CHAPTER XXIX.

All school-days' friendship, childhood innocence,

We, Hermia, like two artificial gods,

Have with our needles created both one flower,

Both on one sampler, sitting on one cushion,

Both warbling of one song, both in one key,

As if our hands, our sides, voices, and minds,

Had been incorporate.

A Midsummer Nights Dream.

JULIA MANNERING TO MATILDA MARCHMONT.

How can you upbraid me, my dearest Matilda, with abatement in

friendship, or fluctuation in affection? Is it possible for me to

forget that you are the chosen of my heart, in whose faithful bosom

I have deposited every feeling which your poor Julia dares to

acknowledge to herself? And you do me equal injustice in upbraiding

me with exchanging your friendship for that of Lucy Bertram. I

assure you she has not the materials I must seek for in a bosom

confidante. She is a charming girl, to be sure, and I like her very

much, and I confess our forenoon and evening engagements have left

me less time for the exercise of my pen than our proposed

regularity of correspondence demands. But she is totally devoid of

elegant accomplishments, excepting the knowledge of French and

Italian, which she acquired from the most grotesque monster you

ever beheld, whom my father has engaged as a kind of librarian, and

whom he patronises, I believe, to show his defiance of the world's

opinion. Colonel Mannering seems to have formed a determination,

that nothing shall be considered as ridiculous, so long as it

appertains to or is connected with him. I remember in India he had

picked up somewhere a little mongrel cur, with bandy legs, a long

back, and huge flapping cars. Of this uncouth creature he chose to

make a favourite, in despite of all taste and opinion; and I

remember one instance which he alleged, of what he called Brown's

petulance, was, that he had criticised severely the crooked legs

and drooping ears of Bingo. On my word, Matilda, I believe he

nurses his high opinion of this most awkward of all pedants upon a

similar principle. He seats the creature at table, where he

pronounces a grace that sounds like the scream of the man in the

square that used to cry mackerel, flings his meat down his throat

by shovelfuls, like a dustman loading his cart, and apparently

without the most distant perception of what he is swallowing,--then

bleats forth another unnatural set of tones, by way of returning

thanks, stalks out of the room, and immerses himself among a parcel

of huge worm-eaten folios that are as uncouth as himself! I could

endure the creature well enough, had I anybody to laugh at him

along with me; but Lucy Bertram, if I but verge on the border of a

jest affecting this same Mr. Sampson (such is the horrid man's

horrid name), looks so piteous, that it deprives me of all spirit

to proceed, and my father knits his brow, flashes fire from his

eye, bites his lip, and says something that is extremely rude, and

uncomfortable to my feelings.

"It was not of this creature, however, that I meant to speak to

you--only that, being a good scholar in the modern, as well as the

ancient languages, he has contrived to make Lucy Bertram mistress

of the former, and she has only, I believe, to thank her own good

sense or obstinacy, that the Greek, Latin (and Hebrew, for aught I

know), were not added to her acquisitions. And thus she really has

a great fund of information, and I assure you I am daily surprised

at the power which she seems to possess of amusing herself by

recalling and arranging the subjects of her former reading. We read

together every morning, and I begin to like Italian much better

than when we were teased by that conceited animal Cicipici,--this

is the way to spell his name, and not Chichipichi--you see I grow a

connoisseur.

'" But perhaps I like Miss Bertram more for the accomplishments

she wants, than for the knowledge she possesses. She knows nothing

of music whatever, and no more of dancing than is here common to

the meanest peasants, who, by the way, dance with great zeal and

spirit. So that I am instructor in my turn, and she takes with

great gratitude lessons from me upon the harpsichord, and I have

even taught her some of La Pique's steps, and you know he thought

me a promising scholar.

"In the evening papa often reads, and I assure you he is the best

reader of poetry you ever heard--not like that actor, who made a

kind of jumble between reading and acting, staring, and bending his

brow, and twisting his face, and gesticulating as if he were on the

stage, and dressed out in all his costume. My father's manner is

quite different--it is the reading of a gentleman, who produces

effect by feeling, taste, and inflection of voice, not by action or

mummery. Lucy Bertram rides remarkably well, and I can now

accompany her on horseback, having become emboldened by example. We

walk also a good deal in spite of the cold--So, upon the whole I

have not quite so much time for writing as I used to have.

"Besides, my love, I must really use the apology of all stupid

correspondents, that I have nothing to say. My hopes, my fears, my

anxieties about Brown are of a less interesting cast, since I know

that he is at liberty, and in health. Besides, I must own, I think

that by this time the gentleman might have given me some intimation

what he was doing. Our intercourse may, be an imprudent one, but

it is not very complimentary to me, that Mr. Vanbeest Brown should

be the first to discover that such is the case, and. to break off

in consequence. I can promise him that we might not differ much in

opinion should that happen to be his, for I have sometimes thought

I have behaved extremely foolishly in that matter. Yet I have so

good an opinion of poor Brown, that I cannot but think there is

something extraordinary in his silence.

