Valentine, fast losing nerve, felt that she had been in these rooms for

hours, the silence and suggestion oppressed her till she could have

screamed--but she had risked too much to retreat.

There was an inlaid bureau, and a coffer beneath it; she opened the

bureau and sought again; rings, daggers, treasures from Della Scala's

collections, uncut gems, powders, scents, rosaries, charms,

missals--only no hint of what she looked for.

On top of the coffer was a roll of drawings, the plans of the new

church, several parchments, petitions, specimens of marble from the new

quarries, carvings, mail gauntlets--Valentine swept them off on to the

floor, and then threw the coffer open.

It was full of clothes--upon the velvet of the topmost mantle lay the

small bunch of master-keys.

Valentine grasped it, and hid it in the little pocket at her side.

She had all she needed now, and was turning in relief to go, when,

struck by another thought, she bent again over the coffer, lifted the

contents out on to the floor.

Visconti's doublets were mostly too splendid for her purpose, but she

seized the plainest, wrapped it in her mantle, snatched one of the

daggers from the table. Then making rapidly through the rifled room,

with a breathless prayer of gratitude for safety, she stealthily pushed

open the door on to the balcony, and saw the sunlight and her page's

eager face.

"Shut the door," she whispered. "Climb up and shut the top bolt."

The boy obeyed.

"No one has been?"

"No, lady; you have been quick."

"Quick!" gasped Valentine. "I thought I had been years."

She unclasped her mantle and gave it to the boy. "Take that back to my

room--say I was too hot--give it to Costanza--she alone is in my

confidence, as thou knowest; let no one stop thee--and listen--by

to-morrow we shall be outside the gates."

The page turned away with her mantle on his arm, and Valentine leaned

against the wall, and with her hand upon her heart, took a moment to

steady herself; then with excited eyes, but even steps, she too walked

slowly along the balcony toward the banqueting hall.

* * * * *

"The Duke has not returned," said de Lana.

He spoke a little anxiously, and looked around at the others who filled

the council chamber, a few nobles, and the principal captains of the

army and the mercenaries who defended Milan.

"Meanwhile, from whom do I take my orders? Who commands in Milan?"

"I cannot answer you, my lord," said Giannotto. "The Duke left no

orders, at least with me."

"The Duke expected not to be gone so long," said Martin della Torre.

"And ill it will be for him if he stays _too_ long."

"Meanwhile," cried de Lana again, "to whom are we to look?"

The two pages announced the Lady Valentine.

The men glanced at one another.

"The Lady Valentine," repeated Giannotto to de Lana. "She may tell us

what to do."

Not that he did not well know what terms of jeopardy she stood on with

the Duke--but it was a shifting of responsibility that he welcomed.

All in the room rose to their feet to greet Valentine.

She was leaning on d'Orleans' arm, Adrian and her women following.

She looked regal, glorious. There was a fine color in her cheeks.

De Lana kissed her hand. She did not wait for him to speak, her eyes

wandered over the assembled faces.

"I have not come before, my lords," she said, "because I thought the

Duke might at any moment be again among us; but now, hearing you were

gathered here and that there was some question of the Duke's pleasure in

his absence as to who should issue orders for him, I am come to answer

it in person."

She drew nearer the head of the table, d'Orleans dropping a step behind.

"My lords, the Duke left me in power; in any absence he may make,

enforced or at his pleasure, I rule in Milan."

"You, lady!" cried Giannotto, the words forced from him in his great

surprise.

"I," answered Valentine. "Though I am no man--I am a Visconti. Has not

the Duke left me in charge before, de Lana?"

She turned to the captain as she spoke.

"In the late war with Florence--yes, lady."

Valentine smiled.

"Still, I need not ask you to believe me on that only--lest any should

be doubtful, I have proofs."

"Methinks they are needed before we take the law from thee, lady," said

Martin della Torre, roughly.

Valentine looked at him. "What is this, Lord della Torre?" she replied.

And she laid Visconti's signet ring and seal upon the table.

Giannotto choked his wonder back.

"Does the Duke give these to any save those he trusts--and these?" She

showed the keys lying on her open hand: the key of the armory, the

treasury, the prisons: the master-keys of the whole palace.

"He gave them to me--when, Adrian?"

"Yesterday morning, lady."

"Yesterday morning. Had he not left too hastily even for speech, he

would have made it public; doubtless he thought you would accept my

word--and these proofs."

There was silence.

"Are you convinced, lords?" asked Valentine.

"I am," said Giannotto, bowing to hide the twinkle in his ugly eyes; and

the others, each according to his fashion, murmured an assent.

