CHAPTER IV

The tent was standing, just as he had left it on Sunday. There seemed to

be a disconsolate, pathetic droop in the limp folds of the ragged

canvas. Pathos and expression are not confined to living things. Some

inanimate objects are invested with joy, others with a heritage of woe.

A deserted digger's tent is the mournfullest thing in the world, the

embodiment of misery in every fibre--desolation painted on canvas, as

never limner's brush equalled.

He unpinned the tent flap and looked in. He almost expected to see the

dead man, prone on the bed, staring with glassy eyes at the ridge-pole.

He went into the tent and sat down on a block of wood which had served

as a seat. Then he took the portrait from his pocket, and pinned it in

the place where he had found it. He examined the diagram once more, and

tried to get at the heart of it. It had a story to tell--a riddle might

be guessed from it. He was here to learn what fate would unfold.

The sun was going down full of fire: long, inky shadows were creeping up

the hills. Bill watched one of them going, inch by inch, nearer and

nearer to the rim of the Devil's Punch Bowl, when, lo! just at the edge,

hit by the last patch of red, stood a tree, with two branches touching

the ground, as in the diagram, one on either side, as if two men were

hanging there.

"That is the tree, at any rate," he said. "Happy discovery! I'm on the

track!"

Darkness began to come down like a shroud; a dingo howled up the gulley;

a gun cracked in the distance, and echoed among the hills; a bittern

boomed its dreary call; and a mopoke drawled its woebegone cry.

Everything was weird and uncanny. Bill's hearing seemed preternaturally

acute to-night. The sounds thrilled every nerve; he felt them in his

bones and marrow. He was unutterably wretched, up here, above

civilisation, warmth, and human society. He feared to be alone in the

dead man's tent.

He had been pushed into his present position--mere clay in the hands of

a higher Power. He felt in the presence of his Maker. He went into the

tent, groped about for a candle, lit it, and fell upon his knees. When

he arose there was a great peace in his soul. He was not doing his own

will, but the will of Him who had sent him here for some purpose not yet

apparent. It was hidden, but he had no doubt it would be made plain. It

would develop as a bird develops in the shell.

He was tired, so he unwrapped his blankets, spread them on the bed,

undressed himself, lay down, and was soon fast asleep.

When he awoke the sun was up, and shining cheerily through the thin

canvas. Three magpies were chattering on the ridge-pole, telling the

news of the night and all talking at once--all mouth and noise, like a

cannon on the Queen's birthday, or like boys let loose from

school--plenty of shouting, but no listening; pearls of wisdom dropping,

and no one picking them up.

He rose, and made a fire by the side of a log; then filled the kettle

and put it on; then he went to the creek and had a wash. He felt fresh

as a trout, and sat down to wait till the steam came out of the hole in

the lid of the kettle. In the meantime chops were frizzling in the pan.

His appetite was in a state of exultation.

After breakfast he washed up, and was then ready to dive into the

mystery wrapped up in the diagram. He stood silent for a few minutes in

expectation, as nature stands hushed when waiting for a thunder shower.

Spreading the diagram on his knee, he pored over it for half an hour. He

was at a standstill. There was a deadlock. He had got the clue to one

end of the line, for the tree was on the hillside clearly enough,

corresponding exactly with the tree on the drawing; but what was the

triangle at the other end of the line? He tried to imagine a three-sided

figure, composed of the creek, a fallen log, and an outcrop of the rock;

but he gave it up as a bad job, the lines being more like a dog's hind

leg than a triangle. He spelled triangle over and over again. Nothing

came of it. He was fairly cornered at every point. He cuffed and

whipped his brains to no purpose.

At last he looked up, and his weary eyes rested on the tent. Viewed from

the front it had a triangular shape.

"Fool!" he said, "not to see it before."

A line projected from the tent to the tree would give the line in the

diagram.

"Now," he thought, "I must walk over the ground and find out whether the

old man intended the figures to be 45 or 65, and whether he measured

from the tree or the tent." He jumped up, placed himself in a bee-line

between the tent and the tree, and walked fifteen paces, each of which

he believed to be three feet. This distance would make forty-five feet.

Then he looked for some indication, some mark or sign. There was nothing

to indicate that man had ever disturbed this solitude. Forty-five was

evidently not the distance. He would try sixty-five; so he paced to

about this distance and stopped, but could see nothing unusual--nothing

to guide him. He felt like a blind man groping his way in the Sahara.

Nuggets in the Devil's Punch Bowl, and Other Australian Tales · 第 4 / 8 章