SCENE I.--ZERBINETTE, HYACINTHA, SCAPIN, SILVESTRE.

Produced by Delphine Lettau

THE IMPOSTURES OF SCAPIN.

(LES FOURBERIES DE SCAPIN.)

By Molière

Translated Into English Prose. With Short Introductions

And Explanatory Notes By Charles Heron Wall

Acted on May 24, 1671, at the Palais Royal, 'Les Fourberies de

Scapin' had great success. It is nothing, however, but a farce, taken

partly from classical, partly from Italian or from French sources.

Molière acted the part of Scapin.

PERSONS REPRESENTED.

ARGANTE, _father to_ OCTAVE _and_ ZERBINETTE.

GÉRONTE, _father to_ LÉANDRE _and_ HYACINTHA.

OCTAVE, _son to_ ARGANTE, _and lover to_ HYACINTHA.

LÉANDRE, _son to_ GÉRONTE, _and lover_ to ZERBINETTE.

ZERBINETTE, _daughter to_ ARGANTE, _believed to be a gypsy

girl_.

HYACINTHA, _daughter to_ GÉRONTE.

SCAPIN, _servant to_ LÉANDRE.

SILVESTRE, _servant to_ OCTAVE.

NÉRINE, _nurse to_ HYACINTHA.

CARLE.

TWO PORTERS.

_The scene is at_ NAPLES.

THE IMPOSTURES OF SCAPIN.

ACT I.

SCENE I.--OCTAVE, SILVESTRE.

OCT. Ah! what sad news for one in love! What a hard fate to be

reduced to! So, Silvestre, you have just heard at the harbour that my

father is coming back?

SIL. Yes.

OCT. That he returns this very morning?

SIL. This very morning.

OCT. With the intention of marrying me?

SIL. Of marrying you.

OCT. To a daughter of Mr. Géronte?

SIL. Of Mr. Géronte.

OCT. And that this daughter is on her way from Tarentum for that

purpose?

SIL. For that purpose.

OCT. And you have this news from my uncle?

SIL. From your uncle.

OCT. To whom my father has given all these particulars in a letter?

SIL. In a letter.

OCT. And this uncle, you say, knows all about our doings?

SIL. All our doings.

OCT. Oh! speak, I pray you; don't go on in such a way as that, and

force me to wrench everything from you, word by word.

SIL. But what is the use of my speaking? You don't forget one single

detail, but state everything exactly as it is.

OCT. At least advise me, and tell me what I ought to do in this

wretched business.

SIL. I really feel as much perplexed as you, and I myself need the

advice of some one to guide me.

OCT. I am undone by this unforeseen return.

SIL. And I no less.

OCT. When my father hears what has taken place, a storm of reprimands

will burst upon me.

SIL. Reprimands are not very heavy to bear; would to heaven I were

free at that price! But I am very likely to pay dearly for all your

wild doings, and I see a storm of blows ready to burst upon my

shoulders.

OCT. Heavens! how am I to get clear of all the difficulties that

beset my path!

SIL. You should have thought of that before entering upon it.

OCT. Oh, don't come and plague me to death with your unreasonable

lectures.

SIL. You plague me much more by your foolish deeds.

OCT. What am I to do? What steps must I take? To what course of

action have recourse?

SCENE II.--OCTAVE, SCAPIN, SILVESTRE.

SCA. How now, Mr. Octave? What is the matter with you? What is it?

What trouble are you in? You are all upset, I see.

OCT. Ah! my dear Scapin, I am in despair; I am lost; I am the most

unfortunate of mortals.

SCA. How is that?

OCT. Don't you know anything of what has happened to me?

SCA. No.

OCT. My father is just returning with Mr. Géronte, and they want to

marry me.

SCA. Well, what is there so dreadful about that?

OCT. Alas! you don't know what cause I have to be anxious.

SCA. No; but it only depends on you that I should soon know; and I am

a man of consolation, a man who can interest himself in the troubles

of young people.

OCT. Ah! Scapin, if you could find some scheme, invent some plot, to

get me out of the trouble I am in, I should think myself indebted to

you for more than life.

SCA. To tell you the truth, there are few things impossible to me

when I once set about them. Heaven has bestowed on me a fair enough

share of genius for the making up of all those neat strokes of mother

wit, for all those ingenious gallantries to which the ignorant and

vulgar give the name of impostures; and I can boast, without vanity,

that there have been very few men more skilful than I in expedients

and intrigues, and who have acquired a greater reputation in the

noble profession. But, to tell the truth, merit is too ill rewarded

nowadays, and I have given up everything of the kind since the

trouble I had through a certain affair which happened to me.

OCT. How? What affair, Scapin?

SCA. An adventure in which justice and I fell out.

OCT. Justice and you?

SCA. Yes; we had a trifling quarrel.

SIL. You and justice?

SCA. Yes. She used me very badly; and I felt so enraged against the

ingratitude of our age that I determined never to do anything for

anybody. But never mind; tell me about yourself all the same.

OCT. You know, Scapin, that two months ago Mr. Géronte and my father

set out together on a voyage, about a certain business in which they

are both interested.

SCA. Yes, I know that.

OCT. And that both Léandre and I were left by our respective fathers,

I under the management of Silvestre, and Léandre under your

management.

SCA. Yes; I have acquitted myself very well of my charge.

OCT. Some time afterwards Léandre met with a young gipsy girl, with

whom he fell in love.

SCA. I know that too.

OCT. As we are great friends, he told me at once of his love, and

took me to see this young girl, whom I thought good-looking, it is

true, but not so beautiful as he would have had me believe. He never

spoke of anything but her; at every opportunity he exaggerated her

grace and her beauty, extolled her intelligence, spoke to me with

transport of the charms of her conversation, and related to me her

most insignificant saying, which he always wanted me to think the

cleverest thing in the world. He often found fault with me for not

thinking as highly as he imagined I ought to do of the things he

related to me, and blamed me again and again for being so insensible

to the power of love.

SCA. I do not see what you are aiming at in all this.

OCT. One day, as I was going with him to the people who have charge

of the girl with whom he is in love, we heard in a small house on a

by-street, lamentations mixed with a good deal of sobbing. We

inquired what it was, and were told by a woman that we might see

there a most piteous sight, in the persons of two strangers, and that

unless we were quite insensible to pity, we should be sure to be

touched with it.

SCA. Where will this lead to?

OCT. Curiosity made me urge Léandre to come in with me. We went into

a low room, where we saw an old woman dying, and with her a servant

who was uttering lamentations, and a young girl dissolved in tears,

the most beautiful, the most touching sight that you ever saw.

SCA. Oh! oh!

OCT. Any other person would have seemed frightful in the condition

she was in, for all the dress she had on was a scanty old petticoat,

with a night jacket of plain fustian, and turned back at the top of

her head a yellow cap, which let her hair fall in disorder on her

shoulders; and yet dressed even thus she shone with a thousand

attractions, and all her person was most charming and pleasant.

SCA. I begin to understand.

OCT. Had you but seen her, Scapin, as I did, you would have thought

her admirable.