"And now I will take upon me my brother's duties," continued Valentine.

"For you, de Lana, I have no commands; only look well to the arming of

the walls, let not my brother say we were idle in his absence; I would

have the soldiers in readiness to guard against a surprise--and

meanwhile I ask your company."

De Lana bowed.

"On a visit to Della Scala's wife. She is a priceless hostage, and ill

would it suit with our safety even if aught befell her."

"You would visit her yourself, lady?"

"Aye, myself, since with me lies the power and so the responsibility,

and I would not shirk it. Lords," she continued generally, "we can do

little else but wait--only hold yourselves in readiness--for the Duke's

sake and the honor and security of Milan!"

She put her hand on d'Orleans' arm again and left the room, followed by

de Lana and Giannotto.

"Now, I had almost forgot, my lord," she said, pausing with a smile. "My

page, his sister and his brother, would leave Milan to-morrow for

Brescia--what for, Adrian? Indeed, I have forgot--but I have the Duke's

permission, and would only ask your countersign upon this passport."

She spread before the captain a parchment bearing Visconti's signature.

"This is no time to be leaving Milan, boy," said de Lana.

"Our father is sore sick at Brescia," returned Adrian. "Dying, my lord."

De Lana smiled.

"A long and dangerous journey to make for a sick father."

"There is money in the matter for these children, and it is my

pleasure," said Valentine.

De Lana bent over the parchment, and affixed his name, and in that

second, Valentine glancing at Giannotto, their eyes met, and the

secretary understood. He had meant to hasten to Visconti's rooms; he

meant now not to. De Lana gave the parchment back, and Valentine handed

it to Adrian.

"And now, Lord d'Orleans, will you come with us to Isotta's prison?"

"Truly," said de Lana, "the lady is as firmly guarded as at any time. I

have looked to that."

"Desperation is a great sharpener of the wits, my lord," smiled

Valentine Visconti. "When life and liberty are at stake, the weakest

will venture--and accomplish much."

"Indeed, I think with the lady," put in Giannotto, "that too much zeal

cannot be shown for anything so near to the Duke's heart as this."

De Lana shrugged.

"We will go, lady."

Half an hour later Giannotto and the captain waited in the guard-room of

Isotta's prison.

Valentine, one of her women and the page, had entered the prison itself.

The Duke's signet had passed through all the formidable barriers. It was

late, almost dark.

"This shows a malice in the lady I do not like," said de Lana. "What

need she to triumph over her brother's victim?"

"She is a Visconti," returned the secretary. "She has something of the

Duke's temper and his strangeness--there may be in it curiosity also."

"Curiosity?"

"To behold for herself if Isotta d'Este be as fair as she is--to spy

into her brother's treatment of his prisoners."

"Have you seen the lady, my lord?"

"I?--never," replied de Lana. "Nor do I greatly care to."

Giannotto made no reply; he felt unusually placid and content. He saw

plainly enough that Valentine was outwitting her brother, and as he

hated the Duke and admired his sister, he would help her with all his

power as long as he ran no risks. Visconti had not left _him_ in

charge--and for asking no untimely questions, Valentine would reward him

well.

With some excitement he awaited her return.

"She is a long time," said de Lana impatiently.

"She has her brother's daring," thought Giannotto. "And yet--she would

hardly dare that--hardly."

The door of Isotta's prison was opened and Valentine came out, followed

by her attendants--dark-cloaked figures keeping in the shadow. Adrian

closed and bolted the door behind them as she slowly stepped down into

the room.

"The prisoner is sick," said Valentine. "Not dangerously so, I hope; we

would not have her die in my brother's absence. She has fallen asleep

and must not be disturbed. Where is her woman?"

Luisa shuffled forward.

"You will not rouse your prisoner until my return with a physician," she

continued. "She sleeps. I will return or send; till then let no one

pass those doors, nor you yourself."

The page and Valentine's two women still stood on the steps in the

shadow.

"Come," said Valentine suddenly. "Much as I am relieved to see my

brother's hostage in such security, this is gloomy dark--come,

Costanza."

The two ladies moved forward, one weeping sadly, keeping her hands to

and fro her face.

"The poor lady hath unnerved her," said Valentine with a sharp word of

reproof, and she crossed to d'Orleans.

"Now it seems to me," said de Lana to Giannotto, "that only one lady

entered with the Princess."

"Your eyes deceived you," smiled Giannotto. "I am trained to watch; I

saw two enter." De Lana was silent. The two ladies had joined the few

others left by the outer door, the soldier kept his eyes upon the one

who wept.

