After a moment Olivier, still busy with his own thoughts, said:
"Are you tired, too, father?"
"Yes, my boy."
The boy replied affectionately:
"You must not tire yourself out so much, father."
M. Jeannin drew Olivier towards him, and held him to his breast and
murmured:
"My poor boy!..."
But already Olivier's thoughts had flown off on another tack. The church
clock chimed eight o'clock. He broke away, and said:
"I'm going to read."
On Thursdays he was allowed to read for an hour after dinner, until
bedtime: it was his greatest joy: and nothing in the world could induce him
to sacrifice a minute of it.
M. Jeannin let him go. He walked up and down the terrace for a little in
the dark. Then he, too, went in.
In the room his wife and the two children were sitting round the lamp.
Antoinette was sewing a ribbon on to a blouse, talking and humming the
while, to Olivier's obvious discomfort, for he was stopping his ears with
his fists so as not to hear, while he pored over his book with knitted
brows, and his elbows on the table. Madame Jeannin was mending stockings
and talking to the old nurse, who was standing by her side and giving an
account of her day's expenditure, and seizing the opportunity for a little
gossip: she always had some amusing tale to tell in her extraordinary
lingo, which used to make them roar with laughter, while Antoinette would
try to imitate her. M. Jeannin watched them silently. No one noticed him.
He wavered for a moment, sat down, took up a book, opened it at random,
shut it again, got up: he could not sit still. He lit a candle and said
good-night. He went up to the children and kissed them fondly: they
returned his kiss absently without looking up at him,--Antoinette being
absorbed in her work, and Olivier in his book. Olivier did not even
take his hands from his ears, and grunted "Good-night," and went on
reading:--(when he was reading even if one of his family had fallen into
the fire, he would not have looked up).--M. Jeannin left the room. He
lingered in the next room, for a moment. His wife came out soon, the old
nurse having gone to arrange the linen-cupboard. She pretended not to see
him. He hesitated, then came up to her, and said:
"I beg your pardon. I was rather rude just now."
She longed to say to him:
"My dear, my dear, that is nothing: but, tell me, what is the matter with
you? Tell me, what is hurting you so?"
But she jumped at the opportunity of taking her revenge, and said:
"Let me be! You have been behaving odiously. You treat me worse than you
would a servant."
And she went on in that strain, setting forth all her grievances volubly,
shrilly, rancorously.
He raised his hands wearily, smiled bitterly, and left her.
* * * * *
No one heard the report of the revolver. Only, next day, when it was known
what had happened, a few of the neighbors remembered that, in the middle of
the night, when the streets were quiet, they had noticed a sharp noise like
the cracking of a whip. They did not pay any attention to it. The silence
of the night fell once more upon the town, wrapping both living and dead
about with its mystery.
Madame Jeannin was asleep, but woke up an hour or two later. Not seeing her
husband by her side she got up and went anxiously through all the rooms,
and downstairs to the offices of the bank, which were in an annex of the
house: and there, sitting in his chair in his office, she found M. Jeannin
huddled forward on his desk in a pool of blood, which was still dripping
down on to the floor. She gave a scream, dropped her candle, and fainted.
She was heard in the house. The servants came running, picked her up, took
care of her, and laid the body of M. Jeannin on a bed. The door of the
children's room was locked. Antoinette was sleeping happily. Olivier heard
the sound of voices and footsteps: he wanted to go and see what it was all
about: but he was afraid of waking his sister, and presently he went to
sleep again.
Next morning the news was all over the town before they knew anything.
Their old nurse came sobbing and told them. Their mother was incapable of
thinking of anything: her condition was critical. The two children were
left alone in the presence of death. At first they were more fearful than
sorrowful. And they were not allowed to weep in peace. The cruel legal
formalities were begun the first thing in the morning. Antoinette hid
away in her room, and with all the force of her youthful egoism clung
to the only idea which could help her to thrust back the horror of the
overwhelming reality: the thought of her lover: all day long she waited for
him to come. Never had he been more ardent than the last time she had seen
him, and she had no doubt that, as soon as he heard of the catastrophe, he
would hasten to share her grief.--But nobody came, or wrote, or gave one
sign of sympathy. As soon as the news of the suicide was out, people who
had intrusted their money to the banker rushed to the Jeannins' house,
forced their way in, and, with merciless cruelty, stormed and screamed at
the widow and the two children.
In a few days they were faced with their utter ruin: the loss of a dear
one, the loss of their fortune, their position, their public esteem, and
the desertion of their friends. A total wreck. Nothing was left to provide
for them. They had all three an uncompromising feeling for moral purity,
which made their suffering all the greater from the dishonor of which they
were innocent. Of the three Antoinette was the most distraught by their
sorrow, because she had never really known suffering. Madame Jeannin
and Olivier, though they were racked by it, were more inured to it.
Instinctively pessimistic, they were overwhelmed but not surprised. The
idea of death had always been a refuge to them, as it was now, more than
ever: they longed for death. It is pitiful to be so resigned, but not so
terrible as the revolt of a young creature, confident and happy, loving
every moment of her life, who suddenly finds herself face to face with such
unfathomable, irremediable sorrow, and death which is horrible to her....
Antoinette discovered the ugliness of the world in a flash. Her eyes were
opened: she saw life and human beings as they are: she judged her father,
her mother, and her brother. While Olivier and Madame Jeannin wept
together, in her grief she drew into herself. Desperately she pondered the
past, the present, and the future: and she saw that there was nothing left
for her, no hope, nothing to support her: she could count on no one.
The funeral took place, grimly, shamefully. The Church refused to receive
the body of the suicide. The widow and orphans were deserted by the
cowardice of their former friends. One or two of them came for a moment:
and their embarrassment was even harder to bear than the absence of the
rest. They seemed to make a favor of it, and their silence was big with
reproach and pitying contempt. It was even worse with their relations:
not only did they receive no single word of sympathy, but they were
visited with bitter reproaches. The banker's suicide, far from removing
ill-feeling, seemed to be hardly less criminal than his failure.
Respectable people cannot forgive those who kill themselves. It seems to
them monstrous that a man should prefer death to life with dishonor: and
they would fain call down all the rigor of the law on him who seems to say:
"There is no misery so great as that of living with you."
The greatest cowards are not the least ready to accuse him of cowardice.
And when, in addition, the suicide, by ending his life, touches their
interests and their revenge, they lose all control.--Not for one moment did
they think of all that the wretched Jeannin must have suffered to come to
it. They would have had him suffer a thousand times more. And as he had
escaped them, they transferred their fury to his family. They did not admit
it to themselves: for they knew they were unjust. But they did it all the
same, for they needed a victim.
Madame Jeannin, who seemed to be able to do nothing but weep and moan,
recovered her energy when her husband was attacked. She discovered then how
much she had loved him: and she and her two children, who had no idea what
would become of them in the future, all agreed to renounce their claim to
her dowry, and to their own personal estate, in order, as far as possible,
to meet M. Jeannin's debts. And, since it had become impossible for them to
stay in the little town, they decided to go to Paris.
* * * * *
Their departure was something in the nature of a flight.
On the evening of the day before,--(a melancholy evening towards the end
of September: the fields were disappearing behind the white veil of mist,
out of which, as they walked along the road, on either side the fantastic
shapes of the dripping, shivering bushes started forth, looking like the
plants in an aquarium),--they went together to say farewell to the grave
where he lay. They all three knelt on the narrow curbstone which surrounded
the freshly turned patch of earth. They wept in silence; Olivier sobbed.
Madame Jeannin mopped her eyes mournfully. She augmented her grief and
tortured herself by saying to herself over and over again the words she had
spoken to her husband the last time she had seen him alive. Olivier thought
of that last conversation on the seat on the terrace. Antoinette wondered
dreamily what would become of them. None of them ever dreamed of
reproaching the wretched man who had dragged them down in his own ruin. But
Antoinette thought:
"Ah! dear father, how we shall suffer!"
The mist grew more dense, the cold damp pierced through to their bones. But
Madame Jeannin could not bring herself to go. Antoinette saw that Olivier
was shivering and she said to her mother:
"I am cold."
They got up. Just as they were going, Madame Jeannin turned once more
towards the grave, gazed at it for the last time, and said:
"My dear, my dear!"
They left the cemetery as night was falling. Antoinette held Olivier's icy
hand in hers.
They went back to the old house. It was their last night under the
roof-tree where they had always slept, where their lives and the lives of
their parents had been lived--the walls, the hearth, the little patch of
earth were so indissolubly linked with the family's joys and sorrows, as
almost themselves to be part of the family, part of their life, which they
could only leave to die.
Their boxes were packed. They were to take the first train next day before
the shops were opened: they wanted to escape their neighbors' curiosity and
malicious remarks.--They longed to cling to each other and stay together:
but they went instinctively to their rooms and stayed there: there they
remained standing, never moving, not even taking off their hats and cloaks,
touching the walls, the furniture, all the things they were going to leave,
pressing their faces against the window-panes, trying to take away with
them in memory the contact of the things they loved. At last they made an
effort to shake free from the absorption of their sorrowful thoughts and
met in Madame Jeannin's room,--the family room, with a great recess at the
back, where, in old days, they always used to foregather in the evening,
after dinner, when there were no visitors. In old days!... How far off they
seemed now!--They sat silently round the meager fire: then they all knelt
by the bed and said their prayers: and they went to bed very early, for
they had to be up before dawn. But it was long before they slept.
About four o'clock in the morning Madame Jeannin, who had looked at her
watch every hour or so to see whether it was not time to get ready, lit her
candle and got up. Antoinette, who had hardly slept at all, heard her and
got up too. Olivier was fast asleep. Madame Jeannin gazed at him tenderly
and could not bring herself to wake him. She stole away on tiptoe and said
to Antoinette:
"Don't make any noise: let the poor boy enjoy his last moments here!"