SCA. Oh! I have no doubt about it; and without seeing her, I plainly

perceive that she must have been altogether charming.

OCT. Her tears were none of those unpleasant tears which spoil the

face; she had a most touching grace in weeping, and her sorrow was a

most beautiful thing to witness.

SCA. I can see all that.

OCT. All who approached her burst into tears whilst she threw

herself, in her loving way, on the body of the dying woman, whom she

called her dear mother; and nobody could help being moved to the

depths of the heart to see a girl with such a loving disposition.

SCA. Yes, all that is very touching; and I understand that this

loving disposition made you love her.

OCT. Ah! Scapin, a savage would have loved her.

SCA. Certainly; how could anyone help doing so?

OCT. After a few words, with which I tried to soothe her grief, we

left her; and when I asked Léandre what he thought of her, he

answered coldly that she was rather pretty! I was wounded to find how

unfeelingly he spoke to me of her, and I would not tell him the

effect her beauty had had on my heart.

SIL. (_to_ OCTAVE). If you do not abridge your story, we shall

have to stop here till to-morrow. Leave it to me to finish it in a

few words. (_To_ SCAPIN) His heart takes fire from that moment.

He cannot live without going to comfort the amiable and sorrowful

girl. His frequent visits are forbidden by the servant, who has

become her guardian by the death of the mother. Our young man is in

despair; he presses, begs, beseeches--all in vain. He is told that

the young girl, although without friends and without fortune, is of

an honourable family, and that, unless he marries her, he must cease

his visits. His love increases with the difficulties. He racks his

brains; debates, reasons, ponders, and makes up his mind. And, to cut

a long story short, he has been married these three days.

SCA. I see.

SIL. Now, add to this the unforeseen return of the father, who was

not to be back before two whole months; the discovery which the uncle

has made of the marriage; and that other marriage projected between

him and a daughter which Mr. Géronte had by a second wife, whom, they

say, he married at Tarentum.

OCT. And, above all, add also the poverty of my beloved, and the

impossibility there is for me to do anything for her relief.

SCA. Is that all? You are both of you at a great loss about nothing.

Is there any reason to be alarmed? Are you not ashamed, you,

Silvestre, to fall short in such a small matter? Deuce take it all!

You, big and stout as father and mother put together, you can't find

any expedient in your noddle? you can't plan any stratagem, invent

any gallant intrigue to put matters straight? Fie! Plague on the

booby! I wish I had had the two old fellows to bamboozle in former

times; I should not have thought much of it; and I was no bigger than

that, when I had given a hundred delicate proofs of my skill.

SIL. I acknowledge that Heaven has not given me your talent, and that

I have not the brains like you to embroil myself with justice.

OCT. Here is my lovely Hyacintha!

SCENE III.--HYACINTHA, OCTAVE, SCAPIN, SILVESTRE.

HYA. Ah! Octave, is what Silvestre has just told Nérine really true?

Is your father back, and is he bent upon marrying you?

OCT. Yes, it is so, dear Hyacintha; and these tidings have given me a

cruel shock. But what do I see? You are weeping? Why those tears? Do

you suspect me of unfaithfulness, and have you no assurance of the

love I feel for you?

HYA. Yes, Octave, I am sure that you love me now; but can I be sure

that you will love me always?

OCT. Ah! could anyone love you once without loving you for ever?

HYA. I have heard say, Octave, that your sex does not love so long as

ours, and that the ardour men show is a fire which dies out as easily

as it is kindled.

OCT. Then, my dear Hyacintha, my heart is not like that of other men,

and I feel certain that I shall love you till I die.

HYA. I want to believe what you say, and I have no doubt that you are

sincere; but I fear a power which will oppose in your heart the

tender feelings you have for me. You depend on a father who would

marry you to another, and I am sure it would kill me if such a thing

happened.

OCT. No, lovely Hyacintha, there is no father who can force me to

break my faith to you, and I could resolve to leave my country, and

even to die, rather than be separated from you. Without having seen

her, I have already conceived a horrible aversion to her whom they

want me to marry; and although I am not cruel, I wish the sea would

swallow her up, or drive her hence forever. Do not weep, then, dear

Hyacintha, for your tears kill me, and I cannot see them without

feeling pierced to the heart.

HYA. Since you wish it, I will dry my tears, and I will wait without

fear for what Heaven shall decide.

OCT. Heaven will be favourable to us.

HYA. It cannot be against us if you are faithful.

OCT. I certainly shall be so.

HYA. Then I shall be happy.

SCA. (_aside_). She is not so bad, after all, and I think her

pretty enough.

OCT. (_showing_ SCAPIN). Here is a man who, if he would, could

be of the greatest help to us in all our trouble.

SCA. I have sworn with many oaths never more to meddle with anything.

But if you both entreat me very much, I might....

OCT. Ah! if entreaties will obtain your help, I beseech you with all

my heart to steer our bark.

SCA. (_to_ HYACINTHA). And you, have you anything to say?

HYA. Like him, I beseech you, by all that is most dear to you upon

earth, to assist us in our love.

SCA. I must have a little humanity, and give way. There, don't be

afraid; I will do all I can for you.

OCT. Be sure that....

SCA. (_to_ OCTAVE). Hush! (_To_ HYACINTHA) Go, and make

yourself easy.

SCENE IV.--OCTAVE, SCAPIN, SILVESTRE.

SCA. (_to_ OCTAVE). You must prepare yourself to receive your

father with firmness.

OCT. I confess that this meeting frightens me before hand, for with

him I have a natural shyness that I cannot conquer.

SCA. Yes; you must be firm from the first, for fear that he should

take advantage of your weakness, and lead you like a child. Now,

come, try to school yourself into some amount of firmness, and be

ready to answer boldly all he can say to you.

OCT. I will do the best I can.

SCA. Well! let us try a little, just to see. Rehearse your part, and

let us see how you will manage. Come, a look of decision, your head

erect, a bold face.

OCT. Like this.

SCA. A little more.

OCT. So?

SCA. That will do. Now, fancy that I am your father, just arrived;

answer me boldly as if it were he himself.--"What! you scoundrel,

you good-for-nothing fellow, you infamous rascal, unworthy son of

such a father as I, dare you appear before me after what you have

done, and after the infamous trick you have played me during my

absence? Is this, you rascal, the reward of all my care? Is this the

fruit of all my devotion? Is this the respect due to me? Is this the

respect you retain for me?"--Now then, now then.--"You are insolent

enough, scoundrel, to go and engage yourself without the consent of

your father, and contract a clandestine marriage! Answer me, you

villain! Answer me. Let me hear your fine reasons"....--Why, the

deuce, you seem quite lost.

OCT. It is because I imagine I hear my father speaking.

SCA. Why, yes; and it is for this reason that you must try not to

look like an idiot.

OCT. I will be more resolute, and will answer more firmly.

SCA. Quite sure?

SIL. Here is your father coming.

OCT. Oh heavens! I am lost.

SCENE V.--SCAPIN, SILVESTRE.

