Chapter 14:

An era of free sheeters

Miguel BraganzaHaving an educated father with a flair for speaking and

writing helps : Miguel's is a typical case study. As a

school student of St.Britto, his contributions to the

school magazine were like a celebrity column -- ghost

written by his father! His first original contribution

to the printed word was in a tabloid, bilingual 'free

sheeter' of sorts called the 'Vanguard' ('O Vanguardo')

in the mid 1970s. While at the University of

Agricultural Sciences,Bangalore, he was a

founder-member of the "Writers' Club" and one-time

Editor of the FYM: the Farm Yard

Manure..ooops...Magazine. Since then, Miguel has been

Goa University's first and only Garden Superintendent.

He took to writing more seriously after getting in

touch with journos in local newsrooms. He became the

first Consulting Editor of the Mapusa Plus free-sheeter

in July 2001.

Just imagine a user-driven economy in which the user

has to only pay attention; absolutely nothing else.

This improbable scenario has arrived in an increasingly

consumerist society with the birth of the 'free sheeter

', now making their presence felt in Goa too.

Unlike the mainstream broad-sheet and tabloid

newspapers, the user can take home a free-sheeter free

of cost and with no obligation, save the ethical one to

read it. There is no fine print to this free offer. The

offer does not read 'Do not pay anything for it now'

nor 'Nothing free'. The reader obtains a copy of the

free sheeter absolutely free of any financial

consideration, present or future.

There is also a greater freedom of expression in a free

sheeter since the publication is not tied to the apron

strings of a business house or interest group with

vested interests. The degree of freedom available to

the editor is almost boundless, though within the

limits of decency, propriety and libel laws. The editor

cannot be allowed to declare freedom from good sense

and decency. This is possible only because of the

multifaceted funding base that finances the free

sheeter and, often, the dedication of the editorial

team. A free-sheeter does not have to toe a line that

many of its bigger cousins make their way of life.

What is a free-sheeter?

A simple description of a free-sheeter is a periodical

(daily, weekly, fortnightly or monthly) that is made

available to its readers at no financial consideration

whatsoever in terms of price, subscription, membership

or donation. (I will attempt no further definition and

I do not know is a proper definition exists for a free-sheeter.)

The lowest frequency expected of a free-sheeter is an

issue a month. Frequencies less than that tend to

render a free-sheeter irrelevant and it cannot sustain

its readership. It is the readership that justifies the

existence of a free sheeter and helps to draw funds to

finance its publication. The existence of the

readership is the raison d'etre of a free-sheeter.

News Content: People do not lose interest in issues

just because the mainstream newspapers and tabloids do

not carry them on their front-pages. There is always an

interest in the 'positive' things happening around us.

There is as much interest in the fisherman who saved

six persons from drowning as there is in the one person

that drowned while swimming at a beach side resort. The

drowning hogs the headlines in the mainstream

newspapers and tabloids. There is 'space' in the

free-sheeter to portray the hero of the event, the

humble fisherman who saved six lives. People want to

read about him even if he saved them simply because of

an impulse, or just because he could not bear to see

them die! Bravery and courage do not need to be

pre-qualified or rationalized. Brave deeds have a

readership in the land of Rana Pratap, Rani of Jhansi

and Shivaji, just as in the land of Napoleon Bonaparte

or George Washington or Nelson Mandela or Winston Churchill.

Local news is another 'blind spot' in mainstream

newspapers. This is often the result of the need to

make the newspaper meaningful to a wider readership.

You cannot focus on details when using a wide-angle

lens in your camera. The same holds good for a

newspaper. The free-sheeter, on the other hand, can be

like the 'camera lucida' and put local issues under the

microscope and draw out all the minute details.

While the newspaper only sees a fine air-conditioned

restaurant with a fantastic menu, the free-sheeter can

note that the cook uses the same broom to sweep the

floor and also to dispense oil on the king-sized hot

plate for making your favorite 'dosa'. A good

free-sheeter can give you the details that most

newspapers have no access to. In the local context, a

free-sheeter has an advantage.

The editorial team of a free-sheeter normally comprises

of local people. It is, thus, in a better position to

understand local nuances, culture and tradition. For

example, a woman who is topless may cause a riot in our

metropolitan cities; in some tribal areas, remote

Polynesian communities or the beach-front from Hawaii

to the Riviera, a topless woman may not even cause

anyone to raise an eyebrow, except if she is

exceedingly beautiful! The local perspective makes a

free-sheeter interesting to the local readership

because they can identify with it.

Local issues are of great interest to local readership.