The two women dressed and finished their packing. About the house hovered
the profound silence of the cold night, such a night as makes all living
things, men and beasts, cower away for warmth into the depths of sleep.
Antoinette's teeth were chattering: she was frozen body and soul.
The front door creaked upon the frozen air. The old nurse, who had the key
of the house, came for the last time to serve her employers. She was short
and fat, short-winded, and slow-moving from her portliness, but she was
remarkably active for her age: she appeared with her jolly face muffled
up, and her nose was red, and her eyes were wet with tears. She was
heart-broken when she saw that Madame Jeannin had got up without waiting
for her, and had herself lit the kitchen fire.--Olivier woke up as she came
in. His first impulse was to close his eyes, turn over, and go to sleep
again. Antoinette came and laid her hand gently on her brother's shoulder,
and she said in a low voice:
"Olivier, dear, it is time to get up."
He sighed, opened his eyes, saw his sister's face leaning over him: she
smiled sadly and caressed his face with her hand. She said:
"Come!"
He got up.
They crept out of the house, noiselessly, like thieves. They all had
parcels in their hands. The old nurse went in front of them trundling their
boxes in a wheelbarrow. They left behind almost all their possessions, and
took away, so to speak, only what they had on their backs and a change
of clothes. A few things for remembrance were to be sent after them by
goods-train: a few books, portraits, the old grandfather's clock, whose
tick-tock seemed to them to be the beating of their hearts.--The air was
keen. No one was stirring in the town: the shutters were closed and the
streets empty. They said nothing: only the old servant spoke. Madame
Jeannin was striving to fix in her memory all the images which told her of
all her past life.
At the station, out of vanity, Madame Jeannin took second-class tickets,
although she had vowed to travel third: but she had not the courage to face
the humiliation in the presence of the railway clerks who knew her. She
hurried into an empty compartment with her two children and shut the door.
Hiding behind the curtains they trembled lest they should see any one they
knew. But no one appeared: the town was hardly awake by the time they
left: the train was empty: there were only a few peasants traveling by
it, and some oxen, who hung their heads out of their trucks and bellowed
mournfully. After a long wait the engine gave a slow whistle, and the train
moved on through the mist. The fugitives drew the curtains and pressed
their faces against the windows to take a last long look at the little
town, with its Gothic tower just appearing through the mist, and the hill
covered with stubby fields, and the meadows white and steaming with the
frost; already it was a distant dream-landscape, fading out of existence.
And when the train turned a bend and passed into a cutting, and they could
no longer see it, and were sure there was no one to see them, they gave way
to their emotion. With her handkerchief pressed to her lips Madame Jeannin
sobbed. Olivier flung himself into her arms and with his head on her knees
he covered her hands with tears and kisses. Antoinette sat at the other end
of the compartment and looked out of the window and wept in silence. They
did not all weep for the same reason. Madame Jeannin and Olivier were
thinking only of what they had left behind them. Antoinette was thinking
rather of what they were going to meet: she was angry with herself: she,
too, would gladly have been absorbed in her memories....--She was right to
think of the future: she had a truer vision of the world than her mother
and brother. They were weaving dreams about Paris. Antoinette herself had
little notion of what awaited them there. They had never been there. Madame
Jeannin imagined that, though their position would be sad enough, there
would be no reason for anxiety. She had a sister in Paris, the wife of a
wealthy magistrate: and she counted on her assistance. She was convinced
also that with the education her children had received and their natural
gifts, which, like all mothers, she overestimated, they would have no
difficulty in earning an honest living.
* * * * *
Their first impressions were gloomy enough. As they left the station they
were bewildered by the jostling crowd of people in the luggage-room and the
confused uproar of the carriages outside. It was raining. They could not
find a cab, and had to walk a long way with their arms aching with their
heavy parcels, so that they had to stop every now and then in the middle
of the street at the risk of being run over or splashed by the carriages.
They could not make a single driver pay any attention to them. At last
they managed to stop a man who was driving an old and disgustingly dirty
barouche. As they were handing in the parcels they let a bundle of rugs
fall into the mud. The porter who carried the trunk and the cabman
traded on their ignorance, and made them pay double. Madame Jeannin gave
the address of one of those second-rate expensive hotels patronized by
provincials who go on going to them, in spite of their discomfort, because
their grandfathers went to them thirty years ago. They were fleeced there.
They were told that the hotel was full, and they were accommodated with one
small room for which they were charged the price of three. For dinner they
tried to economize by avoiding the table d'hôte: they ordered a modest
meal, which cost them just as much and left them famishing. Their illusions
concerning Paris had come toppling down as soon as they arrived. And,
during that first night in the hotel, when they were squeezed into one
little, ill-ventilated room, they could not sleep: they were hot and cold
by turns, and could not breathe, and started at every footstep in the
corridor, and the banging of the doors, and the furious ringing of the
electric bells: and their heads throbbed with the incessant roar of the
carriages and heavy drays: and altogether they felt terrified of the
monstrous city into which they had plunged to their utter bewilderment.
Next day Madame Jeannin went to see her sister, who lived in a luxurious
flat in the _Boulevard Hausmann_. She hoped, though she did not say so,
that they would be invited to stay there until they had found their feet.
The welcome she received was enough to undeceive her. The Poyet-Delormes
were furious at their relative's failure: especially Madame Delorme, who
was afraid that it would be set against her, and might injure her husband's
career, and she thought it shameless of the ruined family to come and
cling to them, and compromise them even more. The magistrate was of the
same opinion: but he was a kindly man: he would have been more inclined
to help, but for his wife's intervention--to which he knuckled under.
Madame Poyet-Delorme received her sister with icy coldness. It cut Madame
Jeannin to the heart: but she swallowed down her pride: she hinted at the
difficulty of her position and the assistance she hoped to receive from the
Poyets. Her sister pretended not to understand, and did not even ask her to
stay to dinner: they were ceremoniously invited to dine at the end of the
week. The invitation did not come from Madame Poyet either, but from the
magistrate, who was a little put out at his wife's treatment of her sister,
and tried to make amends for her curtness: he posed as the good-natured
man: but it was obvious that it did not come easily to him and that he was
really very selfish. The unhappy Jeannins returned to their hotel without
daring to say what they thought of their first visit.
They spent the following days in wandering about Paris, looking for a fiat:
they were worn out with going up stairs, and disheartened by the sight of
the great barracks crammed full of people, and the dirty stairs, and the
dark rooms, that seemed so depressing to them after their own big house in
the country. They grew more and more depressed. And they were always shy
and timid in the streets, and shops, and restaurants, so that they were
cheated at every turn. Everything they asked for cost an exorbitant sum: it
was as though they had the faculty of turning everything they touched into
gold: only, it was they who had to pay out the gold. They were incredibly
simple and absolutely incapable of looking after themselves.
Though there was little left to hope for from Madame Jeannin's sister, the
poor lady wove illusions about the dinner to which they were invited. They
dressed for it with fluttering hearts. They were received as guests, and
not as relations--though nothing more was expended on the dinner than the
ceremonious manner. The children met their cousins, who were almost the
same age as themselves, but they were not much more cordial than their
father and mother. The girl was very smart and coquettish, and spoke to
them with a lisp and a politely superior air, with affectedly honeyed
manners which disconcerted them. The boy was bored by this duty-dinner with
their poor relations: and he was as surly as could be. Madame Poyet-Delorme
sat up stiffly in her chair, and, even when she handed her a dish, seemed
to be reading her sister a lesson. Madame Poyet-Delorme talked trivialities
to keep the conversation from becoming serious. They never got beyond
talking of what they were eating for fear of touching upon any intimate
and dangerous topic. Madame Jeannin made an effort to bring them round to
the subject next her heart: Madame Poyet-Delorme cut her short with some
pointless remark, and she had not the courage to try again.
After dinner she made her daughter play the piano by way of showing off her
talents. The poor girl was embarrassed and unhappy and played execrably.
The Poyets were bored and anxious for her to finish. Madame Poyet exchanged
glances with her daughter, with an ironic curl of her lips: and as the
music went on too long she began to talk to Madame Jeannin about nothing in
particular. At last Antoinette, who had quite lost her place, and saw to
her horror that, instead of going on, she had begun again at the beginning,
and that there was no reason why she should ever stop, broke off suddenly,
and ended with two inaccurate chords and a third which was absolutely
dissonant. Monsieur Poyet said:
"Bravo!"
And he asked for coffee.
Madame Poyet said that her daughter was taking lessons with Pugno: and the
young lady "who was taking lessons with Pugno" said:
"Charming, my dear...."
And asked where Antoinette had studied.
The conversation dropped. They had exhausted the knick-knacks in the
drawing-room and the dresses of Madame and Mademoiselle Poyet. Madame
Jeannin said to herself:
"I must speak now. I must...."
And she fidgeted. Just as she had pulled herself together to begin, Madame
Poyet mentioned casually, without any attempt at an apology, that they were
very sorry but they had to go out at half-past nine: they had an invitation
which they had been unable to decline. The Jeannins were at a loss, and
got up at once to go. The Poyets made some show of detaining them. But
a quarter of an hour later there was a ring at the door: the footman
announced some friends of the Poyets, neighbors of theirs, who lived in the
flat below. Poyet and his wife exchanged glances, and there were hurried
whisperings with the servants. Poyet stammered some excuse, and hurried
the Jeannins into the next room. (He was trying to hide from his friends
the existence, and the presence in his house, of the compromising family.)