SCA. Stop, Octave; stop. He's off. What a poor specimen it is! Let's

wait for the old man all the same.

SIL. What shall I tell him?

SCA. Leave him to me; only follow me.

SCENE VI.--ARGANTE, SCAPIN, SILVESTRE

(_at the further part of thestage_).

ARG. (_thinking himself alone_). Did anyone ever hear of such an

action?

SCA. (_to_ SILVESTRE). He has already heard of the affair, and

is so struck by it that, although alone, he speaks aloud about it.

ARG. (_thinking himself alone_). Such a bold thing to do.

SCA. (_to_ SILVESTRE). Let us listen to him.

ARG. (_thinking himself alone_). I should like to know what they

can say to me about this fine marriage.

SCA. (_aside_). We have it all ready.

ARG. (_thinking himself alone_). Will they try to deny it?

SCA. (_aside_). No: we have no thought of doing so.

ARG. (_thinking himself alone_). Or will they undertake to

excuse it?

SCA. (_aside_). That may be.

ARG. (_thinking himself alone_). Do they intend to deceive me

with impertinent stories?

SCA. (_aside_). May be.

ARG. (_thinking himself alone_). All they can say will be

useless.

SCA. We shall see.

ARG. (_thinking himself alone_). They will not take me in.

SCA. (_aside_). I don't know that.

ARG. (_thinking himself alone_). I shall know how to put my

rascal of a son in a safe place.

SCA. (_aside_). We shall see about that.

ARG. (_thinking himself alone_). And as for that rascal

Silvestre, I will cudgel him soundly.

SIL. (_to_ SCAPIN). I should have been very much astonished if

he had forgotten me.

ARG. (_seeing_ SILVESTRE). Ah, ah! here you are, most wise

governor of a family, fine director of young people!

SCA. Sir, I am delighted to see you back.

ARG. Good morning, Scapin. (_To_ SILVESTRE) You have really

followed my orders in a fine manner, and my son has behaved

splendidly.

SCA. You are quite well, I see.

ARG. Pretty well. (_To_ SILVESTRE) You don't say a word, you

rascal!

SCA. Have you had a pleasant journey?

ARG. Yes, yes, very good. Leave me alone a little to scold this

villain!

SCA. You want to scold?

ARG. Yes, I wish to scold.

SCA. But whom, Sir?

ARG. (_Pointing to_ SILVESTRE). This scoundrel!

SCA. Why?

ARG. Have you not heard what has taken place during my absence?

SCA. Yes, I have heard some trifling thing.

ARG. How! Some trifling thing! Such an action as this?

SCA. You are about right.

ARG. Such a daring thing to do!

SCA. That's quite true.

ARG. To marry without his father's consent!

SCA. Yes, there is something to be said against it, but my opinion is

that you should make no fuss about it.

ARG. This is your opinion, but not mine; and I will make as much fuss

as I please. What! do you not think that I have every reason to be

angry?

SCA. Quite so. I was angry myself when I first heard it; and I so far

felt interested in your behalf that I rated your son well. Just ask

him the fine sermons I gave him, and how I lectured him about the

little respect he showed his father, whose very footsteps he ought to

kiss. You could not yourself talk better to him. But what of that? I

submitted to reason, and considered that, after all, he had done

nothing so dreadful.

ARG. What are you telling me? He has done nothing so dreadful? When

he goes and marries straight off a perfect stranger?

SCA. What can one do? he was urged to it by his destiny.

ARG. Oh, oh! You give me there a fine reason. One has nothing better

to do now than to commit the greatest crime imaginable--to cheat,

steal, and murder--and give for an excuse that we were urged to it by

destiny.

SCA. Ah me! You take my words too much like a philosopher. I mean to

say that he was fatally engaged in this affair.

ARG. And why did he engage in it?

SCA. Do you expect him to be as wise as you are? Can you put an old

head on young shoulders, and expect young people to have all the

prudence necessary to do nothing but what is reasonable? Just look at

our Léandre, who, in spite of all my lessons, has done even worse

than that. I should like to know whether you yourself were not young

once, and have not played as many pranks as others? I have heard say

that you were a sad fellow in your time, that you played the gallant

among the most gallant of those days, and that you never gave in

until you had gained your point.

ARG. It is true, I grant it; but I always confined myself to

gallantry, and never went so far as to do what he has done.

SCA. But what was he to do? He sees a young person who wishes him

well; for he inherits it from you that all women love him. He thinks

her charming, goes to see her, makes love to her, sighs as lovers

sigh, and does the passionate swain. She yields to his pressing

visits; he pushes his fortune. But her relations catch him with her,

and oblige him to marry her by main force.

SIL. (_aside_). What a clever cheat!

SCA. Would you have him suffer them to murder him? It is still better

to be married than to be dead.

ARG. I was not told that the thing had happened in that way.

SCA. (_showing_ SILVESTRE). Ask him, if you like; he will tell

you the same thing.

ARG. (_to_ SILVESTRE). Was he married against his wish?

SIL. Yes, Sir.

SCA. Do you think I would tell you an untruth?

ARG. Then he should have gone at once to a lawyer to protest against

the violence.

SCA. It is the very thing he would not do.

ARG. It would have made it easier for me to break off the marriage.

SCA. Break off the marriage?

ARG. Yes

SCA. You will not break it off.

ARG. I shall not break it off?

SCA. No.

ARG. What! Have I not on my side the rights of a father, and can I

not have satisfaction for the violence done to my son?

SCA. This is a thing he will not consent to.

ARG. He will not consent to it?

SCA. No.

ARG. My son?

SCA. Your son. Would you have him acknowledge that he was frightened,

and that he yielded by force to what was wanted of him? He will take

care not to confess that; it would be to wrong himself, and show

himself unworthy of a father like you.

ARG. I don't care for all that.

SCA. He must, for his own honour and yours, say that he married of

his own free will.

ARG. And I wish for my own honour, and for his, that he should say

the contrary.

SCA. I am sure he will not do that.

ARG. I shall soon make him do it.

SCA. He will not acknowledge it, I tell you.

ARG. He shall do it, or I will disinherit him.

SCA. You?

ARG. I.

SCA. Nonsense!

ARG. How nonsense?

SCA. You will not disinherit him.

ARG. I shall not disinherit him?

SCA. No.

ARG. No?

SCA. No.

ARG. Well! This is really too much! I shall not disinherit my son!

SCA. No, I tell you.

ARG. Who will hinder me?

SCA. You yourself.

ARG. I?

SCA. Yes; you will never have the heart to do it.

ARG. I shall have the heart.

SCA. You are joking.

ARG. I am not joking.

SCA. Paternal love will carry the day.

ARG. No, it will not.

SCA. Yes, yes.

ARG. I tell you that I will disinherit him.

SCA. Rubbish.

ARG. You may say rubbish; but I will.

SCA. Gracious me, I know that you are naturally a kind-hearted man.

ARG. No, I am not kind-hearted; I can be angry when I choose. Leave

off talking; you put me out of all patience. (_To_ SYLVESTRE)

Go, you rascal, run and fetch my son, while I go to Mr. Géronte and

tell him of my misfortune.

