A CONTEST WITH LITTLE “TAD.”

Mr. Carpenter, the artist, relates the following incident: “Some

photographers came up to the White House to make some stereoscopic

studies for me of the President’s office. They requested a dark closet

in which to develop the pictures, and, without a thought that I was

infringing upon anybody’s rights, I took them to an unoccupied room of

which little ‘Tad’ had taken possession a few days before, and, with

the aid of a couple of servants, had fitted up a miniature theater, with

stage, curtains, orchestra, stalls, parquette and all. Knowing that the

use required would interfere with none of his arrangements, I led the

way to this apartment.

“Everything went on well, and one or two pictures had been taken, when

suddenly there was an uproar. The operator came back to the office and

said that ‘Tad’ had taken great offense at the occupation of his room

without his consent, and had locked the door, refusing all admission.

“The chemicals had been taken inside, and there was no way of getting at

them, he having carried off the key. In the midst of this conversation

‘Tad’ burst in, in a fearful passion. He laid all the blame upon

me--said that I had no right to use his room, and the men should not go

in even to get their things. He had locked the door and they should not

go there again--‘they had no business in his room!’

“Mr. Lincoln was sitting for a photograph, and was still in the chair.

He said, very mildly, ‘Tad, go and unlock the door.’ Tad went off

muttering into his mother’s room, refusing to obey. I followed him into

the passage, but no coaxing would pacify him. Upon my return to the

President, I found him still patiently in the chair, from which he had

not risen. He said: ‘Has not the boy opened the door?’ I replied that we

could do nothing with him--he had gone off in a great pet. Mr. Lincoln’s

lips came together firmly, and then, suddenly rising, he strode across

the passage with the air of one bent on punishment, and disappeared

in the domestic apartments. Directly he returned with the key to the

theater, which he unlocked himself.

“‘Tad,’ said he, half apologetically, ‘is a peculiar child. He was

violently excited when I went to him. I said, “Tad, do you know that you

are making your father a great deal of trouble?” He burst into tears,

instantly giving me up the key.’”

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