The Jeannins were left alone in a room without a fire. The children were
furious at the affront. Antoinette had tears in her eyes and insisted on
their going. Her mother resisted for a little: but then, after they had
waited for some time, she agreed. They went out. In the hall they were
caught by Poyet, who had been told by a servant, and he muttered excuses:
he pretended that he wanted them to stay: but it was obvious that he was
only eager for them to go. He helped them on with their cloaks, and hurried
them to the door with smiles and handshakes and whispered pleasantries, and
closed the door on them. When they reached their hotel the children burst
into angry tears. Antoinette stamped her foot, and swore that she would
never enter their house again.
Madame Jeannin took a flat on the fourth floor near the _Jardin des
Plantes_. The bedrooms looked on to the filthy walls of a gloomy courtyard:
the dining-room and the drawing-room--(for Madame Jeannin insisted on
having a drawing-room)--on to a busy street. All day long steam-trams went
by and hearses crawling along to the Ivry Cemetery. Filthy Italians, with a
horde of children, loafed about on the seats, or spent their time in shrill
argument. The noise made it impossible to have the windows open: and in the
evening, on their way home, they had to force their way through crowds of
bustling, evil-smelling people, cross the thronged and muddy streets, pass
a horrible pothouse, that was on the ground floor of the next house, in
the door of which there were always fat, frowsy women with yellow hair and
painted faces, eying the passers-by.
Their small supply of money soon gave out. Every evening with sinking
hearts they took stock of the widening hole in their purse. They tried
to stint themselves: but they did not know how to set about it: that is
a science which can only be learned by years of experimenting, unless it
has been practised from childhood. Those who are not naturally economical
merely waste their time in trying to be so: as soon as a fresh opportunity
of spending money crops up, they succumb to the temptation: they are always
going to economize next time: and when they do happen to make a little
money, or to think they have made it, they rush out and spend ten times the
amount on the strength of it.
At the end of a few weeks the Jeannins' resources were exhausted. Madame
Jeannin had to gulp down what was left of her pride, and, unknown to her
children, she went and asked Poyet for money. She contrived to see him
alone at his office, and begged him to advance her a small sum until they
had found work to keep them alive. Poyet, who was weak and human enough,
tried at first to postpone the matter, but finally acceded to her request.
He gave her two hundred francs in a moment of emotion, which mastered him,
and he repented of it immediately afterwards,--when he had to make his
peace with Madame Poyet, who was furious with her husband's weakness, and
her sister's slyness.
* * * * *
All day and every day the Jeannins were out and about in Paris, looking
for work. Madame Jeannin, true to the prejudices of her class, would not
hear of their engaging in any other profession than those which are called
"liberal"--no doubt because they leave their devotees free to starve. She
would even have gone so far as to forbid her daughter to take a post as
a family governess. Only the official professions, in the service of the
State, were not degrading in her eyes. They had to discover a means of
letting Olivier finish his education so that he might become a teacher. As
for Antoinette, Madame Jeannin's idea was that she should go to a school
to teach, or to the Conservatoire to win the prize for piano playing. But
the schools at which she applied already had teachers enough, who were
much better qualified than her daughter with her poor little elementary
certificate: and, as for music, she had to recognize that Antoinette's
talent was quite ordinary compared with that of so many others who did not
get on at all. They came face to face with the terrible struggle for life,
and the blind waste of talent, great and small, for which Paris can find no
use.
The two children lost heart and exaggerated their uselessness: they
believed that they were mediocre, and did their best to convince themselves
and their mother that it was so. Olivier, who had had no difficulty in
shining at his provincial school, was crushed by his various rebuffs: he
seemed to have lost possession of all his gifts. At the school for which he
won a scholarship, the results of his first examinations were so disastrous
that his scholarship was taken away from him. He thought himself utterly
stupid. At the same time he had a horror of Paris, and its swarming
inhabitants, and the disgusting immorality of his schoolfellows, and their
shameful conversation, and the bestiality of a few of them who did not
spare him from their abominable proposals. He was not even strong enough to
show his contempt for them. He felt degraded by the mere thought of their
degradation. With his mother and sister, he took refuge in the heartfelt
prayers which they used to say every evening after the day of deceptions
and private humiliations, which to their innocence seemed to be a taint,
of which they dared not tell each other. But, in contact with the latent
spirit of atheism which is in the air of Paris, Olivier's faith was
beginning to crumble away, without his knowledge, like whitewash trickling
down a wall under the beating of the rain. He went on believing: but all
about him God was dying.
His mother and sister pursued their futile quest. Madame Jeannin turned
once more to the Poyets, who were anxious to be quit of them, and offered
them work. Madame Jeannin was to go as reader to an old lady who was
spending the winter in the South of France. A post was found for Antoinette
as governess in a family in the West, who lived all the year round in the
country. The terms were not bad, but Madame Jeannin refused. It was not
so much for herself that she objected to a menial position, but she was
determined that Antoinette should not be reduced to it, and unwilling
to part with her. However unhappy they might be, just because they were
unhappy, they wished to be together.--Madame Poyet took it very badly. She
said that people who had no means of living had no business to be proud.
Madame Jeannin could not refrain from crying out upon her heartlessness.
Madame Poyet spoke bitterly of the bankruptcy and of the money that Madame
Jeannin owed her. They parted, and the breach between them was final. All
relationship between them was broken off. Madame Jeannin had only one
desire left: to pay back the money she had borrowed. But she was unable to
do that.
They resumed their vain search for work. Madame Jeannin went to see the
deputy and the senator of her department, men whom Monsieur Jeannin had
often helped. Everywhere she was brought face to face with ingratitude
and selfishness. The deputy did not even answer her letters, and when she
called on him he sent down word that he was out. The senator commiserated
her ponderously on her unhappy position, which he attributed to "the
wretched Jeannin," whose suicide he stigmatized harshly. Madame Jeannin
defended her husband. The senator said that of course he knew that the
banker had acted, not from dishonesty, but from stupidity, and that he was
a fool, a poor gull, who knew nothing, and would go his own way without
asking anybody's advice or taking a warning from any one. If he had only
ruined himself, there would have been nothing to say: that would have
been his own affair. But--not to mention the ruin that he had brought on
others,--that he should have reduced his wife and children to poverty and
deserted them and left them to get out of it as best they could ... it was
Madame Jeannin's own business if she chose to forgive him, if she were a
saint, but for his part, he, the senator, not being a saint--(s, a, i, n,
t),--but, he flattered himself, just a plain man--(s, a, i, n),--a plain,
sensible, reasonable human being,--he could find no reason for forgiveness:
a man who, in such circumstances, could kill himself, was a wretch. The
only extenuating circumstance he could find in Jeannin's case was that he
was not responsible for his actions. With that he begged Madame Jeannin's
pardon for having expressed himself a little emphatically about her
husband: he pleaded the sympathy that he felt for her: and he opened his
drawer and offered her a fifty-franc note,--charity--which she refused.
She applied for a post in the offices of a great Government department. She
set about it clumsily and inconsequently, and all her courage oozed out at
the first attempt. She returned home so demoralized that for several days
she could not stir. And, when she resumed her efforts, it was too late. She
did not find help either with the church-people, either because they saw
there was nothing to gain by it, or because they took no interest in a
ruined family, the head of which had been notoriously anti-clerical. After
days and days of hunting for work Madame Jeannin could find nothing better
than a post as music-teacher in a convent--an ungrateful task, ridiculously
ill-paid. To eke out her earnings she copied music in the evenings for an
agency. They were very hard on her. She was severely called to task for
omitting words and whole lines, as she did in spite of her application,
for she was always thinking of so many other things and her wits were
wool-gathering. And so, after she had stayed up through the night till
her eyes and her back ached, her copy was rejected. She would return home
utterly downcast. She would spend days together moaning, unable to stir
a finger. For a long time she had been suffering from heart trouble,
which had been aggravated by her hard struggles, and filled her with dark
forebodings. Sometimes she would have pains, and difficulty in breathing
as though she were on the point of death. She never went out without her
name and address written on a piece of paper in her pocket in case she
should collapse in the street. What would happen if she were to disappear?
Antoinette comforted her as best she could by affecting a confidence which
she did not possess: she begged her to be careful and to let her go and
work in her stead. But the little that was left of Madame Jeannin's pride
stirred in her, and she vowed that at least her daughter should not know
the humiliation she had to undergo.
In vain did she wear herself out and cut down their expenses: what she
earned was not enough to keep them alive. They had to sell the few jewels
which they had kept. And the worst blow of all came when the money, of
which they were in such sore need, was stolen from Madame Jeannin the very
day it came into her hands. The poor flustered creature took it into her
head while she was out to go into the _Bon Marché_, which was on her way:
it was Antoinette's birthday next day, and she wanted to give her a little
present. She was carrying her purse in her hand so as not to lose it. She
put it down mechanically on the counter for a moment while she looked at
something. When she put out her hand for it the purse was gone. It was the
last blow for her.
A few days later, on a stifling evening at the end of August,--a hot
steaming mist hung over the town,--Madame Jeannin came in from her copying
agency, whither she had been to deliver a piece of work that was wanted in
a hurry. She was late for dinner, and had saved her three sous' bus fare
by hurrying home on foot to prevent her children being anxious. When she
reached the fourth floor she could neither speak nor breathe. It was not
the first time she had returned home in that condition: the children took
no notice of it. She forced herself to sit down at table with them. They
were both suffering from the heat and did not eat anything: they had to
make an effort to gulp down a few morsels of food, and a sip or two of
stale water. To give their mother time to recover they did not talk--(they
had no desire to talk)--and looked out of the window.
Suddenly Madame Jeannin waved her hands in the air, clutched at the table,
looked at her children, moaned, and collapsed. Antoinette and Olivier
sprang to their feet just in time to catch her in their arms. They were
beside themselves, and screamed and cried to her:
"Mother! Mother! Dear, dear mother!"