What is being done about the water pipeline leak is

important to those living on the first floor of

buildings in the locality. Poor pressure in the

pipeline means that the water will have to go to a sump

and then be pumped up. Besides the cost, time and

effort, this could also lead to increased contamination

of water. A small pipeline leak in a neighbourhood has

no news value to a mainstream newspaper. It means the

world to the people in the locality that is affected.

Such issues have local news value and, hence, the

justification of a greater emphasis on local

readership. This is where a free-sheeter can step in.

Editorial Content: The right place to express one's

views is in the editorial and in the feed-back column.

It may be regarding the news or current issues or some

other matter of importance to the readers at that point

of time. The fact that a significant section of the

readership skips reading the editorial should make the

editors sit up and assess the relevance of the

editorials they write, or get written on their behalf.

Just as the front page is the 'face' of the periodical,

the editorial should be its 'heart', not a vestigial

organ like the appendix.

In the free-sheeter context, it would be appropriate to

put the editorial through the 'Four Way Test': "1. Is

it the truth? 2. Is it fair to all concerned? 3. Will

it built goodwill and better friendship? 4. Will it be

beneficial to all concerned?" The editorial is about

opinions. The editor's views should not create ill-will

between possible groups in the local milieu. It can

have disastrous consequences for both, the readers and

the publishers.

Advertorial Content: The term 'advertorial' is fairly

new to me. It is the presentation of an advertisement

'outside the box'. The advertorial content of many

periodicals, both free and paid, has evolved so rapidly

that it is sometimes difficult it to separate it from

the news items. The 'lakshman rekha' (sacrosanct

dividing line) between the two has even blurred further

and some journalists palm off advertorials as 'news'.

The 'line of control' may have to be redefined before

newspapers become like the souvenirs issued at various

social events -- comprising almost entirely of

advertisements. This is specially true for a

free-sheeter that depends solely on advertising to

finance its publication. The temptation is great. Yield

to it with open arms and you will perish.

Advertisements: Front page advertisements vie with the

news items for space. Sometimes, the fascination with

the ear panels diminishes the prominence of even the

mast-head, the very name of the publication. Since the

cost of a front page advertisement is double (or more)

that of one on the inside pages, the temptation is to

accept maximum number of front page advertisements. It

is a constant battle between funds and readability,

between wealth and credibility. It is not rare to see

Mammon win the battle and it shows on the 'face' of the

free-sheeter that has two-thirds advertisements and

just one-third news content on page one.

Mast-head: The mast-head is the name-plate of the

periodical. Unlike the name of a person, whose traits

we do not know at birth, the name of a newspaper is

indicative of its purpose or focus. (For example, the O

Heraldo was the harbinger of news in Goa during the

pre-Liberation era and continues to this day with a

Goan accent; the Navhind Times brought in more national

level -- and nationalist -- news after 1961 ,while the

Gomantak Times has more of a state level flavor.)

Among the free-sheeters published in Goa, Vasco Watch

keeps a watchful eye on the happenings in Vasco while

the Plus group sheds 'positive light' on Mapusa,

Panaji, Margao and Ponda. A lot of thought goes into

condensing of the 'mission statement' of a newspaper or

periodical into two or three, easy-to-remember words.

The name seems easy in hindsight, but requires

considerable foresight and thinking to arrive at.

The mast-head must not only be good, it must look good,

too.

Proper designing of the mast-head, including the

selection of the font, is imperative. Ideally, the

mast-head should not be changed during the lifetime of

the periodical, even if the page design and layout is

changed to increase its visual appeal. The mast-head

must be the single-most prominent item on page one. All

attributes of the publication must be associated with

its mast-head. Once you see it, you must remember its

worth, its credibility and its readability.

Footer: The footer of a newspaper or free-sheeter comes

in fine print at the bottom of the last page. It is

inconspicuous to the casual reader. It gives the

details of the publisher, editor(s) and printer. This

is mandatory by law. In libel and defamation cases,

these names become the 'defendants' along with the

correspondent under whose by-line the news was

published. The Advertisements Standards Council of

India (ASCI) also knows who, besides the advertiser, to

go after for violation of the law. The footer also

gives the registration number of the newspaper with the

Registrar of Newspapers (RNI). Every free-sheeter has

to apply for registration through the District

Collector. The organization distributing and issuing

the free-sheeter is not free from responsibilities. The

footer is an acknowledgment that it knows its business

and how to mind it.

Organization: A free-sheeter is not like a

free-wheeling collection of articles and news reports.

Like any periodical it has to be organized into

sections like current news, issues, campus and club

news, entertainment, competitions, brain teasers, and

the like. Such a grouping of information makes it

easier to find the item one is looking for. A person

will first glance through the page that is likely to

contain information of interest to him or her. If it is

interesting, the copy will be picked up. Free-sheeters

are generally not 'delivered' at home; so each issue

has to pass the clinical test of reader's interest.