Valentine was talking gayly to d'Orleans, and led the way across the

garden. "On your life I charge you to guard the prisoner," she said to

the captain and the soldiers. "She means more to the Duke than his own

life almost--more most certainly than any other," she added meaningly.

De Lana, watching keenly, still kept his eyes, as they crossed the

garden, upon that second lady, who puzzled him, and with a soldier's

indiscretion he whispered his fears to Giannotto.

"My Lady Valentine," said the secretary smiling, "my lord here thinks

you entered the prison with one lady and came out with two!"

Valentine laughed.

"And who, think you, was my second woman, then, lord? Isotta d'Este?

Nay, I will satisfy you."

"Indeed, lady," began de Lana hastily, but Valentine cut him short.

"Come here, Costanza."

The girl came forward.

"Now hold the torch higher, Adrian," laughed Valentine.

The light fell on Costanza's face.

"Is that Isotta d'Este, Giannotto?" she asked.

"Nay," smiled the secretary.

"Now, Giuletta, come hither thou," said Valentine. The other lady

stepped forward and threw back her hood.

"Now, my lord, Giannotto shall satisfy you--is this Isotta d'Este?"

The secretary did not flinch.

"My lord," he said, "you must know Della Scala's wife well enough, if by

hearsay only. Look yourself. This is not she."

They moved on again, de Lana uneasily convinced.

"Ma foi," said the silent d'Orleans suddenly. "It is growing very damp.

These Italian nights are most unhealthy." And so they passed into the

palace.

That night a light tap was heard by Giannotto, sitting in his room, and

Adrian entered and put two emerald earrings and a bag of ducats on the

table.

"For the lapse of memory," he whispered, and went as softly and as

swiftly as he had come.

CHAPTER TWENTY-ONE

THE DUKE'S RETURN

Having succeeded so far, Valentine had little fear; it was now an almost

easy matter for her to accomplish the remainder of her plan.

She had the palace keys in her possession, and they unlocked secret

doors, and more than one hidden entry and private way, entries and ways

she knew well, and yet otherwise could not have used.

Soon after that dawn that saw Carrara fall by the wayside, Isotta d'Este

and Valentine slipped from the palace; aided by Costanza, and joined by

Adrian in the long gallery, they passed through the secret door that led

through winding passages to the old part of the building, and thence by

another entrance almost beneath the walls themselves.

Valentine wore a page's suit, her upper lip darkened, a heavy cloak,

with a hood such as was worn in traveling, drawn about her, and by her

side Visconti's dagger.

Despite her anxiety, her passionate desire to frustrate her brother's

tyranny, her wild eagerness to be free and outside Milan, Valentine

almost enjoyed the part that she was playing; she swaggered more than

Adrian, and looked with some scorn on the weakness of Mastino's wife,

who wept with her happiness.

The thought of Gian's rage and discomfiture was very sweet to Valentine,

almost as sweet as the thought of Conrad in Della Scala's camp, and the

happy life of freedom coming.

Rapidly they traversed the narrow street that led to the gate,

Valentine erect and joyful, Isotta leaning on her arm, happy too, with a

deeper happiness, but faint and bewildered from her long imprisonment,

nervous and fearful of every sound.

Behind them strode Adrian, with eager eyes and swelling heart--the Lady

Valentine had smiled on him!

But the lady's thoughts were not on the page. With every step to

freedom, Count Conrad's blue eyes and merry laugh rose before her the

more clearly, and she remembered that last time she had essayed escape,

and he had near given her, for all he knew, his life. He was in Della

Scala's camp.

But, hasten as she might, Isotta dragged her on yet faster. Her

eagerness was pitiful to see; Valentine looked down at her white face

and trembling lips, and with a sudden impulse stooped and kissed her.

It was still so early that the streets were empty, save at the gate

where soldiers clustered, but they took small heed, for the three looked

no unusual figures.

"Now the passports," whispered Valentine. "Adrian must show them, but do

ye stand ready, Isotta, to answer if they question. I dare not, lest

they know my face. Remember, Adrian, an escort meets us half a league

away, and 'tis a quiet village that we travel to."

Isotta d'Este steadied herself against the wall, and grasping

Valentine's hand, followed Adrian toward the soldiers on guard.

"Stand to thy part now, Adrian," said Valentine; "remember 'tis our

lives."

A growing knot of men stood outside the guard-room; there seemed to be

some great excitement; ringing orders, loud talk, increasing bustle. No

one took heed of the three, nor even noticed them, and only after a

delay at which Isotta's heart sickened could Adrian find an officer to

whom to show the passports.