But she made no sound. They were at their wit's end. Antoinette clung
wildly to her mother's body, kissed her, called to her. Olivier ran to the
door of the flat and yelled:
"Help! Help!"
The housekeeper came running upstairs, and when she saw what had happened
she ran for a doctor. But when the doctor arrived, he could only say that
the end had come. Death had been instantaneous--happily for Madame
Jeannin--although it was impossible to know what thoughts might have been
hers during the last moments when she knew that she was dying and leaving
her children alone in such misery.
They were alone to bear the horror of the catastrophe, alone to weep, alone
to perform the dreadful duties that follow upon death. The porter's wife, a
kindly soul, helped them a little: and people came from the convent where
Madame Jeannin had taught: but they were given no real sympathy.
The first moments brought inexpressible despair. The only thing that saved
them was the very excess of that despair, which made Olivier really ill.
Antoinette's thoughts were distracted from her own suffering, and her one
idea was to save her brother: and her great, deep love filled Olivier and
plucked him back from the violent torment of his grief. Locked in her arms,
near the bed where their mother was lying in the glimmer of a candle,
Olivier said over and over again that they must die, that they must both
die, at once: and he pointed to the window. In Antoinette, too, there was
the dark desire: but she fought it down: she wished to live....
"Why? Why?"
"For her sake," said Antoinette--(she pointed to her mother).--"She is
still with us. Think ... after all that she has suffered for our sake, we
must spare her the crowning sorrow, that of seeing us die in misery....
Ah!" (she went on emphatically).... "And then, we must not give way. I will
not! I refuse to give in. You must, you shall be happy, some day!"
"Never!"
"Yes. You shall be happy. We have had too much unhappiness. A change will
come: it must. You shall live your life. You shall have children, you shall
be happy, you shall, you shall!"
"How are we to live? We cannot do it...."
"We can. What is it, after all? We have to live somehow until you can earn
your living. I will see to that. You will see: I'll do it. Ah! If only
mother had let me do it, as I could have done...."
"What will you do? I will not have you degrading yourself. You could not do
it."
"I can.... And there is nothing humiliating in working for one's
living--provided it be honest work. Don't you worry about it, please. You
will see, everything will come right. You shall be happy, we shall be
happy: dear Olivier, _she_ will be happy through us...."
The two children were the only mourners at their mother's grave. By common
consent they agreed not to tell the Poyets: the Poyets had ceased to exist
for them: they had been too cruel to their mother: they had helped her
to her death. And, when the housekeeper asked them if they had no other
relations, they replied:
"No. Nobody."
By the bare grave they prayed hand in hand. They set their teeth in
desperate resolve and pride and preferred their solitude to the presence of
their callous and hypocritical relations.--They returned on foot through
the throng of people who were strangers to their grief, strangers to their
thoughts, strangers to their lives, and shared nothing with them but their
common language. Antoinette had to support Olivier.
They took a tiny flat in the same house on the top floor--two little
attics, a narrow hall, which had to serve as a dining-room, and a kitchen
that was more like a cupboard. They could have found better rooms in
another neighborhood: but it seemed to them that they were still with their
mother in that house. The housekeeper took an interest in them for a time:
but she was soon absorbed in her own affairs and nobody bothered about
them. They did not know a single one of the other tenants: and they did not
even know who lived next door.
Antoinette obtained her mother's post as music-teacher at the convent. She
procured other pupils. She had only one idea: to educate her brother until
he was ready for the _École Normale_. It was her own idea, and she had
decided upon it after mature reflection: she had studied the syllabus and
asked about it, and had also tried to find out what Olivier thought:--but
he had no ideas, and she chose for him. Once at the _École Normale_ he
would be sure of a living for the rest of his life, and his future would
be assured. He must get in, somehow; whatever it cost, they would have to
keep alive till then. It meant five or six terrible years: they would win
through. The idea possessed Antoinette, absorbed her whole life. The poor
solitary existence which she must lead, which she saw clearly mapped out
in front of her, was only made bearable through the passionate exaltation
which filled her, her determination, by all means in her power, to save her
brother and make him happy. The light-hearted, gentle girl of seventeen or
eighteen was transfigured by her heroic resolution: there was in her an
ardent quality of devotion, a pride of battle, which no one had suspected,
herself least of all. In that critical period of a woman's life, during
the first fevered days of spring, when love fills all her being, and like
a hidden stream murmuring beneath the earth, laves her soul, envelops
it, floods it with tenderness, and fills it with sweet obsessions, love
appears in divers shapes: demanding that she should give herself, and
yield herself up to be its prey: for love the least excuse is enough, and
for its profound yet innocent sensuality any sacrifice is easy. Love made
Antoinette the prey of sisterly devotion.
Her brother was less passionate and had no such stay. Besides, the
sacrifice was made for him, it was not he who was sacrificed--which is so
much easier and sweeter when one loves. He was weighed down with remorse at
seeing his sister wearing herself out for him. He would tell her so, and
she would reply:
"Ah! My dear!... But don't you see that that is what keeps me going?
Without you to trouble me, what should I have to live for?"
He understood. He, too, in Antoinette's position, would have been jealous
of the trouble he caused her: but to be the cause of it!... That hurt his
pride and his affection. And what a burden it was for so weak a creature to
bear such a responsibility, to be bound to succeed, since on his success
his sister had staked her whole life! The thought of it was intolerable to
him, and, instead of spurring him on, there were times when it robbed him
of all energy. And yet she forced him to struggle on, to work, to live, as
he never would have done without her aid and insistence. He had a natural
predisposition towards depression,--perhaps even towards suicide:--perhaps
he would have succumbed to it had not his sister wished him to be ambitious
and happy. He suffered from the contradiction of his nature: and yet it
worked his salvation. He, too, was passing through a critical age, that
fearful period when thousands of young men succumb, and give themselves up
to the aberrations of their minds and senses, and for two or three years'
folly spoil their lives beyond repair. If he had had time to yield to his
thoughts he would have fallen into discouragement or perhaps taken to
dissipation: always when he turned in upon himself he became a prey to his
morbid dreams, and disgust with life, and Paris, and the impure
fermentation of all those millions of human beings mingling and rotting
together. But the sight of his sister's face was enough to dispel the
nightmare: and since she was living only that he might live, he would live,
yes, he would be happy, in spite of himself.
So their lives were built on an ardent faith fashioned of stoicism,
religion, and noble ambition. All their endeavor was directed towards the
one end: Olivier's success. Antoinette accepted every kind of work, every
humiliation that was offered her: she went as a governess to houses where
she was treated almost as a servant: she had to take her pupils out for
walks, like a nurse, wandering about the streets with them for hours
together under pretext of teaching them German. In her love for her brother
and her pride she found pleasure even in such moral suffering and
weariness.
She would return home worn out to look after Olivier, who was a day-boarder
at his school and only came home in the evening. She would cook their
dinner--a wretched dinner--on the gas-stove or over a spirit-lamp. Olivier
had never any appetite and everything disgusted him, and his gorge would
rise at the food: and she would have to force him to eat, or cudgel her
brains to invent some dish that would catch his fancy, and poor Antoinette
was by no means a good cook. And when she had taken a great deal of
trouble she would have the mortification of hearing him declare that
her cooking was uneatable. It was only after moments of despair at her
cooking-stove,--those moments of silent despair which come to inexperienced
young housekeepers and poison their lives and sometimes their sleep,
unknown to everybody--that she began to understand it a little.
After dinner, when she had washed up the dishes--(he would offer to help
her, but she would never let him),--she would take a motherly interest in
her brother's work. She would hear him his lessons, read his exercises, and
even look up certain words in the dictionary for him, always taking care
not to ruffle up his sensitive little soul. They would spend the evening at
their one table at which they had both to eat and write. He would do his
homework, she would sew or do some copying. When he had gone to bed she
would sit mending his clothes or doing some work of her own.
Although they had difficulty in making both ends meet, they were both
agreed that every penny they could put by should be used in the first place
to settle the debt which their mother owed to the Poyets. It was not that
the Poyets were importunate creditors: they had given no sign of life: they
never gave a thought to the money, which they counted as lost: they thought
themselves very lucky to have got rid of their undesirable relatives so
cheaply. But it hurt the pride and filial piety of the young Jeannins to
think that their mother should have owed anything to these people whom they
despised. They pinched and scraped: they economized on their amusements, on
their clothes, on their food, in order to amass the two hundred francs--an
enormous sum for them. Antoinette would have liked to have done the saving
by herself. But when her brother found out what she was up to, nothing
could keep him from doing likewise. They wore themselves out in the effort,
and were delighted when they could set aside a few sous a day.
In three years, by screwing and scraping, sou by sou, they had succeeded in
getting the sum together. It was a great joy to them. Antoinette went to
the Poyets one evening. She was coldly received, for they thought she had
come to ask for help. They thought it advisable to take the initiative: and
reproached her for not letting them have any news of them: and not having
even told them of the death of her mother, and not coming to them when
she wanted help. She cut them short calmly by telling them that she had
no intention of incommoding them: she had come merely to return the money
which had been borrowed from them: and she laid two banknotes on the table
and asked for a receipt. They changed their tone at once, and pretended to
be unwilling to accept it: they were feeling for her that sudden affection
which comes to the creditor for the debtor, who, after many years, returns
the loan which he had ceased to reckon upon. They inquired where she was
living with her brother, and how they lived. She did not reply, asked once
more for the receipt, said that she was in a hurry, bowed coldly, and went
away. The Poyets were horrified at the girl's ingratitude.
