He seemed surprised. "Why not?"

"Because I have my plans all laid for giving my little 'ingines' such a

Christmas as they never had, and you must manage to get back in time to

be 'Sandy Claws.'"

"I don't see how I can do it. I am to appear before the Committee on

Indian Affairs relative to this removal plan, and there may be other

business requiring me to remain over the holidays."

"I don't like to have you away. I suppose you'll see Mr. Lawson and Miss

Brisbane," she remarked, quietly, after a pause.

"Oh yes," he replied, with an assumption of carelessness. "I imagine

Lawson will appear before the committee, and I hope to call on Miss

Brisbane--I want to see her paintings." He did not meet his sister's

eyes as squarely as was his wont, and her keen glance detected a bit

more color in his face than was usual to him. "You must certainly

call," she finally said. "I want to know all about how they live."

Many things combined to make this trip to Washington most pleasurable to

the soldier. He was weary with six weeks of most intense application to

a confused and vexatious situation, and besides he had not been East for

several years, and his pocket was filled with urgent invitations to

dinner from fellow-officers and co-workers in science, courtesies which

he now had opportunity to accept; but back of all and above all was the

hope of meeting Elsie Brisbane again. He immediately wrote her a note,

telling her of his order to report at the department, and asking

permission to call upon her at her convenience.

It was a long ride, but he enjoyed every moment of it. He gave himself

up to rest. He went regularly to his meals in the dining-car; he smoked

and dreamed and looked out with impersonal, shadowy interest upon the

flying fields and the whizzing cities. He slept long hours and rose at

will. Such freedom he had known only on the trail; here luxury was

combined with leisure. In Chicago a friend met him and they lunched at a

luxurious club, and afterwards went for a drive. That night he left the

Western metropolis behind and Washington seemed very near.

As the train drew down out of the snows of the hill country into the

sunshine and shelter of the Potomac Valley his heart leaped. This was

home! Here were the little, whitewashed cabins, the red soil, the

angular stone houses--verandaed and shuttered--of his native town. It

was pleasant to meet the darkies swarming, chirping like crickets,

around the train. They shadowed forth a warmer clime, a less insistent

civilization than that of the West, and he was glad of them. They

brought up in his mind a thousand memories of his boy-life in an old

Maryland village not far from the great city, which still retained its

supremacy in his mind. He loved Washington; to him it was the centre of

national life.

The great generals, the great political leaders were there, and the

greatest ethnologic bureau in all the world was there, and when the

gleaming monument came into view over the wooded hills he had only one

regret--he was sorrowful when he thought of Jennie far away in the bleak

valley of the Elk.

It was characteristic of him that he took a cab to the Smithsonian

Society rather than to the Army and Navy Club, and was made at home at

once in the plain but comfortable "rooms of the Bug Sharps." He had just

time to report by telephone to the Department of the Interior before the

close of the official day. Several letters awaited him. One was from

Elsie, and this he read at once, finding it unexpectedly cordial:

"My father is writing you an invitation to come to us

immediately. You said you would arrive in Washington on the

17th, either on the 11 A.M. train or the one at 3 P.M. In

either case we will look for you at 6.30 to dine with us before

you get your calendar filled with engagements. I shall wait

impatiently to hear how you are getting on out there. It is all

coming to have a strange fascination for me. It is almost like

a dream."

This letter quickened his pulse in a way which should have brought shame

to him, but did not. The Senator's letter was ponderously polite. "I

hope, my dear Captain Curtis, you will be free to call at once. My

daughter and Lawson--"

At that word a chill wind blew upon the agent's hope. Lawson! "I had

forgotten the man!" he said, almost aloud. "Ah! that explains her frank

kindliness. She writes as one whose affections are engaged, and

therefore feels secure from criticism or misapprehension." That

explained also her feeling for the valley--it was the scene of her

surrender to Lawson. The tremor went out of his nerves, his heart

resumed its customary beating, steady and calm, and, setting his lips

into a straight line, he resumed the Senator's letter, which ended with

these significant words: "There are some important matters I want to

talk over in private."

A note from Lawson urged him to take his first breakfast in the city

with him. "I want to post you on the inside meaning of certain

legislation now pending. I expect to see you at the Brisbanes'."

Curtis made his toilet slowly and with great care, remitting nothing the

absence of which would indicate a letting down of military neatness and

discipline. He wore the handsome undress uniform of a captain, and his

powerful figure, still youthful in its erectness, although the lines

were less slender than he wished, was dignified and handsome--fit to be

taken as a type of mature soldier. He set forth, self-contained but

eager.