"To return to Lucy Bertram--No, my dearest Matilda, she can never,

never rival you in my regard, so that all your affectionate

jealousy on that account is without foundation. She is, to be sure,

a very pretty, a very sensible, a very affectionate girl, and I

think there are few persons to whose consolatory friendship I could

have recourse more freely in what are called the real evils of

life. But then these so seldom come in one's way, and one wants a

friend who will sympathise with distresses of sentiment, as well as

with actual misfortune. Heaven knows, and you know, my dearest

Matilda, that these diseases of the heart require the balm of

sympathy and affection as much as the evils of a more obvious and

determinate character. Now Lucy Bertram has nothing of this kindly

sympathy--nothing at all, my dearest Matilda. Were I sick of a

fever, she would sit up night after night to nurse me with the most

unrepining patience; but with the fever of the heart, which my

Matilda has soothed so often, she has no more sympathy than her old

tutor. And yet, what provokes me is, that the demure monkey

actually has a lover of her own, and that their mutual affection

(for mutual I take it to be) has a great deal of complicated and

romantic interest. She was once, you must know, a great heiress,

but was ruined by the prodigality of her father, and the villainy

of a horrid man in whom he confided. And one of the handsomest

young gentlemen in the country is attached to her; but as he is

heir to a great estate, she discourages his addresses on account of

the disproportion of their fortune.

"But with all this moderation, and self-denial, and modesty, and so

forth, Lucy is a sly girl--I am sure she loves young Hazlewood, and

I am sure he has some guess of that, and would probably bring her

to acknowledge it too, if my father or she would allow him an

opportunity. But you must know the Colonel is always himself in

the way to pay Miss Bertram those attentions which afford the best

indirect opportunities for a young gentleman in Hazlewood's

situation. I would have my good papa take care that he does not

himself pay the usual penalty of meddling folks. I assure you, if

I were Hazlewood, I should look on his compliments, his bowings,

his cloakings, his shawlings, and his handings, with some little

suspicion; and truly I think Hazlewood does so too at some odd

times. Then imagine what a silly figure your poor Julia makes on

such occasions! Here is my father making the agreeable to my

friend; there is young Hazlewood watching every word of her lips,

and every motion of her eye; and I have not the poor satisfaction

of interesting a human being--not even the exotic monster of a

parson, for even he sits with his mouth open, and his huge round

goggling eyes fixed like those of a statue, admiring--Mess

Baartram!

"All this makes me sometimes a little nervous, and sometimes a

little mischievous. I was so provoked at my father and the lovers

the other day for turning me completely out of their thoughts and

society, that I began an attack on Hazlewood, from which it was

impossible for him, in common civility, to escape. He insensibly

became warm in his defence--I assure you, Matilda, he is a very

clever, as well as a very handsome young man, and I don't think I

ever remember having seen him to the same advantage--when, behold,

in the midst of our lively conversation, a very soft sigh from Miss

Lucy reached my not ungratified ears. I was greatly too generous

to prosecute my victory any further, even if I had not been afraid

of papa. Luckily for me, he had at that moment got into a long

description of the peculiar notions and manners of a certain tribe

of Indians, who live far up the country, and was illustrating them

by making drawings on Miss Bertram's work-patterns, three of which

he utterly damaged, by introducing among the intricacies of the

pattern his specimens of Oriental costume. But I believe she

thought as little of her own gown at the moment as of the India

turbans and cummerbands. However, it was quite as well for me that

he did not see all the merit of my little manoeuvre, for he is as

sharp-sighted as a hawk, and a sworn enemy to the slightest shade

of coquetry.

"Well, Matilda, Hazlewood heard this same half-audible sigh, and

instantly repented his temporary attentions to such an unworthy

object as your Julia, and, with a very comical expression of

consciousness, drew near to Lucy's work-table. He made some

trifling observation, and her reply was one in which nothing but an

ear as acute as that of a lover, or a curious observer like myself,

could have distinguished anything more cold and dry than usual. But

it conveyed reproof to the self-accusing hero, and he stood abashed

accordingly. You will admit that I was called upon in generosity

to act as mediator. So I mingled in the conversation, in the quiet

tone of an unobserving and uninterested third party, led them into

their former habits of easy chat, and, after having served awhile

as the channel of communication through which they chose to address

each other, set them down to a pensive game at chess, and very

dutifully went to tease papa, who was still busied with his

drawings. The chess-players, you must observe, were placed near

the chimney, beside a little work-table, which held the board and

men, the Colonel, at some distance, with lights upon a library

table,--for it is a large old-fashioned room, with several

recesses, and hung with grim tapestry, representing what it might

have puzzled the artist himself to explain.

'Is chess a very interesting game, papa?'

'I am told so,' without honouring me with much of his notice. "'I

should think so, from the attention Mr. Hazlewood and Lucy are

bestowing on it.'

"He raised his head hastily, and held his pencil suspended for an

instant. Apparently he saw nothing that excited his suspicions,

for he was resuming the folds of a Mahratta's turban in

tranquility, when I interrupted him with--'How old is Miss Bertram,

sir?'

'How should I know, Miss? about your own age, I suppose.'