SCA. Sir, if I can be useful to you in any way, you have but to order

me.

ARG. I thank you. (_Aside_) Ah! Why is he my only son? Oh! that

I had with me the daughter that Heaven has taken away from me, so

that I might make her my heir.

SCENE VII.--SCAPIN, SYLVESTRE.

SIL. You are a great man, I must confess; and things are in a fair

way to succeed. But, on the other hand, we are greatly pressed for

money, and we have people dunning us.

SCA. Leave it to me; the plan is all ready. I am only puzzling my

brains to find out a fellow to act along with us, in order to play a

personage I want. But let me see; just look at me a little. Stick

your cap rather rakishly on one side. Put on a furious look. Put your

hand on your side. Walk about like a king on the stage. {Footnote:

Compare the 'Impromptu of Versailles'.} That will do. Follow me. I

possess some means of changing your face and voice.

SIL. I pray you, Scapin, don't go and embroil me with justice.

SCA. Never mind, we will share our perils like brothers, and three

years more or less on the galleys are not sufficient to check a noble

heart.

ACT II.

SCENE I.--GÉRONTE, ARGANTE.

GER. Yes, there is no doubt but that with this weather we shall have

our people with us to-day; and a sailor who has arrived from Tarentum

told me just now that he had seen our man about to start with the

ship. But my daughter's arrival will find things strangely altered

from what we thought they would be, and what you have just told me of

your son has put an end to all the plans we had made together.

ARG. Don't be anxious about that; I give you my word that I shall

remove that obstacle, and I am going to see about it this moment.

GER. In all good faith, Mr. Argante, shall I tell you what? The

education of children is a thing that one could never be too careful

about.

ARG. You are right; but why do you say that?

GER. Because most of the follies of young men come from the way they

have been brought up by their fathers.

ARG. It is so sometimes, certainly; but what do you mean by saying

that to me?

GER. Why do I say that to you?

ARG. Yes.

GER. Because, if, like a courageous father, you had corrected your

son when he was young, he would not have played you such a trick.

ARG. I see. So that you have corrected your own much better?

GER. Certainly; and I should be very sorry if he had done anything at

all like what yours has done.

ARG. And if that son, so well brought up, had done worse even than

mine, what would you say?

GER. What?

ARG. What?

GER. What do you mean?

ARG. I mean, Mr. Géronte, that we should never be so ready to blame

the conduct of others, and that those who live in glass houses should

not throw stones.

GER. I really do not understand you.

ARG. I will explain myself.

GER. Have you heard anything about my son?

ARG. Perhaps I have.

GER. But what?

ARG. Your servant Scapin, in his vexation, only told me the thing

roughly, and you can learn all the particulars from him or from some

one else. For my part, I will at once go to my solicitor, and see

what steps I can take in the matter. Good-bye.

SCENE II.--GÉRONTE (_alone_).

GER. What can it be? Worse than what his son has done! I am sure I

don't know what anyone can do more wrong than that; and to marry

without the consent of one's father is the worst thing that I can

possibly imagine. {Footnote: No exaggeration, if we consider that

this was said two hundred years ago, and by a French father.}

SCENE III--GÉRONTE, LÉANDRE.

GER. Ah, here you are!

LEA. (_going quickly towards his father to embrace him_). Ah!

father, how glad I am to see you!

GER. (_refusing to embrace him_). Stay, I have to speak to you

first.

LEA. Allow me to embrace you, and....

GER. (_refusing him again_). Gently, I tell you.

LEA. How! father, you deprive me of the pleasure of showing you my

joy at your return?

GER. Certainly; we have something to settle first of all.

LEA. But what?

GER. Just stand there before me, and let me look at you.

LEA. What for?

GER. Look me straight in the face.

LEA. Well?

GER. Will you tell me what has taken place here in my absence?

LEA. What has taken place?

GER. Yes; what did you do while I was away?

LEA. What would you have me do, father?

GER. It is not I who wanted you to do anything, but who ask you now

what it is you did?

LEA. I have done nothing to give you reason to complain.

GER. Nothing at all?

LEA. No.

GER. You speak in a very decided tone.

LEA. It is because I am innocent.

GER. And yet Scapin has told me all about you.

LEA. Scapin!

GER. Oh! oh! that name makes you change colour.

LEA. He has told you something about me?

GER. He has. But this is not the place to talk about the business,

and we must go elsewhere to see to it. Go home at once; I will be

there presently. Ah! scoundrel, if you mean to bring dishonour upon

me, I will renounce you for my son, and you will have to avoid my

presence for ever!

SCENE IV.--LÉANDRE (_alone_).

LEA. To betray me after that fashion! A rascal who for so many

reasons should be the first to keep secret what I trust him with! To

go and tell everything to my father! Ah! I swear by all that is dear

to me not to let such villainy go unpunished.

SCENE V.--OCTAVE, LÉANDRE, SCAPIN.

OCT. My dear Scapin, what do I not owe to you? What a wonderful man

you are, and how kind of Heaven to send you to my help!

LEA. Ah, ah! here you are, you rascal!

SCA. Sir, your servant; you do me too much honour.

LEA. (_drawing his sword_). You are setting me at defiance, I

believe...Ah! I will teach you how....

SCA. (_falling on his knees_). Sir!

OCT. (_stepping between them_). Ah! Léandre.

LEA. No, Octave, do not keep me back.

SCA. (_to_ LÉANDRE). Eh! Sir.

OCT. (_keeping back_ LÉANDRE). For mercy's sake!

LEA. (_trying to strike_). Leave me to wreak my anger upon him.

OCT. In the name of our friendship, Léandre, do not strike him.

SCA. What have I done to you, Sir?

LEA. What you have done, you scoundrel!

OCT. (_still keeping back_ LÉANDRE). Gently, gently.

LEA. No, Octave, I will have him confess here on the spot the perfidy

of which he is guilty. Yes, scoundrel, I know the trick you have

played me; I have just been told of it. You did not think the secret

would be revealed to me, did you? But I will have you confess it with

your own lips, or I will run you through and through with my sword.

SCA. Ah! Sir, could you really be so cruel as that?

LEA. Speak, I say.

SCA. I have done something against you, Sir?

LEA. Yes, scoundrel! and your conscience must tell you only too well

what it is.

SCA. I assure you that I do not know what you mean.

LEA. (_going towards_ SCAPIN _to strike him_). You do not

know?

OCT. (_keeping back_ LÉANDRE). Léandre!

SCA. Well, Sir, since you will have it, I confess that I drank with

some of my friends that small cask of Spanish wine you received as a

present some days ago, and that it was I who made that opening in the

cask, and spilled some water on the ground round it, to make you

believe that all the wine had leaked out.

LEA. What! scoundrel, it was you who drank my Spanish wine, and who

suffered me to scold the servant so much, because I thought it was

she who had played me that trick?

SCA. Yes, Sir; I am very sorry, Sir.