Then, when she was rid of that obsession, Antoinette went on with the same
sparing existence, but now it was entirely for her brother's sake. Only she
concealed it more to prevent his knowing it: she economized on her clothes
and sometimes on her food, to keep her brother well-dressed and amused,
and to make his life pleasanter and gayer, and to let him go every now and
then to a concert, or to the opera, which was Olivier's greatest joy. He
was unwilling to go without her, but she would always make excuses for not
going so that he should feel no remorse: she would pretend that she was too
tired and did not want to go out: she would even go so far as to say that
music bored her. Her fond quibbles would not deceive him: but his boyish
selfishness would be too strong for him. He would go to the theater: once
inside, he would be filled with remorse, and it would haunt him all through
the piece, and spoil his pleasure. One Sunday, when she had packed him
off to the _Châtelet_ concert, he returned half an hour later, and told
Antoinette that when he reached the Saint Michel Bridge he had not the
heart to go any farther: the concert did not interest him: it hurt him too
much to have any pleasure without her. Nothing was sweeter to Antoinette,
although she was sorry that her brother should be deprived of his Sunday
entertainment because of her. But Olivier never regretted it: when he saw
the joy that lit up his sister's face as he came in, a joy that she tried
in vain to conceal, he felt happier than the most lovely music in the world
could ever have made him. They spent the afternoon sitting together by the
window, he with a book in his hand, she with her work, hardly reading at
all, hardly sewing at all, talking idly of things that interested neither
of them. Never had they had so delightful a Sunday. They agreed that they
would never go alone to a concert again: they could never enjoy anything
alone.
She managed secretly to save enough money to surprise and delight Olivier
with a hired piano, which, on the hire-purchase system became their
property at the end of a certain number of months. The payments for it were
a heavy burden for her to shoulder! It often haunted her dreams, and she
ruined her health in screwing together the necessary money. But, folly as
it was, it did assure them both so much happiness. Music was their Paradise
in their hard life. It filled an enormous place in their existence. They
steeped themselves in music so as to forget the rest of the world. There
was danger in it too. Music is one of the great modern dissolvents. Its
languorous warmth, like the heat of a stove, or the enervating air of
autumn, excites the senses and destroys the will. But it was a relaxation
for a creature forced into excessive, joyless activity as was Antoinette.
The Sunday concert was the only ray of light that shone through the week of
unceasing toil. They lived in the memory of the last concert and the eager
anticipation of the next, in those few hours spent outside Paris and out of
the vile weather. After a long wait outside in the rain, or the snow, or
the wind and the cold, clinging together, and trembling lest all the places
should be taken, they would pass into the theater, where they were lost in
the throng, and sit on dark uncomfortable benches. They were crushed and
stifling, and often on the point of fainting from the heat and discomfort
of it all:--but they were happy, happy in their own and in each other's
pleasure, happy to feel coursing through their veins the flood of kindness,
light, and strength, that surged forth from the great souls of Beethoven
and Wagner, happy, each of them, to see the dear, dear face light up--the
poor, pale face worn by suffering and premature anxieties. Antoinette would
feel so tired and as though loving arms were about her, holding her to a
motherly breast! She would nestle in its softness and warmth: and she would
weep quietly. Olivier would press her hand. No one noticed them in the
dimness of the vast hall, where they were not the only suffering souls
taking refuge under the motherly wing of Music.
Antoinette had her religion to support her. She was very pious, and every
day never missed saying her prayers fervently and at length, and every
Sunday she never missed going to Mass. Even in the injustice of her
wretched life she could not help believing in the love of the divine
Friend, who suffers with you, and, some day, will console you. Even more
than with God, she was in close communion with the beloved dead, and she
used secretly to share all her trials with them. But she was of an
independent spirit and a clear intelligence: she stood apart from other
Catholics, who did not regard her altogether favorably: they thought her
possessed of an evil spirit: they were not far from regarding her as a Free
Thinker, or on the way to it, because, like the honest little Frenchwoman
she was, she had no intention of renouncing her own independent judgment:
she believed not from obedience, like the base rabble, but from love.
Olivier no longer believed. The slow disintegration of his faith, which
had set in during his first months in Paris, had ended in its complete
destruction. He had suffered cruelly: for he was not of those who are
strong enough or commonplace enough to dispense with faith: and so he had
passed through crises of mental agony. But he was at heart a mystic: and,
though he had lost his belief, yet no ideas could be closer to his own than
those of his sister. They both lived in a religious atmosphere. When they
came home in the evening after the day's parting their little flat was to
them a haven, an inviolable refuge, poor, bitterly cold, but pure. How far
removed they felt there from the noise and the corrupt thoughts of
Paris!...
They never talked much of their doings: for when one comes home tired one
has hardly the heart to revive the memory of a painful day by the tale of
its happenings. Instinctively they set themselves to forget it. Especially
during the first hour when they met again for dinner they avoided questions
of all kinds. They would greet each other with their eyes: and sometimes
they would not speak a word all through the meal. Antoinette would look at
her brother as he sat dreaming, just as he used to do when he was a little
boy. She would gently touch his hand:
"Come!" she would say, with a smile. "Courage!"
He would smile too and go on eating. So dinner would pass without their
trying to talk. They were hungry for silence. Only when they had done would
their tongues be loosed a little, when they felt rested, and when each of
them in the comfort of the understanding love of the other had wiped out
the impure traces of the day.
Olivier would sit down at the piano. Antoinette was out of practice from
letting him play always: for it was the only relaxation that he had: and he
would give himself up to it wholeheartedly. He had a fine temperament for
music: his feminine nature, more suited to love than to action, with loving
sympathy could catch the thoughts of the musicians whose works he played,
and merge itself in them and with passionate fidelity render the finest
shades,--at least, within the limitations of his physical strength, which
gave out before the Titanic effort of _Tristan_, or the later sonatas of
Beethoven. He loved best to take refuge in Mozart or Gluck, and theirs was
the music that Antoinette preferred.
Sometimes she would sing too, but only very simple songs, old melodies. She
had a light mezzo voice, plaintive and delicate. She was so shy that she
could never sing in company, and hardly even before Olivier: her throat
used to contract. There was an air of Beethoven set to some Scotch words,
of which she was particularly fond: _Faithful Johnnie_: it was calm, so
calm ... and with what a depth of tenderness!... It was like herself.
Olivier could never hear her sing it without the tears coming to his eyes.
But she preferred listening to her brother. She would hurry through her
housework and leave the door of the kitchen open the better to hear
Olivier: but in spite of all her care he would complain impatiently of the
noise she made with her pots and pans. Then she would close the door; and,
when she had finished, she would come and sit in a low chair, not near the
piano--(for he could not bear any one near him when he was playing),--but
near the fireplace: and there she would sit curled up like a cat, with her
back to the piano, and her eyes fixed on the golden eyes of the fire, in
which a lump of coal was smoldering, and muse over her memories of the
past. When nine o'clock rang she would have to pull herself together to
remind Olivier that it was time to stop. It would be hard to drag him, and
to drag herself, away from dreams: but Olivier would still have some work
to do. And he must not go to bed too late. He would not obey her at once:
he always needed a certain time in which to shake free of the music before
he could apply himself seriously to his work. His thoughts would be off
wandering. Often it would be half-past nine before he could shake free of
his misty dreams. Antoinette, bending over her work at the other side of
the table, would know that he was doing nothing: but she dared not look
in his direction too often for fear of irritating him by seeming to be
watching him.
He was at the ungrateful age--the happy age--when a boy saunters dreamily
through his days. He had a clear forehead, girlish eyes, deep and trustful,
often with dark circles round them, a wide mouth with rather thick pouting
lips, a rather crooked smile, vague, absent, taking: he wore his hair long
so that it hung down almost to his eyes, and made a great bunch at the back
of his neck, while one rebellious lock stuck up at the back: a neckerchief
loosely tied round his neck--(his sister used to tie it carefully in a bow
every morning):--a waistcoat which was always buttonless, although she was
for ever sewing them on: no cuffs: large hands with bony wrists. He had a
heavy, sleepy, bantering expression, and he was always wool-gathering. His
eyes would blink and wander round Antoinette's room:--(his work-table was
in her room):--they would light on the little iron bed, above which hung an
ivory crucifix, with a sprig of box,--on the portraits of his father and
mother,--on an old photograph of the little provincial town with its tower
mirrored in its waters. And when they reached his sister's pallid face,
bending in silence over her work, he would be filled with an immense pity
for her and his own indolence: and he would work furiously to make up for
lost time.
He spent his holidays in reading. They would read together each with a
separate book. In spite of their love for each other they could not read
aloud. That hurt them as an offense against modesty. A fine book was to
them as a secret which should only be murmured in the silence of the heart.
When a passage delighted them, instead of reading it aloud, they would hand
the book over, with a finger marking the place: and they would say:
"Read that."
Then, while the other was reading, the one who had already read would with
shining eyes gaze into the dear face to see what emotions were roused and
to share the enjoyment of it.
But often with their books open in front of them they would not read: they
would talk. Especially towards the end of the evening they would feel
the need of opening their hearts, and they would have less difficulty
in talking. Olivier had sad thoughts: and in his weakness he had to rid
himself of all that tortured him by pouring out his troubles to some one
else. He was a prey to doubt. Antoinette had to give him courage, to defend
him against himself: it was an unceasing struggle, which began anew each
day. Olivier would say bitter, gloomy things: and when he had said them he
would be relieved: but he never troubled to think how they might hurt his
sister. Only very late in the day did he see how he was exhausting her: he
was sapping her strength and infecting her with his own doubts. Antoinette
never let it appear how she suffered. She was by nature valiant and gay,
and she forced herself to maintain a show of gaiety, even when that
gracious quality was long since dead in her. She had moments of utter
weariness, and revolt against the life of perpetual sacrifice to which she
had pledged herself. But she condemned such thoughts and would not analyze
them: they came to her in spite of herself, and she would not accept
them. She found help in prayer, except when her heart could not pray--(as
sometimes happens)--when it was, as it were, withered and dry. Then she
could only wait in silence, feverish and ashamed, for the return of grace.
