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='Zack.'= TALES OF DUNSTABLE WEIR.

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LITTLE TU'PENNY.

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THE COUNTESS TEKLA.

THE MUTABLE MANY.

=Benson (E. F.).= DODO.

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=Brownell (C. L.).= THE HEART OF JAPAN.

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=Corbett (Julian).= A BUSINESS IN GREAT WATERS.

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ANGEL.

JOHANNA.

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THE CROWN OF LIFE.

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=Hope (Anthony).= A MAN OF MARK.

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PHROSO.

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=Levett-Yeats (S. K.).= THE TRAITOR'S WAY.

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A COUNSEL OF PERFECTION.

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A LOST ESTATE.

THE CEDAR STAR.

ONE ANOTHER'S BURDENS.

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A MOMENT'S ERROR.

=Marryat (Captain).= PETER SIMPLE.

JACOB FAITHFUL.

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THE GODDESS.

THE JOSS.

A METAMORPHOSIS.

=Mason (A. E. W.).= CLEMENTINA.

=Mathers (Helen).= HONEY.

GRIFF OF GRIFFITHSCOURT.

SAM'S SWEETHEART.

=Meade (Mrs. L. T.).= DRIFT.

=Mitford (Bertram).= THE SIGN OF THE SPIDER.

=Montresor (F. F.).= THE ALIEN.

=Moore (Arthur).= THE GAY DECEIVERS.

=Morrison (Arthur).= THE HOLE IN THE WALL.

=Nesbit (E.).= THE RED HOUSE.

=Norris (W. E.).= HIS GRACE.

GILES INGILBY.

THE CREDIT OF THE COUNTY.

LORD LEONARD.

MATTHEW AUSTIN.

CLARISSA FURIOSA.

=Oliphant (Mrs.).= THE LADY'S WALK.

SIR ROBERT'S FORTUNE.

THE PRODIGALS.

=Oppenheim (E. Phillips).= MASTER OF MEN.

=Parker (Gilbert).= THE POMP OF THE LAVILETTES.

WHEN VALMOND CAME TO PONTIAC.

THE TRAIL OF THE SWORD.

=Pemberton (Max).= THE FOOTSTEPS OF A THRONE.

I CROWN THEE KING.

=Phillpotts (Eden).= THE HUMAN BOY.

CHILDREN OF THE MIST.

='Q.'= THE WHITE WOLF.

=Ridge (W. Pett).= A SON OF THE STATE.

LOST PROPERTY.

GEORGE AND THE GENERAL.

=Russell (W. Clark).= A MARRIAGE AT SEA.

ABANDONED.

MY DANISH SWEETHEART.

HIS ISLAND PRINCESS.

=Sergeant (Adeline).= THE MASTER OF BEECHWOOD.

BARBARA'S MONEY.

THE YELLOW DIAMOND.

THE LOVE THAT OVERCAME.

=Surtees (R. S.).= HANDLEY CROSS. Illustrated.

MR. SPONGE'S SPORTING TOUR. Illustrated.

ASK MAMMA. Illustrated.

=Valentine (Major E. S.).= VELDT AND LAAGER.

=Walford (Mrs. L. B.).= MR. SMITH.

COUSINS.

THE BABY'S GRANDMOTHER.

=Wallace (General Lew).= BEN-HUR.

THE FAIR GOD.

=Watson (H. B. Marriott).= THE ADVENTURERS.

=Weekes (A. B.).= PRISONERS OF WAR.

=Wells (H. G.).= THE STOLEN BACILLUS.

=White (Percy).= A PASSIONATE PILGRIM.

Transcriber's Note

Archaic and variant spelling is preserved as printed. This includes

French variants, for instance, hommage. The author uses both Mezeray

and Mezerai to refer to the French historian.

The following have been noted as possible errors:

Page xv--references the illustration facing page 140 as an image

depicting St. Ursula; however, the plate caption states that it

depicts St. Helena. By reference to the original _Grandes Heures_

(available on Gallica at http://gallica.bnf.fr) it appears that the

plate caption is correct. However, the differing references are

preserved as printed.

Page 102--includes the quote "chastily and devoutly." This has

been preserved as printed on the assumption that this was the

spelling in an original source.

Page 114--includes the term 'zebeline'. This is more usually

spelled as 'zibeline' or 'zibelline', but is preserved as

printed.

Page 115--the extract from the 'Farce du Cuvier' references one

of the characters as Jacquemet; however, the original source

(History of French Literature Vol. 1, by Henri Van Laun, 1878)

has this character as Jaquinot. It is preserved here as printed.

Page 218--includes the quoted matter 'defect sufflatorium in

igne'. This should be 'defecit sufflatorium', but as the

material is quoted, it is preserved as printed.

Page 222--includes quoted verse by Marot. Reference to other

editions of Marot's work suggest that this verse should read as

follows:

'Tous deux aimons gens pleins d'honnesteté,

Tous deux aimons honneur & netteté,

Tous deux aimons à d'aucun ne mesdire,

Tous deux aimons un meilleur propos dire,

Tous deux aimons à nous trouver en lieux,

Où ne sont point gens melancolieux,

Tous deux aimons la musique chanter,

Tous deux aimons les livres frequenter:

Que diray plus? Ce mot là dire j'ose,

Et le diray, que presque en toute chose

Nous ressemblons: fors que j'ai plus d'esmoy,

Et que tu as le cœur plus dur que moy:'

The quoted version in the text has been preserved as printed.