The Brisbane portico of rose granite was immensely imposing to a dweller

in tents and cantonments, such as Curtis had been for ten years, but he

allowed no sign of his nervousness to appear as he handed his overcoat

and cap to the old colored man in the vestibule.

As he started down the polished floor of the wide hall, stepping over a

monstrous tiger-skin, he saw Elsie in the door of the drawing-room, her

back against the folded portiere. Her slender figure was exquisitely

gowned in pale-green, and her color was iridescent in youthful sparkle.

He thought once again--"Evening dress transforms a woman." She met him

with a smile of welcome.

"Ah, Captain, this is very good of you, to come to us so soon."

"Not at all," he gallantly replied. "I would have come sooner had

opportunity served."

"Father, this is Captain Curtis," she said, turning her head towards a

tall man who stood within.

Brisbane came forward, greeting Curtis most cordially. He was grayer

than Curtis remembered him, and a little stooping from age. His massive

head was covered with a close-clipped bristle of white hair, and his

beard, also neatly trimmed, was shaped to a point, from the habit he had

of stroking it with his closed left hand in moments of deep thought. His

skin was flushed pink with blood, and his urbane manner denoted pride

and self-sufficiency. He was old, but he was still a powerful

personality, and though he shook hands warmly, Curtis felt his keen and

penetrating glance as palpably as an electric shock.

Lawson's voice arose. "Well, Captain, I hardly expected to see you so

soon."

As the two men clasped hands Elsie again closely compared them. Curtis

was the handsomer man, though Lawson was by no means ill-looking, even

by contrast. The soldier more nearly approached the admirable male type,

but there was charm in the characteristic attitudes and gestures of the

student, who had the assured and humorous manner of the onlooker.

A young woman of indeterminate type who was seated in conversation with

Mrs. Wilcox received Curtis with impassive countenance, eying him

closely through pinch-nose glasses. Mrs. Wilcox beamed with pleasure,

and inquired minutely concerning the people at the agency, and

especially she wished to know how little Johnny and Jessie Eagle were.

"I quite fell in love with the tots, they were so cunning. I hope they

got the toys I sent."

Brisbane gave Curtis the most studious attention, lounging deep in his

big chair. Occasionally he ponderously leaned forward to listen to some

remark, with his head cocked in keen scrutiny--actions which did not

escape the Captain's notice. "He's sizing me up," he thought. "Well, let

him."

Elsie also listened, curiously like her father in certain inclinations

of the head--intent, absorbed; only Lawson seemed indifferent to the

news the agent guardedly recited.

Brisbane broke his silence by saying: "I infer you're on the side of the

redskin?"

"Decidedly, in this connection."

"Quite aside from your duty?"

"Entirely so. My duty in this case happened to be my inclination. I

could have declined the detail, but being a believer in the army's

arrangement of Indian affairs, I couldn't decently refuse."

Brisbane settled back into his chair and looked straight at his visitor.

"You think the white man the aggressor in this land question?"

Curtis definitely pulled himself up. "I am not at liberty to speak

further on that matter."

Mrs. Wilcox interrupted smilingly. "Andrew, don't start an argument now.

Dinner is served, and I know Captain Curtis is hungry."

Elsie rose. "Yes, papa, leave your discussion till some other time, when

you can bang the furniture."

Curtis expected to take Miss Cooke in to dinner, but Elsie delighted him

by saying, "You're to go in with me, Captain."

"I am very glad of the privilege," he said, with deliberate intent to

please her; his sincerity was unquestionable.

Curtis would have been more profoundly impressed with the spaciousness

of the hall and the dining-room had they been less like the interior of

a hotel. The whole house, so far as its mural decoration went, had the

over-stuffed quality of a Pullman car (with the exception of the

pictures on the walls, which were exceedingly good), for Brisbane had

successfully opposed all of Elsie's new-fangled notions with regard to

interior decoration; he was of those who insist on being masters in

their houses as well as in their business offices, and Elsie's manner

was that of an obedient daughter deferring to a sire who had not ceased

to consider her a child.

Seated at Elsie's right hand, with Mrs. Wilcox between himself and the

head of the table, Curtis was fairly out of reach of Brisbane, who was

dangerously eager to open a discussion concerning the bill for the

removal of the Tetongs.