Olivier never had the least suspicion of the agony she suffered. At such
times Antoinette would make some excuse and go away and lock herself in her
room: and she would not appear again until the crisis was over: then she
would be smiling, sorrowful, more tender than ever, and, as it were,
remorseful for having suffered.
Their rooms were adjoining. Their beds were placed on either side of the
same wall: they could talk to each other through it in whispers: and when
they could not sleep they would tap gently on the wall to say:
"Are you asleep? I can't sleep."
The partition was so thin that it was almost as though they shared the same
room. But the door between their rooms was always locked at night, in
obedience to an instinctive and profound modesty,--a sacred feeling:--it
was only left open when Olivier was ill, as too often happened.
He did not gain in health. Rather he seemed to grow weaker. He was always
ailing: throat, chest, head or heart: if he caught the slightest cold there
was always the danger of its turning to bronchitis: he caught scarlatina
and almost died of it: but even when he was not ill he would betray strange
symptoms of serious illnesses, which fortunately did not come to anything:
he would have pains in his lungs or his heart. One day the doctor who
examined him diagnosed pericarditis, or peripneumonia, and the great
specialist who was then consulted confirmed his fears. But it came to
nothing. It was his nerves that were wrong, and it is common knowledge that
disorders of the nerves take the most unaccountable shapes: they are got
rid of at the cost of days of anxiety. But such days were terrible for
Antoinette, and they gave her sleepless nights. She would lie in a state of
terror in her bed, getting up every now and then to listen to her brother's
breathing. She would think that perhaps he was dying, she would feel sure,
convinced of it: she would get up, trembling, and clasp her hands, and hold
them fast against her lips to keep herself from crying out.
"Oh! God! Oh! God!" she would moan. "Take him not from me! Not that ... not
that. You have no right!... Not that, oh! God, I beg!... Oh, mother,
mother! Come to my aid! Save him: let him live!..."
She would lie at full stretch.
"Ah! To die by the way, when so much has been done, when we were nearly
there, when he was going to be happy ... no: that could not be: it would be
too cruel!..."
* * * * *
It was not long before Olivier gave her other reasons for anxiety.
He was profoundly honest, like herself, but he was weak of will and too
open-minded and too complex not to be uneasy, skeptical, indulgent towards
what he knew to be evil, and attracted by pleasure. Antoinette was so pure
that it was some time before she understood what was going on in her
brother's mind. She discovered it suddenly, one day.
Olivier thought she was out. She usually had a lesson at that hour: but at
the last moment she had received word from her pupil, telling her that she
could not have her that day. She was secretly pleased, although it meant
a few francs less in that week's earnings: but she was very tired and she
lay down on her bed: she was very glad to be able to rest for once without
reproaching herself. Olivier came in from school bringing another boy with
him. They sat down in the next room and began to talk. She could hear
everything they said: they thought they were alone and did not restrain
themselves. Antoinette smiled as she heard her brother's merry voice. But
soon she ceased to smile, and her blood ran cold. They were talking of
dirty things with an abominable crudity of expression: they seemed to revel
in it. She heard Olivier, her boy Olivier, laughing: and from his lips,
which she had thought so innocent, there came words so obscene that the
horror of it chilled her. Keen anguish stabbed her to the heart. It went on
and on: they could not stop talking, and she could not help listening. At
last they went out, and Antoinette was left alone. Then she wept: something
had died in her: the ideal image that she had fashioned of her brother--of
her boy--was plastered with mud: it was a mortal agony to her. She did not
say anything to him when they met again in the evening. He saw that she had
been weeping and he could not think why. He could not understand why she
had changed her manner towards him. It was some time before she was able to
recover herself.
But the worst blow of all for her was one evening when he did not come
home. She did not go to bed, but sat up waiting for him. It was not only
her moral purity that was hurt: her suffering went down to the most
mysterious inner depths of her heart--those same depths where there lurked
the most awful feelings of the human heart, feelings over which she cast a
veil, to hide them from her sight.
Olivier's first aim had been the declaration of his independence. He
returned in the morning, casting about for the proper attitude and quite
prepared to fling some insolent remark at his sister if she had said
anything to him. He stole into the flat on tiptoe so as not to waken her.
But when he saw her standing there, waiting for him, pale, red-eyed from
weeping, when he saw that, instead of making any effort to reproach him,
she only set about silently cooking his breakfast, before he left for
school, and that she had nothing to say to him, but was overwhelmed, so
that she was, in herself, a living reproach, he could hold out no longer:
he flung himself down before her, buried his face in her lap, and they both
wept. He was ashamed of himself, sick at the thought of what he had done:
he felt degraded. He tried to speak, but she would not let him and laid
her hand on his lips: and he kissed her hand. They said no more: they
understood each other. Olivier vowed that he would never again do anything
to hurt Antoinette, and that he would be in all things what she wanted him
to be. But though she tried bravely she could not so easily forget so sharp
a wound: she recovered from it slowly. There was a certain awkwardness
between them. Her love for him was just the same: but in her brother's soul
she had seen something that was foreign to herself, and she was fearful of
it.
* * * * *
She was the more overwhelmed by the glimpse she had had into Olivier's
inmost heart, in that, about the same time, she had to put up with the
unwelcome attentions of certain men. When she came home in the evening at
nightfall, and especially when she had to go out after dinner to take or
fetch her copying, she suffered agonies from her fear of being accosted,
and followed (as sometimes happened) and forced to listen to insulting
advances. She took her brother with her whenever she could under pretext of
making him take a walk: but he only consented grudgingly and she dared not
insist: she did not like to interrupt his work. She was so provincial and
so pure that she could not get used to such ways. Paris at night was to
her like a dark forest in which she felt that she was being tracked by
dreadful, savage beasts: and she was afraid to leave the house. But she had
to go out. She would put off going out as long as possible: she was always
fearful. And when she thought that her Olivier would be--was perhaps--like
one of those men who pursued her, she could hardly hold out her hand to him
when she came in. He could not think what he had done to change her so, and
she was angry with herself.
She was not very pretty, but she had charm, and attracted attention though
she did nothing to do so. She was always very simply dressed, almost always
in black: she was not very tall, graceful, frail-looking; she rarely spoke:
she tripped quietly through the crowded streets, avoiding attention,
which, however, she attracted in spite of herself by the sweetness of the
expression of her tired eyes and her pure young lips. Sometimes she saw
that she had attracted notice: and though it put her to confusion she was
pleased all the same. Who can say what gentle and chaste pleasure in itself
there may be in so innocent a creature at feeling herself in sympathy
with others? All that she felt was shown in a slight awkwardness in her
movements, a timid, sidelong glance: and it was sweet to see and very
touching. And her uneasiness added to her attraction. She excited interest,
and, as she was a poor girl, with none to protect her, men did not hesitate
to tell her so.
Sometimes she used to go to the house of some rich Jews, the Nathans, who
took an interest in her because they had met her at the house of some
friends of theirs where she gave lessons: and, in spite of her shyness,
she had not been able to avoid accepting invitations to their parties.
M. Alfred Nathan was a well-known professor in Paris, a distinguished
scientist, and at the same time he was very fond of society, with that
strange mixture of learning and frivolity which is so common among the
Jews. Madame Nathan was a mixture in equal proportions of real kindliness
and excessive worldliness. They were both generous, with loud-voiced,
sincere, but intermittent sympathy for Antoinette.--Generally speaking
Antoinette had found more kindness among the Jews than among the
members of her own sect. They have many faults: but they have one great
quality--perhaps the greatest of all: they are alive, and human: nothing
human is foreign to them and they are interested in every living being.
Even when they lack real, warm sympathy they feel a perpetual curiosity
which makes them seek out men and ideas that are of worth, however
different from themselves they may be. Not that, generally speaking, they
do anything much to help them, for they are interested in too many things
at once and much more a prey to the vanities of the world than other
people, while they pretend to be immune from them. But at least they
do something: and that is saying a great deal in the present apathetic
condition of society. They are an active balm in society, the very leaven
of life.--Antoinette who, among the Catholics, had been brought sharp up
against a wall of icy indifference, was keenly alive to the worth of the
interest, however superficial it might be, which the Nathans took in her.
Madame Nathan had marked Antoinette's life of devoted sacrifice: she was
sensible of her physical and moral charm: and she made a show of taking her
under her protection. She had no children: but she loved young people and
often had gatherings of them in her house: and she insisted on Antoinette's
coming also, and breaking away from her solitude, and having some amusement
in her life. And as she had no difficulty in guessing that Antoinette's
shyness was in part the result of her poverty, she even went so far as to
offer to give her a pretty frock or two, which Antoinette refused proudly:
but her kindly patroness found a way of forcing her to accept a few of
those little presents which are so dear to a woman's innocent vanity.
Antoinette was both grateful and embarrassed. She forced herself to go to
Madame Nathan's parties from time to time: and being young she managed to
enjoy herself in spite of everything.
But in that rather mixed society of all sorts of young people Madame
Nathan's protégée, being poor and pretty, became at once the mark of two or
three young gentlemen, who with perfect confidence in themselves picked her
out for their attentions. They calculated how far her timidity would go:
they even made bets about her.
One day she received certain anonymous letters--or rather letters signed
with a noble pseudonym--which conveyed a declaration of love: at first
they were love-letters, flattering, ardent, appointing a rendezvous: then
they quickly became bolder, threatening, and soon insulting and basely
slanderous: they stripped her, exposed her, besmirched her with their
coarse expressions of desire: they tried to play upon Antoinette's
simplicity by making her fearful of a public insult if she did not go to
the appointed rendezvous. She wept bitterly at the thought of having called
down on herself such base proposals: and these insults scorched her pride.
