CURTIS GRAPPLES WITH BRISBANE

The hearing took place at ten o'clock, but Curtis had opportunity for a

little helpful consultation with Lawson before the chairman called the

committeemen to order. The session seemed unimportant--perfunctory. The

members sat for the most part silent, ruminating, with eyes fixed on the

walls or upon slips of paper which they held abstractedly in their

hands. Occasionally some one of them would rouse up to ask a question,

but, in general, their attitudes were those of bored and preoccupied

business men. They came and went carelessly in response to calls of

their clerks, and Curtis perceived that they had very little real

interest in the life or death of the redmen. He would have been

profoundly discouraged had not the chairman been alert and his questions

to the point. After his formal statement had been taken and the hearing

was over, the chairman approached Curtis informally and showed a very

human sympathy for the Tetongs.

"Yes, I think we can hold this raid in check," he said, in answer to

Curtis, and added, slowly, "I am very glad to find a man of your quality

taking up this branch of service." He paused, and a smile wrinkled his

long, Scotch face. "They accuse me of being a weak sentimentalist,

because I refuse to consider the redman in the light of a reptile. I was

an abolitionist"--the smile faded from his eyes and his thin lips

straightened--"in days when it meant something to defend the negro, and

in standing for the rights of the redman I am merely continuing my

life-work. It isn't a question of whether I know the Indian or not,

though I know him better than most of my critics; it's a question of his

dues under our treaties. We considered him a man when we bought his

land, and I insist he shall be treated the same now. I should like to

hear from you--unofficially, of course--whenever you have anything to

say. Lawson's testimony"--he laid a caressing hand on Lawson's

shoulder--"is worth more to me than that of a thousand land speculators.

He's a comfort to us, for we know he is disinterested, and has nothing

to gain or lose in any question which concerns the reds, and we find

very much the same about you, Captain Curtis, and I am determined that

you shall have free hand."

Curtis shook hands with the old man with a sense of security. Here, at

least, was a senator of the old school, a man to be depended upon in

time of trouble. He began also to realize Lawson's power, for he seemed

to be the personal friend of every honest official connected with the

department.

As the two young men stepped out into the hall they came face to face

with Elsie and her father.

"Are we too late?" cried the girl. "Is the hearing over?"

"My part of it is," answered Curtis--"at least for to-day. They may

recall me to-morrow."

Brisbane was visibly annoyed. "I didn't suppose you would come on till

eleven; that's the word I got over the 'phone. I particularly wanted to

hear your deposition," he added, sourly.

"Papa has an idea your opposition to this bill is important," Elsie

said, lightly, as Curtis edged away from Brisbane.

Brisbane followed him up. "Well, now that your hearing is over, suppose

you get into our carriage and go home with us to lunch?'

"Please do!" said Elsie, with flattering sincerity.

Curtis hesitated, and was made captive. "It is a great temptation," he

said, looking at Lawson.

Elsie saw him yielding and cried out: "Oh, you must come--and you, too,

Osborne."

Lawson was plainly defeated. "I can't do it. I have a couple of New York

men to lunch at the club, and I couldn't think of putting them off."

"Oh, I'm so sorry; we would have made a nice little lunch party."

"There are other days coming!" he replied, as lightly as possible.

As they drove away Curtis had a premonition that his impending interview

would be disagreeable, for Brisbane sat in silence, his keen eyes full

of some sinister resolution. He was, in fact, revolving in his mind a

plan of attack. He realized the danger of attempting to bribe such a man

even indirectly, but a poor and ambitious soldier might be removed by

gentler means, through promotion; and friendly pressure might be brought

to bear on the War Department to that effect. Having set himself to the

task of clearing the reservation of the Tetongs, a man of Brisbane's

power did not hesitate long over the morality of methods, and having

decided upon promotion as his method of approaching Curtis, the old man

distinctly softened, and made himself agreeable by extending the drive

and affably pointing out the recent improvements in the city. "Our

Capitol is as good as any now," he said. "Our new buildings are up to

the standard."