LEA. I am glad to know this. But this is not what I am about now.

SCA. It is not that, Sir?

LEA. No; it is something else, for which I care much more, and I will

have you tell it me.

SCA. I do not remember, Sir, that I ever did anything else.

LEA. (_trying to strike_ SCAPIN). Will you speak?

SCA. Ah!

OCT. (_keeping back_ LÉANDRE). Gently.

SCA. Yes, Sir; it is true that three weeks ago, when you sent me in

the evening to take a small watch to the gypsy {Footnote:

_Égyptienne_. Compare act v. scene ii. _Bohémienne_ is a more

usual name.} girl you love, and I came back, my clothes spattered with

mud and my face covered with blood, I told you that I had been attacked

by robbers who had beaten me soundly and had stolen the watch from

me. It is true that I told a lie. It was I who kept the watch, Sir.

LEA. It was you who stole the watch?

SCA. Yes, Sir, in order to know the time.

LEA. Ah! you are telling me fine things; I have indeed a very

faithful servant! But it is not this that I want to know of you.

SCA. It is not this?

LEA. No, infamous wretch! it is something else that I want you to

confess.

SCA. (_aside_). Mercy on me!

LEA. Speak at once; I will not be put off.

SCA. Sir, I have done nothing else.

LEA. (_trying to strike_ SCAPIN). Nothing else?

OCT. (_stepping between them_). Ah! I beg....

SCA. Well, Sir, you remember that ghost that six months ago cudgelled

you soundly, and almost made you break your neck down a cellar, where

you fell whilst running away?

LEA. Well?

SCA. It was I, Sir, who was playing the ghost.

LEA. It was you, wretch! who were playing the ghost?

SCA. Only to frighten you a little, and to cure you of the habit of

making us go out every night as you did.

LEA. I will remember in proper time and place all I have just heard.

But I'll have you speak about the present matter, and tell me what it

is you said to my father.

SCA. What I said to your father?

LEA. Yes, scoundrel! to my father.

SCA. Why, I have not seen him since his return!

LEA. You have not seen him?

SCA. No, Sir.

LEA. Is that the truth?

SCA. The perfect truth; and he shall tell you so himself.

LEA. And yet it was he himself who told me.

SCA. With your leave, Sir, he did not tell you the truth.

SCENE VI.--LÉANDRE, OCTAVE, CARLE, SCAPIN.

CAR. Sir, I bring you very bad news concerning your love affair.

LEA. What is it now?

CAR. The gypsies are on the point of carrying off Zerbinette. She

came herself all in tears to ask me to tell you that, unless you take

to them, before two hours are over, the money they have asked you for

her, she will be lost to you for ever.

LEA. Two hours?

CAR. Two hours.

SCENE VII.--LÉANDRE, OCTAVE, SCAPIN.

LEA. Ah! my dear Scapin, I pray you to help me.

SCA. (_rising and passing proudly before_ LÉANDRE). Ah! my dear

Scapin! I am my dear Scapin, now that I am wanted.

LEA. I will forgive you all that you confessed just now, and more

also.

SCA. No, no; forgive me nothing; run your sword through and through

my body. I should be perfectly satisfied if you were to kill me.

LEA. I beseech you rather to give me life by serving my love.

SCA. Nay, nay; better kill me.

LEA. You are too dear to me for that. I beg of you to make use for me

of that wonderful genius of yours which can conquer everything.

SCA. Certainly not. Kill me, I tell you.

LEA. Ah! for mercy's sake, don't think of that now, but try to give

me the help I ask.

OCT. Scapin, you must do something to help him.

SCA. How can I after such abuse?

LEA. I beseech you to forget my outburst of temper, and to make use

of your skill for me.

OCT. I add my entreaties to his.

SCA. I cannot forget such an insult.

OCT. You must not give way to resentment, Scapin.

LEA. Could you forsake me, Scapin, in this cruel extremity?

SCA. To come all of a sudden and insult me like that.

LEA. I was wrong, I acknowledge.

SCA. To call me scoundrel, knave, infamous wretch!

LEA. I am really very sorry.

SCA. To wish to send your sword through my body!

LEA. I ask you to forgive me, with all my heart; and if you want to

see me at your feet, I beseech you, kneeling, not to give me up.

OCT. Scapin, you cannot resist that?

SCA. Well, get up, and another time remember not to be so hasty.

LEA. Will you try to act for me?

SCA. I will see.

LEA. But you know that time presses.

SCA. Don't be anxious. How much is it you want?

LEA. Five hundred crowns.

SCA. You?

OCT. Two hundred pistoles.

SCA. I must extract this money from your respective fathers' pockets.

(_To_ OCTAVE) As far as yours is concerned, my plan is all

ready. (_To_ LÉANDRE) And as for yours, although he is the

greatest miser imaginable, we shall find it easier still; for you

know that he is not blessed with too much intellect, and I look upon

him as a man who will believe anything. This cannot offend you; there

is not a suspicion of a resemblance between him and you; and you know

what the world thinks, that he is your father only in name.

LEA. Gently, Scapin.

SCA. Besides, what does it matter? But, Mr. Octave, I see your father

coming. Let us begin by him, since he is the first to cross our path.

Vanish both of you; (_to_ OCTAVE) and you, please, tell Silvestre

to come quickly, and take his part in the affair.

SCENE VIII.--ARGANTE, SCAPIN.

SCA. (_aside_). Here he is, turning it over in his mind.

ARG. (_thinking himself alone_). Such behaviour and such lack of

consideration! To entangle himself in an engagement like that! Ah!

rash youth.

SCA. Your servant, Sir.

ARG. Good morning, Scapin.

SCA. You are thinking of your son's conduct.

ARG. Yes, I acknowledge that it grieves me deeply.

SCA. Ah! Sir, life is full of troubles; and we should always be

prepared for them. I was told, a long time ago, the saying of an

ancient philosopher which I have never forgotten.

ARG. What was it?

SCA. That if the father of a family has been away from home for ever

so short a time, he ought to dwell upon all the sad news that may

greet him on his return. He ought to fancy his house burnt down, his

money stolen, his wife dead, his son married, his daughter ruined;

and be very thankful for whatever falls short of all this. In my

small way of philosophy, I have ever taken this lesson to heart; and

I never come home but I expect to have to bear with the anger of my

masters, their scoldings, insults, kicks, blows, and horse-whipping.

And I always thank my destiny for whatever I do not receive.

ARG. That's all very well; but this rash marriage is more than I can

put up with, and it forces me to break off the match I had intended

for my son. I have come from my solicitor's to see if we can cancel

it.

SCA. Well, Sir, if you will take my advice, you will look to some

other way of settling this business. You know what a law-suit means

in this country, and you'll find yourself in the midst of a strange

bush of thorns.

ARG. I am fully aware that you are quite right; but what else can I

do?

SCA. I think I have found something that will answer much better. The

sorrow that I felt for you made me rummage in my head to find some

means of getting you out of trouble; for I cannot bear to see kind

fathers a prey to grief without feeling sad about it, and, besides, I

have at all times had the greatest regard for you.