He glanced them over hastily. "They seem to be in order," he said, then

suddenly turned to the woman of the three:

"What do ye do leaving Milan, mistress, when the country is in arms,

with no escort save two boys?"

She hesitated, and Valentine stepped forward quietly.

"Our father is sick," she said, "and 'tis a pressing question of

inheritance. Our kinsfolk promise us an escort."

The officer shrugged his shoulders.

"'Tis your own lives," he said. "Later in the day ye can go. Not now.

There is an army coming, and the Duke in front of it."

Valentine stood still and calm.

"Our father is very ill," she said: "if we are not in time, we may be

beggared. Our passports were signed by the Duke himself. We demand to

go."

But the officer had hardly heard her. A fresh detachment of soldiers had

ridden up, and the man's thoughts and eyes were engaged in half a dozen

places.

Half mad, Isotta sprang forward, shaking off Valentine's restraining

hand.

"We must pass, we must through this moment," she cried. "Let us through,

and we'll make it worth thy while."

At the eagerness of her tone the officer turned, surprised.

"Ye are very anxious," he said.

"For the love of Heaven, a matter of life or death!" said Isotta, and in

her despair she would have knelt, only Valentine dragged her back beside

her.

"It is very serious," she said. "After the Duke has entered, we may

leave?" she asked. "Indeed, ye cannot stay us."

"Aye, leave after the Duke has entered, but now, clear yourself away;

my lord comes apace, some allies with him----" and with a wave of his

halberd he swept them back.

Valentine flushed at his tone, yet drew back, her hand on the page's

shoulder.

But Isotta struggled free and again rushed forward.

"I will pass!" she cried wildly. "I will! I have not got so far to be

stopped now!"

"Oh! thy madness!" murmured Valentine.

But Isotta had rushed to the very gate itself, and was only forced back

by the pikes at her breast.

The officer looked at the group with mistrust.

"What is this?" he said. "What means this passion?"

"She is half distraught," said Valentine. "Beggary is no small matter,

messer. We will be quiet, though, I promise you, until the Duke is

past----" And to Isotta at her side she whispered, holding her hand

tight, "Thou wilt ruin all; control thyself."

But the unfortunate Isotta was calm enough now; she followed Valentine

without resistance.

And now Carrara's army had reached the gates, and fell back to await

Visconti. The whole city was in tumult, the streets filling with excited

people; there was mad shouting, the clash of arms. "A Visconti! a

Visconti!"

"We shall be crushed to death," said Adrian. "I must find you shelter,

lady," and he looked around eagerly.

"The Duke--the Duke!" and the great gates began to open.

"It is useless!" cried Valentine, "and as well die this way as another."

"There is a door here," said Isotta; and turning with difficulty, they

saw indeed a door, deep set in the wall and closely shut.

In desperation, Adrian knocked loudly. "A Visconti!" shouted the

soldiers. "A Visconti!"

They were fast being hemmed in by the crowd, soldiers were pouring

through the gates in companies, strange soldiers, the new allies; and as

Valentine beheld them in strength and numbers, and heard them shout her

brother's name, she felt her last desperate throw was lost.

"A Visconti!"

"Knock on the door again," cried Isotta, "knock again."

Cavalry was passing, going at a trot, so close, the hoofs were almost in

their faces, the foam flew over their mantles.

Then in wild confusion they pressed back against the door; passing

close, a host of pennons waved from glittering spears, the tossing of

horses' heads, the champing of their bits, a clamor of noises, deafening

shouts, a hurry of the cavalcade, and then--suddenly a horse drawn up

close to the shrinking group in the shadow of the doorway, and a rider

looking down at them.

Wild with terror, Isotta flung herself against the door, which yielded.

Valentine looked up at the man who had stopped--saw her brother's face.

"Ah, my sister," he said between his teeth; and Valentine, scarce

knowing what she did, fled after Isotta, the page behind, closing the

door upon Visconti.

In the pleasant courtyard was a girl, dressed in scarlet, who rose,

surprised at their disordered aspect.

"'Tis only a moment gained," cried Valentine, hoarsely. "He will

follow!"

Isotta turned to Graziosa in an agony. "For the love of Heaven hide

us--for the love of Heaven, from Visconti!"

"Hide us!" said Valentine bitterly. "Hide us from Visconti!"

And Graziosa thought of the secret passage.