Elsie turned to him at once to say: "Do you know, Captain Curtis, I

begin to long to return to the West. All my friends are enthusiastic

over the studies I made last year, and I've decided to go back next

spring. How early could one come out?"

"Any time after the first of May--in fact, that is the most beautiful

month in the year; the grass is deliciously green then. I'm glad to know

you think of returning. Jennie will also rejoice. It seems too good to

be true. Will Mr. Lawson also return?"

"Oh yes. In fact, I go to complete his work--to do penance for

neglecting him last summer." And in her tone, he fancied, lay a covert

warning, as though she had said: "Do not mistake me; I am not coming out

of interest in you."

He needed the word, for under the spell of her near presence and the

charm of her smile, new to him, the soldier was beginning to glow again

and to soften, in spite of his resolution to be very calm.

She went on: "I am genuinely remorseful, because Mr. Lawson has not been

able to bring his paper out as he had planned."

"I will see that you have every possible aid," he replied,

matter-of-factly. "The work must be done soon."

"How handsome he is!" the girl thought, as she studied his quiet face.

"His profile is especially fine, and the line of his neck and

shoulders--" an impulse seized her, and she said:

"Captain, I'd like to make a sketch of you. Could you find time to sit

for me?"

"That's very flattering of you, but I'm afraid my stay in Washington is

too short and too preoccupied."

Her face darkened. "I'm sorry. I know I could make a good thing of

you."

"Thank you for the compliment, but it is out of the question at present.

Next summer, if you come out, I will be very glad to give the time for

it. And that reminds me, you promised to show me your pictures when I

came, and your studio."

"Did I? Well, you shall see them, although they are not as good as I

shall do next year. One has to learn to handle new material. Your

Western atmosphere is so different from that of Giverney, in which we

all paint in Paris; then, the feeling of the landscape is so different;

everything is so firm and crisp in line--but I am going to get it!

'There is the mystery of light as well as of the dark,' Meunnot used to

say to us, and if I can get that clear shimmer, and the vibration of the

vivid color of the savage in the midst of it--"

She broke off as if in contemplation of the problem, rapt with question

how to solve it.

"There speaks the artist in you, and it is fine. But I'd like you to see

the humanitarian side of life, too," he replied.

"There is none," she instantly replied, with a curious blending of

defiance and amusement. "I belong to the world of Light and Might--"

"And I to the world of Right--what about that?"

"Light and Might make right."

"Your team is wrongly harnessed--Light and Right are co-workers. Might

fears both Light and Right."

Mrs. Wilcox, who had been listening, fairly clapped her hands. "I'm glad

to have you refute her arguments, Captain. She is absolutely heartless

in her theories--in practice she's a nice girl."

Elsie laughed. "What amuses me is that a soldier, the embodiment of

Might, should dare to talk of Right."

Curtis grew grave. "If I did not think that my profession at bottom

guarded the rights of both white men and red, I'd resign instantly. Our

army is only an impartial instrument for preserving justice."

"That isn't the old-world notion," put in Lawson from across the table.

"It is _our_ notion," stoutly replied Curtis. "Our little army to-day

stands towards the whole nation as a police force relates itself to a

city--a power that interferes only to prevent aggression of one interest

on the rights of another."

Brisbane's big, flat voice took up the theme.

"That's a very pretty theory, but you'll find plenty to claim that the

army is an instrument of oppression."

"I'll admit it is sometimes wrongly used," Curtis replied. "We who are

in the field can't help that, however. We are under orders. Of course,"

he added, modestly, "I am only a young soldier. I have seen but ten

years of service, and I have taken part in but one campaign--a war I

considered unavoidable at that time."

"You would hold, then, that an officer of the army has a right to

convictions?" queried Brisbane, in the tone of the lawyer.

"Most certainly. A man does not cease to think upon entering the army."

"That's dangerous doctrine."

"It's the American idea. What people would suffer by having its army

intelligent?"

Lawson coughed significantly. "Bring forth the black-swathed

axe--treason has upreared her head."

It was plain that Brisbane was lying in wait for him. Curtis whispered

to Elsie:

"Rescue me! Your father is planning to quiz me, and I must not talk

before I report to the department."

"I understand. We will go to my studio after dinner." And with Lawson's

aid she turned the conversation into safe channels.

It was a very great pleasure to the young soldier to sit once more at

such a board and in pleasant relation to Elsie. It was more than he had

ever hoped for, and he surprised her by his ability to take on her

interests. He grew younger in the glow of her own youth and beauty, and

they finished their ices in such good-fellowship that Mrs. Wilcox was

amazed.