ARG. I am much obliged to you.

SCA. Then you must know that I went to the brother of the young girl

whom your son has married. He is one of those fire-eaters, one of

those men all sword-thrusts, who speak of nothing but fighting, and

who think no more of killing a man than of swallowing a glass of

wine. I got him to speak of this marriage; I showed him how easy it

would be to have it broken off, because of the violence used towards

your son. I spoke to him of your prerogatives as father, and of the

weight which your rights, your money, and your friends would have

with justice. I managed him so that at last he lent a ready ear to

the propositions I made to him of arranging the matter amicably for a

sum of money. In short, he will give his consent to the marriage

being cancelled, provided you pay him well.

ARG. And how much did he ask?

SCA. Oh! at first things utterly out of the question.

ARG. But what?

SCA. Things utterly extravagant.

ARG. But what?

SCA. He spoke of no less than five or six hundred pistoles.

ARG. Five or six hundred agues to choke him withal. Does he think me

a fool?

SCA. Just what I told him. I laughed his proposal to scorn, and made

him understand that you were not a man to be duped in that fashion,

and of whom anyone can ask five or six hundred pistoles! However,

after much talking, this is what we decided upon. "The time is now

come," he said, "when I must go and rejoin the army. I am buying my

equipments, and the want of money I am in forces me to listen to what

you propose. I must have a horse, and I cannot obtain one at all fit

for the service under sixty pistoles."

ARG. Well, yes; I am willing to give sixty pistoles.

SCA. He must have the harness and pistols, and that will cost very

nearly twenty pistoles more.

ARG. Twenty and sixty make eighty.

SCA. Exactly.

ARG. It's a great deal; still, I consent to that.

SCA. He must also have a horse for his servant, which, we may expect,

will cost at least thirty pistoles.

ARG. How, the deuce! Let him go to Jericho. He shall have nothing at

all.

SCA. Sir!

ARG. No; he's an insolent fellow.

SCA. Would you have his servant walk?

ARG. Let him get along as he pleases, and the master too.

SCA. Now, Sir, really don't go and hesitate for so little. Don't have

recourse to law, I beg of you, but rather give all that is asked of

you, and save yourself from the clutches of justice.

ARG. Well, well! I will bring myself to give these thirty pistoles

also.

SCA. "I must also have," he said, "a mule to carry...."

ARG. Let him go to the devil with his mule! This is asking too much.

We will go before the judges.

SCA. I beg of you, Sir!

ARG. No, I will not give in.

SCA. Sir, only one small mule.

ARG. No; not even an ass.

SCA. Consider....

ARG. No, I tell you; I prefer going to law.

SCA. Ah! Sir, what are you talking about, and what a resolution you

are going to take. Just cast a glance on the ins and outs of justice,

look at the number of appeals, of stages of jurisdiction; how many

embarrassing procedures; how many ravening wolves through whose claws

you will have to pass; serjeants, solicitors, counsel, registrars,

substitutes, recorders, judges and their clerks. There is not one of

these who, for the merest trifle, couldn't knock over the best case

in the world. A serjeant will issue false writs without your knowing

anything of it. Your solicitor will act in concert with your

adversary, and sell you for ready money. Your counsel, bribed in the

same way, will be nowhere to be found when your case comes on, or

else will bring forward arguments which are the merest shooting in

the air, and will never come to the point. The registrar will issue

writs and decrees against you for contumacy. The recorder's clerk

will make away with some of your papers, or the instructing officer

himself will not say what he has seen, and when, by dint of the

wariest possible precautions, you have escaped all these traps, you

will be amazed that your judges have been set against you either by

bigots or by the women they love. Ah! Sir, save yourself from such a

hell, if you can. 'Tis damnation in this world to have to go to law;

and the mere thought of a lawsuit is quite enough to drive me to the

other end of the world.

ARG. How much does he want for the mule?

SCA. For the mule, for his horse and that of his servant, for the

harness and pistols, and to pay a little something he owes at the

hotel, he asks altogether two hundred pistoles, Sir.

ARG. Two hundred pistoles?

SCA. Yes.

ARG. (_walking about angrily_). No, no; we will go to law.

SCA. Recollect what you are doing.

ARG. I shall go to law.

SCA. Don't go and expose yourself to....

ARG. I will go to law.

SCA. But to go to law you need money. You must have money for the

summons, you must have money for the rolls, for prosecution,

attorney's introduction, solicitor's advice, evidence, and his days

in court. You must have money for the consultations and pleadings of

the counsel, for the right of withdrawing the briefs, and for

engrossed copies of the documents. You must have money for the

reports of the substitutes, for the court fees {1} at the conclusion,

for registrar's enrolment, drawing up of deeds, sentences, decrees,

rolls, signings, and clerks' despatches; letting alone all the

presents you will have to make. Give this money to the man, and there

you are well out of the whole thing.

{1} _Épices_, "spices," in ancient times, equalled

_sweetmeats_, and were given to the judge by the side which

gained the suit, as a mark of gratitude. These _épices_ had long

been changed into a compulsory payment of money when Molière wrote.

In Racine's _Plaideurs_, act ii. scene vii., Petit Jean takes

literally the demand of the judge for _épices_, and fetches the

pepper-box to satisfy him.

ARG. Two hundred pistoles!

SCA. Yes, and you will save by it. I have made a small calculation in

my head of all that justice costs, and I find that by giving two

hundred pistoles to your man you will have a large margin left--say,

at least a hundred and fifty pistoles--without taking into

consideration the cares, troubles, and anxieties, which you will

spare yourself. For were it only to avoid being before everybody the

butt of some facetious counsel, I had rather give three hundred

pistoles than go to law. {Footnote: What would Molière have said if

he had been living now!}

ARG. I don't care for that, and I challenge all the lawyers to say

anything against me.

SCA. You will do as you please, but in your place I would avoid a

lawsuit.

ARG. I will never give two hundred pistoles.

SCA. Ah! here is our man.

SCENE IX.--ARGANTE, SCAPIN, SILVESTRE, _dressed out as a bravo_.

SIL. Scapin, show me that Argante who is the father of Octave.

SCA. What for, Sir?

SIL. I have just been told that he wants to go to law with me, and to

have my sister's marriage annulled.

SCA. I don't know if such is his intention, but he won't consent to

give the two hundred pistoles you asked; he says it's too much.

SIL. S'death! s'blood! If I can but find him, I'll make mince-meat of

him, were I to be broken alive on the wheel afterwards.

(ARGANTE _hides, trembling, behind_ SCAPIN.)

SCA. Sir, the father of Octave is a brave man, and perhaps he will

not be afraid of you.

SIL. Ah! will he not? S'blood! s'death! If he were here, I would in a

moment run my sword through his body. (_Seeing_ ARGANTE.) Who is

that man?

SCA. He's not the man, Sir; he's not the man.

SIL. Is he one of his friends?

SCA. No, Sir; on the contrary, he's his greatest enemy.

SIL. His greatest enemy?

SCA. Yes.