"'Older, I should think, sir. You are always telling me how much

more decorously she goes through all the honours of the

tea-table--Lord, papa, what if you should give her a right to

preside once and for ever!'

'Julia, my, dear,' returned papa 'you are either a fool outright,

or you are more disposed to make mischief than I have yet believed

you.'

"'Oh, my dear. sir! put your best construction upon it--I would

not be thought. a. fool for all the world. '

'Then why do you talk like one?' said my father.

'Lord, sir, I am sure there is nothing so foolish in what I said

just now--everybody knows you are a very handsome man' (a smile

was just visible), 'that is, for your time of life' (the dawn was

over-cast), 'which is far from being advanced, and I am sure I

don't know why you should not please yourself, if you have a

mind. I am sensible I am but a thoughtless girl, and if a graver

companion could render you more happy--'

"There was a mixture of displeasure and grave affection in the

manner in which my father took my hand, that was a severe reproof

to me for trifling with his feelings. 'Julia,' he said, 'I bear

with much of your petulance, because I think I have in some degree

deserved it, by neglecting to superintend your education

sufficiently closely. Yet I would not have you give it the rein

upon a subject so delicate. If you do not respect the feelings of

your surviving parent towards the memory of her whom you have lost,

attend at least to the sacred claims of misfortune; and observe,

that the slightest hint of such a jest reaching Miss Bertram's ears

would at once induce her to renounce her present asylum, and go

forth, without a protector, into a world she has already felt so

unfriendly.'

'What could I say to this, Matilda?--I only cried heartily, begged

pardon, and promised to be a good girl in future. And so here am I

neutralised again, for I cannot, in honour, or common good-nature,

tease poor Lucy by interfering with Hazlewood, although she has so

little confidence in me; and neither can I, after this grave

appeal, venture again upon such delicate ground with papa. So I

burn little rolls of paper, and sketch Turks' heads upon visiting

cards with the blackened end--I assure you I succeeded in making a

superb Hyder-Ally last night--and I jingle on my unfortunate

harpsichord, and begin at the end of a grave book and read it

backward.--After all, I begin to be very much vexed about Brown's

silence. Had he been obliged to leave the country, I am sure he

would at least have written to me--Is it possible that my father

can have intercepted his letters? But no--that is contrary to all

his principles--I don't think he would open a letter addressed to

me to-night, to prevent my jumping out of window to-morrow--What an

expression I have suffered to escape my pen! I should he ashamed

of it, even to you, Matilda, and used in jest. But I need not take

much merit for acting as I ought to do; this same Mr. Vanbeest

Brown is by no means so very ardent a lover as to hurry the object

of his attachment into such inconsiderate steps. He gives one full

time to reflect, that must be admitted. However, I will not blame

him unheard, nor permit myself to doubt the manly firmness of a

character which I have so often extolled to you. Were he capable

of doubt, of fear, of the shadow of change, I should have little to

regret.

"And why, you will say, when I expect such steady and unalterable

constancy from a lover, why should I be anxious about what

Hazlewood does, or to whom he offers his attentions?--I ask myself

the questions a hundred times a day, and it only receives the very

silly answer, that one does not like to be neglected, though one

would not encourage a serious infidelity.

"I write all these trifles, because you say that they amuse

you,--and yet I wonder how they should. I remember, in our stolen

voyages to the world of fiction, you always admired the grand and

the romantic--tales of knights, dwarfs, giants, and distressed

damsels, soothsayers, visions, beckoning ghosts, and bloody

hands,--whereas I was partial to the involved intrigues of private

life, or at furthest, to so much only of the supernatural as is

conferred by the agency of an Eastern genie or a beneficent fairy.

You would have loved to shape your course of life over the broad

ocean, with its dead calms and howling tempests, its, tornadoes,

and its billows mountain-high,--whereas I should like to trim my

little pinnace to a brisk breeze in some inland lake or tranquil

bay where there was just difficulty of navigation sufficient to

give interest and to require skill, without any sensible degree of

danger. So that, upon the whole, Matilda, I think you should have

had my father, with his pride of arms and of ancestry, his

chivalrous point of honour, his high talents, and his abstruse and

mystic studies--You should have had Lucy Bertram too for your

friend, whose fathers, with names which alike defy memory and

orthography, ruled over this romantic country, and whose birth took

place, as I have been indistinctly informed, under circumstances of

deep and peculiar interest--You should have had, too, our Scottish

residence, surrounded by mountains, and our lonely walks to haunted

ruins--And I should have had, in exchange, the lawns and shrubs,

and greenhouses, and conservatories, of Pine Park, with your, good,

quiet, indulgent aunt, her chapel in the morning, her nap after

dinner, her hand at whist in the evening, not forgetting her fat

coach-horses and fatter coachman. Take notice, however, that Brown

is not included in this proposed barter of mine--his good-humour,

lively conversation, and open gallantry, suit my plan of life, as

well as his athletic form, handsome features, and high spirit,

would accord with a character of chivalry. So as we cannot change

altogether out and out, I think we must e'en abide as we are."

Guy Mannering · 第 29 / 57 章