She did not know what to do. She did not like to speak to her brother about
it: she knew that he would feel it too keenly and that he would make the
affair even more serious than it was. She had no friends. The police? She
would not do that for fear of scandal. But somehow she had to make an end
of it. She felt that her silence would not sufficiently defend her, that
the blackguard who was pursuing her would hold to the chase and that he
would go on until to go farther would be dangerous.
He had just sent her a sort of ultimatum commanding her to meet him next
day at the Luxembourg. She went.--By racking her brains she had come to the
conclusion that her persecutor must have met her at Madame Nathan's. In one
of his letters he had alluded to something which could only have happened
there. She begged Madame Nathan to do her a great favor and to drive her to
the door of the gallery and to wait for her outside. She went in. In front
of the appointed picture her tormentor accosted her triumphantly and began
to talk to her with affected politeness. She stared straight at him without
a word. When he had finished his remark he asked her jokingly why she was
staring at him. She replied:
"You are a coward."
He was not put out by such a trifle as that, and became familiar in his
manner. She said:
"You have tried to threaten me with a scandal. Very well, I have come to
give you your scandal. You have asked for it!"
She was trembling all over, and she spoke in a loud voice to show him that
she was quite equal to attracting attention to themselves. People had
already begun to watch them. He felt that she would stick at nothing. He
lowered his voice. She said once more, for the last time:
"You are a coward," and turned her back on him.
Not wishing to seem to have given in he followed her. She left the gallery
with the fellow following hard on her heels. She walked straight to the
carriage waiting there, wrenched the door open, and her pursuer found
himself face to face with Madame Nathan, who recognized him and greeted him
by name. His face fell and he bolted.
Antoinette had to tell the whole story to her companion. She was unwilling
to do so, and only hinted roughly at the facts. It was painful to her to
reveal to a stranger the intimate secrets of her life, and the sufferings
of her injured modesty. Madame Nathan scolded her for not having told her
before. Antoinette begged her not to tell anybody. That was the end of it:
and Madame Nathan did not even need to strike the fellow off her visiting
list: for he was careful not to appear again.
About the same time another sorrow of a very different kind came to
Antoinette.
At the Nathans' she met a man of forty, a very good fellow, who was in
the Consular service in the Far East, and had come home on a few months'
leave. He fell in love with her. The meeting had been planned unknown to
Antoinette, by Madame Nathan, who had taken it into her head that she must
find a husband for her little friend. He was a Jew. He was not good-looking
and he was no longer young. He was rather bald, and round-shouldered: but
he had kind eyes, an affectionate way with him, and he could feel for and
understand suffering, for he had suffered himself. Antoinette was no longer
the romantic girl, the spoiled child, dreaming of life as a lovely day's
walk on her lover's arm: now she saw the hard struggle of life, which began
again, every day, allowing no time for rest, or, if rest were taken, it
might be to lose in one moment all the ground that had been gained, inch
by inch, through years of striving: and she thought it would be very sweet
to be able to lean on the arm of a friend, and share his sorrows with him,
and be able to close her eyes for a little, while he watched over her. She
knew that it was a dream: but she had not had the courage to renounce her
dream altogether. In her heart she knew quite well that a dowerless girl
had nothing to hope for in the world in which she lived. The old French
middle-classes are known throughout the world for the spirit of sordid
interest in which they conduct their marriages. The Jews are far less
grasping with money. Among the Jews it is no uncommon thing for a rich
young man to choose a poor girl, or a young woman of fortune to set herself
passionately to win a man of intellect. But in the French middle-classes,
Catholic and provincial in their outlook, almost always money woos money.
And to what end? Poor wretches, they have none but dull commonplace
desires: they can do nothing but eat, yawn, sleep--save. Antoinette knew
them. She had observed their ways from her childhood on. She had seen them
with the eyes of wealth and the eyes of poverty. She had no illusions left
about them, nor about the treatment she had to expect from them. And so the
attentions of this man who had asked her to marry him came as an unhoped
for treasure in her life. At first she did not think of him as a lover, but
gradually she was filled with gratitude and tenderness towards him. She
would have accepted his proposal if it had not meant following him to the
colonies and consequently leaving her brother. She refused: and though her
lover understood the magnanimity of her reason for doing so, he could not
forgive her: love is so selfish, that the lover will not hear of being
sacrificed even to those virtues which are dearest to him in the beloved.
He gave up seeing her: when he went away he never wrote: she had no news
of him at all until, five or six months later, she received a printed
intimation, addressed in his hand, that he had married another woman.
Antoinette felt it deeply. She was broken-hearted, and she offered up her
suffering to God: she tried to persuade herself that she was justly
punished for having for one moment lost sight of her one duty, to devote
herself to her brother: and she grew more and more wrapped up in it.
She withdrew from the world altogether. She even dropped going to the
Nathans', for they were a little cold towards her after she refused
the marriage which they had arranged for her: they too refused to see
any justification for her. Madame Nathan had decided that the marriage
should take place, and her vanity was hurt at its missing fire through
Antoinette's fault. She thought her scruples certainly quite praiseworthy,
but exaggerated and sentimental: and thereafter she lost interest in the
silly little goose. It was necessary for her always to be helping people,
with or without their consent, and she quickly found another protégée to
absorb, for the time being, all the interest and devotion which she had to
expend.
Olivier knew nothing of his sister's sad little romance. He was a
sentimental, irresponsible boy, living in his dreams and fancies. It was
impossible to depend on him in spite of his intelligence and charm and
his very real tenderheartedness. Often he would fling away the results of
months of work by his irresponsibility, or in a fit of discouragement, or
by some boyish freak, or some fancied love affair, in which he would waste
all his time and energy. He would fall in love with a pretty face, that
he had seen once, with coquettish little girls, whom perhaps he once met
out somewhere, though they never paid any attention to him. He would be
infatuated with something he had read, a poet, or a musician: he would
steep himself in their works for months together, to the exclusion of
everything else and the detriment of his studies. He had to be watched
always, though great care had to be taken that he did not know it, for he
was easily wounded. There was always a danger of a seizure. He had the
feverish excitement, the want of balance, the uneasy trepidation, that are
often found in those who have a consumptive tendency. The doctor had not
concealed the danger from Antoinette. The sickly plant, transplanted from
the provinces to Paris, needed fresh air and light. Antoinette could not
provide them. They had not enough money to be able to go away from Paris
during the holidays. All the rest of their year every day in the week was
full, and on Sundays they were so tired that they never wanted to go out,
except to a concert.
There were Sundays in the summer when Antoinette would make an effort and
drag Olivier off to the woods outside Paris, near Chaville or Saint-Cloud.
But the woods were full of noisy couples, singing music-hall songs, and
littering the place with greasy bits of paper: they did not find the divine
solitude which purifies and gives rest. And in the evening when they turned
homewards they had to suffer the roar and clatter of the trains, the dirty,
crowded, low, narrow, dark carriages of the suburban lines, the coarseness
of certain things they saw, the noisy, singing, shouting, smelly
people, and the reek of tobacco smoke. Neither Antoinette nor Olivier
could understand the people, and they would return home disgusted and
demoralized. Olivier would beg Antoinette not to go for Sunday walks again;
and for some time Antoinette would not have the heart to go again. And
then she would insist, though it was even more disagreeable to her than to
Olivier: but she thought it necessary for her brother's health. She would
force him to go out once more. But their new experience would be no better
than the last, and Olivier would protest bitterly. So they stayed shut up
in the stifling town, and, in their prison-yard, they sighed for the open
fields.
* * * * *
Olivier had reached the end of his schooldays. The examinations for the
_École Normale_ were over. It was quite time. Antoinette was very tired.
She was counting on his success: her brother had everything in his favor.
At school he was regarded as one of the best pupils: and all his masters
were agreed in praising his industry and intelligence, except for a certain
want of mental discipline which made it difficult for him to bend to any
sort of plan. But the responsibility of it weighed on Olivier so heavily
that he lost his head as the examination came near. He was worn out, and
paralyzed by the fear of failure, and a morbid shyness that crept over him.
He trembled at the thought of appearing before the examiners in public. He
had always suffered from shyness: in class he would blush and choke when he
had to speak: at first he could hardly do more than answer his name. And it
was much more easy for him to reply impromptu than when he knew that he was
going to be questioned: the thought of it made him ill: his mind rushed
ahead picturing every detail of the ordeal as it would happen: and the
longer he had to wait, the more he was obsessed by it. It might be said
that he passed every examination at least twice: for he passed it in his
dreams on the night before and expended all his energy, so that he had none
left for the real examination.
But he did not even reach the _viva voce_, the very thought of which had
sent him into a cold sweat the night before. In the written examination on
a philosophical subject, which at any ordinary time would have sent him
flying off, he could not even manage to squeeze out a couple of pages in
six hours. For the first few hours his brain was empty; he could think of
nothing, nothing. It was like a blank wall against which he hurled himself
in vain. Then, an hour before the end, the wall was rent and a few rays of
light shone through the crevices. He wrote an excellent short essay, but it
was not enough to place him. When Antoinette saw the despair on his face as
he came out, she foresaw the inevitable blow, and she was as despairing as
he: but she did not show it. Even in the most desperate situations she had
always an inexhaustible capacity for hope.
Olivier was rejected.
He was crushed by it. Antoinette pretended to smile as though it were
nothing of any importance: but her lips trembled. She consoled her brother,
and told him that it was an easily remedied misfortune, and that he would
be certain to pass next year, and win a better place. She did not tell
him how vital it was to her that he should have passed, that year, or how
utterly worn out she felt in soul and body, or how uneasy she felt about
fighting through another year like that. But she had to go on. If she were
to go away before Olivier had passed he would never have the courage to go
on fighting alone: he would succumb.
