
Flopped on the floor
With such a silken richness of dark hair,
Descending breezily like blown water from her brow,
And from the arched crown of her Raphael head,
Between the years of twenty-five and thirty,
Her face glows and is white,
Like the thin spirit of a candle light.
And over her forehead passes
Swift waves of splendor, which must be her thought,
Looking, it seems, as if a snowy curtain
Were rhythmically blown at dawn in a white room!
In each of her eyes there is a blue-bright spark!
One time I saw two stars
Held in an inch of water when the evening
Was pale from dying day.
And under this thin water lay dead leaves
The drift of late October--
Gray leaves beneath clear water by an edge
Where spring’s first flower, the azure pickerel weed,
Bent over contemplated those two stars:
These were the sparks in her unruffled eyes.
Flopped on the floor
With little hands clasped round her girlish knees
Such musical thought sings through her cherub lips--
Raptures for Beauty,
Raptures for Truth,
Raptures for Freedom and a world that is free.
While around her flames the fire of a durable hope.
Till at last I sit in wonder
At the miracle of such spirit,
And the miracle of the youths about her,
Listening with bright eyes, in the fellowship of delight,
Who prompt, suggest, applaud, are passionate
For the right word, the soaring thought to beat
At heaven’s gate in a last burst of song.
And here am I a part of this psychic circle,
Bound with soft loops of gold in a charméd band
Of a brood of youthful archangels fiery and strong....
Then thrilled with love of a land that can grow such souls
I turn and ask them questions:
How old are you, who were your father and mother?
What chance have you had in life?
What books have you read?
And where have you bred these dreams?
But why do you laugh? for there must be soil or blood
Or both, for there must be the souls of free men
And the loins of free men,
To make archangels you know,
And pour them into the city to think and plan
For a greater Republic to come.
And though it matters nothing that villages
In Iowa, Indiana, Illinois
In the great far west, in New England, gave us you,
Or you, or you, or you--
I somehow thrill at the contrast, or thrill with the thought
Of such great richness and vastness in the land,
Flowering such souls all fresh and keen,
And eager to make the Republic wholly free--
May she deserve your love!
SONG OF CHANGE
Deep thought that comes through stainless skies;
Pure moods that arch the fancy’s birth;
Sweet sorrow, clear in youthful eyes;
Soft laughter, speaking maiden mirth;--
Such gifts were thine, ere time o’ercast
The sunshine of thy tender heart;
And now that joy itself is past
Yet patience still will do its part.
Sad stars from which the sun has drawn
The light of life, no longer bright;
Life of our lives, that with the dawn
Passed, though remembered, from our sight!
From noonday stept the chilling shade
That struck the quivering aspens still;
Thou hopeful one, thou unafraid,
Smiled--but the Shadow had his will.
Souls of our youth which tire and sleep
And wake to find the hour is sped!
Thou scorn which mocks us if we weep!
Thou hope which says “Be comforted!”
Thou vision dulled, whose tutored eye
Sees but in vain the poplar tree
As once upblown against the sky,
When we were fain, when we were free.
MEMORABILIA
Old pioneers, how fare your souls to-day?
They seem to be
Imminent about this pastoral way,
This sunny lea.
The elms and oaks you knew, greenly renew
Their leaves each spring,
But never comes the hour again which drew
Your world from view.
Here in a mood I lay, deep in the grass,
Between the graves;
And saw ye rise, ye shadowy forms, and pass
O’er the wind’s waves;
Sunk eyes and bended head, wherefrom is fled
The light of life;
Even as the land, whose early youth is dead,
Whose glory fled.
With eighty years gone over what remains
For tongue to tell?
Hence was it that in silence, with no pains
At last ’twas well,
Under these trees to creep, for ultimate sleep
To soothe regret,
For the world’s ways, for war, let mankind reap,
You said, and weep.
Abram Rutledge died, ere the great war
Ruined the land.
His well-loved son was struck on fields afar
By a brother’s hand.
Then brought they him, O pioneer, on his bier
To the hill and the tree,
Back home and laid him, son of Trenton, here
Your own grave near.
Of all unuttered griefs, of vaguest woes,
None equals this:
Forgotten hands, and work that no one knows
Whose work it is;
Good gifts bequeathed, but never earned, or spurned
In hate or pride;
And the boon of an age destroyed, ere a cycle turned
O’er you inurned.
Abram Rutledge lies in a sunken grave,
Dust and no more,
Let Freedom fail, it is naught to him, who was brave,
Who stood to the fore.
The oaks and elms he knew, greenly renew
Their leaves each spring,
But gone his dream with that last hour which drew
His world from view.
TO A SPIROCHAETA
If through the microscope
We peer and stare
You look like marceled shreds of rope,
Or maiden hair,
With eyeless hunger swift to grope
Out of your lair.
To feed and to fulfill your fate
You dive and swim
Forward and backward flagellate
Amid the dim
Ichor of women where you mate,
Delicate, slim.
Why are you screw-shaped, in a spiral?
And why your form
Like a crooked hand upon a dial?
You are the norm
For all hell sealed up in a vial
To break in storm.