The young soldier refused to be drawn into any blood-heating

discussions, being quite content to sit facing Elsie, feeling obscurely

the soft roll of the wheels beneath him, and absorbing the light and

color of the streets. "This is my city," he said; "I spent my boyhood,

here. I went to West Point from here."

"It _is_ beautiful," replied Elsie, and at the moment a spark of some

mysterious flame sprang from each to the other. They were young, and the

air was soft and sweet. Thereafter everything gave the young soldier

pleasure. The whistling of the darkies, the gay garments of the

shoppers, the glitter of passing carriages, the spread of trees against

the bright sky--everything assumed a singular grace. His courage rose,

and he felt equal to any task.

As they entered the big house Elsie said: "You're to come right up to

the studio. I want to show you a canvas I finished yesterday. I had an

inspiration--I think you brought it to me."

As she led the way up the wide and splendidly carved stair-way the

soldier's elation sank away, for each step emphasized the girl's pride

and power, and by contrast threw the poor Indian agent into hopeless

shadow. He hardly heard what she said, till she led him before her easel

and said:

"There is yesterday's work. I've been trying for days to get a certain

effect of color, and, behold! I caught it flying this morning. What

puzzles me in your country is the enormously high value of your earth in

reference to the sky. The sky is so solid."

As he took in the significance of the canvas Curtis exclaimed:

"It is very beautiful. It is miraculous. How do you do it?"

"I'm glad you like it. My problem there was to represent the difference

in value between Chief Elk, who is riding in the vivid sunlight, and his

wife and Little Peta, who are just in the edge of that purple

cloud-shadow. The difference between white in sunlight and white in

shadow is something terrific in your dry air. Contrasts are enough to

knock you down. This gray, Eastern studio light makes all my sketches

seem false, but I know they are not."

"They are very true, it seems to me."

"When I close my eyes and hark back to the flooding light of the valley

of the Elk, then I can do these things; I can't if I don't. I have to

forget all my other pictures. This is nearer my impression than anything

else I've done."

"It has great charm," he said, after a pause, "and it also reminds me of

my duty. I must return at once to the West."

"When do you go--actually?"

"Actually, I leave to-morrow at three o'clock; unless I receive word to

the contrary, to-morrow morning."

"So soon? You are making a very short stay. Can't you remain over the

holidays? Some friends of mine are coming on from New York. I'd like

you to meet them."

"I think I must return. Jennie is preparing to give her little 'Ingines'

a Christmas-tree, and I am told that my 'Sandy Claws' would add greatly

to their joy, so I am making special effort to reach there on the 23d."

She looked at him musingly. "You really are interested in those ugly

creatures? I don't understand it."

"To be really frank, I don't understand your lack of sympathy," he

replied, smiling a little. "It isn't at all feminine."

She took a seat on the divan before she spoke again. "Oh, women are such

posers. You think I am quite heartless, don't you?"

"No, I don't think that, but I do think you are a little unjust to these

people, whose thought you have made very little effort to comprehend."

"Why should I? They are not worth while."

"Do you speak now as an artist?" he asked, gravely.

"But they are so gross and so cruel!"

"I don't deny but they are, sometimes, both gross and cruel, but so are

civilized men. The scalp-dance no more represents them than a bayonet

charge represents us. It isn't just to condemn all for the faults of a

few. You wouldn't destroy servant-girls because some of them are ugly

and untidy, would you?"

"The cases are not precisely similar."

"I'll admit that, but the point is here: as an artist you can't afford

to dispose of a race on the testimony of their hereditary enemies. You

wouldn't expect a sympathetic study of the Greek by the Saracen, would

you?"

"It isn't that so much, but they are so perfectly unimportant. They have

no use in the world. What does it matter if they die, or don't?"

"Perhaps not so much to them; but to me, if I can help them and fail to

do it, it matters a great deal. We can't afford to be unjust, for our

own sake. The bearer of the torch should not burn, he should illumine."

"I don't understand that," she said, genuinely searching for his

meaning.

"There is where you disappoint me," he retorted. "Most women quiver with

altruistic passion the moment they see helpless misery. If you saw a

kitten fall into a well what would you do?"

"I should certainly try to save it."

"Your heart would bleed to see it drown?"

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