"We will slip away now," Elsie said, in a low tone to Curtis, and they

both rose. As they were about to leave the room Brisbane looked up in

surprise. "Where are you going? Don't you smoke, Captain? Stay and have

a cigar."

Elsie answered for him. "Captain Curtis can come back, but I want him to

see my studio now, for I know if you get to talking politics he will

miss the pictures altogether."

"She has a notion I'm growing garrulous," Brisbane retorted, "but I deny

the charge. Well, let me see you later, Captain; there are some things I

want to discuss with you."

"Grace, you are to come, too," Elsie said to her girl friend, and led

the way out into the hall.

Miss Cooke stepped to Curtis's side. "You've been in Washington

before?" she asked, with an inflection which he hated.

"Oh yes, many times. In fact, I lived here till I was sixteen. I was

born in Maryland, not far from here."

"Indeed! Then you know the city thoroughly?"

"Certain sides of it. Exteriorly and officially I know it; socially, I

am a stranger to it. My people were proud and poor. A good old family in

a fine old house, and very little besides."

Elsie led the way slowly up the big staircase, secretly hoping Miss

Cooke would find it too cool for her thin blood. She wished to be alone

with Curtis, and this wish, obscure as it was, grew stronger as she set

a chair for him and placed a frame on an easel.

"You really need daylight to see them properly."

"Am I to make remarks?"

"Certainly; tell me just what you think."

"Then let me preface my helpful criticisms by saying that I don't know

an earthly thing about painting. We had drawing, of a certain kind, at

the academy, and I used to visit the galleries in New York when occasion

served. Now you know the top and the bottom of my art education."

"It's cold in here, Elsie," broke in Miss Cooke, whom they had quite

forgotten. "Is the steam turned on?"

"Wrap my slumber-robe around you," Elsie carelessly replied. "Now here

is my completed study of Little Peta. What do you think of that? Is it

like her?"

"Very like her, indeed. I think it excellent," he said, with unaffected

enthusiasm. "She was a quaint little thing. She is about to be married

to young Two Horns--a white man's wedding."

Elsie's eyes glowed. "Oh, I wish I could see that! But don't let her

wear white man's clothing. She'd be so cunning in her own way of dress.

I wish she had not learned to chew gum."

"None of us quite live up to our best intentions," he replied, laughing.

"Peta thinks she's gaining in grace. Most of the white ladies she knows

chew gum."

The pictures were an old story to Miss Cooke, who shivered for a time in

silence and at last withdrew. Elsie and Curtis were deep in discussion

of the effect of white man's clothing on the Tetongs, but each was aware

of a subtle change in the other as the third person was withdrawn. A

delicious sense of danger, of inward impulse warring with outward

restraint, added zest to their intercourse. He instantly recalled the

last time he stood in her studio feeling her frank contempt of him. "I

am on a different footing now," he thought, with a certain exultation.

It was worth years of hardship and hunger and cold to stand side by side

with a woman who had not merely beauty and wealth but talent, and a

mysterious quality that was more alluring than beauty or intellect. What

this was he could not tell, but it had already made life a new game to

him.

She, on her part, exulted with a sudden sense of having him to herself

for experiment, and every motion of his body, every tone of his voice

she noted and admired.

He resumed: "Naturally, I can say nothing of the technique of these

pictures. My praise of them must be on the score of their likeness to

the people. They are all admirable portraits, exact and spirited, and

yet--" He hesitated, with wrinkled brows.

"Don't spare me!" she cried out. "Cut me up if you can!"

"Well, then, they seem to me unsympathetic. For example, the best of

them all is Peta, because you liked her, you comprehended her, partly,

for she was a child, gentle and sweet. But you have painted old Crawling

Elk as if he were a felonious mendicant. You've delineated his rags, his

wrinkled skin, his knotted hands, but you've left the light out of his

eyes. Let me tell you something about that old man. When I saw him first

he was sitting on the high bank of the river, motionless as bronze, and

as silent. He was mourning the loss of his little grandchild, and had

been there two days and two nights wailing till his voice had sunk to a

whisper. His rags were a sign of his utter despair. You didn't know that

when you painted him, did you?"

"No, I did not," she replied, softly.

"Moreover, Crawling Elk is the annalist and story-teller of his tribe.

