I held out my hand in the hall, and he took it.

"I'm not such a bad lot after all, am I?" he demanded.

With my best spontaneous gesture I put my free hand over his as it held

mine.

"I'm so sorry, so terribly sorry, if I've misunderstood," I said

earnestly.

Wallace had gone to the outer door. Russell Hill stooped over and kissed

my hand.

Well, it was working. An hour before I was one of what I'd heard he had

called "the dolly dozen." Now, by merely letting him understand that he

couldn't have what he'd never wanted, he was eager.

We sat out one dance under the stairs, and an intermission in a pantry

while the musicians who had been stationed there were getting their

supper. He tried to hold my hand and I drew it away--not too fast, but

so he could understand the struggle I was having between duty and

inclination. And we talked about love.

I said I liked to play round with men and have a good time and all that

sort of thing, but that I thought I was naturally cold.

"You cold?" he said. "It's only that the right man has not come along."

"I've known a good many. A good many have--have----"

"Cared for you? Of course. They're not fools or blind. Look here, I'm

going to ring you up now and then."

"I think you'd better not."

"If I'm not to see you and not to telephone, how's this friendship of

ours to get on?"

"People who are real friends don't need to see each other."

"That's the first real débutante speech you've made to-night. Now, see

here, I'm going to see you again, and often. And I'm going to ring you

up. What's your tailor's name?"

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