She concealed her weariness from him, and even redoubled her efforts.
She wore herself to skin and bone to let him have amusement and change
during the holidays so that he might resume work with greater energy and
confidence. But at the very outset her small savings had to be broken into,
and, to make matters worse, she lost some of her most profitable pupils.
Another year!... Within sight of the final ordeal they were almost at
breaking-point. Above all, they had to live, and discover some other means
of scraping along. Antoinette accepted a situation as a governess in
Germany which had been offered her through the Nathans. It was the very
last thing she would have thought of, but nothing else offered at the time,
and she could not wait. She had never left her brother for a single day
during the last six years: and she could not imagine what life would be
like without seeing and hearing him from day to day. Olivier was terrified
when he thought of it: but he dared not say anything: it was he who had
brought it about: if he had passed Antoinette would not have been reduced
to such an extremity: he had no right to say anything, or to take into
account his own grief at the parting: it was for her to decide.
They spent the last days together in dumb anguish, as though one of them
were about to die: they hid away from each other when their sorrow was too
much for them. Antoinette gazed into Olivier's eyes for counsel. If he had
said to her: "Don't go!" she would have stayed, although she had to go. Up
to the very last moment, in the cab in which they drove to the station,
she was prepared to break her resolution: she felt that she could never go
through with it. At a word from him one word!... But he said nothing. Like
her, he set his teeth and would not budge.--She made him promise to write
to her every day, and to conceal nothing from her, and to send for her if
he were ever in the least danger.
* * * * *
They parted. While Olivier returned with a heavy heart to his school, where
it had been agreed that he should board, the train carried Antoinette,
crushed and sorrowful, towards Germany. Lying awake and staring through the
night they felt the minutes dragging them farther and farther apart, and
they called to each other in whispering voices.
Antoinette was fearful of the new world to which she was going. She had
changed much in six years. She who had once been so bold and afraid of
nothing had grown so used to silence and isolation that it hurt her to
go out into the world again. The laughing, gay, chattering Antoinette of
the old happy times had passed away with them. Unhappiness had made her
sensitive and shy. No doubt living with Olivier had infected her with his
timidity. She had had hardly anybody to talk to except her brother. She was
scared by the least little thing, and was really in a panic when she had to
pay a call. And so it was a nervous torture to her to think that she was
now going to live among strangers, to have to talk to them, to be always
with them. The poor girl had no more real vocation for teaching than her
brother: she did her work conscientiously, but her heart was not in it, and
she had not the support of feeling that there was any use in it. She was
made to love and not to teach. And no one cared for her love.
* * * * *
Nowhere was her capacity for love less in demand than in her new situation
in Germany. The Grünebaums, whose children she was engaged to teach French,
took not the slightest interest in her. They were haughty and familiar,
indifferent and indiscreet: they paid fairly well: and, as a result, they
regarded everybody in their payment as being under an obligation to them,
and thought they could do just as they liked. They treated Antoinette as a
superior sort of servant and allowed her hardly any liberty. She did not
even have a room to herself: she slept in a room adjoining that of the
children and had to leave the door open all night. She was never alone.
They had no respect for her need of taking refuge every now and then
within herself--the sacred right of every human being to preserve an inner
sanctuary of solitude. The only happiness she had lay in correspondence and
communion with her brother: she made use of every moment of liberty she
could snatch. But even that was encroached upon. As soon as she began to
write they would prowl about in her room and ask her what she was writing.
When she was reading a letter they would ask her what was in it: by their
persistent impertinent curiosity they found out about her "little brother."
She had to hide from them. Too shameful sometimes were the expedients to
which she had to resort, and the holes and crannies in which she had to
hide, in order to be able to read Olivier's letters unobserved. If she left
a letter lying in her room she was sure it would be read: and as she had
nothing she could lock except her box, she had to carry any papers she did
not want to have read about with her: they were always prying into her
business and her intimate affairs, and they were always fishing for her
secret thoughts. It was not that the Grünebaums were really interested in
her, only they thought that, as they paid her, she was their property. They
were not malicious about it: indiscretion was with them an incurable habit:
they were never offended with each other.
Nothing could have been more intolerable to Antoinette than such espionage,
such a lack of moral modesty, which made it impossible for her to escape
even for an hour a day from their curiosity. The Grünebaums were hurt by
the haughty reserve with which she treated them. Naturally they found
highly moral reasons to justify their vulgar curiosity, and to condemn
Antoinette's desire to be immune from it.
"It was their duty," they thought, "to know the private life of a girl
living under their roof, as a member of their household, to whom they
had intrusted the education of their children: they were responsible for
her."--(That is the sort of thing that so many mistresses say of their
servants, mistresses whose "responsibility" does not go so far as to
spare the unhappy girls any fatigue or work that must revolt them, but
is entirely limited to denying them every sort of pleasure.)--"And that
Antoinette should refuse to acknowledge that duty, imposed on them by
conscience, could only show," they concluded, "that she was conscious
of being not altogether beyond reproach: an honest girl has nothing to
conceal."
So Antoinette lived under a perpetual persecution, against which she was
always on her guard, so that it made her seem even more cold and reserved
than she was.
Every day her brother wrote her a twelve-page letter: and she contrived to
write to him every day even if it were only a few lines. Olivier tried hard
to be brave and not to show his grief too clearly. But he was bored and
dull. His life had always been so bound up with his sister's that, now that
she was torn from him, he seemed to have lost part of himself: he could
not use his arms, or his legs, or his brains, he could not walk, or play
the piano, or work, or do anything, not even dream--except through her. He
slaved away at his books from morning to night: but it was no good: his
thoughts were elsewhere: he would be suffering, or thinking of her, or of
the morrow's letter: he would sit staring at the clock, waiting for the
day's letter: and when it arrived his fingers would tremble with joy--with
fear, too--as he tore open the envelope. Never did lover tremble with more
tenderness and anxiety at a letter from his mistress. He would hide away,
like Antoinette, to read his letters: he would carry them about with him:
and at night he always had the last letter under his pillow, and he would
touch it from time to time to make sure that it was still there, during
the long, sleepless nights when he lay awake dreaming of his dear sister.
How far removed from her he felt! He felt that most dreadfully when
Antoinette's letters were delayed by the post and came a day late. Two
days, two nights, between them!... He exaggerated the time and the distance
because he had never traveled. His imagination would take fire:
"Heavens! If she were to fall ill! There would be time for her to die
before he could see her ... Why had she not written to him, just a line or
two, the day before?... Was she ill?... Yes. She was surely ill ..." He
would choke.--More often still he would be terrified of dying away from
her, dying alone, among people who did not care, in the horrible school,
in grim, gray Paris. He would make himself ill with the thought of it....
"Should he write and tell her to come back?"--But then he would be ashamed
of his cowardice. Besides, as soon as he began to write to her it gave him
such joy to be in communion with her that for a moment he would forget
his suffering. It seemed to him that he could see her, hear her voice: he
would tell her everything: never had he spoken to her so intimately, so
passionately, when they had been together: he would call her "my true,
brave, dear, kind, beloved, little sister," and say, "I love you so."
Indeed they were real love-letters.
Their tenderness was sweet and comforting to Antoinette: they were all the
air she had to breathe. If they did not come in the morning at the usual
time she would be miserable. Once or twice it happened that the Grünebaums,
from carelessness, or--who knows?--from a wicked desire to tease, forgot to
give them to her until the evening, and once even until the next morning:
and she worked herself into a fever.--On New Year's Day they had the same
idea, without telling each other: they planned a surprise, and each sent a
long telegram--(at vast expense)--and their messages arrived at the same
time.--Olivier always consulted Antoinette about his work and his troubles:
Antoinette gave him advice, and encouragement, and fortified him with her
strength, though indeed she had not really enough for herself.
She was stifled in the foreign country, where she knew nobody, and nobody
was interested in her, except the wife of a professor, lately come to
the town, who also felt out of her element. The good creature was kind
and motherly, and sympathetic with the brother and sister who loved each
other so and had to live apart--(for she had dragged part of her story
out of Antoinette):--but she was so noisy, so commonplace, she was so
lacking--though quite innocently--in tact and discretion that aristocratic
little Antoinette was irritated and drew back. She had no one in whom she
could confide and so all her troubles were pent up, and weighed heavily
upon her: sometimes she thought she must give way under them: but she set
her teeth and struggled on. Her health suffered: she grew very thin. Her
brother's letters became more and more downhearted. In a fit of depression
he wrote:
"Come back, come back, come back!..."
But he had hardly sent the letter off than he was ashamed of it and wrote
another begging Antoinette to tear up the first and give no further thought
to it. He even pretended to be in good spirits and not to be wanting his
sister. It hurt his umbrageous vanity to think that he might seem incapable
of doing without her.
Antoinette was not deceived: she read his every thought: but she did not
know what to do. One day she almost went to him: she went to the station to
find out what time the train left for Paris. And then she said to herself
that it was madness: the money she was earning was enough to pay for
Olivier's board: they must hold on as long as they could. She was not
strong enough to make up her mind: in the morning her courage would spring
forth again: but as the day dragged towards evening her strength would fail
her and she would think of flying to him. She was homesick,--longing for
the country that had treated her so hardly, the country that enshrined all
the relics of her past life,--and she was aching to hear the language that
her brother spoke, the language in which she told her love for him.
Then it was that a company of French actors passed through the little
German town. Antoinette, who rarely visited the theater--(she had neither
time nor taste for it)--was seized with an irresistible longing to hear her
own language spoken, to take refuge in France.