He carries the 'winter count' and the sacred pipe, and can tell you of

every movement of the Tetongs for more than a century and a half. His

mind is full of poetry, and his conceptions of the earth and sky are

beautiful. He knows little that white men know, and cares for very

little that the white man fights for, but his mind teems with lore of

the mysterious universe into which he has been thrust, and which he has

studied for seventy-two years. In the eyes of God, I am persuaded there

is no very wide difference between old Crawling Elk and Herbert

Spencer. The circle of Spencer's knowledge is wider, but it is as far

from including the infinite as the redman's story of creation. Could you

understand the old man as I do, you would forget his rags. He would loom

large in the mysterious gloom of life. Your painting is as prejudiced in

its way as the description which a cowboy would give you of this old

man. You have given the color, the picturesque qualities of your

subjects, but you have forgotten that they are human souls, groping for

happiness and light."

As he went on, Elsie stared at the picture fixedly, and it changed under

her glance till his deeply passionate words seemed written on the

canvas. The painting ceased to be a human face and became a mechanical

setting together of features, a clever delineation of the exterior of a

ragged old man holding a beaded tobacco-pouch and a long red pipe.

"This old 'beggar,'" Curtis continued, "never lights that pipe you have

put in his hands without blowing a whiff to the great spirits seated at

the cardinal points of the compass. He makes offerings for the health of

his children--he hears voices in the noon-day haze. He sits on the

hill-top at dawn to commune with the spirits over his head. As a beggar

he is picturesque; as a man, he is bewildered by the changes in his

world, and sad with the shadow of his children's future. All these

things, and many more, you must learn before you can represent the soul

of the redman. You can't afford to be unjust."

She was deeply affected by his words. They held conceptions new to her.

But his voice pierced her, strangely subdued her. It quivered with an

emotion which she could not understand. Why should he care so much

whether she painted her subjects well or ill? She was seized with

sudden, bitter distrust.

"I wish I had not shown you my studies," she said, resentfully.

His face became anxious, his voice gentle. "I beg your pardon; I have

presumed too far. I hope, Miss Brisbane, you will not take what I say

too much to heart. Indeed, you must not mind me at all. I am, first of

all, a sort of crank; and then, as I say, I don't know a word about

painting; please forget my criticisms."

She understood his mood now. His anxiety to regain her good-will was

within her grasp, and she seized the opportunity to make him plead for

himself and exonerate her.

"You have torn my summer's work to flinders," she said, sullenly,

looking down at a bit of charcoal she was grinding into the rug beneath

her feet.

He was aghast. "Don't say that, I beg of you! Good Heavens! don't let my

preachment discourage you. You see, I have two or three hobbies, and

when I am once mounted I'm sure to ride right over somebody's garden

wall." He rose and approached her. "I shall never forgive myself if I

have taken away the smallest degree of your enthusiasm. My aim--if I had

an aim--was to help you to understand my people, so that when you come

out next summer--"

"All that is ended now," she said, sombrely. "I shall attempt no more

Indian work!"

This silenced him. He took time to consider what this sudden depression

on her part meant. As he studied her he saw her lip quiver, and anxiety

suddenly left him. His tone was laughter-filled as he called: "Come,

now, Miss Brisbane, you're making game of me by taking my criticisms so

solemnly. I can see a smile twitching your lips this moment. Look at

me!"

She looked up and broke into a laugh. He joined in with her, but a flush

rose to his face.

"You fooled me completely. I reckon you should have been an actress

instead of a painter."

She sobered a little. "Really, I _was_ depressed for a moment. Your tone

was so terribly destructive. Shall we go down?"

"Not till you say you'll forgive me and forget my harangue."

She gave him her hand. "I'll forgive you, but I'm going to remember the

harangue. I--rather liked it. It made me think. Strange to say, I like

people who make me think."

Again his heart leaped with the blood of exultant youth. "She is coming

to understand me better!" he thought.

"You must see my other pictures by daylight," she was saying. "Mr.

Lawson likes this one particularly." They had moved out into the little

reception-room. "I did it in Giverney--we all go down sooner or later to

paint one of Monet's pollard willows. These are my 'stunts.'"

Lawson! Yes, there was the secret of her increasing friendliness. As the

fiancee of Lawson she could afford to lessen her reserve towards his

friend.

And so it happened that, notwithstanding her cordial welcome and her

respectful consideration of his criticism, he went away with a feeling

of disappointment. That her beauty was more deeply enthralling than he

had hitherto realized made his disquiet all the greater. As he stepped

out upon the street, she seemed as insubstantial as a dream of his

imaginative youth, far separated from any reality with which he had any

durable association.

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