Layout: A tasty dish that is not presented well may be

left untouched on the buffet table. The same is the

case with a free-sheeter at the news stands or

distribution counter. It is not a monopoly. People who

have a choice exercise it. A good blend of visuals

(photos, illustration, and the like) and text makes a

copy appealing. Even advertisements can be used to

achieve this. If the publication has access to a layout

artist, it helps.

Advent of Free sheeters in Goa

Perhaps the first free-sheeter to hit Goa was Vasco

Watch, edited by Cmdr (Retd) A. Narayanan who is

associated with the group Citizen's Watch. His attempt

at Margao News was not half as successful, basically

because there was no significant local involvement and

input in Margao. Local involvement is the essence of a

free-sheeter. Perhaps, the Salcete News spread the

'local' context too wide and did not do too well, either.

Coming to North Goa, the pioneer was Panjim Pulse. In

my opinion it did not place its finger properly on the

pulse of the citizens in this thriving town and its

municipal council (now corporation). Its readership

should have crossed the ten thousand copies mark by

now, but the Panjim Pulse is nowhere to be seen. It

does not have a 'presence' that is so important for

survival. More than a year later came Panjim Plus,

which is doing reasonably well as a monthly

newsmagazine. Obviously, it could do better. Panaji is

such a 'happening' place that a weekly free-sheeter

could grow comfortably covering the cultural events,

exhibitions, sales, educational scene, etc. Perhaps,

the would-be journalists from the non-formal courses in

journalism at the Mushtifund Institute and elsewhere

will 'jam-up' to fill this void sooner rather than later.

The Plus series began with the Mapusa Plus on July 04,

2001, first as a fortnightly and later, after crossing

the quarter-century mark, as a monthly newsmagazine.

The trigger for this paper was a college student,

Rohini Swamy, who made a foray into journalism like a

meteor. She did so, before moving off as quickly, after

moving through a couple of local newsrooms. (Rohini is

back reporting for an outstation TV network, posted in

Goa.) It was Sapna Sardesai who sustained Mapusa Plus

production, while her co-directors in Wordsworth Communications

Ltd. led by Lester Fernandes generated the revenues by

'marketing' advertisement space. This writer have been

associated with this free-sheeter as its consultant

editor and mid-wife from the very first issue. Two

years and a little re-structuring later, the labour

pains are visible in Mapusa Plus, but, after 35 odd

issues, I do not know whether the issue will be

delivered or aborted. There is little that a midwife

can do if there is a congenital complication.

The Plus group also entered the Margao area

simultaneously with Panjim in December 2001. The Margao Plus

is as robust as its publisher, Roque Fernandes. From

August 2003, he has fathered the Ponda Plus through a

new partner, Diamond Publications. The Ponda Plus is

the first free-sheeter to start off with glossy art

paper and colour printing, not the humble black

printing on grey newsprint paper of all its

forerunners. It has got no competitors in its class in

Goa. The Ponda Plus has raised the ante. It has got

class, it has got good readership and it is still free.

Hard work pays, hard sell pays better. Roque is doing

both: hard work and hard sell. The results are visible

in black and white -- and in colour! The challenge now

is to do better than that and still be free.

What makes a free-sheeter tick: Ask any good physician

and he (or, as per the recent trend in MBBS graduation,

she) will tell you that one's circulation must be good.

Whether it is blood, air or free-sheeter, your health

depends on its 'circulation'. There is no other way. A

well produced free-sheeter is easier to circulate

because it is free. Once it has attracted the attention

and reached the hands of a potential reader, it will be

glanced through even if it is not read in detail.

That is a wonderful way to deliver a well-designed

advertisement to a potential buyer of any goods or

services. It makes more sense for a local shopkeeper or

institution to advertise in a 'local' free-sheeter than

a state-wide newspaper with ten times bigger

circulation (and, subsequently, far higher advertising

rates). Most free-sheeters have a circulation of 3,000

to 5,000 copies, a figure which ranks better than some

mainstream newspapers in Goa. A free-sheeter is a

better vehicle, less expensive and less bothersome to

handle than a 'flier' inserted in a newspaper for local

distribution. A flier is often discarded unread. Not so

with a free-sheeter. It pays to advertise in a

free-sheeter. The advertisements pay to keep the

free-sheeter alive and free.

Miguel Braganza Consultant Editor & Horticulturist,

Mapusa Goa.

Behind the News: Voices from Goa's Press · 第 14 / 20 章