SIL. Ah! zounds! I am delighted at it. (_To_ ARGANTE) You are an

enemy of that scoundrel Argante, are you?

SCA. Yes, yes; I assure you that it is so.

SIL. (_shaking_ ARGANTE'S _hand roughly_). Shake hands,

shake hands. I give you my word, I swear upon my honour, by the sword

I wear, by all the oaths I can take, that, before the day is over, I

shall have delivered you of that rascally knave, of that scoundrel

Argante. Trust me.

SCA. But, Sir, violent deeds are not allowed in this country.

SIL. I don't care, and I have nothing to lose.

SCA. He will certainly take his precautions; he has relations,

friends, servants, who will take his part against you.

SIL. Blood and thunder! It is all I ask, all I ask. (_Drawing his

sword_.) Ah! s'death! ah! s'blood! Why can I not meet him at this

very moment, with all these relations and friends of his? If he would

only appear before me, surrounded by a score of them! Why do they not

fall upon me, arms in hand? (_Standing upon his guard_.) What!

you villains! you dare to attack me? Now, s'death! Kill and slay!

(_He lunges out on all sides; as if he were fighting many people at

once_.) No quarter; lay on. Thrust. Firm. Again. Eye and foot. Ah!

knaves! ah! rascals! ah! you shall have a taste of it. I'll give you

your fill. Come on, you rabble! come on. That's what you want, you

there. You shall have your fill of it, I say. Stick to it, you

brutes; stick to it. Now, then, parry; now, then, you. (_Turning

towards_ ARGANTE and SCAPIN.) Parry this; parry. You draw back?

Stand firm, man! S'death! What! Never flinch, I say.

SCA. Sir, we have nothing to do with it.

SIL. That will teach you to trifle with me.

SCENE X.--ARGANTE, SCAPIN.

SCA. Well, Sir, you see how many people are killed for two hundred

pistoles. Now I wish you a good morning.

ARG. (_all trembling_). Scapin.

SCA. What do you say?

ARG. I will give the two hundred pistoles.

SCA. I am very glad of it, for your sake.

ARG. Let us go to him; I have them with me.

SCA. Better give them to me. You must not, for your honour, appear in

this business, now that you have passed for another; and, besides, I

should be afraid that he would ask you for more, if he knew who you

are.

ARG. True; still I should be glad to see to whom I give my money.

SCA. Do you mistrust me then?

ARG. Oh no; but....

SCA. Zounds! Sir; either I am a thief or an honest man; one or the

other. Do you think I would deceive you, and that in all this I have

any other interest at heart than yours and that of my master, whom

you want to take into your family? If I have not all your confidence,

I will have no more to do with all this, and you can look out for

somebody else to get you out of the mess.

ARG. Here then.

SCA. No, Sir; do not trust your money to me. I would rather you

trusted another with your message.

ARG. Ah me! here, take it.

SCA. No, no, I tell you; do not trust me. Who knows if I do not want

to steal your money from you?

ARG. Take it, I tell you, and don't force me to ask you again.

However, mind you have an acknowledgment from him.

SCA. Trust me; he hasn't to do with an idiot.

ARG. I will go home and wait for you.

SCA. I shall be sure to go. (_Alone_.) That one's all right; now

for the other. Ah! here he is. They are sent one after the other to

fall into my net.

SCENE XI.--GÉRONTE, SCAPIN.

SCA. (_affecting not to see_ GÉRONTE). O Heaven! O unforeseen

misfortune! O unfortunate father! Poor Géronte, what will you do?

GER. (_aside_). What is he saying there with that doleful face?

SCA. Can no one tell me whereto find Mr. Géronte?

GER. What is the matter, Scapin?

SCA. (_running about on the stage, and still affecting not to see

or hear_ GÉRONTE). Where could I meet him, to tell him of this

misfortune?

GER. (_stopping_ SCAPIN). What is the matter?

SCA. (_as before_). In vain I run everywhere to meet him. I

cannot find him.

GER. Here I am.

SCA. (_as before_). He must have hidden himself in some place

which nobody can guess.

GER. (_stopping_ SCAPIN _again_). Ho! I say, are you blind?

Can't you see me?

SCA. Ah! Sir, it is impossible to find you.

GER. I have been near you for the last half-hour. What is it all

about?

SCA. Sir....

GER. Well!

SCA. Your son, Sir....

GER. Well! My son....

SCA. Has met with the strangest misfortune you ever heard of.

GER. What is it?

SCA. This afternoon I found him looking very sad about something

which you had said to him, and in which you had very improperly mixed

my name. While trying: to dissipate his sorrow, we went and walked

about in the harbour. There, among other things, was to be seen a

Turkish galley. A young Turk, with a gentlemanly look about him,

invited us to go in, and held out his hand to us. We went in. He was

most civil to us; gave us some lunch, with the most excellent fruit

and the best wine you have ever seen.

GER. What is there so sad about all this?

SCA. Wait a little; it is coming. Whilst we were eating, the galley

left the harbour, and when in the open sea, the Turk made me go down

into a boat, and sent me to tell you that unless you sent by me five

hundred crowns, he would take your son prisoner to Algiers.

GER. What! five hundred crowns!

SCA. Yes, Sir; and, moreover, he only gave me two hours to find them

in.

GER. Ah! the scoundrel of a Turk to murder me in that fashion!

SCA. It is for you, Sir, to see quickly about the means of saving

from slavery a son whom you love so tenderly.

GER. What the deuce did he want to go in that galley for? {Footnote:

_Que diable allait-il faire dans cette galère?_ This sentence

has become established in the language with the meaning, "Whatever

business had he there?"}

SCA. He had no idea of what would happen.

GER. Go, Scapin, go quickly, and tell that Turk that I shall send the

police after him.

SCA. The police in the open sea! Are you joking?

GER. What the deuce did he want to go in that galley for?

SCA. A cruel destiny will sometimes lead people.

GER. Listen, Scapin; you must act in this the part of a faithful

servant.

SCA. How, Sir?

GER. You must go and tell that Turk that he must send me back my son,

and that you will take his place until I have found the sum he asks.

SCA. Ah! Sir; do you know what you are saying? and do you fancy that

that Turk will be foolish enough to receive a poor wretch like me in

your son's stead?

GER. What the deuce did he want to go in that galley for?

SCA. He could not foresee his misfortune. However, Sir, remember that

he has given me only two hours.

GER. You say that he asks....

SCA. Five hundred crowns.

GER. Five hundred crowns! Has he no conscience?

SCA. Ah! ah! Conscience in a Turk!

GER. Does he understand what five hundred crowns are?

SCA. Yes, Sir, he knows that five hundred crowns are one thousand

five hundred francs. {Footnote: The _écu_ stands usually for

_petit écu_, which equalled three franks. "Crown," employed in a

general sense, seems the only translation possible.}

GER. Does the scoundrel think that one thousand five hundred francs

are to be found in the gutter?

SCA. Such people will never listen to reason.

GER. But what the deuce did he want to go in that galley for?