Page 224--Bayaret should probably read as Bayard, but it is

preserved as printed.

Page 231--includes reference to the title 'Historié du Progrès

de l'heresie', but omits the accents. This is preserved as

printed.

Minor punctuation errors have been repaired.

Hyphenation has been made consistent.

The following amendments have been made:

Page xiv--Crevelli amended to Crivelli--... as being the

portrait of Lucrezia Crivelli, ...

Page 18--Ghilbellines amended to Ghibellines--... between the

Sienses Guelfs and Ghibellines, ...

Page 18--Novescli amended to Noveschi--The _Noveschi_ and

_Dodicini_ members ...

Page 32--unxpected amended to unexpected--... chance incidents

and unexpected humanizing makeshifts.

Page 35--courtseys amended to courteseys--He even admired the

lovely gowns and misleading courteseys ...

Page 46--regretably amended to regrettably--... to whom

Catherine wrote regrettably stern letter, ...

Page 49--Jacome amended to Jacomo--... of the dead man, Ser

Jacomo, ...

Page 64--his amended to her--... who, after her death, was to be

succeeded ...

Page 65--Pallissena amended to Palissena--Not only Trotti, but

Palissena D'Este, ...

Page 66--Muratari amended to Muratori--Muratori, writing of her

...

Page 66--Muratari amended to Muratori--Muratori also touches

upon ...

Page 66--predeliction amended to predilection--In dress,

Beatrice had one peculiar predilection ...

Page 81--viscontis amended to Viscontis--The Viscontis held it

in fief ...

Page 117--Beaujeau amended to Beaujeu--Anne of Beaujeu, the

former Regent--harsh, ...

Illustration facing page 120--CALENDRIES amended to

CALENDRIER--FROM THE _CALENDRIER_

Page 135--docctrine amended to doctrine--... which contained no

false doctrine, ...

Page 147--dairy amended to diary--... Louise records the event

in her diary ...

Page 153--Rodriquez amended to Rodriguez--... then known as

Cardinal Rodriguez, ...

Page 156--Medeci amended to Medici--... but Giovanni de Medici,

...

Page 166--flightly amended to flighty--... the perfect tool,

childlike, flighty, inherently docile, ...

Page 177--Macchiavelli amended to Machiavelli--It has been

repeated by Machiavelli, ...

Illustration facing page 188--SUSSANAH amended to

SUSANNAH--SUSANNAH AND THE ELDERS

Page 224--Parie amended to Pavie--Il est mort devant Pavie.

Page 279--coté amended to côté--Ennui reçu du côté de celui ...

Page 283--Pon's amended to Pons's--It is difficult to probe

Monsieur Pons's motives.

Page 296--Farrara amended to Ferrara--... and Renée, Duchess of

Ferrara, ...

Page 299--legère amended to légère--... said it was _une tête

légère_.

Page 301--Tintoretti amended to Tintoretto--Tintoretto, Titian,

Correggio, and Raphael ...

Entries in the index have been made consistent with the main body of

the text, as follows:

Page 305--Bazaret amended to Bayaret--Bayaret, 224

Page 305--d'Este amended to D'Este--Bari, Duchess of. _See_

Beatrice D'Este

Page 305--d'Este amended to D'Este and D'Este amended to

Este--Beatrice D'Este. _See_ Este

Page 305--Beaujeau amended to Beaujeu--Beaujeu, Anne of, 117,

203

Page 305--de amended to du--Bellay, Cardinal du, 243

Page 306--Jofra amended to Jofre--Borgia, Jofre, 164

Page 306--Clavière amended to Claviere and Manlde amended to

Maulde--Claviere, R. de Maulde la, 221

Page 306--Corregio amended to Correggio--Correggio, 301

Page 307--Pallisenna amended to Palissena--Este, Palissena d',

65

Page 307--Guelphs amended to Guelfs--Guelfs, 31, 34

Page 307--d'Este amended to D'Este--Isabella D'Este.

Page 308--d'Este amended to D'Este--Leonora D'Este.

Page 308--D'Albert amended to Albret--Navarre, Henri de. _See_

Albret

Page 308--Orris amended to Orriz--Orriz, 232, 233, 292-294, 298

Page 309--Palicé amended to Palice--Palice, La, 224

Page 309--Raynaldas amended to Raynaldus--Raynaldus, 33

Page 309--Remond amended to Rémond--Rémond, Florimond de, 231

Page 309--Callaquini amended to Callagnini--Strozzi, Callagnini,

190

Page 309--Nicolas amended to Nicholas--Toledo, Nicholas di,

17-21

The frontispiece illustration has been moved to follow the title page.

Other illustrations have been moved where necessary so that they are

not in the middle of a paragraph.

End of Project Gutenberg's Queens of the Renaissance, by M. Beresford Ryley

Queens of the Renaissance · 第 22 / 22 段