"I will help you," she said. "I and my father do not love Visconti----"

"Quick, maiden," cried the page. "I see the spears are motionless

outside. I will guard the door."

"They will kill thee," cried Isotta. "Thou art too young."

But Valentine turned to the boy and gave him her beautiful hand. "Guard

the door, gain us a moment, Adrian--for me," she said, and hurried

across the sunny courtyard, followed by Graziosa and Isotta.

"For me!" repeated Adrian, and set himself before the door proudly, with

flashing eyes and dagger drawn. He was only a boy, a page, she a

princess, but he could set his life against her smile, and think himself

well paid.

Graziosa, panting with excitement, hurried them into the house, and into

the lower room from which the secret passage opened. The pleasant little

home was still half dismantled from the recent attack of the Germans,

the neat trimness of the cool chambers gone.

At their entrance Agnolo came forward in alarm, but at his daughter's

hurried explanation, turned willingly to the secret door he kept well

concealed. For the little painter took no thought of what it must mean

to shelter any from Visconti's wrath.

"Quick!" cried Valentine imperiously. "How long can one page keep that

door?"

"The poor boy!" moaned Isotta, hanging half lifeless upon Valentine's

arm. "Unhappy boy--they will kill him!"

Valentine looked at her with scorn.

"Canst thou think of a page now?" she cried. "Think of Della Scala.

Quick!"

But the door would not yield, and while Agnolo struggled with the

spring, a crash was heard, a cry, the ring of armor and the tramp of

feet.

"The door is down," said Valentine. "We are lost."

"I cannot move the spring," cried Agnolo.

"Quick! quick!" shrieked Graziosa, but even as she spoke, the chamber

door burst open and a man stepped in; there were others at his heels,

but he entered alone.

Agnolo, starting back, dropped his concealments into place and trembled

for his secret and these poor folk who had not escaped Visconti.

The man who entered was in black, it was all that could be seen in the

dark, disordered chamber, but Valentine needed no light to tell her who

it was. Isotta sank to the ground, shrieking wildly.

"Oh, father, father!" cried Graziosa, agonized, "save them!"

The newcomer laid his hand on Valentine's shoulder, she standing calm

and erect, and turned his face to Graziosa.

"From me?" he said, and his voice was very sweet. "From me, Graziosa?"

"Ambrogio! Ambrogio!" cried the girl. "What do _you_ here?"

Valentine would have spoken scornfully, but Visconti turned his eyes on

her, and she dared not. The courtyard was full of armed men.

"Ambrogio!" repeated the painter in dismay. "What does this mean?"

Visconti laughed pleasantly, but his hand tightened on his sister's

shoulder.

"It means, thy daughter hath found a lover worthy of her in Visconti."

Visconti! As in a flash the little painter saw explained a thousand

things that had perplexed him. Visconti! His quickly working brain had

grasped it and summed it up before Graziosa could even realize she

heard aright. She stared there silent, with a piteous look upon her

face. Visconti turned to his prisoners.

"Take Isotta d'Este back to her prison," he said, curtly, and a group of

soldiers advanced.

Isotta clung to Valentine in an agony.

"At last!" said Visconti, in her ear, "at last thy calm fails thee!"

And then he stood aside watching, while she implored in turn Valentine

and Agnolo to save her, in incoherent words of anguish.

"I cannot bear it!" she cried. "I have borne it too long! O God, have

pity on me! Have pity on me, I have not the courage to face it again. I

have not the courage!"

Visconti turned to her in a savage triumph of hate he scarcely troubled

to conceal.

"Find thy courage again, where thou found'st it before," he said. "Thy

husband is not dead, although he leaves thee to pine in prison. He may

remember thee even yet."

Isotta sprang up at the taunt, wild-eyed.

"Keep thy face away from me!" she shrieked. "Ye have slain him! Kill me

too!"

Then, seeing resistance useless, and those who would have saved her

helpless, Della Scala's unhappy wife surrendered quietly; only, as she

crossed the courtyard with her guard, and saw the tree-tops wave above

the walls and the sky that was outside Milan, a cry rose that made the

hardened soldiers wince.

"Mastino! Oh, Mastino!"

Visconti watched her out of sight, then turned again to Graziosa, his

hand still on his sister's shoulder.

"Graziosa," he murmured.

But the girl made no answer; she was huddled on the bench that ran

along the wall, looking out with frightened eyes.

As he spoke she shuddered, and crouched closer to the wall.

But Agnolo answered, and Visconti, serene in his pride, did not notice

the painter's tone.

The Viper of Milan: A Romance of Lombardy · 第 13 / 22 段