SCA. Ah! what a waste of words! Leave the galley alone; remember that

time presses, and that you are running the risk of losing your son

for ever. Alas! my poor master, perhaps I shall never see you again,

and that at this very moment, whilst I am speaking to you, they are

taking you away to make a slave of you in Algiers! But Heaven is my

witness that I did all I could, and that, if you are not brought

back, it is all owing to the want of love of your father.

GER. Wait a minute, Scapin; I will go and fetch that sum of money.

SCA. Be quick, then, for I am afraid of not being in time.

GER. You said four hundred crowns; did you not?

SCA. No, five hundred crowns.

GER. Five hundred crowns!

SCA. Yes.

GER. What the deuce did he want to go in that galley for?

SCA. Quite right, but be quick.

GER. Could he not have chosen another walk?

SCA. It is true; but act promptly.

GER. Cursed galley!

SCA. (_aside_) That galley sticks in his throat.

GER. Here, Scapin; I had forgotten that I have just received this sum

in gold, and I had no idea it would so soon be wrenched from me.

(_Taking his purse out of his pocket, and making as if he were

giving it to_ SCAPIN.) But mind you tell that Turk that he is a

scoundrel.

SCA. (_holding out his hand_). Yes.

GER. (_as above_). An infamous wretch.

SCA. (_still holding out his hand_). Yes.

GER. (_as above_). A man without conscience, a thief.

SCA. Leave that to me.

GER. (_as above_). That....

SCA. All right.

GER. (_as above_). And that, if ever I catch him, he will pay

for it.

SCA. Yes.

GER. (_putting back the purse in his pocket_). Go, go quickly,

and fetch my son.

SCA. (_running after him_). Hallo! Sir.

GER. Well?

SCA. And the money?

GER. Did I not give it to you?

SCA. No, indeed, you put it back in pour pocket.

GER. Ah! it is grief which troubles my mind.

SCA. So I see.

GER. What the deuce did he want to go in that galley for? Ah! cursed

galley! Scoundrel of a Turk! May the devil take you!

SCAPIN (_alone_). He can't get over the five hundred crowns I

wrench from him; but he has not yet done with me, and I will make him

pay in a different money his imposture about me to his son.

SCENE XII.-OCTAVE, LÉANDRE, SCAPIN.

OCT. Well, Scapin, have your plans been successful?

LEA. Have you done anything towards alleviating my sorrow?

SCA. (_to_ OCTAVE). Here are two hundred pistoles I have got

from your father.

OCT. Ah! how happy you make me.

SCA. (_to_ LÉANDRE), But I could do nothing for you.

LEA. (_going away_). Then I must die, Sir, for I could not live

without Zerbinette.

SCA. Hallo! stop, stop; my goodness, how quick you are!

LEA. What can become of me?

SCA. There, there, I have all you want.

LEA. Ah! you bring me back to life again.

SCA. But I give it you only on one condition, which is that you will

allow me to revenge myself a little on your father for the trick he

has played me.

LEA. You may do as you please.

SCA. You promise it to me before witnesses?

LEA. Yes.

SCA. There, take these five hundred crowns.

LEA. Ah! I will go at once and buy her whom I adore.

ACT III.

SCENE I.--ZERBINETTE, HYACINTHA, SCAPIN, SILVESTRE.

SIL. Yes; your lovers have decided that you should be together, and

we are acting according to their orders.

HYA. (_to_ ZERBINETTE). Such an order has nothing in it but

what is pleasant to me. I receive such a companion with joy, and it

will not be my fault if the friendship which exists between those we

love does not exist also between us two.

ZER. I accept the offer, and I am not one to draw back when

friendship is asked of me.

SCA. And when it is love that is asked of you?

ZER. Ah! love is a different thing. One runs more risk, and I feel

less determined.

SCA. You are determined enough against my master, and yet what he

has just done for you ought to give you confidence enough to respond

to his love as you should.

ZER. As yet I only half trust him, and what he has just done is not

sufficient to reassure me. I am of a happy disposition, and am very

fond of fun, it is true. But though I laugh, I am serious about many

things; and your master will find himself deceived if he thinks that

it is sufficient for him to have bought me, for me to be altogether

his. He will have to give something else besides money, and for me

to answer to his love as he wishes me, he must give me his word,

with an accompaniment of certain little ceremonies which are thought

indispensable.

SCA. It is so he understands this matter. He only wants you as his

wife, and I am not a man to have mixed in this business if he had

meant anything else.

ZER. I believe it since you say so; but I foresee certain

difficulties with the father.

SCA. We shall find a way of settling that.

HYA. (_to_ ZERBINETTE). The similarity of our fate ought to

strengthen the tie of friendship between us. We are both subject to

the same fears, both exposed to the same misfortune.

ZER. You have this advantage at least that you know who your parents

are, and that, sure of their help, when you wish to make them known,

you can secure your happiness by obtaining a consent to the marriage

you have contracted. But I, on the contrary, have no such hope to

fall back upon, and the position I am in is little calculated to

satisfy the wishes of a father whose whole care is money.

HYA. That is true; but you have this in your favour, that the one

you love is under no temptation of contracting another marriage.

ZER. A change in a lover's heart is not what we should fear the

most. We may justly rely on our own power to keep the conquest we

have made; but what I particularly dread is the power of the

fathers; for we cannot expect to see them moved by our merit.

HYA. Alas! Why must the course of true love never run smooth? How

sweet it would be to love with no link wanting in those chains which

unite two hearts.

SCA. How mistaken you are about this! Security in love forms a very

unpleasant calm. Constant happiness becomes wearisome. We want ups

and downs in life; and the difficulties which generally beset our

path in this world revive us, and increase our sense of pleasure.

ZER. Do tell us, Scapin, all about that stratagem of yours, which, I

was told, is so very amusing; and how you managed to get some money

out of your old miser. You know that the trouble of telling me

something amusing is not lost upon me, and that I well repay those

who take that trouble by the pleasure it gives me.

SCA. Silvestre here will do that as well as I. I am nursing in my

heart a certain little scheme of revenge which I mean to enjoy

thoroughly.

SIL. Why do you recklessly engage in enterprises that may bring you

into trouble?

SCA. I delight in dangerous enterprises.

SIL. As I told you already, you would give up the idea you have if

you would listen to me.

SCA. I prefer listening to myself.

SIL. Why the deuce do you engage in such a business?

SCA. Why the deuce do you trouble yourself about it?

SIL. It is because I can see that you will without necessity bring a

storm of blows upon yourself.

SCA. Ah, well, it will be on my shoulders, and not on yours.

SIL. It is true that you are master of your own shoulders, and at

liberty to dispose of them as you please.

SCA. Such dangers never stop me, and I hate those fearful hearts

which, by dint of thinking of what may happen, never undertake

anything.

ZER. (_to_ SCAPIN). But we shall want you.

SCA. Oh, yes! but I shall soon be with you again. It shall never be

said that a man has with impunity put me into a position of

betraying myself, and of revealing secrets which it were better

should not be known.

The Impostures of Scapin · 第 1 / 14 章